Casio CTK-900 User Manual

Casio CTK-900 User Manual

Casio ctk-900: user guide
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  • Page 1 CTK900-ES-1...
  • Page 2 NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
  • Page 3: Safety Precautions

    Symbols 1. Do not rub your eyes! Rinse them with Various symbols are used in this user’s guide and on the water. product itself to ensure that the product is used safely and 2. Contact your physician immediately.
  • Page 4 Doing so creates the risk of electric shock. damaged by dropping or subjecting it to strong G Use the AC adaptor where it will not be impact creates the risk of fire and electric shock. splashed with water. Water creates the risk of Take the following steps immediately.
  • Page 5 Safety Precautions AC Adaptor Connectors G Misuse of the AC adaptor creates the risk of Connect only the specified devices and fire and electric shock. Always make sure equipment to the product’s connectors. you observe the following precautions. Connection of a non-specified device or •...
  • Page 6 Make sure you mount the product on the stand correctly. * Stand is available as an option. When using batteries, be sure to replace them or shift to one of the alternate power sources whenever you notice any of the following symptoms.
  • Page 7: Introduction

    Auto Accompaniment function. Synthesizer Mode Edit built-in sounds to produce your own original creations. Up to 120 of your own sounds can be stored in memory for recall, just like the built-in tones.
  • Page 8: Registration Memory

    MIDI input. Registration Memory Keyboard setups can be stored in memory for later recall and instant set up whenever you need them. Up to 32 setups (4 setups × 8 banks) can be stored in registration memory.
  • Page 9: Table Of Contents

    To edit a drawbar organ tone ....E-20 Parameter Details .......E-21 Mixer Function....E-36 To save an edited drawbar What you can do with the Mixer ..E-36 organ tone ...........E-22 Turning Channels On and Off .... E-36 Using the Parameter Edit Mode ..E-37 How Parameters Work .......
  • Page 10 Using the SMF Player... E-71 Synthesizer Mode Functions....E-40 Playing Back an SMF ......E-73 Creating a User Tone......E-43 Configuring Other Settings ....E-73 Storing a User Tone In Memory ..E-45 MIDI........ E-75 Registration Memory ... E-46 What is MIDI?........E-75 Registration Memory Features....E-46 General MIDI ........
  • Page 11: General Guide

    General Guide General Guide 707A-E-011A...
  • Page 12: Attaching The Score Stand

    BANK button b) STORE button EXIT button SONG MEMORY TRACK buttons AUTO HARMONIZE button Attaching the Score stand (*1) Insert the score stand into the slot at the top of the keyboard as shown in the illustration. E-10 707A-E-012A...
  • Page 13: Playing A Demo Tune

    • Due to LCD element characteristics, display contrast changes depending on the angle from which you view it. The initial default contrast setting is one that allows easy viewing for a musician seated directly in front of the display. You can also adjust the contrast to the level that suits your particular needs.
  • Page 14: Power Supply

    Load six D-size batteries into the battery compartment. • Make sure that the positive ( + ) and negative (–) ends are facing correctly. Misuse of batteries can cause them to leak resulting in damage to nearby objects, or to explode, creating the risk of fire and personal injury.
  • Page 15: Using The Ac Adaptor

    Song Memory song numbers, SMF player or disconnecting the AC adaptor. settings (play mode, manual play part, SMF playback • Using the AC adaptor for a long time can cause it to become volume) warm to the touch. This is normal and does not indicate malfunction.
  • Page 16: Turning Off The Keyboard

    Power Supply Turning Off the Keyboard Memory Contents • Be sure to press the POWER button to turn off power and In addition to the above settings, data stored in the make sure that the LCD backlight is off before Registration Mode and Song Memory Mode is also retained disconnecting the AC adaptor or doing anything else.
  • Page 17: Connections

    • With piano tones, depressing the pedal causes notes to on one end and two PIN plugs on the other end. Note that the linger, much like a piano’s damper pedal. standard plug you connect to the keyboard must be a stereo •...
  • Page 18: Basic Operations

