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Operation - Pioneer RG-9 Operating Instructions Manual

Rg dynamic processor
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OPERATION
P R I O R T O S W I T C H I N G P O W E R O N
Set the controls and switches to the following positions
b e f o r e o p e r a t i n g t h e m o d e l R G - 9 .
1 . S e t t h e d y n a m i c e x p a n s i o n s e l e c t o r t o 1 0 .
2 . S e t t h e i n p u t l e v e l c o n t r o l t o t h e c e n t e r p o s i t i o n ( 5 ) .
3. Set the tape monitor switch to OFF (released).
4. Set the processor switch to OFF (released).
5. Set the tape monitor switch (which is related to the
T A P E j a c k s c o n n e c t i n g t h e R G - 9 ) o n t h e s t e r e o a m p l i -
f i e r t o O N .
O P E R A T I O N P R O C E D U R E
1 . P l a y t h e p r o g r a m s o u r c e o n t h e s t e r e o a m p l i f i e r , a n d
listen to the sound without the expansion effect.
2. Depress the processor switch (ON).
3. Rotate the input level control and set it so that the
indication on the dynamic expansion meter is brought
to its widest.
F o r i n s t a n c e , w h e n t h e d y n a m i c e x p a n s i o n s e l e c t o r i s
s e t t o t h e ' 1 0 " p o s i t i o n , a d j u s t s o t h a t t h e d i s p l a y
i n d i c a t e s u p t o 1 0 w h e n a h i g h i n p u t s i g n a l i s f e d i n
( S e e F i g . 3 ) .
4. Adjust the volume control on the stereo amplifier for
s u i t a b l e v o l u m e .
5. Operate the dynamic expansion selector and set it to the
p o s i t i o n ( 4 , 7 , 1 0 , 1 3 , 1 6 ) w h e r e t h e d e s i r e d e x p a n s i o n
is obtained.
6. Adjust the volume and tone controls on the stereo
a m p l i f i e r f o r d e s i r e d v o l u m e a n d t o n e .
D y n a m i c E x p a n s i o n M e t e r
MAX
4dB
7dA
tOdB
13dB
t6dB
- r
l t
l t
l t
a O i !
a a
D n
L E V E L ( d B )
1
7
1 0
1 3
1 6
R
- -
r . t r t l l t a ! ! D O ! a a
F i s . 3
U S I N G A T A P E D E C K
B y s e t t i n g t h e t a p e m o n i t o r s w i t c h o n t h e s t e r e o a m p l i f i e r
t o O N , a n d t h e p r o c e s s o r s w i t c h o n t h e R G - g t o O F F ,
the tape monitor switch on the RG-g can be operated in
p l a c e o f t h a t o n t h e s t e r e o a m p l i f i e r . T h e s i g n a l a t t h e R G - 9
TAPE REC jacks bypasses the processor.
When Employing the Processor for Tape playback
1 . D e p r e s s t h e t a p e m o n i t o r s w i t c h ( O N ) .
2 . D e p r e s s t h e p r o c e s s o r s w i t c h ( O N ) .
3 . O t h e r o p e r a t i o n s a r e t h e s a m e a s d e s c r i b e d i n , , O p E R A -
T t o N " .
F O R M A X I M U M E N J O Y M E N T
RG-9 Effect on music source
T h e R G - 9 i n c r e a s e s t h e l e v e l v a r i a t i o n s i n t h e m u s i c s o u r c e .
High level and percussive material such as jazz and rock are
best played at the dynamic expansion selector settings of
1 0 , 1 3 , 1 6 d B , w h i l e d e l i c a t e m u s i c s u c h a s i n s t r u m e n t a l
s o l o s a n d c h a m b e r m u s i c c a n b e g i v e n a n u n n a t u r a l e f f e c t i f
too much expansion is used, so the 4 to 1OdB settings are
recomrnended for this type of program. Other factors such
as room acoustics also affect the choice of setting, but with
the range of settings provided almost all recorded material
w i l l b e n e f i t f r o m t h e u n i q u e p r o c e s s i n g a v a i l a b l e i n t h i s
u n i t .
Changes in the ambience
The RG-9 serves to expand the dynamic range of the music
source. Whenever there is a difference between the levels
o f t h e l e f t a n d r i g h t c h a n n e l i n p u t s i g n a l s , t h i s d i f f e r e n c e i s
e x p a n d e d .
Say, for instance, the difference between the left and right
l e v e l s i s 2 d B . T h i s i s e x p a n d e d t o 4 d B o r 6 d B . T h i s i n t u r n
t r a n s l a t e s i n t o a c h a n g e i n t h e a m b i e n c e o f t h e s o u n d a s
h e a r d b y t h e l i s t e n e r . W i t h a m u s i c s o u r c e a r r a n g e d l i k e t h a t
i n F i g . 4 , a n i n t e r e s t i n g e f f e c t i s o b t a i n e d w h e r e b y t h e
position of the vocalist at the center moves to the left and
r i g h t a l o n g w i t h t h e f l u c t u a t i o n s i n t h e d i f f e r e n c e b e t w e e n
t h e l e f t c h a n n e l ( b a s s ) a n d r i g h t c h a n n e l ( p i a n o ) .
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Fis. 4
M E T E R I N T E R P R E T A T I O N
T h e m e t e r i n d i c a t e s t h e i n s t a n t a n e o u s
m a x i m u m d y n a m i c
e x p a n s i o n a m o u n t i n d B . M a x i m u m m e t e r d e f l e c t i o n s a r e
4 , 7 , 1 0 , 1 3 , 1 6 d B a c c o r d i n g t o t h e d y n a m i c e x p a n s i o n
s e l e c t o r s e t t i n g . P a r t i a l m i x i n g o f L a n d R c h a n n e l s i g n a l s
causes both meters to deflect even with only one channel
input. However, the separation does not change with stereo
r e p r o d u c t i o n .
I
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p r a n o

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