Yamaha 01V96i Reference Manual

Yamaha 01V96i Reference Manual

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Summary of Contents for Yamaha 01V96i

  • Page 1: How To Use This Reference Manual

    • For details on using other PDF-viewing software, refer to the owner’s manual of the software you’re using. Using the Function Tree A function tree for the 01V96i is provided on page 4 and fol- lowing. You can use this to quickly find the explanatory page you want.
  • Page 2: Table Of Contents

    Setting the Stereo Out and Bus Out 1–8 from the Control MIDI ..............100 Surface ................33 MIDI & the 01V96i ................ 100 Pairing Buses or Aux Sends ............33 MIDI Port Setup ................101 Attenuating Output Signals ............34 Assigning Scenes to Program Changes for Remote Recall ..
  • Page 3: Contents

    Welcome Dimensions Package Contents Options About the included discs About the included DAW software Rack Mounting the 01V96i Using RK1 Rack Mount Kit About the utility software Firmware updates Index About this Owner’s Manual 01V96i Block Diagram Conventions Used in this Manual 01V96i Level Diagram Control Surface &...
  • Page 4: Function Tree

    INPUT CH17-ST IN AUX BUS TO ST BUS TO STEREO 17-STI AUX VIEW PAN/ SURR MODE SURROUND MODE ROUTING SELECTED CHANNEL CH EDIT SURROUND EDIT SURR1-16 INPUT CH1-16 SURROUND INPUT CH17-32 SURR17-32 SURROUND SURR ST IN STEREO INPUT SURROUND 01V96i—Reference Manual...
  • Page 5: Fader Mode

    ST IN METER MASTER MASTER METER HOME EFFECT1-4 INPUT/OUTPUT (METER) EFFECT METER STEREO STEREO METER POSITION METER POSITION LAYER BUTTON FUNCTION PAGE NAME LINK 1-16 17-32 MASTER REMOTE USER DEFINED ProTools Nuendo Cubase General DAW USER ASSIGNABLE LAYER 01V96i—Reference Manual...
  • Page 6: Control Surface & Rear Panel

    USER DEFINED KEYS STEREO Channel Strip Section (p. 7) STEREO Section (p. 8) USER DEFINED KEYS Section (p. 9) Note: For details on the function of each item, refer to “Control Surface & Rear Panel” in the Owner’s Manual. 01V96i—Reference Manual...
  • Page 7: Ad Input Section

    Section [SEL] buttons [SOLO] buttons [ON] buttons CH5-8 CH9-12 PHANTOM +48V SOLO Channel faders -10dBV (UNBAL) PHONES MONITOR 2TR IN LEVEL LEVEL PHONES MONITOR 2TR IN/OUT connectors Monitor Source selector MONITOR LEVEL control PHONES LEVEL control PHONES jack 01V96i—Reference Manual...
  • Page 8: Stereo Section

    ST IN 2 [1–16]/[17–32] buttons LAYER [MASTER] button 1-16 17-32 MASTER REMOTE [REMOTE] button Tip: The ST IN section is not affected by the layer settings. FADER MODE Section [AUX 1]–[AUX 8] buttons [HOME] button FADER MODE HOME (METER) 01V96i—Reference Manual...
  • Page 9: Display Section

    [Q] control ENTER HIGH-MID [FREQUENCY] con- FREQUENCY LOW-MID trol [GAIN] control Parameter wheel GAIN [ENTER] button [DEC] & [INC] buttons Left, Right, Up, Down ([ ]/[ ]/[ ]) cur- sor buttons SOLO Section SOLO CLEAR [SOLO] indicator [CLEAR] button 01V96i—Reference Manual...
  • Page 10: Rear Panel

    WORD CLOCK IN connector AD Output Section ADAT IN/OUT connectors 2TR OUT DIGITAL COAXIAL 2TR IN DIGITAL COAXIAL MIDI/USB Section MONITOR OUT connectors L/R OMNI OUT connectors 1–4 STEREO OUT connectors L/R MIDI IN/THRU/OUT ports TO HOST USB port 01V96i—Reference Manual...
  • Page 11: Power Section

    Rear Panel SLOT Section SLOT Power Section POWER ON/OFF switch AC IN connector 01V96i—Reference Manual...
  • Page 12: Analog I/O & Digital I/O

    The phantom [+48V] switches on the rear panel turn on or off the +48V phantom power feed to the corresponding inputs. This chapter describes the 01V96i’s analog and digital input/output connectors as well as the basic operations • PAD switches involving the digital I/Os.
  • Page 13: Digital Inputs & Outputs

    Digital Inputs & Outputs The 01V96i top and rear panels feature output connectors The 01V96i rear panel features digital input and output con- that enable you to connect a monitoring system, effects pro- nectors that enable you to connect external digital devices.
  • Page 14: Converting Sampling Rates Of Signals Received At I/O Card Inputs

    Yamaha MY8-AE96S Digital I/O card. If you have installed slot. another type of I/O card in the slot, or if no card is installed in the 01V96i, the buttons in the SRC sections are disabled. Move the cursor to the desired input or slot button, then press [ENTER].
  • Page 15: Dithering Digital Outputs

    Magnetic tape device and mag- Magnetic called “dithering. ” netic disk device On the 01V96i, you can dither the 2TR Digital Outputs and D.Broadcast Digital broadcast reception Slot Outputs. For example, you can apply dithering to the Musical instrument, micro- 01V96i stereo mix data and record to a 16-bit digital recorder.
  • Page 16: Setting The Transfer Format For Higher Sampling Rates

    01V96i. For example, Clock page appears. this is useful when you want to receive 44.1 kHz digital signals from an external digital device while the 01V96i is Select INT88.2k or INT96k as the wordclock operating at 88.2 kHz.
  • Page 17: Input Channels

    The input Channel section enables you to adjust the level and routed to Aux Sends 1–8. The signals can be routed to tone of the signals input to the 01V96i (and the signals output Aux Sends from either the pre-fader or post-fader posi- from the internal Effects processors 1–4), and route the sig-...
  • Page 18: Setting The Input Channels From The Display

    L and R. • msec This parameter sets the delay time in milliseconds. • meter/feet/sample/beat/frame The delay time can be set using units of meters, feet, sam- ples, beats, or frames, which you select by using the DELAY SCALE buttons. 01V96i—Reference Manual...
  • Page 19: Gating Input Channels

    • The delay time range depends on the sampling rate at which ING). the 01V96i is operating. • If you select the DELAY SCALE meter or feet button, the dis- Note: You cannot change the gate type on this page. To...
  • Page 20: Compressing Input Channels

    Tip: • This function is unavailable for the ST IN Channels. • You can store the compressor settings in the compressor library, which features preset programs that can be used for various applications (see page 80). 01V96i—Reference Manual...
  • Page 21 LOW, L-MID, H-MID, HIGH sections These sections contain the Q, Frequency (F), and Gain (G) parameters for the four bands. These parameter val- The 01V96i’s Input Channels feature 4-band (LOW, ues range as follows: LOW-MID, HIGH-MID, HIGH) parametric EQ. The LOW-MID and HIGH-MID bands are a peaking type of EQ.
  • Page 22: Panning Input Channels

