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5. If necessary, repeat steps 2, 3, and 4 until you're happy with
your User Style.
Press the <CLR> button to temporarily mute the
selected Arranger part.
6. Press the <EXEC> button or the Composer [REC] button to
confirm your settings.
Muting parts of a division
See "What is an Arranger?" on page 22 for more
information about Divisions. Here is a brief sum-
mary of the available divisions: Intro, Original,
Variation, Fill In To Variation/To Original, Ending.
The KR-75 allows you to silence (mute) selected
parts of a Style division.
You could, for example, mute the Accompaniment 1
part of a Variation pattern. Here's how to:
1. On the Composer Menu screen, press <Style Composer>.
The User Style is played back and the Track buttons
of all active Arranger tracks light up.
2. Press the Fill in [TO VARIATION] button to select it.
Some divisions are not played back continuously
(Intro, Ending or Fill-in), so-carry out the next step
while the Arranger plays it back.
3. Use <-d> and <> at the bottom of the display to choose
"A1", then press <Mute>.
(You can also select another part and then press
<Mute>.)
Accompaniment 1 is muted, and the Track [UPPER]
indicator goes out. To switch the Al part back on
again, press <Mute> once more.
Another way of muting an Arranger part is to hold
down Composer [FWD] button and press the Track
button assigned to the part you wish to mute. In
this case, each press of the Track button toggles
between playback (indicator lights) and muting
(indicator off) of the Part.
4, Press the <EXEC> button or the Composer [REC] button to
confirm your settings.
9.6. Style Converter
~—
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wn
You can also program User Styles by using short
phrases of a song recorded with the 16-track
Sequencer (see page 33).
. Use the 16-track Sequencer to record a performance of
"Major", "Minor", or "Seventh" type.
Because only certain tracks can be converted to
Style data, you should record the performance on
the following tracks.
Track
Arranger Part
Bass
Accomp
Accomp2
Accomp3
Rhythm
If you want to create a "professional" Style, don't
forget to program the Intro, Fill-ins, and Ending as
you record.
* You want to brush up your song data before converting
thent into a User Style. See "Song Edit" below for
details.
. On the Composer Menu screen, press <Style Converter>.
A screen like the one below appears on the display.
eee
STYLE CONVERTER
+
Division:
Intro
From
z z=
For
& --~
-
Key
2 ¢
Type:
Major
-
Division
+
. For each division, select the bars to be used, the key, the
chord type, and other settings.
Use <<d> and <P> at the bottom of the display to
select the items to be set, and use the buttons on the
left to change the settings.
Press <CLR> to disable a setting.
Division: Accompaniment pattern.
From:
Starting measure of the excerpt.
For:
Number of bars from the starting mea-
sure.
Key:
Key of the excerpt.
Chord:
Chord type of the excerpt (select Major,
Minor, or Seventh.)
. Press the Composer [PLAY] button to listen to the isolated
passage.
. After you've checked all the divisions that you want to make
settings for, press <EXEC>.
The Style is saved to the [DISK/USER] button.
¢ For information on divisions, see page 22.
37
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