Basic Setting - Roland SH-1 Instruction Manual

synthesizing
sounds
7.
VARIATIONS
IN
TONE COLOR CHANGES
- VIOLIN
BASIC SETTING
FOR VIOLIN
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When
synthesizing
sounds with the synthe-
sizer,
it
is
recommended
to
start
with
a
setting for the
sound
of
a
conventional
acoustica!
instrument,
then proceed to
make
variations
on that
sound. This
method
is
very effective for
becoming
familiar
with
synthesizer functions
as
wet! as
with the
actual synthesis of
sounds
you
like.
The Sound Examples
in this
manual include
settings for
18 acoustical
instruments.
By
gradually modifying the
sounds
into
variations,
a
large
number
of
sounds can be
produced.
What
follows
is
an example
of the
method
to use
in
producing
variations.
VARIATION
OF BASIC
SETTING
The
setting at
the top of
this
page
is
an
example
of a setting
for a violin
sound.
Try
to
make some
variations
on
this.
First
change the
depth and speed
of vibrato,
portamento and
autobend
effects.
The
resulting
sound
will
be
fairly
different
from
that of the basic
setting.
Then
change the range
and waveform,
which
will
greatly
vary the
sound.
With
the settings
shown
in
(3),
the
waveform
is
set at
IU
and modulated by
the
IFO,
which
will
cause a largely
"electronic"
sound.
When
the range
is
changed
greatly,
the
sound
will
become
quite different (for
example,
bass
sound at 32'.)
Now,
change the
VCF
settings as
shown
in
(4).
The
result will be
a
completely
dif-
ferent,
new
sound unique
to
the synthesizer.
Use
8'
or
16'
PWM
wave
(setting
of
(3))
to
produce
interesting
tone color.
1
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Effect of Pitch Variation
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2.
Changing the Range
3.
Changing
the
Waveform
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4.
Changing the
VCF
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