    This keyboard comes with tones built-in, as shown below. To play the keyboard A partial list of the available tone names is printed on the keyboard console. See the “Tone List” on page A-1 of this manual for a complete list.
  • Page 19 Basic Operations Drawbar Organ Tones: To select a tone 50 Preset Tones + 100 User Tones Find the tone you want to use in the tone list and Number of DSP Line On/Off note its tone number. Number Tone Type...
  • Page 20: Piano Setting Button

    (page E-61, E-62) can • The setup of the keyboard does not change if you press the cause conflicts. To avoid conflicts, DSP is allocated to the last...
  • Page 21: Using The Drawbar Organ Mode

    Your keyboard has built-in “drawbar organ tones” that can be altered using nine digital drawbars whose operations are similar to the controls on a drawbar organ. You can also select percussion or key click. There is room in memory for storage of up to 100 user- created drawbar tone variations.
  • Page 22: To Select A Drawbar Organ Tone

    Tone Name • If you have drawbar organ tones assigned to more than one Use the number buttons to input the three digit channel, changing the drawbar organ tone setting for one of the channels causes the same setting to be applied to all of tone number for the tone you want to select.
  • Page 23: Parameter Details

    0 to 3 selected. Drawbar 8’ Ft 8’ 0 to 3 None of the channel numbers (1 to 16) are displayed in the Drawbar 4’ Ft 4’ 0 to 3 drawbar organ tone selection mode and editing mode. Drawbar 2 2/3’...
  • Page 24: To Save An Edited Drawbar Organ Tone

    Use the [+] and [–] buttons to select a tone number. • You can select a tone number in the range of 100 to 199. After the tone name is the way you want, press the ] CURSOR button to store the tone.
  • Page 25: Applying Effects To Tones

    You can have up to 100 effect types in user memory at one time. You can also select the DSP type of the last DSP enabled tone that you used. This means you always have...
  • Page 26: Dsp Parameters

    See “Changing the Settings of DSP Parameters” for more information. • Whether or not an effect is applied to the parts that are sounding also depends on Mixer Mode Reverb Send, Chorus Send, and DSP on/off settings. See “Mixer Function”...
  • Page 27: Dsp Button

    Checking the DSP button will tell you whether or not DSP is enabled for the tone that is currently selected for a part. The DSP button will be lit for a tone that is DSP enabled (DSP line ON), and unlit for a tone that is DSP disabled (DSP line OFF).
  • Page 28: Selecting Chorus

    Parameters High Damp Same as Reverb Type You can control the relative strength of a reverb and how it is applied. See the following section titled “REVERB Parameters” for more information. • Whether or not an effect is applied to the parts that are...
  • Page 29: Using The Equalizer

    Specifies the undulation depth of the chorus sound. A higher value produces deeper undulation. • Whether or not an effect is applied to the parts that are sounding also depends on Mixer Mode Reverb Send, Use the [ + ] and [–] buttons or the number buttons Chorus Send, and DSP on/off settings.
  • Page 30: Auto Accompaniment

    Use the MODE button to select the accompaniment mode you of this means that you get full, realistic accompaniments for want to use. Each press of the MODE button cycles through the melody notes you play with your right hand, creating the the available accompaniment modes as shown in the mood of a one-person ensemble.
  • Page 31: Selecting A Rhythm

    Software (on the Bundled CD-ROM)” on page E-76 for more • To stop rhythm play, press the START/STOP button. information. • Chords will sound along with the rhythm if any of the three To select a rhythm accompaniment mode lamps above the MODE button is lit. if...
  • Page 32: Using Auto Accompaniment

    Auto Accompaniment feature. Before starting, you should “accompaniment keyboard” and “melody keyboard,” and first select the rhythm you want to use and set the tempo of tells you how to play CASIO CHORDs. the rhythm to the value you want.
  • Page 33 FULL RANGE CHORD Keyboard pattern to be a chord. Any other input (that is not a FULL RANGE CHORD pattern) is interpreted as melody play. Because of this, there is no need for a separate...
  • Page 34: Using An Intro Pattern

