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Post Production
Apple ProRes
The Odyssey can record in Apple ProRes 422 (HQ), Apple ProRes 422 and Apple ProRes 422 (LT) compressed
codecs. This allows for high quality recording while avoiding high data rates of working with uncompressed
video.
NATIVE APPLE PRORES SUPPORT
Adobe CC 2014
Apple FCP X, Aperture
Cineform Studio
FS700 RAW Support
All FS700 RAW recording on the Odyssey is recorded as a 12-bit linear CinemaDNG file. With DNG files, timecode
and clip metadata is stored in every frame, as well as in the XML file within each clip. All audio is recorded 48Hz
16 bit Uncompressed WAV audio.
It is important to correctly set the white balance of the camera, as this is baked into the RAW file.
NATIVE CINEMADNG SUPPORT
Adobe CC 2014*
Apple FCP X, Aperture
*Pending next Adobe CC update.
FS700 RAW: Dealing with RAW Files
Note that FS700 RAW files are Linear, thus the files need a Gamma 2.2 correction in order to look correct. You
may notice when you first import your files that they appear very dark before correction.
FS700 Davinci Resolve Import Settings
1.
Right click on the file and select "Edit CinemaDNG Codec Settings"
2.
Then under the CAMERA RAW select be sure CinemaDNG is selected from the drop down menu.
3.
Set the Decode using method to CinemaDNG Default* (Also be sure your project is setup correctly)
4.
Set the White Balance to As Shot
5.
Set the Color Space to Rec709
6.
Set the Gamma to Rec709
7.
Leave Highlight Recovery off
8.
Click Apply
The Media Pool Camera RAW settings are the same as the ones in the color page and these are designed for
individual clip adjustment so its better to first set the 'Project Settings', 'Camera RAW' as you need for the whole
project.
Select 'Project Settings', 'Camera RAW', 'CinemaDNG' and make sure the 'Decode using' is set to either
'CinemaDNG Default' or "Camera Metadata'
The "Camera Metadata' is the default and the best place to start if you need to change an individual clip with
camera RAW.
The Media Pool settings are helpful if you have a mix of different clip types, you can sort by codec, select a group
and adjust.
Convergent-Design.com
Final Cut Pro 7
Black Magic DaVinci Resolve
The Foundry Nuke
(DNG Sequences)
Assimilate Scratch Lab (future update)
Black Magic DaVinci Resolve
[18]
Autodesk Smoke
Sony Vegas
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