Appendix B -If You Use An External Mixer - M-Audio Delta 66 User Manual

Appendix B -If You Use An External Mixer...

Our main objective is to get the signal we want to record to the Delta 66, and to
monitor the outputs from the Delta 66. The Delta 66 has a mixer contained in its PCI
chip that allows you to mix hardware inputs and software outputs and send it to an
analog stereo output pair and/or the S/PDIF out. The Delta 66 also allows you to
record that mix into your music software as a hardware input. Still, some of you may
choose to use a mixing console to achieve your multi-tracking goals.
A mixing console (sometimes referred to as mixing 'board' or 'desk') that is
designed for multi-track recording has the ability to fulfill these two basic functions
— getting the signal to the recording device, and receiving the outputs of that
recording device for mixing or monitoring. In this sense, a recording console is two
mixers in one. A mixer designed for recording will also have the ability to send to
one or more mixdown decks, to monitor these mixdown decks, to control separate
control room and studio listening levels, as well as other recording-specific
functions.
There are two basic layouts for the recording console, "split section" and "in-line."
The split section design is arranged with a recording or 'channel' section (to send the
signal to the recording device) side-by-side with a monitoring section (to receive the
outputs of the recording device). The in-line design has the recording and
monitoring sections "in line" within each channel module, so that each channel has
two line inputs.
The recording section is distinguished by its bussing system, which takes the
recording channel signal through a summing matrix to multiple outputs- usually in
multiples of eight. It could be said that an '8-buss system' is designed for 8 track
recording, and a 24-buss system for 24 track recording, etc., but this is not written in
stone.
What we are describing here is the extreme- a professional, costly piece of gear that
has been purchased for this one specialized purpose. There are features inherent in
other types of consoles, however, that will allow us to perform these two separate
functions of recording and monitoring. A sound reinforcement or a broadcast
console, and in some cases a recording console, might offer a bussing system in the
form of "sub-mix outs." These are usually arranged in stereo pairs with a set of level
control faders for each pair. This configuration can be effectively used for recording,
as long as the record channels are taken out of the stereo buss. The difference here
is that there is no real distinction between the recording and monitoring sections.
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