    Using a Rhythm Variation feature. Before starting, you should first select the rhythm you want to use, set the tempo, and use the MODE button to select the chord play method you want to use (NORMAL, CASIO In addition to the standard rhythm pattern, you can also CHORD, FINGERED, FULL RANGE CHORD).
  • Page 35: Synchro Starting Accompaniment With Rhythm Play

    Finishing with an Ending with Rhythm Play Pattern You can set up the keyboard to start rhythm play at the same You can end your performances with an ending pattern that time you play the accompaniment on the keyboard. brings the rhythm pattern you are using to a natural- sounding conclusion.
  • Page 36: Using One-Touch Preset

    • Auto Harmonize turns off temporarily whenever you start demo tune play. It turns back on as soon as the operation or function that caused it to turn off is finished. • Auto Harmonize is enabled only when the Auto Accompaniment mode is FINGERED or CASIO CHORD.
  • Page 37: Adjusting The Accompaniment Volume

    Channel 5 to the tone you want to use for the Example: 110 harmonize notes. In addition to the tone, you can also use the Mixer to change a number of other parameters, such as volume balance. See m V o l “Using the Parameter Edit Mode”...
  • Page 38: Mixer Function

    Channels 6 through 10. (1 through 16) and lets you control the channel on/off, volume, • When this keyboard is being used as the sound source for an and pan pot parameters of each channel. externally connected computer or other MIDI device, all 16 In addition to channels 1 through 16, the Mixer also has a DSP channels are assigned musical instrument parts.
  • Page 39: Using The Parameter Edit Mode

    Indicates channel volume of 127 This setting turns off the currently selected channel, which is indicated by the absence of the bar at the bottom of the level Use the number buttons or [+] and [–] to change meter for that channel.
  • Page 40: How Parameters Work

    Octave Shift (Range: –2 to 0 to +2) Editing DSP Channel Parameters You can use octave shift to shift the range of the tone up or down. When using the piccolo tone, there may be cases when While Channel 16 is selected, press the [ very high notes you want to play are not included within the CURSOR button.
  • Page 41 Send, and DSP System Chorus parameters to be used in DSP Line (Settings: on, oFF) place of the Pan Pot, Reverb Send, and Chorus Send You can use this parameter to turn DSP line off for a particular parameter’s settings. channel, or to turn it on.
  • Page 42: Synthesizer Mode

    The preset tones that are built into this keyboard consist of a number of parameters. To create a user tone, you first recall an advanced tone (000 to 331) or a preset tone (400 to 599) and then change its parameters to change it to your own tone.
  • Page 43 You can specify changes in volume and sound characteristics. Attack time This is the rate or time it takes for the tone to reach its highest volume level. You can specify a fast rate, where the tone reaches its highest volume level immediately, a slow rate where it gradually rises, or something in between.
  • Page 44 000 through 049. • You can create an original tone using a user tone that includes a waveform (tone number 800 to 819). In this case, the storage area is the same as the source tone area.
  • Page 45: Creating A User Tone

    Attack Time (Range: –64 to 00 to +63) Time it takes before the tone sounds after a key is pressed First, select the preset tone you want to use as a basis for your user tone.
  • Page 46 This parameter controls changes in the volume of the tone in accordance with the pressure applied to the keyboard keys. A • If you store an original tone with the DSP line turned on (see greater positive value increases the volume of the output as...
  • Page 47: Storing A User Tone In Memory

    Press the YES button to save the data. Use a preset tone that is similar to the one you are trying to create. • The message “Complete” appears momentarily on the...
  • Page 48: Registration Memory

    Registration memory lets you store up to 32 keyboard setups data with your own data. (4 sets × 8 banks) for instant recall whenever you need them. • Registration memory functions are disabled while you are using the SMF Player, Song Memory or demo tune function.
  • Page 49: To Save A Setup In Registration Memory