    These buttons route the currently-selected Input Channel • INV GANG to the Bus Outs. If the 01V96i is in Surround mode, the button indicators change as follows, depending on the In Inverse Gang mode, paired Input...
  • Page 23: Viewing Input Channel Settings

    Meters These meters indicate the signal levels of the cur- rently-selected Input Channel and its available pair part- ner. (Phase) section You can reverse the signal phase of the currently-selected Input Channel. (See page 18 for more information.) 01V96i—Reference Manual...
  • Page 24 Press the [ENTER] button to reset the Fader to 0.0 dB. SURROUND PAN section • SURROUND PAN The Surround pan parameters for the currently-selected Input Channel are displayed only when a Surround mode is selected. See page 52 for more information on Sur- round pan. 01V96i—Reference Manual...
  • Page 25: Setting The Input Channels From The Control Surface

    Q, frequency, and gain of the band selected in Step 2. When the Auto EQUALIZER Display (page 109) check box is on, the 01V96i displays the EQ/EQ Edit page. ■ ST IN Channels 1–4 Use the ST IN [ST IN] button to select the desired ST IN Channels.
  • Page 26: Pairing Input Channels

    See page 21 for more information on EQ. On the 01V96i, you can pair adjacent odd-even Input Chan- nels or counterpart channels on Layer 1 and Layer 2 that share the same physical fader. Faders and most parameters of paired channels are linked for stereo operation.
  • Page 27 Input Channel “17. ” However, its parameters do not change. (If Channels 1 and 2 have been paired, switching the mode will pair Channels 1 and 17.) Move the cursor to the desired channel’s MONOx2 button ( ), then press [ENTER]. The channels are paired. 01V96i—Reference Manual...
  • Page 28: Naming Input Channels

    The Title Edit window appears, enabling you to enter a name. Edit the name, move the cursor to the OK but- ton, then press [ENTER]. The new name is now effective. Tip: The edited name is stored in the Input Patch library. 01V96i—Reference Manual...
  • Page 29: Bus Outs

    Meter page or by the stereo meter to the right of the screen. This chapter describes how to adjust the 01V96i’s Stereo Out For more information on selecting the metering position, and Bus Out 1–8 parameters.
  • Page 30: Setting The Stereo Out And Bus Out 1-8 From The Display

    The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 20). The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 20). 01V96i—Reference Manual...
  • Page 31 Move the cursor to the desired parameter you wish to change, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the setting. TO ST PAN These controls pan the Bus Out 1–8 signals between the left and right Stereo Out buses. 01V96i—Reference Manual...
  • Page 32 [STEREO] fader. The fader knob is highlighted Tip: The TO ST PAN, ON/OFF, and TO ST Fader parameters when the fader is set to 0.0 dB. also appear on the Pan/Route | Bus to St page. 01V96i—Reference Manual...
  • Page 33: Setting The Stereo Out And Bus Out 1-8 From The Control Surface

    NEL section. Note: If you select Aux Out 1–8 or Bus Out 1–8, the [PAN] control is disabled. The parameters on this page are described below. STEREO/MONOx2 These buttons turn Bus or Aux Send pairs on or off. 01V96i—Reference Manual...
  • Page 34: Attenuating Output Signals

    Surround mode other than “Stereo. ” When this button is turned on, Aux Sends follow the Input Channel Surround To attenuate the 01V96i’s output signals, display the EQ | Out Pan. This is useful for feeding Surround signals to exter- Att page and adjust the Stereo Out and Bus Out 1–8 attenua-...
  • Page 35: Naming The Stereo Out And Bus Outs

    The Title Edit window appears, which enables you to edit the name. Edit the name, move the cursor to the OK but- ton, then press [ENTER]. The new name is now effective. Tip: The edited name is stored in the Output Patch library. 01V96i—Reference Manual...
  • Page 36: Aux Outs

    I/O card connectors. Attenuating Aux Outs The 01V96i features eight Aux Sends, which can be used to send signals to the internal and external effects processors To attenuate Aux Out 1–8 signals, press the [EQ] button, then and monitors.
  • Page 37: Viewing Aux Out Settings

    The parameters on this page (and the procedure for setting them) are the same as for Input Channels (see page 20). them) are the same as for Input Channels, except that this page does not include the Gate and Phase parameters (see page 23). 01V96i—Reference Manual...
  • Page 38: Setting Aux Out 1-8 From The Control Surface

    Press the FADER MODE [AUX 1]–[AUX 8] but- tons to select the Aux. Make sure that the 01V96i displays the Aux | Send page. This page enables you to adjust the level of the signals routed from each Input Channel to the Aux selected in Step 1.
  • Page 39 • In Fixed mode, all ON/OFF buttons are turned OFF. • When you switch to Variable mode, the signal source points are set to post-fader (PRE/POST buttons are set to  POST), and Send level rotary controls are reset to – 01V96i—Reference Manual...
  • Page 40: Viewing Aux Send Settings For Multiple Channels

    • PRE/POST ....Select the PRE/POST button to dis- play signal source points for Input Channels routed to Aux 1–8. FIX/VARI These buttons indicate the Aux mode (Fixed or Variable) for Aux Out 1–8 and are only for display purposes. 01V96i—Reference Manual...
  • Page 41: Panning Aux Sends

    INDIVIDUAL, GANG, or INV GANG, then press [ENTER]. If the INPUT PAN LINK ON/OFF button is turned off, this Mode setting is independent of the Mode parameter on the Pan page. (See page 22 for more information on Mode options.) 01V96i—Reference Manual...
  • Page 42: Copying Channel Fader Positions To Aux Sends

    To cancel the Copy operation, move the cursor to the NO button, then press [ENTER]. Tip: If the copy destination Input Channel has been paired with a vertical partner in another Layer, the fader position will be copied to the partner’s Aux Send. 01V96i—Reference Manual...
  • Page 43: Input & Output Patching

    Patch | In Patch page This chapter describes how to patch (assign) signal paths appears. within the 01V96i to its inputs, outputs, and slot channels Input Patching Signals input at INPUT connectors 1–16, ADAT IN connec- tor, 2TR IN DIGITAL connectors, and Slot I/O card are patched to Input Channels for use.
  • Page 44: Output Patching

    Output Patching Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | Out Patch page The 01V96i’s Stereo Out, Bus Out 1–8, Aux Out 1–8 signals appears. can be patched to any outputs, ADAT OUT output channels, Each parameter box displays the currently-patched signal and slot output channels.
  • Page 45 INS AUX1–INS AUX8 Aux Out 1–8 Insert Outs INS ST-L/ST-R Stereo Out Insert Outs Move the cursor to a parameter box, and use the Parameter wheel (or [INC]/[DEC]) to modify the patching. Press [ENTER] to confirm the change. 01V96i—Reference Manual...
  • Page 46: Patching Direct Outs

    Note: If you select a destination that is already used by an Output Patch setting and turn on the Direct Out, the Output Patch setting will be disabled. To restore the Output Patch set- ting, select another Direct Out destination or turn off the Direct Out. 01V96i—Reference Manual...
  • Page 47: Insert Patching

