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FRONT PANEL DESCRIPTION
3
+6
4
6
0
2
8
OFF
0
10
HIGH
OL
LEVEL
1 2
1 LOW / MID / HIGH tone controls on each input channel are Accelerated-Slope™, delivering more control, constant phase re-
sponse, and less interaction between bands than normal tone controls. The LOW/MID corner frequency is 300 Hz. The MID/
HIGH corner frequency is 4 kHz. Each band allows 6 dB of boost and full cut.
2 Input Overload indicators should remain off during the loudest expected program material. If you see one light up, turn down
the rear panel Input GAIN.
3 Input LEVEL controls set the volume for each channel. These work along with the rear panel GAIN controls for maximum
signal. To achieve the smoothest mix possible, set the GAIN control on the rear panel to allow near full range operation of the mix
Level control without lighting up the Input Overload indicator.
4 EFFECTS DRY / WET control adjusts the mix between the sum of the four Inputs (DRY) and the Effects Return jack (WET).
When used with an external effects processor, the DRY/WET pan control adjusts how much processed, versus unprocessed, signal
appears in the final output mix. See the EFFECTS LOOP section on page Manual-4 for more uses.
5 Output Overload indicator is located before the Output Level control. Therefore, the Output Level control cannot be used to
correct an Output Overload condition. An Output Overload condition is corrected by turning down one or more of the Input
LEVELs. Your goal is to keep this indicator off.
6 OUTPUT LEVEL control determines the level going to all Outputs.
7 POWER indicator. When the yellow LED is lit, the MLM42S is ready to go.
Manual-2
4
+6
+6
4
6
0
0
2
8
OFF
OFF
0
10
LOW
MID
HIGH
OL
LEVEL
3
EFFECTS
OUTPUT
4
6
2
DRY
WET
0
10
OL
LEVEL
4
5
6
MLM42S
MIC/LINE MIXER
8
POWER
7
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