Korg PS60 Parameter Manual page 129

Filter LFO1/2 Intensity (page 41)
The LFO 1/2 filter modulation intensity can be controlled by
the EG, Common LFO, keyboard tracking, controller, or
tempo etc. You can use Intensity to A and Intensity to B to
independently specify the intensity for Filter A and B.
• If you select EG as the AMS, the auto‐wah effect
produced by LFO modulation will be controlled by the
changes in EG level. If you set Intensity to A and
Intensity to B to a positive (+) value, the wah effect will
deepen as the EG level rises, and will lessen as the EG
level falls. With negative (–) values of Intensity to A and
Intensity to B, the phase of the LFO will be inverted.
• If a controller such as a foot switch connected to the
DAMPER/PEDAL/SW1 or PEDAL/SW2 jack is selected
as "AMS," you can apply the auto‐wah effect by turning
on the foot switch only when you want the effect.
Filter Common LFO (page 54)
You can use the EG, LFO, keyboard tracking, controllers, or
tempo etc. to control the Common LFO filter modulation
intensity. You can use Intensity to A and Intensity to B to
specify the intensity separately for Filter A and B.
• You can set AMS to a controller, and use the controller
only when desired to control the depth of the filter
sweep produced by the Common LFO.
Amp (page 45)
The volume can be controlled by the pitch/filter EG, Com‐
mon LFO, controllers, or tempo etc.
• If an EG or controller that changes with a positive (+)
value (EXT(+)) is selected as the AMS, setting the
"Intensity" to +99 will allow you to increase the volume
to a maximum of eight times that of the current volume.
• If an EG, LFO, or controller that changes with a ± value
(Pitch EG, Filter EG, LFO, KT, EXT(+–) is selected as the
AMS, setting the Intensity to +99 will allow you to
increase the volume to a maximum of eight times that of
the current volume (for positive (+) changes of the AMS),
or to decrease the volume to zero (for negative (–)
changes of the AMS).
• In addition to the time‐variant changes in volume
produced by the amp EG, you can also make the volume
change in synchronization with the pitch/filter EG. Select
Pitch EG or Filter EG as the AMS, and adjust Intensity. If
you wish to cancel the effect of the Amp EG and use the
pitch/filter EG to control the volume, set all levels of the
Amp EG to +99.
Amp LFO1/2 Intensity (page 47)
The amp modulation intensity of LFO 1/2 can be controlled by the
EG, Common LFO, keyboard tracking, controllers, or tempo etc.
• If you select EG as the AMS, the depth of the tremolo
effect produced by LFO modulation will change in
synchronization with the changes in EG level. If you set
"Intensity" to a positive (+) value, the tremolo effect will
deepen as the EG level rises, and lessen as the EG level
falls. If "Intensity" is set to a negative (–) value, the phase
of the LFO will be inverted.
• If a foot switch connected to the DAMPER/PEDAL/SW1
or PEDAL/SW2 jack is selected as "AMS," you can apply
the tremolo effect by turning on the foot switch only
when desired.
Alternate Modulation Source (AMS) Alternate Modulation settings
Pan (page 45)
The oscillator pan can be controlled by the EG, LFO, key‐
board tracking, controllers, or tempo etc.
• If you select Note Number as the AMS and set
"Intensity" to +50, panning will be controlled by the
keyboard position: center at the C4 note, far right at C9
or above, and far left at C–1 or below.
• If EG is selected as the AMS, the oscillator pan will be
controlled in synchronization with the changes in EG
level. If "Intensity" is set to a positive (+) value, the pan
will move toward the right as the EG level increases, and
toward the left as the EG level decreases. If "Intensity" is
set to a negative (–) value, the opposite effect will occur.
EG Reset —
Pitch EG (page 33)
Filter EG (page 43)
Amp EG (page 49)
You can use the EG, LFO, keyboard tracking, controllers, or
tempo etc. to control EG Reset. Use the Threshold setting to
specify the AMS value at which result will occur.
• By setting AMS to Common LFO, you can reset the
envelope cyclically at the interval of the Common LFO.
The result is just as if the shape specified by the envelope
were being used as a special LFO.
• You can reset the envelope by setting AMS to a controller
such as JS+Y, and using the controller when desired,
producing a one‐shot filter envelope sweep.
EG Level —
Pitch EG (page 32)
Filter EG (page 42)
Amp EG (page 48)
EG levels can be controlled by the Common LFO, keyboard
tracking, controllers, or tempo etc.
You can specify an Intensity value for each EG segment
(Start, Attack, Break). If you set the Intensity value to +66,
you will be able to control the respective level over a maxi‐
mum range of ±99.
• Set AMS to Velocity for Amp EG Level Modulation,
Intensity Start to +00, Attack to +66, and Break to –66.
Set all Amp EG levels to +00. As you play with increasing
velocity, the EG levels will change more greatly. At the
maximum velocity, the Start Level will stay at +00, but
the Attack Level will change to +99 and the Break Level
will change to –99.
EG Time —
Pitch EG (page 32)
Filter EG (page 42)
Amp EG (page 48)
EG times can be controlled by the Common LFO, keyboard
tracking, controllers, or tempo etc.
You can specify an Intensity value for each EG segment
(Attack, Decay, Slope, Release). EG times are determined by
the Alternate Modulation value when the preceding point is
reached. For example, the Alternate Modulation value at the
moment the envelope reaches the attack level will deter‐
mine the decay time.
If Intensity is set to a value of 8, 17, 25, 33, 41, or 49, the cor‐
responding time can be multiplied by a maximum of 2, 4, 8,
16, 32, or 64 times (or divided by 1/2, 1/4, 1/8, 1/16, 1/32, 1/
64).
• Select JS +Y:CC#01 for AMS, and set AMS Intensity to +8,
"At" to +, "Dc" to –, and "Sl" and "Rl" to 0. When you
move the joystick in the +Y direction, the Attack Time
will be lengthened by a maximum of 2 times. The Decay
Time will be shortened by a maximum of 1/2. The Slope
and Release times will not change.
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