    Release the STORE and REGISTRATION buttons. • Whenever you save a setup and assign it a setup name, any setup data previously assigned to that name is replaced with the new data. • The setup is saved as soon as you press a REGISTRATION •...
  • Page 50: To Recall A Setup From Registration Memory

    Registration Memory Use the BANK button or the number buttons to select the bank. • If you do not perform any operation for about five seconds after pressing the BANK button, the keyboard automatically clears the registration memory recall screen.
  • Page 51: Song Memory Function

    Tracks Keyboard song memory records and plays back much like a • With this keyboard, Track 1 is the basic track, which can be standard tape recorder. There are a total of six tracks, each of used to record keyboard play, along with Auto which can be recorded separately.
  • Page 52: Basic Song Memory Operations

    Track 2 Track 3 Track 4 Track 5 • The level meters for tracks 11 through 16 are shown on Track 6 the display while the keyboard is in record standby, so you can easily check which tracks are already recorded.
  • Page 53: Mixer Mode Settings

    MODE button. Channel 1 Mixer parameters (page E-36) are automatically • Optional pedal operation is also recorded. See “Track recorded to Track 1. You can use the Mixer to change each of 1 Contents After Real-time Recording”. the parameters.
  • Page 54: Playing Back From Song Memory

    To turn off a specific track Playing Back from Song Press the SONG MEMORY TRACK button of the track you want to turn off, or use the Mixer (Page E-36) to turn off the Memory channel of the track. Once you record tracks to song memory, you can play them Recording Melody and Chords back to see what they sound like.
  • Page 55 Press the SYNCHRO/FILL-IN NEXT button. • Inputting “0” as the chord length in steps 5 and 6 of the above procedure specifies a rest, but the rest is not reflected in the Play a chord.
  • Page 56 Note lengths Augmented Use number buttons [1] through [6] to specify whole notes ( ), Diminished half notes ( ), quarter notes ( ), eighth notes ( ), 16th notes Suspended four ( ), and 32nd notes ( ). Seventh...
  • Page 57: Recording Multiple Tracks

    The procedure you use for recording to Tracks 2 In step 4, press INTRO/ENDING 1 or INTRO/ENDING 2 through 6 is identical to the one you use when recording to button after the SYNCHRO/FILL-IN NEXT button. Track 1.
  • Page 58 • When playing back a track that was recorded with an Advanced Tone selected, they may be a slight delay before the first note of the track sounds. If this happens, try to insert a very short rest at the beginning of the track.
  • Page 59: Correcting Mistakes While Step Recording

    The procedure described here lets you move the input point Press the [ ] CURSOR button. to the left in order to make changes in data you have already input. Note, however, that moving the input point to the left and changing data automatically deletes all of the data r t e ? recorded to the right of the input point.
  • Page 60: Editing Memory Contents

    • You can only change rhythm numbers that were originally set for Track 1 using step recording. R e c • You cannot use the edit procedure to add more data to a recording. • You cannot move portions of a recording to a different location within the recording.
  • Page 61: Editing A Song

    • Whenever editing memory contents, never change a note so / n d 1 it is identical to the note before or after it. Doing so may alter the length of the changed note and the note before or after it.
  • Page 62 Press the SONG MEMORY button once to enter playback standby. playback standby. Use the [ + ] and [–] buttons to select the number of Use the [+] and [–] buttons to select the number of the song that contains the header data you want to the song that contains the track you want to delete.
  • Page 63: Keyboard Settings

    Part 4: Layered and split tone part Using Layer Press the LAYER button. Layer lets you assign two different tones (a main tone and a layered tone) to the keyboard, both of which play whenever you press a key. For example, you could layer the GM FRENCH HORN tone on the GM BRASS tone to produce a rich and brassy sound.
  • Page 64: Using Split

    • Turning on layering switches the currently selected part from To select “448 GM STRINGS 1” as the main tone, Part 1 to Part 2, and displays the layered tone. At that time, press the TONE button and then use the number...
  • Page 65: Using Layer And Split Together

