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2. Connection of Outputs, Microphones, etc.
Main microphone
Headphones
Power amplifier
(Supports RCA input)
XLR terminal polarity is as
shown in the diagram below.
COLD (–)
2
3
HOT (+)
1
GND
*4 MASTER LEVEL ATT.
(Master output-level attenuator knob)
This knob is used to decrease the output level to protect
connected amplifiers and speakers from excessive input.
(Attenuation: – to 0dB)
*5 Connect if you want to use another device for adjusting
sound quality.
SEND (output):
Connect this to the external effector's input terminal.
When using a monaural input effector, connect it to the L
channel output. The effector will receive LR-mixed sound.
R
L
L
R
CH - 4
MASTER
BOOTH
PHONO 3
LINE
OUT 1
MONITOR
L
L
R
R
MASTER
LEVEL
ATT.
220-230
110-120V
-240V
MASTER
VOLTAGE
OUT2
SELECTOR
R
L
*4
Power amplifier
Cassette deck, etc.
(Supports XLR input)
PROFESSIONAL
MIC
CH-1
CH-2
CH-3
CD1/LINE
LINE
CD2/LINE
PHONO 1
LINE
PHONO 2
MIC LEVEL
TRIM
TRIM
TRIM
dB
dB
dB
14
14
14
10
10
10
-
0dB
-
+9dB
-
+9dB
-
+9dB
7
7
7
HI
HI
HI
HI
4
4
4
2
2
2
1
1
1
0
+12dB
0
+12dB
0
+12dB
-12dB
+12dB
-26dB
-26dB
-26dB
-1
-1
-1
MID
MID
MID
MID
-2
-2
-2
-3
-3
-3
EQ
EQ
EQ
EQ
-5
-5
-5
+12dB
+12dB
+12dB
-12dB
+12dB
-26dB
-26dB
-26dB
-7
-7
-7
LOW
LOW
LOW
LOW
-10
-10
-10
-15
-15
-15
-24
-24
-24
+12dB
+12dB
+12dB
-12dB
+12dB
-26dB
-26dB
-26dB
HEADPHONES CUE
TALK OVER
CH-1
CH-2
CH-3
AUTO BPM COUNTER SELECTOR
10
10
10
10
10
10
HEADPHONES
9
9
9
9
9
9
8
8
8
8
8
8
MONO SPLIT
STEREO
7
7
7
7
7
7
6
6
6
6
6
6
5
5
5
5
5
5
MIXING
4
4
4
4
4
4
3
3
3
3
3
3
2
2
2
2
2
2
1
1
1
1
1
1
0
0
0
0
0
0
CUE
MASTER
LEVEL
CH-1
CH-2
SAMPLER
OFF
ON
OFF
ON
OFF
2
3
1
4
FADER START
-
0dB
THRU
SAM-
PLER
CROSS FADER CURVE
1
2
3
CROSS FADER
PHONES
ASSIGN A
A
B
Power amplifier
(For booth monitor)
CH - 3
CH - 2
PHONO 2 LINE
PHONO 1 CD 2 /LINE
L
L
L
R
R
R
SIGNAL
GND
CH - 2
PLAYER CONTROL
2 COLD
3 HOT
R
L
R
L
R
REC OUT
SEND
(MONO)
1 GND
R
L
*6
External effector
RETURN (input):
Connect this to the external effector's output terminal.
When using a monaural output effector, connect it to the
L channel output. The signals from the effector will be
input to both the L and R channels.
*6 REC OUT.
Outputs sound to the same output source as the master
output, without being influenced by the master volume,
master balance and MONO switches.
CONNECTIONS
DJM-600
DJM-600
DJ MIXER
CH-4
MASTER
POWER
SUB MIC
LINE
/PHONO 3
MONO
STEREO
TRIM
MASTER LEVEL
BEAT
BEAT
dB
dB
EFFECTS
SAMPLER
14
14
10
10
1
2
3
4
-
+9dB
7
7
HI
AUTO BPM COUNTER
4
4
2
2
1
1
BPM
70-139
91-180
0
+12dB
0
BPM
BPM
-26dB
-1
-1
MID
-2
-2
MASTER
1
2
3
4
MIC
-3
-3
EQ
-5
-5
PARAMETER1
+12dB
-26dB
-7
-7
LOW
%
-10
-10
BPM
mSec
-15
-15
1/ 2
3/ 4
1/ 1
2/ 1
4/ 1
-24
-24
1
2
4
8
16
+12dB
L
R
-26dB
BEAT
CH-4
MASTER
EFFECTS/SAMPLER
10
10
10
10
10
10
REVERB
FRANGER
PITCH
9
9
9
9
9
9
FILTER
SND/RTN
TRANS
EDIT
8
8
8
8
8
8
PAN
SINGLE
7
7
7
7
7
7
ECHO
LOOP
6
6
6
6
6
6
DELAY
STRETCH
5
5
5
5
5
5
AUTO BPM
REC
BEAT SAMPLER
4
MIC
4
4
4
4
4
4
3
CF. A
3
3
3
3
3
3
2
CF. B
2
2
2
2
2
2
1
1
1
1
1
1
1
MASTER
CH.
0
0
0
0
0
0
SELECT
PARAMETER 1
TIME
MASTER BALANCE
ON
2
3
1
4
THRU
SAM-
PLER
PARAMETER 2
LEVEL/
DEPTH
L
R
CROSS FADER
MIN
MAX
BOOTH MONITOR
ASSIGN B
-
0dB
ON/OFF
TAP
Sub-microphone
(CH-4's PHONO 3 cannot
be used if connecting a
sub-microphone.)
CH - 1
LINE
CD 1 /LINE
CH - 1
L
RETURN
(MONO)
CH - 4 SUBMIC
*5
DJM-600
7
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