    This parameter enables you to select outputs, ADAT OUT channels, slot output channels, or internal effects You can patch the 01V96i’s inputs, outputs, ADAT connector inputs as the Insert Out destination. channels, slot channels, and effects processor inputs and out- •...
  • Page 48 Patch | Output Ins page appears. Move the cursor to a channel patch parame- ter box you wish to change, then rotate the Parameter wheel or press the [INC]/[DEC] buttons to modify the patching. Press [ENTER] to confirm the change. 01V96i—Reference Manual...
  • Page 49: Monitoring

    Solo function on the 01V96i. Monitor The 01V96i features the stereo signal path to feed the moni- tors. The monitoring signal source is patched to MONITOR OUT connectors L & R and the PHONES connector. The following diagram illustrates the monitoring signal flow.
  • Page 50: Using The Monitor

    PHONES fader. This parameter is effective only in Recording Solo mode. To monitor the 01V96i’s internal signals, turn off the SOLO TRIM selector (the button should be raised). To monitor the sig- This parameter enables you to trim the level of the Solo nals at the 2TR IN connectors, turn on the selector (the signal in the range of –96 dB to +12 dB.
  • Page 51: Using The Solo Function

    Channel, canceling the Input Channel’s solo will activate the Output Channel’s solo. You can unsolo all soloed channels by press- ing all illuminated channel [SOLO] buttons. The button indicators turn off. You can also unsolo all soloed channels by pressing the SOLO [CLEAR] button. 01V96i—Reference Manual...
  • Page 52: Surround Pan

    Center Front R You can also store the surround pan settings in a Scene. In addition to a normal Stereo mode, the 01V96i features the fol- lowing three Surround modes: • 3-1 This mode uses four channels that include front left, front right, front center, and rear.
  • Page 53: Setting Up And Selecting Surround Pan Modes

    • 3-1 Surround Surround Pan Modes To configure the surround environment, select 3-1, 5.1, or 6.1 Surround mode on the 01V96i and connect a DAW or multi-channel monitoring system to the 01V96i. Press the DISPLAY ACCESS [PAN/ROUTING] button repeatedly until the Pan/Route | Surr Mode page appears.
  • Page 54 LFE LEVEL SURROUND Input Channel 2 LFE LEVEL SURROUND Input Channel 3 LFE LEVEL Track 1 USB 1 Track 2 USB 2 Track 3 USB 3 Track 4 USB 4 Track 5 USB 5 Track 6 USB 6 01V96i—Reference Manual...
  • Page 55 OMNI OUT 4 Subwoofer Rear L Rear R Tip: To output left and right front signals of the surround channels from the STEREO OUT L/R connectors, turn on the Surround LR to Stereo checkbox on the Surr Bus page. 01V96i—Reference Manual...
  • Page 56: Surround Panning

    Channel. front-to-rear direction of the selected trajectory pattern. Make sure that the 01V96i is in any Surround mode except Stereo, then press the [SEL] but- ton of the channel for which you want to set This parameter control sets the level of the LFE (Low Fre- surround pan.
  • Page 57: Surround Panning

    ..The sound image moves between front and rear while tracing an arc. With this pattern, you can also fine-tune the radius and shape of the arc using the WIDTH, DEPTH, OFFSET ( ), and OFFSET ( ) parameters. 01V96i—Reference Manual...
  • Page 58 To move the sound image of each channel on these pages, move the cursor to the desired channel, then rotate the Parameter wheel. The pan setting of the channel changes along the trajec- tory pattern. Press [ENTER] to display the cur- rently-selected channel’s CH Edit page. 01V96i—Reference Manual...
  • Page 59: Grouping Channels & Linking Parameters

    Follow the steps below to group faders or [ON] buttons for Input Channels or Output Channels. On the 01V96i, you can group faders or [ON] buttons for multiple Input Channels (Input Channels 1–32, ST IN Chan- Press the DISPLAY ACCESS [PAIR/GROUP] nels 1–4) or multiple Output Channels (Bus Outs 1–8, Aux...
  • Page 60 The On/Off status of the grouped channels is determined by the [ON] button status when the channels were added to the group. 01V96i—Reference Manual...
  • Page 61: Using Fader Group Master

    Use the cursor buttons to select parameters, then use the Parameter wheel, [INC]/[DEC] buttons, or [ENTER] button to set the param- The 01V96i features a Fader Group Master function that eters. enables you to control the level of all channels using the Group Master level while maintaining the relative balance between •...
  • Page 62: Using Mute Group Master

    Compressor Parameters In addition to the Mute Group function that links the opera- tion of channel [ON] buttons, the 01V96i features a Mute Follow the steps below to link EQ or compressor parameters Group Master function that enables you to mute grouped for Input Channels or Output Channels.
  • Page 63 After all desired channels are added to the link, edit the EQ or compressor parameters for one of the linked channels. The edits for the EQ or compressor parameters are applied to the rest of the linked channels. 01V96i—Reference Manual...
  • Page 64: Internal Effects

    Internal Effects Internal Effects Using Effects Processors via Aux Sends This chapter describes how to use the 01V96i’s internal effects You can use effects processors via Aux Sends by patching processors. effects processor inputs to Aux Outs, and effects processor outputs to ST IN Channels.
  • Page 65: Inserting The Internal Effects Into Channels

    Note: You cannot select a channel as the destination of mul- tiple effect signals. If you select a channel that is already selected in another OUT parameter box, that OUT parame- ter box switches its indicator to “–” (not assigned). 01V96i—Reference Manual...
  • Page 66: Editing Effects

    Use the parameter control on the left side of this section to adjust the value between 25 BPM and 300 BPM. When the MIDI CLK 01V96i—Reference Manual...
  • Page 67: About Add-On Effects

    About Add-On Effects About Plug-Ins button is on, the 01V96i updates the TEMPO data (BPM) based on the MIDI Clock information received at the MIDI IN port. You can also specify the tempo by If you installed a mini-YGDAI card that supports the Effects...
  • Page 68: Scene Memories

    Scene memory #00 is a special read-only memory that contains the default settings of all mix parameters. To Tip: reset all mix parameters on the 01V96i to their initial or • You can recall Scenes by transmitting Program Changes from default values, recall Scene memory #0.
  • Page 69: Storing And Recalling Scenes

    Scenes. top panel or using the dedicated Scene memory page on the display. Adjust the mix parameters on the 01V96i to the conditions you wish to store as a Scene. Note: • When you store Scenes, make sure that there are no settings in Press the DISPLAY ACCESS [SCENE] button the Edit Buffer that you do not want to store.
  • Page 70: Auto Scene Memory Update

    Shadow memory has been recalled. Original Scene Display Shadow memory Edit indicator If a Shadow memory is recalled, the edited version is stored when you store the Scene. (The contents of the Original and Shadow memories then become identical.) 01V96i—Reference Manual...
  • Page 71: Fading Scenes

    • You can copy the currently-selected Input Channel Fade Time to all Input Channels by double-clicking the [ENTER] button to display a window for copying. This is convenient when you wish to set the Fade Time for all channels simultaneously. 01V96i—Reference Manual...
  • Page 72: Recalling Scenes Safely