    • Turning on split switches the currently selected part to Part Example: 3, and displays the split tone. At that time, you can use the ] and [ ] CURSOR buttons to switch between parts. To set “445 GM PIZZICATO” as the split tone.
  • Page 66: Transposing The Keyboard

    • The allowable pitch range you can transpose within depends on the tone you are using. If a transpose operation causes a note to be outside of the pitch range for the tone being used, the keyboard automatically plays the same note in the nearest octave that falls within the pitch range of the tone you are using.
  • Page 67: Tuning The Keyboard

    To lower the tuning by 20. • Pressing the TRANSPOSE/FUNCTION button exits the transpose screen. • The keyboard can be tuned within a range of –99 cents to +99 cents. * 100 cents is equivalent to one semitone. • The tuning setting also affects playback from song memory and Auto Accompaniment.
  • Page 68: Changing Other Settings

    • The above settings are all saved whenever you turn off the keyboard. For details, see “Memory Contents” on page E-14. • MIDI settings and Delete/Initialize settings are disabled while you are using the SMF Player or Song Memory function.
  • Page 69 Keyboard Settings To use the keyboard settings menu Press the TRANSPOSE/FUNCTION button. • This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION. Use the [ ] and [ ] CURSOR buttons, and the [ ] and [ ] CURSOR buttons to recall the items whose settings you want to change.
  • Page 70 • It can take about 40 seconds to perform a delete or initialize procedure after you pressing the YES button in step 7 above. The message “Pls Wait” will remain on the display to indicate that a procedure is being performed. Never try to perform any operation while “Pls Wait”...
  • Page 71 Keyboard Settings Setting Menu Items Auto Harmonize Types You can select from among the 10 different types of auto harmonize listed below. Type Description Duet1 Adds a 1-part harmony to keyboard play. Duet2 Adds a 1-part harmony to keyboard play. Duet2 harmony is more open than Duet1.
  • Page 72 Specifies whether this keyboard’s auto accompaniment or song on/oFF (Ac/sg Out) memory is sent as MIDI messages. Local Control Setting on/oFF Specifies whether the keyboard should sound the parts played on it. (Local) Delete/Initialize Settings Setting menu Range Default Description SMF Delete —...
  • Page 73: Using The Smf Player

    Software (on the Bundled CD-ROM)” on page E-76 for more information. * Note that the number of files you can store in memory also depends on the size of each file. If your files are very large, you may be able to store fewer than 200.
  • Page 74 Playback complete. File Number File Name ABC 2 You can use the [ ] and [ ] CURSOR buttons or [+] and [–] buttons to change the SMF. Direct input using number buttons is also possible. Playback stopped. Error (Other errors may also occur.)
  • Page 75: Playing Back An Smf

    • You can specify a setting in the range of 000 (minimum) to 127 (maximum). To play back an SMF • Pressing [ + ] and [–] at the same time returns the SMF volume setting to 100. Press the SMF PLAYER button to display the file •...
  • Page 76 • Use the [ ] and [ ] CURSOR buttons or the [+] and [–] buttons to select the output mode. • You can select from among the following two output types. int: Keyboard’s built-in speakers out: MIDI OUT •...
  • Page 77: Midi

    Song Memory on an external devices If a MIDI THRU function provided by the software is being sound source. run on a connected computer or other MIDI device, be sure to • on : Outputs auto accompaniment or Song Memory as turn this keyboard’s “Local Control Setting”...
  • Page 78: Using The Music Data Management Software (On The Bundled Cd-Rom

    • Though Music Data Management Software is designed to run under the standard configurations of the above operating systems, note that it may not be able to run correctly under certain software and hardware environments. Music Data Management Software •...
  • Page 79 To connect to a computer • The DATA ACCESS lamp lights whenever the keyboard is Be sure to turn off the keyboard and your computer before exchanging data with a connected computer over a MIDI connecting them. You should also set the volume controller of cable connection.
  • Page 80: Troubleshooting

