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RCA Input
Aux Gain
Aux
Aux
5
Input
4
6
3
7
2
8
1
9
0
10
Ch 1
Ch 1
Bass
Gain 1
Input
0
5
4
6
CLIP
3
7
2
8
9
1
0
10
-15
+15
Ch 2
Ch 2
Bass
Gain 2
Input
5
0
4
6
CLIP
3
7
2
8
9
1
-15
+15
0
10
Ch 3
Ch 3
Gain 3
Bass
Input
5
0
4
6
CLIP
3
7
2
8
1
9
0
10
-15
+15
The Acoustic Master Custom
The Traynor Acoustic Master Custom is a 225-watt bi-amped amplifier designed specifically
to make an acoustic guitar sound as natural and realistic as possible when amplified. The
compact size and light weight of the Acoustic Master Custom makes it easy to take anywhere.
Active or passive pickups of your acoustic guitar, a microphone, and even line-level signals
can all be used. Other features include two separate digital effects processors with 16 custom
sounds, one shared on channels1 and 2 and the other on channel 3. Balanced line outputs
(pre and post effects), inserts, and a sweepable notch filter make this amp perfect for stage
use. The versatility and response of the Acoustic Master Custom will make it a pleasure to
play for years to come.
1. Power
The Blue LED, located next to the Master Volume, will illuminate when the unit is turned on.
The power switch is located at the back of the unit near the power receptacle.
2. Channel 1
Channel 1 has been voiced specifically for acoustic guitars. This input is unbalanced with an
input impedance of 1 Mega-ohm. It can accept either passive (piezo/coil) or active pick-ups. Tone
controls include Gain, Bass, Lo-Mid, Hi-Mid and Treble, as well as a sweepable notch filter which
eliminates most feedback generated by the guitar at high volumes.
3. Channel 2 and 3
Channel 2 and 3 feature XLR / 1/4-inch hybrid combi-jacks. The 1/4-inch inputs are used for
line-level signals from acoustic guitars (using an active pickup) or other 'line-level' sources. The
hybrid combi-jacks also accept microphones through the incorporated balanced XLR connector.
Tone controls include Gain, Bass, Lo-Mid, Hi-Mid and Treble which enable great control of your
equalization. Both channels have been designed with a flat frequency response, making them
ideal for vocals, keyboards and drum machines. The channel inputs both XLR and 1/4-inch are
balanced but can also accept unbalanced 1/4-inch cables. To reduce noise, it is advised that
you use balanced cables for interconnection wherever possible.
Tech Note: In order to power condenser microphones, phantom power is applied to devices
connected with an XLR cable (15-volt for channel 2 and 48-volt for channel 3). Using a
correctly wired XLR cable, phantom power is effectively invisible to balanced dynamic
microphones and will not cause any damage. Phantom power IS NOT applied to the 1/4-inch
portion of the hybrid combi-jacks.
Line Out
Footswitch
Pre EFX
Post-EFX
Lift
Gnd
Feedback
Lo-Mid
Hi-Mid
Treble
0
0
0
-15
+15
-15
+15
-15
+15
Off
Feedback
Hi-Mid
Treble
Lo-Mid
0
0
0
-15
+15
-15
+15
-15
+15
Off
Feedback
Lo-Mid
Hi-Mid
Treble
0
0
0
-15
+15
-15
+15
-15
+15
Off
1
Effects
Master
Acoustic Master
Tip:
5
4
6
Ch 1-2
3
7
Ring:
Ch 3
2
8
1
9
0
10
Ch 1& 2 Effects
Select
Modify
Notch
1
16
2
15
3
3
14
4
13
5
2
12
6
1
1 1
7
1kHz
10
8
9
Freq
Effects
1. Hall Reverb
Ch 2
2. Room Reverb
Decay
Notch
EFX
3. Plate Reverb
4. Chorus
5. Chorus+Reverb
Depth
6. Chorus+Rev+Dly
Active
7. Tremolo
Rate
8. Tremolo+Reverb
9. Delay
Time
10. Delay+Reverb
Defeat
11. Drive
Gain
12. Harmonizer
Pitch
13. Flanger
14. Flanger+Delay
Rate
1kHz
15. Rotary Speaker
Freq
16. Compressor
Level
Ch 3 Effects
Select
Modify
Notch
1
16
2
15
3
3
14
4
2
13
5
12
6
1
1 1
7
1kHz
10
8
9
Freq
Custom
POWER
Insert
Mix
Ch 1
5
4
6
7
8
9
0
10
Insert
Insert
Config.
Ch 2
Tip:
Send
Ring:
Rtn
Mix
Insert
5
Ch 3
4
6
7
8
9
0
10
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