    • GATE......Channel Gate parameters • AUX......Channel Aux Send levels, Pre/Post • AUX ON ....Aux Send On/Off parameters • DELAY.....Channel Delay parameters • ROUTING ....Channel Routing parameters Tip: The ALL button is mutually exclusive of the other but- tons. 01V96i—Reference Manual...
  • Page 73: Copying And Pasting A Scene (Global Paste)

    User Defined Remote layer as copy sources. Use the cursor buttons or Parameter wheel to select the copy source parameter, then press the [ENTER] button. Press the DISPLAY ACCESS [SCENE] button repeatedly until the Paste DST page appears. 01V96i—Reference Manual...
  • Page 74: Libraries

    About the Libraries Rotate the Parameter wheel or press the [INC]/[DEC] buttons to select the desired The 01V96i features seven libraries that enable you to store memory. Channel, Input Patch, Output Patch, Effects, and other data. The selected memory appears inside the dotted box.
  • Page 75: Using Libraries

    (For unmatched parameter settings, the recall Input Channel 1–32 settings to ST IN Channels 1–4, 01V96i will use the settings in the memory that is to be Bus Outs 1–8, Aux Outs 1–8, or Stereo Out, with the excep- recalled.)
  • Page 76: Output Patch Library

    In Patch | Effect page to assign the input and output signals of Effects processors 1–4. Level meters These meters indicate the input or output levels of the currently-selected Effects processor. Select the IN button or OUT button to display the input levels or output levels respectively. 01V96i—Reference Manual...
  • Page 77 • Modulation-based Effects Preset Name Type Description Chorus CHORUS Chorus Flange FLANGE Flanger Proprietary Yamaha effect that produces a richer and more complex modu- Symphonic SYMPHONIC lation than normal chorus Phaser PHASER 16-stage stereo phase shifter Auto Pan AUTO PAN Auto-panner...
  • Page 78 Rather than limiting itself to reproducing any particular model, this phaser Vintage Phaser VNTG PHASER offers an extremely high level of freedom in creating phaser sounds. Dual Phaser DUAL PHASER This phaser emulates a vintage effect manufactured during the mid-1970s. 01V96i—Reference Manual...
  • Page 79: Gate Library

    Type & Curve section Bus Out (1–8), or Stereo Out that does not feature a gate, the The type and curve of the currently-selected memory is 01V96i indicates “XXX has no Gate!” (in which XXX repre- displayed here. sents a channel name).
  • Page 80 A “peak-stop” compressor. Compressor for reducing the overall volume level. Use it on the stereo output during Total Comp1 COMP mixdown, or with paired Input or Output Channels. Total Comp2 COMP A variation on preset 35, but with more compression. 01V96i—Reference Manual...
  • Page 81 Use with trumpets, trombones, or saxes. When used with a single instrument, try adjusting the HIGH Brass Sec. or HIGH-MID frequency. An EQ template for male vocals. Try adjusting the HIGH or HIGH-MID parameters according to the Male Vocal 1 voice quality. 01V96i—Reference Manual...
  • Page 82 Piano Low Emphasizes the low range of pianos recorded in stereo. Piano High Emphasizes the high range of pianos recorded in stereo. Fine-EQ Cass Add clarity when recording to or from cassette tape. Narrator Ideal for recording narration. 01V96i—Reference Manual...
  • Page 83: Remote Control

    USB port, or optional MY16-mLAN card installed in top panel. the slot. Tip: To control external devices from the 01V96i, you can also use the User Defined buttons. Refer to “Other Functions” on page 109 About Remote Function for more information.
  • Page 84 Remote Control ■ Configuring Macintosh Computers Configuring the 01V96i Follow the steps below to set up the 01V96i so that you can Download the Yamaha Steinberg USB Driver remotely control Pro Tools from the 01V96i Remote Layer. from the following URL.
  • Page 85 01V96i’s top panel faders and other channel buttons are • If no check boxes are selected available for remote control. To control the 01V96i, you need Pro Tools timecode format is set to “Minutes:Seconds” or to select an Input Channel Layer or the Master Layer.
  • Page 86 This box displays plug-in parameter names, values, alarm messages from Pro Tools, etc. • Rotary controls 1–4 These controls enable you to select plug-ins or adjust the selected plug-in parameters. • Channels 1–16 The channel 1–16 levels or Send levels are displayed. 01V96i—Reference Manual...
  • Page 87: Channel Strip Section

    ■ DISPLAY ACCESS section Control Surface Operation • [PAIR/GROUP] button When the Pro Tools Remote layer is selected, the 01V96i con- trols on the top panel engage the following functions: Press this button while a Channel Display mode or Meter Display mode page is selected to display a Group ID to which each channel belongs.
  • Page 88 (Read, Tch, Ltch, Wrt, or Off). The mode setting appears at the bot- DAW AUTO tom of each channel on a Channel or STATUS Meter Display page when you press and hold the button to which this function is assigned. 01V96i—Reference Manual...
  • Page 89: Muting Channels

    [AUX 6] button and press [ENTER]. You can reset the pan settings only when the [AUX 7] but- ton indicator is lit steadily. 01V96i—Reference Manual...
  • Page 90: Soloing Channels

    You can pan channel signals sent to stereo Aux Sends by rotat- ing the SELECTED CHANNEL [PAN] control if faders, [ON] buttons, and the [PAN] control are in Flip mode. Refer to the next section for more information. 01V96i—Reference Manual...
  • Page 91 INSERT ASSIGN/EDIT section. The current page num- ber and the plug-in name appear for a moment immedi- When you finish assigning plug-ins, press the ately after you press the Tab Scroll buttons. [AUX 8] button. The button indicator turns off. 01V96i—Reference Manual...
  • Page 92 Pro Tools. Therefore, whenever you use the Scrub or Shuttle function, make sure that the P.WHEEL MODE parameter indicates “SCRUB” or “SHUTTLE. ” You can check the Scrub/Shuttle function status by viewing the correspond- ing User Defined button indicator. 01V96i—Reference Manual...
  • Page 93: Nuendo/Cubase Remote Layer

    While the channel [SEL] buttons are available for the Auto- mation mode setting, pressing the [SEL] buttons will cause Use a USB cable to connect the 01V96i. the Fader Touch or Untouch command to be transmitted to Pro Tools. This is useful for Automation punch in and out Make sure that the 01V96i is powered-on.
  • Page 94: Other Daw Remote Layer

    You can store MIDI messages assigned to the channel con- Download the Yamaha Steinberg USB Driver trols in four banks. When the 01V96i is shipped from the fac- from the following URL, and install the driver tory, it includes MIDI settings in these banks, which you can as described in the included installation quickly recall to use the MIDI Remote function.
  • Page 95 The confirmation window for changing the setting Remote layer. appears. Move the cursor to the YES button, then press You can now use the MIDI Remote function. [ENTER]. The display changes as follows: Use the faders and [ON] buttons to control the MIDI device. 01V96i—Reference Manual...
  • Page 96: Channel Controls