    AC adaptor. • Dim power indicator • Occasional interruption of sound • A tone that is totally different from the • Instrument does not turn on. when playing at high volumes one that is selected.
  • Page 81 This is an unavoidable result of the digital sampling process,* and does not sounds slightly different indicate malfunction. * Multiple digital samples are taken for the low range, middle range, and high depending where it is played on the keyboard.
  • Page 82: Specifications

    61 standard-size keys, 5 octaves with touch response (Off / 1 / 2 / 3) Tones: 332 Advanced Tones + 200 Preset Tones + 18 Drum Sets + 100 standard user tones + 20 user tones with waves* + 4 user drum sets with waves* + 50 drawbar organ tones + 100 user drawbar organ tones (824 tones total);...
  • Page 83 Power consumption: 7.7W 96.0 × 37.5 × 14.6 cm (37 × 14 × 5 Dimensions: inch) Weight: Approximately 5.6 kg (12.3lbs) (without batteries) * The same memory area is used to store waveform data, accompaniment data, and SMF data. E-81 707A-E-083A...
  • Page 84: Care Of Your Instrument

    • You may notice lines in the finish of the case of this instrument. These lines are a result of the molding process used to shape the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.
  • Page 85: Dsp Algorithm List

    5: High Gain (Range: –12, –11, –10 to 0 to +10, +11, +12) • Function Adjusts the gain of the high-band equalizer. This is an effector that you can use to set an upper limit value on the level of the input signal. 04 :LFO Wah •...
  • Page 86 13 :Enhancer 09 :Stereo Phaser • Function • Function Enhances the outlines of the low range and high range of the input This is a stereo phaser that modulates the phase in accordance with signal. a sine wave LFO. • Parameters •...
  • Page 87 1: LFO Depth (Range: 0 to 127) • Function Adjusts the depth of the LFO. This is a fader that creates artificial reverb that sounds like it is being 2: Feedback(Range: –64 to 0 to +63) cut with a gate.
  • Page 88 0: Delay Time (Range: 0 to 127) • Function Adjusts the delay time. This is a multi effector that is related to Stereo Phaser – Stereo Delay 1. 1: Wet Level (Range: 0 to 127) • Parameters Adjusts the level of the effect sound.
  • Page 89 2-Tap Delay) 1: Enhancer Low Gain 2: Enhancer High Frequency • Function 3: Enhancer High Gain This is a multi effector that is related to Ring Modulator – Sin 2- 4: Delay Time Phase Chorus. 5: Delay Wet Level • Parameters...
  • Page 90 • Function • Function This is a multi effector that is related to Auto Wah – Tri 2-Phase This is a multi effector that is related to Auto Wah – Distortion – 2- Chorus – 2-Tap Delay. Tap Delay. • Parameters •...
  • Page 91 6: Delay Wet Level 7: Delay Feedback M27 :Multi27 (LFO Wah – Distortion – 2-Tap Delay) • Function This is a multi effector that is related to LFO Wah – Distortion – 2- Tap Delay. • Parameters 0: Wah Manual...
  • Page 92: Appendix

