Korg PS60 Parameter Manual page 21

Oscillator
These parameters adjust the transpose, hold, and reverse
settings for oscillators 1 and 2 at the same time.
PtchStrtch (Pitch Stretch)
This special control increases the Oscillator "Tune" parame‐
ter while lowering the "Transpose" parameter. The result is
that the pitch stays the same, but the mapping of the sam‐
ples to the keys changes. You can use this to create interest‐
ing shifts in timbre.
Hold
Hold is like permanently pressing down on the sustain
pedal. In other words, notes continue to sound as if you
were holding down the key ‐ even after you lift your fingers
from the keyboard.
Be aware that unless you set "Sustain" to 0 for Amp EG1
(and also Amp EG2 if the program uses two oscillators), the
sound will continue indefinitely.
On: The Hold function is enabled.
Even if the Hold function is enabled, it might be dis‐
abled for a specific range of keys ( "Hold Bottom
Key" on page 23).
Off: Notes will play normally. This is the default setting.
Reverse
This switches "Reverse" on/off for all multisamples used by
both oscillators. If this is on, the waveform will play back‐
ward. By setting this to PROG, you can return the setting to
the program's original setting.
Tone parameters
Parameters from Filter/Amp to the LFO group allow you to
make overall modifications to the programʹs sound. (the
PS60 Editor allows full parameter editing.)
With the exception of "LFO1Stop" and "LFO2Stop," these
parameters are relative parameters. They adjust the value
relative to the setting specified by full parameter editing.
Some parameters in this group are interrelated with
control of certain MIDI CC messages. For these, an
indication such as "CC#74" appears following the
parameter value.
Filter/Amp
Here you can adjust filter and amp settings for oscillator 1
and 2.
Filter settings let you boost or attenuate specific frequency
regions of the sound.
Amp settings control the volume.
Note: Relative parameters are indicated by "Rel" following
the parameter value. Absolute parameters are indicated by
"Abs" following the parameter value. For more about these
parameters, please refer to "Relative (Rel) and Absolute
parameters" (page 21).
Filter
Cutoff (Filter Cutoff)
This scales the cutoff frequency of all of the filters at once. It
affects both Filters A and B.
Resonance (Filter Resonance)[–99...+99 (Rel, CC#71)]
This scales the resonance of all of the filters at once. It affects
both Filters A and B.
[–12...0...+12 (Rel)]
[Off, On]
[PROG, Off, On (Rel)]
[–99...+99 (Rel, CC#74)]
Flt EG Int (Filter EG Intensity) [–99...+99 (Rel, CC#79)]
This scales the effect of the Filter EG on the cutoff frequency.
It affects Filters A and B simultaneously.
‐99 means no modulation. +99 means maximum. Modula‐
tion is in the same direction, positive or negative, as the
original Program. For instance, if the original Program's
"EG Intensity" was set to ‐25, then setting this parameter to
+99 moves the "EG Intensity" to ‐99.
Amp
This parameter adjusts the amp velocity intensity for oscilla‐
tors 1 and 2 at the same time.
AmpVel Int (Amp Velocity Intensity) [–99...+99 (Rel)]
This scales the effect of velocity on the Amp level.
‐99 removes the velocity modulation entirely. +99 means
maximum modulation in the same direction, positive or
negative, as the original Program.
Audition
When you select a preload program, a previously specified
audition riff (phrase) appropriate for that sound can play.
Audition Riff No.
This selects the audition riff. The PS60 contains 383 audi‐
tion riffs that are suitable for a wide range of instrumental
sounds and musical styles.
If you choose 000: Off, no riff will play.
Note: You canʹt change the playback tempo of the audition
riff.
Transpose
This transposes the pitch of the audition riff in semitone
steps.
Quick OSC Common
[000: Off...383: name]
[-24...+24]
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