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P
F
PRESET PROGRAM LIST
a
1
'armeter Setting
*
*
bwi
hall s i d a t i m , ptirfect for m y size a m t i c m e d l e . Edit RevT and
?el7
t o
&age the
percejved
size.
' l :
h 1 1 l
E n s e m b l e H a 1 l
M a j o r S p a c e
Roomi e
W r i e s ,
lireats,
~f
lecticns..
.
imer spam larges than
the
lanest Mdings.
kzllent setting for cinmtic effects.
' l :
Hall 2
B: 8 0 60
13
P3:
15
12
100
ldds a halo of ~ a l i t y ~ i b d any
dnrw
mchine pat tern. Use sparingfy for
dience on any dry swre.
Pl:
b
1
E: l. l 36
7
B:
72
l 2
0
H: h
2
P2:
1.5 18 5
P3:48
40
41
Fimiation of
a
large dmce
m
with
rnnd
fla?fs. Gaw' for mmticr
instnm?ntal
sixes,
excel f m t for solo stsings.
Bal lroom
Cool V o c a l s
m 1
plate set ling.
/&p
and Tone cmtml tmality.
R:
Plate 1
P2:Z.z 0
3
P3:85
9
10
Pl: Plate 2
R : 4 2 2
5
P3: 64 15 9
p
p
-
Inmdibly hwtiA11 m lyrical tracks - &ances
pods,
strings, d o i n - a d
iust a tw10 to mllet permion.
R i c h P l a t e
B o u n c
i
ng V e r b
Pl: l.
l
0. 1 2 7
P2: 6
10
5
P3:60
SigLR
Tcdbtle &imm e f f x t tn s m t e n
h ,
a m ~ s t i c guitar, and other plucked or
vi&d m ~ t i c jnstrmnts.
A c o u s t i c T i l e
Pl: C b m
P2: 25
17
-3
P3: 10
50
b n t s
well
on guitar, bass, sme t p e s of
d r u m .
Diffennt t i a t a a single
instnuuent in
ihe
aix.
B a s s C h o r u s
S a t reverl,
W;
th donls, nice for voals or choirs.
p
p
p
-
C h o r a l V o i c e
h n l s
-
kb'
-
Pitch
Pitch
-
m 1
Permssinn s o w &
&nix?
f r w left to right. Shstaining
& S
are inbud n t h
dmnic s t ~ m mtinn. T h e crfsps distioct imes. Original
m 2 e / ,
then
left, then ri&t.
A d & an e x t . pit&, that is 0on1sd ~ i t h itseli: an octave
Ilu?Imr
the iwut
si.gnal.
m:
~k
Pong
R:
0.7 17 0
B: 0
14
PI: Ster
P i t c
R : -12 4
100
P3: -12 -18 100
C o n t r a D a n s e
H a r m o n i u m
p
-
p
-
N u A g e S o l o F i f t h s
Pl: Pitc>Rev
P2: 5
0
24
P3:1.6
100
A&l s
a wrfect fif th
&W
the s a m e sig~al note a d thm h t h go swiming i n
rewrb. A4imt Mix md Mix to m ~ i c .
Provi&s inte~sting
p3asiiig
effect on
hass
sa~n&. &lied
to
a AV?, vxals
will
be
s ~ ~ m r e s s d and the
hass
rill flower.
Pl:
Karaoke
R : 14
0
T u r n i n g J a p a n e s e
S t e r e o i z e
H :
Sumund
R :
Fmt (Xlt
F??: 60
80
A
spatial mhiner for s t e m nines, bmadms and widms.
Pl:
Swp Flng
R: Tri
LFO
P3: 16
12
92
Pl:
P d l > P i t c
R : 12
Pedl
P3:
6
PI:
MIDI*
P2:C
3
3
P3:
l3e
p&As
edge mothly glides up md donn the stsikgs of the electric guitar,
infirsmn$ the inpclt samd rith plastic pi& on w d mid1 string.
E l e c t r i c S l i d e
O c t a v e S w e e p
Il s e
M a l or f m
t
panel trigger to smd t k m ~ n d g1 id&
( . p
m octaw.
Adjust the
g l
ide rat* d t h the
Sap
Tim.
E m i ~ s the inpclt sisal in thirds &we i n hammy with t k m l i m s a l e
(a/l rbite keys).
A e o l i a n M o d e
T w o S e c o n d C a p t u r e
PI: Hold
Dely
R : 2 0 00
P3:
I n t
. W up lo
m r d a& - a
t a t m secrxld p ~ f o r m c e - just hit the trigge~ key
or
@l
to k i n m p t u ~ .
-
Hall
-
Hall
Ha1 l
-
Hall
-
Hall
P i a n o Recital
Pl: Hall 1
R : L 4 20
5
R : 6.5 48
11
P3:15
60
36
C a t h e d r a l
S m a l l h a l l a
k g e s t s
the
s t i r t l spread of a
mmt
hall.,
but
without the lcnger d w y .
C d
for solo i m t m t s or swll instnernt choin OiRe f m c h h o d &m
s i x &
with o t M effects.
Ex8ggemted d l x t i o n s s~ggest m1 tiple effects, 11ke
D N
wined d t h l a e e
e w b . Adjist Reff to watch m~sic t w .
p
p
S l a p b a c k H a l l
B:
9
74
100
PI: Hall 2
R : 3.0 30
1
P3: 6
42
l2
Bright Hall
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