Yamaha RS7000 Owner's Manual page 42

4. Recording Original Phrases
Step Recording
Real-time recording is fine for many recording tasks, but if you want precise control over note placement, or are attempting to record a
phrase that would be difficult to play on the keyboard in real time, the Step record mode is ideal.
For full details on step recording see page 80. Here's a quick rundown of the procedure to give an idea of how it works.
Step Record Procedure (Note Data)
Start from step 5 of the real-time record procedure described above, but select the "STEP" record mode instead of
1.
"REPLACE".
Use [Knob3] to select the type of data you want to record: notes, pitch bend, or control change. Since you want to record notes,
2.
make sure "NOTE" is selected.
Press [PLAY] and the Step Rec display will appear.
3.
REC STOP
The Step Rec display shows one measure of 32
4.
lar pointer above the 32
which you want to enter a note, [Knob 2] to set the note length, [Knob 3] to set the note velocity, and [Knob 4] to set the gate
time.
Enter the note by pressing the appropriate key on the keyboard. In the step record mode notes are actually entered when the
5.
keys are released. So when entering chords be sure to press all notes you want to enter before releasing the keys.
Press [F1] to enter a rest, or [F2] to enter a tie. The [F3] (DELETE) and [F4] (BACK DELETE) buttons can be used to delete
entered notes.
If you press the [PLAY] button the [PLAY] indicator will flash and you will be able to hear how your step-recorded phrase is
shaping up. Press [STOP] to stop playback and continue entering notes in the step mode.
Stop recording and return to the PATTERN Play (or PATTERN Patch) mode by pressing the [STOP] button.
6.
42 RS7000
MASTER EFFECT
EFFECT
ON/OFF
F1 F2 F3 F4
NUM
REC STOP PLAY
SHIFT
MUTE
KEY- ARPEGGIO OCT DOWN OCT UP
BOARD ON STORE SCENE
PLAY
SECTION A B C D
TRANSPOSE
CAPS
ALL 1~8 9~16 TR-
TRACK 1 2 3 4 5 6
MUTE
SOLO
K ! L # M $ N % O & P '
TRANSPOSE(-)
TRACK 3.3V CARD
SELECT
nd
nd
note markers indicates the current note position. Use [Knob 1] to move the pointer to the position at
MUSIC PRODUCTION STUDIO
Integrated Sampling Sequencer
SAMPLING
MULTI COMP RING MOD REAL TIME
CTRL DELAY V-DIST LOOP SAMPLE
REMIX EDIT STANDBY IN
D-FILTER LO-FI
SLICE OUT A
ISOLATION
OUT B
START/STOP
REC VOLUME MIDI MASTER VOLUME
SEQUENCE PLAY FX EFFECT SEND / VOLUME
SELECT
BEAT STRETCH CLOCK SHIFT SWING DRY VARI DELAY/CHO REVERB TRACK VOLUME
GATE TIME MIDI DELAY VELOCITY
LFO EG
WAVE
AMP
FILTER
S&H
SPEED USER PGM DEPTH PITCH ATTACK DECAY SUSTAIN RELEASE
PITCH FILTER
- +
PORTAMENTO LPF24
TYPE FINGERED TYPE LPF18
FULL TIME LPF12
HPF
OFF
BPF
PITCH BEND PORTAMENTO TIME CUTOFF RESONANCE ENV.DEPTH
BEF
MODE
PATT
PATTERN CHAIN SONG UTILITY UTILITY
SYSTEM
MIDI FILTER MIDI SETUP
BPM SUB MODE
GROOVE PLAY FX MIDI DELAY MIXER GROOVE PLAY FX MIDI DELAY MIXER
GRID GROOVE HARMONIZE MIDI DELAY VOICE SELECT
NOTE TIME FEEDBACK VOL/PAN/OUT EQ
EFFECT SEND
7 8 9 + / - LEVEL
VOICE EDIT EFFECT SETUP MASTER VOICE EDIT EFFECT SETUP MASTER
LFO EFFECT TYPE ARPEGGIO MASTER EQ
PORTAMENTO VARIATION A/D SETUP MASTER
PITCH DELAY KNOB ASSIGN EFFECT
MEMORY 4 5 6 0 FILTER EG REVERB MIDI OUT CH
1 2 3 4 5
EXIT SAVE LOAD JOB EDIT SAVE LOAD JOB EDIT
SAVE LOAD JOB LIST EDIT CHANGE
EXPORT RENAME SCSI SETUP IMPORT VIEW FILTER
DELETE SCSI COMM
1 2 3 ENTER FORMAT
E F G H I J
TAP
PAD 1 PAD 2
PAD ASSIGN
TR+
7 8 9 10 11 12 13 14 15 16
SPACE DEL
Q ( R ) S - T @ U ^ V _ W { X } Y ~ Z
TRANSPOSE(+)
notes. Each diamond-shaped marker corresponds to a 32
nd
note. The triangu-