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This uses modeling of the all-around Markbass sound. Switch the graphic EQ on for a tighter low end when using an amplifier.
0
MarkBoost
This has the characteristic mid range of the Polytone MINI-BRUTE, which is popular among jazz players. Switch the EQ on for a tighter low end when using an amplifier.
1
Polytone
2
This patch with additional auto-wah is useful for slapping solos.
SLAP WAH
Less overdriven style into an SVT style amp modeler.
3
bass tank
A
A Hartke HA3500 is combined with a 4.5XL cabinet with aluminum cone drivers. Switch the EQ on for tighter low end when using an amplifier.
4
Hartke
A basic combination of SansAmp and Punch Factory, which are two favorite effects among bass players. Add EQ to your taste.
5
SansCmp
Jaco Jazz Ah yes the famous Jaco and his sound this sound emulates a fretless bass very well.
6
Jaco Jazz
The all-tube Ampeg SVT is combined with an 810E cabinet. Switch the EQ on for a tighter low end when using an amplifier.
7
SVT
My basic beefed up octave sound, big lows and fat sine wave.
8
tl octave
9
The AVALON U5 model contributes to this clear and crispy bass sound.
RecU5
Very powerful Octave and Distortion sound.
0
W10 Big D
Moog filter sound for thumb play style.
1
W10 Thumb1
Q-Tron filter sound for thumb play style.
2
W10 Thumb2
Long time delay sound with Hall reverb.
3
W10 StepUp
B
4
Pitch shifter with delay for bass guitar solo.
W10 Up Top
Nice bottom sound with booster and Bottom B.
5
W10 Bottom
Fretless sound with Hall reverb.
6
W10LesFret
Dreamy sound using Reverse Delay.
7
W10 DreamX
Dreamy sound using Pitch Delay.
8
W10 DreamY
Slow attack sound with Hall reverb.
9
W10 BowTie
This patch is a tribute dedicated to my friend Cliff Burton. I think of him when I hear it.
0
HintoCliff
1
This patch is a kind of straight-ahead vibe plus a little more "stuff " I added to it...
GalePlus
This patch says to me that this bass sound is so smooth, I should have some fun with it.
2
Smoothfun
With this patch, I have this picture in my head of having a conversation with a wah pedal.
3
WahTalkin
This patch is my horror movie bass sound. To me it sounds like it's from a horror movie soundtrack.
C
4
Horrorfuzz
When I'm playing with this patch, it sounds like it has a Led Zeppelin vibe to it. Tremolo all the way!
5
Tremozep
When I hear this patch, it makes me feel like there is a sound following me every note I play.
6
FollowMe
With this patch, I just wanted to have a cool, straight ahead bass sound to jam to.
7
LeStandard
8
This patch has a journey-bass sound vibe to it. Big Chorus going on.
Believe it
I think-This patch has a Cure-ish (the band) vibe to it. Fun with the Flanger!
9
Cureme
FuzzSmile gives hard edge fuzz.
0
Crunch Fuz
Synth & OptComp creates a modern alt metal talk box type sound.
1
Amused
Derived from Van Halen II "You're No Good" bass intro. Classic Phaser and Compression. Great bass intro patch.
2
UR No Good
3
D.I Plus with the Vibe gives useful effect for blues or rock songs.
Wid Sprd
A natural bass wah created with Bottom B, Pedal Wah and Early Reflection.
D
4
Nat Bg Wah
Oct Stomp, Reverb and Flip Top create an ambient hall setting with a lower octave added.
5
Big Room
Exciter, Phaser, Fuzz. Good for solo bass and oddity pieces.
6
Space Driv
Mono Synth creates outstanding effect for solos and special effects.
7
Bass Synth
Octave creates lower octave while Random Filter adds mystic.
8
Lo Down
Vibrato with 4 Voice Synth provides fusion jazz voicing.
9
Spc Fusion
0
A combination of Bottom B and Flip Top rounded out through the 160 COMP delivers a FAT SOLID SOUND.
cto Stomp
SVT Amp with a twist of Mono Pitch and 160 Comp creates controllable Sub Low with the expression pedal. PUMP IT!
1
Pump House
A Bass Drive merged with Trigger Hold then the 160 Comp evens it out. Expression Pedal makes it pulse.
2
Propeller
With the Vibrato, Arena Reverb and Exciter, you create a Whirling Leslie Vibe.
3
Swirl
Jaco Solo is a very dreamy sound thick with a nice reverb can be used for solo's or a main sound.
E
4
Jaco Solo
This is a cool synth patch emulating the famous tune "Let's Groove Tonight" by Earth Wind & Fire.
5
Earth W&F
This patch simulates Anthony Jackson's trademark sound with a flanger. The swelling effect of the flanger fits nicely with tight rhythmic figures played with a pick.
6
Anthony J
7
Use this patch for a fat and bright slapping sound. Remember that funky guy who performed with Miles and the Stones?
Fat&Bright
This simulates the sound of that impressive intro played by that skinhead guy with a "disciplined" British prog group. Try slapping with this.
8
Slplss Tny
A set of the favorite effects used by the legendary fretless player of Brand X.
9
Percy J
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not
indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
This reproduces the sound of that legendary master of the fretless bass. Explore the world of "Word of Mouth" with chorus and distortion!