    1 No./N 2 Tone Group/Grupo de Sonido 3 Tone Name/Nombre de sonido 4 Program Change/Cambio de programa 5 Bank Select MSB/MSB de selección de banco 6 Maximum Polyphony/Polifonía máxima 7 Range Type/Tipo de gama 8 DSP Type/Tipo DSP Advanced Tones/Sonidos avanzados...
  • Page 93 Appendix/Apéndice 4 5 6 7 4 5 6 7 126 BASS RESO.SQR BASS 39 50 32 –1 Enha Cho 201 BRASS TROMBONE SECTION 57 51 16 –1 GateRvb2 127 BASS RESO.SAW BASS 1 38 53 32 –1 AWhChDly 202 BRASS OCTAVE FRENCH HORN 60 50 16 –1 RvbHall1...
  • Page 94 86 50 16 N StXDelay 305 SYNTH-PAD NOISY SAW 90 49 16 N Lo-Fi 278 SYNTH-LEAD FOURTH LEAD 86 51 16 N Auto Pan 306 SYNTH-PAD SINE PAD 89 49 16 N Phaser 279 SYNTH-LEAD DETUNE SAW 81 51 16 N Chorus 2...
  • Page 95 Appendix/Apéndice 4 5 6 7 8 4 5 6 7 8 484 GM GM CHARANG – 542 VARIOUS CHURCH ORGAN 3 – 485 GM GM VOICE LEAD – 543 VARIOUS PUFF ORGAN – 486 GM GM FIFTH LEAD – 544 VARIOUS NYLON GUITAR RELEASE –...
  • Page 96 NO DATA 819 USER TONE with WAVE NO DATA User Drum Sets with Waves/Ajustes de batería de usuario con ondas 900 USER DRUM SET with WAVE POWER ROOM SET 902 USER DRUM SET with WAVE NO DATA 901 USER DRUM SET with WAVE NO DATA...
  • Page 97 24 DRAWBAR 16' ORGAN 96 16 N Rotary DRAWBAR DIST. RING ORGAN 96 10 N DistRing Drawbar Organ User Tones/Sonidos de usuario de órgano con Drawbar 100 USER DRAWBAR DRAWBAR ORGAN 1 141 USER DRAWBAR DEEP CHORUS ORGAN 101 USER DRAWBAR...
  • Page 98 *2 El ajuste predeterminado de fábrica es datos de sonido con *3 The initial factory default is preset Drum Set with Wave data for onda predeterminados para los números de sonido 800 a 804. tone number 900. System reset clears all stored data.
  • Page 99: Drum Assignment List

    Appendix/Apéndice Drum Assignment List/Lista de asignación de batería “ ” indicates the same sound as STANDARD SET 1./“ ” indica el mismo sonido que STANDARD SET 1. 707A-E-189A...
  • Page 100 Appendix/Apéndice 707A-E-190A...
  • Page 101: Rhythm List

    • Esta lista muestra la configuración predeterminada de fábrica, • This list shows the initial factory default configuration, in which según la cual el área de usuario (160 a 175) contiene datos de the user area (160 through 175) contains default rhythm data.
  • Page 102: Fingered Chord Chart

    Appendix/Apéndice Fingered Chord Chart/Cuadro de acordes Fingered This table shows the fingerings for commonly used chords, including inverted fingerings. Esta tabla muestra las digitaciones para los acordes usados comúnmente, incluyendo las digitaciones invertidas. A-11 707A-E-192A...
  • Page 103 Appendix/Apéndice * You can change the keyboard range of dim7 chords for roots A, B b , and B, and aug chords for roots B b and B by adjusting the split point setting (page E-62). * Puede cambiar la gama del teclado de los acordes dim7 para las notas fundamentales A, B b y acordes aumentados (augment) para las notas fundamentales B b y B mediante el ajuste del punto de división (página S-62).
  • Page 104: Effect List

    LongDelay 2 Settable parameters depend on the DSP type. Also, the parameters for each DSP type depend on the algorithm* associated with the DSP type. See the DSP Algorithm List on CHORUS Effect List/ page E-83 for more information. * Effector structure and operation type Lista de efectos de chorus (CHORUS) Los parámetros que pueden ajustarse dependen en el tipo...
  • Page 105 [14] Delay Delay [61] Auto Wah Auto Wah [15] 3Tap Delay 3-Tap Delay [62] AWhChDly Auto Wah - Chorus - Delay [16] St Delay Stereo Delay [63] LWhChDly LFO Wah - Chorus - Delay [17] StXDelay Stereo Cross Delay Guitar Fx...
  • Page 106 707A-E-202A...
  • Page 107 707A-E-203A...
  • Page 108 MA0503-A Printed in China CTK900-ES-1...

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