    ON section, then press [ENTER]. Channel Controls MIDI messages received at the MIDI IN port of the 01V96i will be assigned to the DATA parameter boxes in You can quickly use the MIDI Remote function if you use the the ON section.
  • Page 97 • LATCH • You can also assign MIDI messages to the parameter boxes manually without using the LEARN button. MIDI data transmission MIDI data transmission (SW=7F) (SW=00) Illuminated • UNLATCH MIDI data MIDI data transmission transmission (SW=7F) (SW=00) Illuminated 01V96i—Reference Manual...
  • Page 98: Machine Control Function

    • MIDI ....MIDI port • USB....USB port • SLOT ....Slot with an MY16-mLAN (mLAN card) The 01V96i can control the transport functions and select installed tracks on external recording machines that support MMC by If USB is selected, move the cursor to the adjacent param- transmitting commands via the MIDI OUT port or USB port.
  • Page 99: Machine Control Function

    Tip: You can also use the programmed User Defined buttons to control Machine Control functions. For more information on assigning functions to the user defined keys, refer to “Using the User Defined Keys” in the Owner’s Manual (separate booklet). 01V96i—Reference Manual...
  • Page 100: Midi

    (16 channels x 8 The 01V96i supports the following MIDI messages. Each of ports). In order to connect the 01V96i via USB to a com- these MIDI messages can be individually turned on or off for puter, the appropriate driver software must be installed in transmission and reception.
  • Page 101: Midi Port Setup

    • DEVICE ID DIO/Setup | MIDI/Host page appears. This page enables you to set MIDI message input and output. Specify the 01V96i’s MMC Device ID. MMC Device IDs identify connected devices, enabling recognition during MMC transmission and reception. SPECIAL FUNCTIONS section This section enables you to specify ports for various spe- cial functions.
  • Page 102 PROGRAM CHANGE to OTHER COM- fader value data between two cascaded 01V96is, or to MANDS. record the 01V96i operation to or play it back from a sequencer, select the HIGH button. When the LOW but- CHANNEL ton is selected, the fader resolution switches to 256 steps.
  • Page 103: Assigning Scenes To Program Changes For Remote Recall

    You can assign 01V96i Scenes to MIDI Program Changes for Tip: remote recall. When you recall a Scene on the 01V96i, the • If you assign a Scene to multiple Program Changes, the unit transmits the assigned Program Change to the connected Program Change with the lowest number becomes effec- MIDI device.
  • Page 104: Assigning Parameters To Control Changes For Real-Time Control

    When the 01V96i receives a Control Change, the assigned 01V96i parameter is set accordingly. Also, when you adjust a parameter on the 01V96i, the 01V96i If you turned on the TABLE button in Step 4, transmits the assigned Control Change message.
  • Page 105 PARAM32 H G LO-MID L PARAM32 L Q HI-MID INPUT1–32/ST IN F HI-MID 1–4/BUS1–8/AUX1–8/ STEREO G HI-MID H G HI-MID L Q HIGH F HIGH G HIGH H G HIGH L ATT H ATT L HPF ON LPF ON 01V96i—Reference Manual...
  • Page 106: Controlling Parameters By Using Parameter Changes

    For example, if you wish to control Fader parameters on certain channels using Control Changes, you must assign You can control 01V96i parameters in real time by using the same channel to two Control Change numbers, and Parameter Change messages that are System Exclusive mes- select “FADER H”...
  • Page 107: Transmitting Parameter Settings Via Midi (Bulk Dump)

    INTERVAL This parameter specifies the interval between data pack- You can back up data stored in the 01V96i, such as libraries ets during bulk transmission in 50 millisecond steps. If and Scenes, to an external MIDI device by using MIDI Bulk the external device drops part of the bulk data, increase Dump.
  • Page 108 Tip: To transmit bulk dump request messages, move the cur- sor to the REQUEST button, then press [ENTER]. If you set up the 01V96i so that it will transmit and receive MIDI mes- sages to and from another 01V96i, the other 01V96i will respond to the bulk dump request and transmit the bulk dump data to the 01V96i you are operating.
  • Page 109: Other Functions

    Input and Output Patches. Prefer1 page • Pair Confirmation This page enables you to set the 01V96i so that when you If this check box is on, a confirmation message appears press a button on the top panel, the 01V96i displays the cor- when you create or cancel a pair.
  • Page 110: Creating A Custom Layer By Combining Channels

    Prefer2 page If you set the Remote Layer target to “USER ASSIGNABLE, ” you can create a custom layer by combining any 01V96i chan- The Prefer2 page enables you to name the channel indicated nels (excluding the Stereo Out). This custom layer is called on the display, and adjust the display brightness.
  • Page 111: Cascading Consoles

    The following paragraphs explain how to make a cascade connection using two 01V96is and the inputs and outputs of the digital I/O card installed in the slot of each 01V96i. Install digital I/O cards into the slot on each of two 01V96is.
  • Page 112 Parameters for cascade link (page 111) will be copied to the other 01V96i via the REMOTE connector. If you select the REQUEST button instead of the TRANSMIT button for the SYNC parameter, you can reverse the copy direction.
  • Page 113: Checking The Battery And The System Version

    This indicator identifies the system version number. To cancel the calibration operation, use the cursor but- Check the current system version number before you tons to select “4 QUIT, ” then press [ENTER]. The 01V96i update the firmware. starts in normal mode.
  • Page 114 Yamaha dealer. level instructed in the window, then press If the calibration data has some problems, the 01V96i dis- [ENTER]. Set faders 1–16 to –15, and Stereo plays the following window when it starts up. In this case, fader to –30.
  • Page 115: Index

    DOUBLE CHANNEL ......16 AD input section ......7 EQ settings ....... 37 DOUBLE SPEED ........16 Channel strip section .......7 Fixed mode ........39 Dual Phaser ..........145 Data entry section ......9 Panning ..........41 DUAL PITCH ........135 DISPLAY ACCESS section .....8 01V96i—Reference Manual...
  • Page 116 MIDI | Setup page ......102 FB.GAIN ..........19 MIX BALANCE ......66 MIDI button ..........8 Fixed mode ........39 TEMPO ........... 66 MIDI IN/THRU/OUT ports ....10 FLANGE ..........134 INV GANG ..........22 MIDI machine control ...... 100 01V96i—Reference Manual...
  • Page 117 CH9–12 ON/OFF switch ....10 Target parameter ......85 Pair/Grup | In Mute page ....59 Phase ............18 TRACK ARMING section ... 98 Pair/Grup | Input page ......27 PHASER ..........135 TRANSPORT section ....99 Pair/Grup | Out Comp page ....63 01V96i—Reference Manual...
  • Page 118 Surround modes ......52 SELECTED CHANNEL section ...9 Factory-default ....... 52 Setting levels .......... 38 SYMPHONIC ........134 Shadow memory ........70 SYNC parameter .........112 SIGNAL indicators ......7 System exclusive messages ....100 SINGLE ..........16 System version ........113 SLOT ........11 01V96i—Reference Manual...
  • Page 119: Appendix: Parameter Lists