0
JP&360Amp
This reproduction of that Jet Phaser sound favored by Larry Graham is a great enhancement to wild bass solos!
1
Larry
2
This simulates the slapping sound of Marcus Miller using SWR amplifiers.
M Miller
This simulates the bass sound of Stanley Clarke on "School Days" and is optimized for chord stroking and slapping.
3
STANLEY
F
This reproduces the sounds of the wild guy of "Fudge" and "BBA." Try to control the depth of distortion with your picking touch.
4
Tim B
Octaver into a Flip Top B-15 simulator, emulates the classic d'angelo pino p sound.
5
pino
This basic compressor, overdrive and preamp setup can be used like a chain of compact effect pedals.
6
BasicSet
This "rock" setup of octave, booster and preamp effects can be used like a chain of compact pedals.
7
RockSet
An all-round "pop" setup of compressor, booster and exciter effects that can be used like a chain of compact effect pedals.
8
POPSet
9
A setup of compressor, chorus and delay effects for fusion that can be used like a chain of compact effect pedals.
FusionSet
This set is stuffed with three wild weapons. Use any of these when you need to be "in-your-face"!
0
JumpSet
This auto-wah sound with a heavy bottom end is a combination of the Q-Tron-inspired Z Tron effect and a preamp.
1
Z TRON
This patch gives a hard compression sound using two compressors in a row and is good for cool slapping solos.
2
DblComp
This phaser sound is very effective in certain sections of songs.
3
PHASER
G
4
This adds an auto-wah sound to the natural dry sound of the bass.
WahAttack
This slapping sound cuts though with natural compression and low and high registers enhanced by an exciter.
5
SLAP
This adds a short delay to a classic 80s slapping solo sound.
6
SLAP SOLO
This patch is optimized for tapping. The signal is compressed fairly heavily and enhanced with EQ for a broader sound.
7
TAPPING
This patch is optimized for chord work. Room and reverb effects add depth to the sound.
8
CHORD
Use this patch for beautiful melodies played with a pull-off technique.
9
PULL MELO
This patch is effective for harmonics. Chorus and reverb effects contribute to the floating sound.
0
HARMONICS
1
This is a simulation of the Fender Bassman 100 amp once used by Paul McCartney. Switch the graphic EQ on for tighter low end when using an amplifier.
Bassman
This is a simulation of a Marshall 1992 Superbass with a 1935A cabinet. Switch the graphic EQ on for tighter low end when using an amplifier.
2
Super Bass
This models the powerful and clean sound of an Aguilar amp. Switch the graphic EQ on for tighter low end when using an amplifier.
3
Aguilar
This is a simulation of a Gallien-Krueger 800RB with a 410RBH cabinet. Switch the graphic EQ on for tighter low end when using an amplifier.
H
4
G-Kruger
Just a nice tube amp warm patch, good for any use.
5
nice warm
This is just like the name suggests—a typical sound of British hard rock. Perfect with a pick.
6
BritHardRk
Nice eq'd lo mid boosted sound sent into an SWR style amp.
7
huge clean
8
This clean sound is suitable for recording and has added fatness from Hartke HA3500 modeling.
REC CLEAN
This simulation of an amp sound with punchy lows and highs is suitable for recording slapped basses.
9
REC SLAP
This patch simulates settings for recording using both studio and pedal compressors.
0
2COMP
This popular reggae sound has a big bottom. Add the octaver if you like a more aggressive sound.
1
ReggaeNo.1
This standard distortion sound blends well with the mix. This sound is good for everything but ballads!
2
NORMAL DIS
3
This distortion sound accompanied by a delay effect is suitable for soloing with fast passages.
SOLO DIS
This synth bass is simulated only with analog-type effects. Of course, the whole thing is still digitally simulated!
I
4
LudditeSyn
Heavy fuzz and the bottom end give this patch a retro feel.
5
oct OD
This jet sound has that characteristic wild swell.
6
BigJet
This distortion sound uses the modeled Big Muff, which is a popular effect among many bass players. Switch on the exciter for a more contoured sound.
7
MuffCmp
Distorted, sounds amazing with bass tuned to low c with roundwound strings.
8
meshugger
Retro fuzz and octave through a resonance filter.
9
70fuzzoct
0
This natural distortion sound is suitable for recording.
REC DIST
This fat bass synth sound with a pleasant attack is suitable for recording.
1
BottomSyn
This is another big brassy cool analogue sound very useful in synth sounds.
2
Big Brass
This is a sound emulating you playing very fast 1/8 notes very accurate.
3
Fast Pick
Reverse delay into a rich delay with mega feedback. Excellent ambience for looping.
J
4
longambien
This is a very cool impression of the Mini Moog synth very analogue.
5
Big Moog
No, this is not the sound of the Stax legend. This is a sonic imitation of a "real" duck!
6
Duck Wah B
7
This is a simulation of the sound of those 8-bit game machines that took the world by storm in the 80s.
Retro Game
Sub bass analog synth sound, most effective tracked slowly with long sustains.
8
fairwarnin
This spacey sound combines Dist1, Seq Filter and Stereo Delay effects.
9
DistSeq
B3-PatchList-E-1
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