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3. Connect the mono plug from the tip connector to the input of
the ADAT. NOTE: the ADAT's tracks are arranged from left to
right on the back panel, and the mixer's channels are from right
to left, so the wires will have to cross over.
4. Connect the mono plug from the ring connector to the output of
the ADAT.
If you're not sure which mono plug is from the tip and which is
from the ring, check to see if the cable box has that information.
If not, simply try it one way and play a prerecorded tape from the
ADAT. If you can't hear output from the mixer with the faders
and master up, swap the input and output plugs the other way.
5. Plug in channels 2-8 of the mixer to tracks 2-8 of the ADAT in
the same way.
Using two Studio 12Rs for more flexibility:
The in-line method may be used for recording one source to a track. But if you want to
record a mix of microphones or other sources onto a pair of tracks, two Studio 12Rs can
do the job more quietly and in a smaller space than expensive dedicated recording consoles.
One 12R is the "source" mixer which feeds the ADAT's inputs, and the other is the
"monitor/mixdown" mixer which receives the ADAT's outputs.
1. Plug the -10 dBV MAIN OUT jacks of the "source" 12R to track
inputs 1 and 2 of the ADAT.
Because the ADAT has normalled inputs, the stereo output of
the source mixer may be recorded on other tracks without
repatching. The left output of the mixer will appear at the
inputs of tracks 1, 3, 5 & 7; the right output will appear at track 2,
Studio 12R Reference manual
INPUT
OUTPUT
1
2
3
4
5
6
LOCATE/PLAY
PUNCH
DIGITAL
LRC REMOTE
IN/OUT
IN
OUT
INPUT
OUTPUT
7
8
SYNC
IN
OUT
Connections
23
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