    Input MUTE Group Enable L IN Mute Group L Machine Set LOCATE X Machine Capture X Input MUTE Group Enable M IN Mute Group M Machine RTZ Machine RTZ Input MUTE Group Enable N IN Mute Group N 01V96i—Reference Manual...
  • Page 120 DAW AUTO LATCH DAW AUTO WRITE DAW AUTO WRITE DAW AUTO TRIM DAW AUTO TRIM DAW AUTO OFF DAW AUTO OFF DAW AUTO SUSPEND DAW AUTO SUSPEND DAW AUTO STATUS DAW AUTO STATUS DAW MONITOR STATUS DAW MONI STATUS 01V96i—Reference Manual...
  • Page 121: User Defined Keys Initial Assignments

    SL-02 Slot CH2 IN INS CH18 InsertOut-CH18 AD IN 2 SL-03 Slot CH3 IN SL-03 Slot CH3 IN INS CH19 InsertOut-CH19 AD IN 3 SL-04 Slot CH4 IN SL-04 Slot CH4 IN INS CH20 InsertOut-CH20 AD IN 4 01V96i—Reference Manual...
  • Page 122 Effect3 OUT 2 FX4-1 Effect4 OUT 1 FX4-1 Effect4 OUT 1 FX4-2 Effect4 OUT 2 FX4-2 Effect4 OUT 2 2TD-L 2TR IN Dig. L 2TD-L 2TR IN Dig. L 2TD-R 2TR IN Dig. R 2TD-R 2TR IN Dig. R 01V96i—Reference Manual...
  • Page 123: Initial Input Patch Settings

    SOLO L NONE SOLO R NONE EFFECT TYPE EFFECT1 REVERB HALL STI1L FX1-1 EFFECT2 REVERB ROOM STI1R FX1-2 EFFECT3 REVERB STAGE STI2L FX2-1 EFFECT4 REVERB PLATE STI2R FX2-2 STI3L FX3-1 (mono input) STI3R FX3-2 STI4L FX4-1 STI4R FX4-2 01V96i—Reference Manual...
  • Page 124 CH29 CH29 CH30 CH30 CH30 CH30 CH31 CH31 CH31 CH31 CH32 CH32 CH32 CH32 ST IN1 STI1 STI1 STEREO IN1 ST IN2 STI2 STI2 STEREO IN2 ST IN3 STI3 STI3 STEREO IN3 ST IN4 STI4 STI4 STEREO IN4 01V96i—Reference Manual...
  • Page 125: Output Patch Parameters

    INS CH29 InsertOut-CH29 INS CH30 InsertOut-CH30 USB8 USB CH8 IN — — INS CH30 InsertOut-CH30 INS CH31 InsertOut-CH31 USB9 USB CH9 IN — — INS CH31 InsertOut-CH31 INS CH32 InsertOut-CH32 USB10 USB CH10 IN — — INS CH32 InsertOut-CH32 01V96i—Reference Manual...
  • Page 126 Cascade STEREO-L — — — — — — CAS ST-R Cascade STEREO-R — — — — — — CASSOLOL Cascade SOLO L — — — — — — CASSOLOR Cascade SOLO R — — — — — — 01V96i—Reference Manual...
  • Page 127: Initial Output Patch Settings

    STEREO STEREO ADAT1 ADAT2 ADAT3 BUS1 ADAT4 BUS2 ADAT5 BUS3 ADAT6 BUS4 ADAT7 BUS5 ADAT8 BUS6 SLOT-1 BUS7 SLOT-2 BUS8 SLOT-3 BUS1 SLOT-4 BUS2 SLOT-5 BUS3 SLOT-6 BUS4 SLOT-7 BUS5 SLOT-8 BUS6 NONE BUS7 NONE BUS8 NONE NONE 01V96i—Reference Manual...
  • Page 128: User Defined Remote Layer Initial Bank Settings

    – – – – – – – – – – – – – – – – – – – RM16 GM16 GM-CH16 VOL&PAN FADER FAD END – – – – – – – – – – – – 01V96i—Reference Manual...
  • Page 129 – – – – – – – – – – – – – – – – – – – RM16 GM16 GM-CH16 VOL&EFF1 FADER FAD END – – – – – – – – – – – – 01V96i—Reference Manual...
  • Page 130 RM15 XG15 XG-CH15 VOL&PAN FADER FAD F7 – – – – – – – – – – – – – – – – – – – – – RM16 XG16 XG-CH16 VOL&PAN FADER FAD F7 – – – – – – 01V96i—Reference Manual...
  • Page 131 – – – – – – – – – – – – – – – – – – RM16 CH16 VST MIXER CH16 FADER FAD END – – – – – – – – – – – – 01V96i—Reference Manual...
  • Page 132: Effects Parameters

    0–100% Reflection density ER NUM. 1–19 Number of early reflections FB.GAIN –99 to +99% Feedback gain HI. RATIO 0.1–1.0 High-frequency feedback ratio THRU, High-pass filter cutoff frequency 21.2 Hz–8.00 kHz 50.0 Hz–16.0 kHz, Low-pass filter cutoff frequency THRU 01V96i—Reference Manual...
  • Page 133: Delay Lcr

    50.0 Hz–16.0 kHz, Low-pass filter cutoff frequency THRU SYNC OFF, ON Tempo parameter sync on/off Used in conjunction with DLY.NOTE TEMPO to determine DELAY Used in conjunction with MOD.NOTE TEMPO to determine FREQ. (Maximum value depends on the tempo setting) 01V96i—Reference Manual...
  • Page 134 EQ (peaking type) bandwidth HSH F 50.0 Hz–16.0 kHz High shelving filter frequency HSH G –12.0 to +12.0 dB High shelving filter gain SYNC OFF, ON Tempo parameter sync on/off Used in conjunction with TEMPO NOTE to determine FREQ. 01V96i—Reference Manual...
  • Page 135: Dual Pitch

    EQ (peaking type) bandwidth HSH F 50.0 Hz–16.0 kHz High shelving filter frequency HSH G –12.0 to +12.0 dB High shelving filter gain SYNC OFF, ON Tempo parameter sync on/off Used in conjunction with TEMPO NOTE to determine FREQ. 01V96i—Reference Manual...
  • Page 136: Amp Simulate

