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[4] "MODE"
Specifies the combination of heads that will be used.
[5] MIX
0.0–10.0
3. ANALOG DELAY (ANLG DL)
This models an analog delay that used a bucket-brigade device (BBD) instead of a
tape mechanism and was known for its compactness and reliability. It is character-
ized by a warmly distorted sound.
[1] "TIME"
1–2700[ms]
[2] "FEEDBACK" 0.0–10.0
[3] "TONE"
1.0–10.0
[5] "MIX"
0.0–10.0
4. MOD DELAY (MOD DLY)
This models Korg's first digital delay, the SDD-3000. You can also use this to produce
chorus or flanger-like effects by setting a short TIME and using the LFO to modulate it.
[1] "TIME"
3–2700[ms]
[2] "FEEDBACK" 0.0–10.0
[3] "TONE"
1.0–10.0
[4] "SPEED"
0.1–10[Hz]
[5] "MIX"
0.0–10.0
5. SWEEP DELAY (SWEEP DL)
This also models the SDD-3000. Here you can use the envelope of your guitar sig-
nal to control the DELAY TIME, and by setting a short TIME and raising the FEED-
BACK you can produce a distinctive flanger effect. Even with conventional settings
of TIME, you can produce unique effects that would not be possible with an LFO.
[1] "TIME"
26–2700[ms] * Sets the delay time.
[2] "FEEDBACK" 0.0–10.0
[3] "TONE"
1.0–10.0
[4] "SENS"
0.0–10.0
[5] "MIX"
0.0–10.0
1: Use one head (C).
2: Use two heads (A, B).
3: Use two heads (B, C).
4: Use two heads (A, C).
5: Use three heads (A, B, C).
* Adjusts the mix amount of the delay.
* Sets the delay time.
* Adjusts the amount of feedback.
* Adjusts the tone of the delay.
* Adjusts the mix amount of the delay.
* Sets the delay time.
* Adjusts the amount of feedback.
* Adjusts the tone of the delay.
* Adjusts the modulation speed.
* Adjusts the mix amount of the delay.
* Adjusts the amount of feedback.
* Adjusts the tone of the delay.
* Adjusts the sensitivity at which the effect
responds to the volume of your guitar.
* Adjusts the mix amount of the delay.
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