    HSH F 50.0 Hz–16.0 kHz High shelving filter frequency HSH G –12.0 to +12.0 dB High shelving filter gain 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz) 01V96i—Reference Manual...
  • Page 137 –99 to +99% Used in conjunction with TEMPO values for reverse-phase feed- NOTE to determine FREQ. back) WAVE Sine, Tri Modulation waveform SYNC OFF, ON Tempo parameter sync on/off Used in conjunction with TEMPO NOTE to determine FREQ. 01V96i—Reference Manual...
  • Page 138 MOD. DLY 0.0–500.0 ms Modulation delay time NOTE to determine FREQ. WAVE Sine, Tri Modulation waveform L<–>R, L–>R, L<–R, Turn L, Turn R SYNC OFF, ON Tempo parameter sync on/off Used in conjunction with TEMPO NOTE to determine FREQ. 01V96i—Reference Manual...
  • Page 139 DELAY R Used in conjunction with TEMPO Used in conjunction with TEMPO NOTE FB NOTE FB to determine FB. DLY to determine FB. DLY (Maximum value depends on the tempo setting) (Maximum value depends on the tempo setting) 01V96i—Reference Manual...
  • Page 140 (0% = all distortion, 100% = all delayed distortion) SYNC OFF, ON Tempo parameter sync on/off Used in conjunction with TEMPO DLY.NOTE to determine DELAY MOD.NOT Used in conjunction with TEMPO to determine FREQ. (Maximum value depends on the tempo setting) 01V96i—Reference Manual...
  • Page 141 PLAY button can be triggered by MIDI TRG OFF, C1–C6, ALL using MIDI Note on/off mes- sages 0.0~2970.5 ms (fs=44.1 kHz), 0.0~2729.2 ms (fs=48 kHz), 0.0~2970.5 ms (fs=88.2 kHz), 0.0~2729.2 ms (fs=96 kHz) 0~131000 (fs=44.1 kHz, 48 kHz), 0~262000 (fs=88.2 kHz, 96 kHz) 01V96i—Reference Manual...
  • Page 142 SOLO If this is on, only the high-fre- OFF, ON HIGH quency band will be output 6 ms–46.0 s (fs=44.1 kHz), 5 ms–42.3 s (fs=48 kHz), 3 ms–23.0 s (fs=88.2 kHz), 3 ms–21.1 s (fs=96 kHz) 01V96i—Reference Manual...
  • Page 143 REPR LO –6.0 to +6.0 dB This resets the gain of all bands reproduction deck FLAT to 0 dB TP SPEED 15 ips, 30 ips Selects the tape speed TP KIND New, Old Selects the type of tape 01V96i—Reference Manual...
  • Page 144 Adjusts the balance between the original sound and the effect sound. 0–100% Only the original sound will be output if this value is 0%, and only the effect sound will be out- put if this value is 100% 01V96i—Reference Manual...
  • Page 145 4: The left input channel is pro- cessed by Phaser A and output from the left channel, and the right input channel is processed by Phaser B and output from the right channel. 01V96i—Reference Manual...
  • Page 146: Effects And Tempo Synchronization

    DELAY= new NOTE x 4 x (60/TEMPO) Some of the 01V96i’s effects allow you to synchronize the = (1/4) x 4 x (60/120) effect with the tempo. There are two such types of effect; = 0.5 (sec) delay-type effects and modulation-type effects.
  • Page 147: Preset Eq Parameters

    13 Piano 1 95 Hz 950 Hz 3.15 kHz 7.50 kHz PEAKING PEAKING PEAKING PEAKING — — –1.0 dB +1.0 dB +1.5 dB +2.0 dB 27 Female Vo. 118 Hz 400 Hz 2.65 kHz 6.00 kHz 0.18 0.45 0.56 0.14 01V96i—Reference Manual...
  • Page 148: Preset Gate Parameters (Fs = 44.1 Khz)

    +3.0 dB 39 Fine-EQ Cass 75 Hz 1.00 kHz 4.00 kHz 12.5 kHz — — PEAKING PEAKING PEAKING H.SHELF –4.0 dB –1.0 dB +2.0 dB 0.0 dB 40 Narrator 106 Hz 710 Hz 2.50 kHz 10.0 kHz 0.63 — 01V96i—Reference Manual...
  • Page 149: Preset Compressor Parameters (Fs = 44.1 Khz)

    Threshold (dB) –8 Knee Ratio ( :1) Release (ms) Attack (ms) Threshold (dB) –11 A. Dr. SN COMPAND-S Out gain (dB) Ratio ( :1) Width (dB) Attack (ms) Strings1 COMP Release (ms) Out gain (dB) Knee Release (ms) 01V96i—Reference Manual...
  • Page 150 Width (dB) Release (ms) Threshold (dB) –20 Ratio ( :1) Attack (ms) Solo Vocal1 COMP Out gain (dB) Knee Release (ms) Threshold (dB) –8 Ratio ( :1) Attack (ms) Solo Vocal2 COMP Out gain (dB) Knee Release (ms) 01V96i—Reference Manual...
  • Page 151: Dynamics Parameters

    96kHz: 3 ms – 21.1 sec 6 dB. (160 points) I/O Characteristics Time Series Analysis Input Signal Output Signal HOLD THRESHOLD ATTACK DECAY THRESHOLD RANGE RANGE Input Level Time Time 01V96i—Reference Manual...
  • Page 152 96kHz: 3 ms – 21.1 sec duration required for the level to change by 6 dB. (160 points) I/O Characteristics Time Series Analysis Input Signal Output Signal HOLD THRESHOLD ATTACK DECAY THRESHOLD RANGE RANGE Input Level Time Time 01V96i—Reference Manual...
  • Page 153: Comp Section

    Hard, 1–5 (6 points) applied gradually as the signal exceeds the speci- fied threshold, creating a more natural sound. I/O Characteristics Time Series Analysis (RATIO=:1) (KNEE=hard, OUT GAIN=0.0dB) Input signal Output Signal THRESHOLD ATTACK RELEASE RATIO THRESHOLD Input Level Time Time 01V96i—Reference Manual...
  • Page 154 I/O Characteristics Time Series Analysis (RATIO=:1) (KNEE=hard, OUT GAIN=0.0dB) Input Signal Output Signal THRESHOLD ATTACK RELEASE THRESHOLD Input Level Time Time RATIO 01V96i—Reference Manual...
  • Page 155 –18.0 to 0.0 (180 points) This sets the compander’s output signal level. This determines how far below the threshold expansion will be applied. The expander is acti- WIDTH (dB) 0–90 (91 points) vated when the level drops below the threshold and width. 01V96i—Reference Manual...
  • Page 156: Appendix: Midi

    Change # Scene # Scene # Change# Scene # Scene # — — — — — — — — — — — — — — — — — — — — — — — — — — — — 01V96i—Reference Manual...
  • Page 157: Initial Parameter To Control Change Table

    CHANNEL INPUT19 FADER L CHANNEL INPUT19 CHANNEL INPUT20 FADER L CHANNEL INPUT20 CHANNEL INPUT21 FADER L CHANNEL INPUT21 CHANNEL INPUT22 FADER L CHANNEL INPUT22 CHANNEL INPUT23 FADER L CHANNEL INPUT23 CHANNEL INPUT24 FADER L CHANNEL INPUT24 NO ASSIGN 01V96i—Reference Manual...
  • Page 158 MASTER BUS7 MASTER AUX6 FADER L MASTER BUS8 MASTER AUX7 FADER L MASTER AUX1 MASTER AUX8 FADER L MASTER AUX2 NO ASSIGN FADER L MASTER AUX3 FADER L MASTER AUX4 FADER L MASTER AUX5 FADER L MASTER AUX6 01V96i—Reference Manual...
  • Page 159 G LOW L INPUT19 Q LOW INPUT22 G LOW L INPUT20 Q LOW INPUT23 G LOW L INPUT21 Q LOW INPUT24 G LOW L INPUT22 NO ASSIGN G LOW L INPUT23 G LOW L INPUT24 NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 160 NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 161 G LO-MID L INPUT19 Q LO-MID INPUT22 G LO-MID L INPUT20 Q LO-MID INPUT23 G LO-MID L INPUT21 Q LO-MID INPUT24 G LO-MID L INPUT22 NO ASSIGN G LO-MID L INPUT23 G LO-MID L INPUT24 NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 162 NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 163 G HI-MID L INPUT19 Q HI-MID INPUT22 G HI-MID L INPUT20 Q HI-MID INPUT23 G HI-MID L INPUT21 Q HI-MID INPUT24 G HI-MID L INPUT22 NO ASSIGN G HI-MID L INPUT23 G HI-MID L INPUT24 NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 164 NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 165 G HIGH L INPUT19 Q HIGH INPUT22 G HIGH L INPUT20 Q HIGH INPUT23 G HIGH L INPUT21 Q HIGH INPUT24 G HIGH L INPUT22 NO ASSIGN G HIGH L INPUT23 G HIGH L INPUT24 NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 166 NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 167 ATT L INPUT18 LPF ON INPUT21 ATT L INPUT19 LPF ON INPUT22 ATT L INPUT20 LPF ON INPUT23 ATT L INPUT21 LPF ON INPUT24 ATT L INPUT22 NO ASSIGN ATT L INPUT23 ATT L INPUT24 NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 168 NO ASSIGN ATT L ST-IN4R NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 169 SURROUND LFE L INPUT18 INPUT21 SURROUND LFE L INPUT19 INPUT22 SURROUND LFE L INPUT20 INPUT23 SURROUND LFE L INPUT21 INPUT24 SURROUND LFE L INPUT22 NO ASSIGN SURROUND LFE L INPUT23 SURROUND LFE L INPUT24 NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 170 SURROUND LFE L ST-IN4R NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 171 INPUT19 SURROUND INPUT17 SURROUND DEPTH INPUT20 SURROUND INPUT18 SURROUND DEPTH INPUT21 SURROUND INPUT19 SURROUND DEPTH INPUT22 SURROUND INPUT20 SURROUND DEPTH INPUT23 SURROUND INPUT21 SURROUND DEPTH INPUT24 SURROUND INPUT22 NO ASSIGN SURROUND INPUT23 SURROUND INPUT24 NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 172 NO ASSIGN SURROUND ST-IN4R NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN NO ASSIGN 01V96i—Reference Manual...
  • Page 173: Midi Data Format

    F1 MIDI TIME CODE QUARTER 34 (22) tx/rx Remote time counter FRAME * ‘tx’ indicates that the data can be transmitted from the 01V96i, and ‘rx’ indicates that the data can be received by the 01V96i. 1.3 SYSTEM REALTIME MESSAGE Command rx/tx function 2.
  • Page 174: Program Change

    2.8.2.1 Scene memory bulk dump format (compress) interval of 400 ms or longer will cause MIDI transmission to be initialized, such The 01V96i can transmit and receive scene memories in compressed form. as by clearing the Running Status. System exclusive message...
  • Page 175 User define layer data of block[bb] DATA 0ddddddd ds Of the setup memory of the 01V96i, this bulk-dumps data other than the User Define MIDI Remote, User Defined Keys, User Assignable Layer, Control 0ddddddd de Change Table, and Program Change Table.
  • Page 176 ‘ ’ 00100000 20 ‘8’ 00111000 38 System exclusive message STATUS 11110000 F0 ‘C’ 01000011 43 Manufacture’s ID number (YAMAHA) ID No. 01000011 43 ‘9’ 00111001 39 n=0-15 (Device number=MIDI Channel) SUB STATUS 0010nnnn 2n ‘3’ 00110011 33 Universal bulk dump FORMAT No.
  • Page 177 FORMAT No. 01111110 7E 768:STEREO, 8192:UNDO ‘L’ 256 and following are data for the corresponding channel of the edit buffer. 01001100 4C For reception by the 01V96i, only the user area is valid. (36-127, 256-) ‘M’ 01001101 4D ‘ ’ 00100000 20...
  • Page 178 256-259 are the data for the corresponding area of the edit buffer. Manufacture’s ID number (YAMAHA) ID No. 01000011 43 For reception by the 01V96i, only the user area is valid. (xx-127, 256-259, 8192) n=0-15 (Device number=MIDI Channel) SUB STATUS 0010nnnn 2n (xx varies with the firmware version.) Universal bulk dump FORMAT No.
  • Page 179 The second and third bytes of the DATA NAME indicate the bank number. ‘C’ 01000011 43 0:Library no.0 – 32:Library no.32, 256:current input patch data, 8192:UNDO ‘9’ 00111001 39 For reception by the 01V96i, only the user area is valid. (1-32, 256, 8192) ‘3’ 00110011 33 System exclusive message STATUS 11110000 F0 ‘O’...
  • Page 180 [Rx CH] as the Device Number. The data is not transmitted if a valid plug-in effect card is not installed. System exclusive message STATUS 11110000 F0 2.8.3.1.1 Parameter change basic format Manufacture’s ID number (YAMAHA) ID No. 01000011 43 System exclusive message STATUS 11110000 F0...
  • Page 181: Backup Memory

    2.8.3.7 Parameter request (Setup memory) System exclusive message System exclusive message STATUS 11110000 F0 STATUS 11110000 F0 Manufacture’s ID number (YAMAHA) Manufacture’s ID number (YAMAHA) ID No. 01000011 43 ID No. 01000011 43 n=0-15 (Device number=MIDI Channel) n=0-15 (Device number=MIDI Channel)
  • Page 182 EFF LIB STORE 0x24 xx(*2)-128 0-3, 16383 tx/rx When a memory or library is cleared on the 01V96i, this message will be trans- CHANNEL LIB STORE 0x26 1-128 0-513, 16383 tx/rx mitted with the device number set to [Tx CH].
  • Page 183 2.8.3.20 Parameter change (Sort Table) device number included in the SUB STATUS. This is echoed if [Parameter When scene memory sort is executed on the 01V96i, the memory sort table will change ECHO] is ON. be transmitted to Studio Manager.
  • Page 184 CH] at intervals of 50 msec as a rule (although this may not be the case if the port is being used by other communication), for a period of 10 seconds. When the 01V96i receives this data, it will transmit Sort Table Data. If Address UL= 0x7F is received, transmission of all meter data will be halted System exclusive message immediately.
  • Page 185: Midi Implementation Chart

    YAMAHA [Digital Mixing Console-Internal Parameters] Date: 26 Aug. 2011 MIDI Implementation Chart Model: 01V96i Version: 1.0 Function... Transmitted Recognized Remarks Basic Default 1–16 1–16 Memorized Channel Changed 1–16 1–16 Default OMNI off/OMNI on Mode Messages Memorized Altered ************** Note 0–127...
  • Page 186 Yamaha Pro Audio Global Web Site http://www.yamahaproaudio.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ C.S.G., Pro Audio Division © 2011 Yamaha Corporation 110IP-A0...

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