The Mono/Poly; The Control - Korg MONO/POLY Owner's Manual

SI
Norte Generator
Varies in* level or
the
Mono/Pofy's
white
Now
Generator
This
i*
used
to
create a
varwtv
of
no^cuched
sounds
like
wind,
surf,
thunder, gun
shot
and
other such effects.
5)
NOISE
Zur Emstellung
der Amplitude
ILaunterke*
fur die
Zugabe von
weillem
Rauschen
l&hnl»ch
dem
Zwischenttati-
omt rauschen
bei
U
K
W
-
R
ad
*
oemp
f
*ng)
fc.gnet
sich
fur
Elfekte
wie
/
B Donner
flautchcn
vonWellen und Wind
51
NOISE
Ajuste (amplitude
He
volume)
bruit
Wane
(comparable
au ton mi
tion
da
Id
banc*
FMen
reception
radro).
Tres mile pour
creer
des sonontra
com-
parable*
su ionerre.au
Ixuit
detviguec*t
du
vent_
VCF
The
Voltage Controlled
Filter
fVCF)
is
a
powerful
tool for
dynamically shaping
ihe
bate
tone quality of the
VCOs
by
eliminating
certain
harmonics and
empha^
sfcing others.
The Korg Mono/Poly's
VCF
Seci*on consist* of
a 24
d8/ociave Volt-
age Controlled Resonant
Low
pass
Filter
and
associated controls, pJus an indepen-
dent
VCF
Envelope Generator which
is
med
to "contour** the
VCF. thutprodur
ing variations in ton*'
Quality over
time.
1.
Cutoff
Vmiei
t*w
cutoH
frequency of
the
VCF
over
a 10—12
octave
range.
2.
Resonance
Varies the
"Emoha&tt"
or
'
0"
of
me
VCF.
At
"0"
there
-s
no
resonance,
and
frequencies above the
cutoff point are
simpJy
'oiled
off
smoothly, advancing
the
control
clockwise
create*
a
resonant
**peaV*
wtuch
serves to strongly
empha-
size
the
frequencies near the
cutoH pent.
This produces the
typical
synthesw
*'waa"-type
sounds
at
medium
resonance
values.
Tutnmg
the
Resonance
Control
to
IT
or
above
causes the
fitter
to
self-
oscillate
and
become a
source of
**ne
wave which can be used
as a
sound
source
separately from, or
combined
with, the
VCOs"
outputs.
3.
EG
Depth
Deter mines
the
amount
of control
signal
from
the
VCF
Envelope Generator
that
will
affect
the
VCF
cutoff
fre-
quency*
in effect,
the
VCF
is
eutonati
colly opened and
closed
l"contoured"l
bv the
envelope
generator
Both
oostirve
and
negative contouring, or enveloping,
can be obtained
from the
Mono/Poly
at
various
intensities.
The
EG
depth
control
a
set-up
with
a center detent "G**
pop*
tion. Posttrve
enveloping
(filter
opens
during Attack cycle) occurs
by moving
the control ctoatwif*
from
center
"0"!
negative,
or reverse
enveloping
(filter
doses during Attack) occurs
by turning
the control
counterclockwise
from
**0"
r
4.
Keyboard
Trek
This controls the
degree
to
which
the
filter "tracks"
the keyboard,
over a range
of
aoofOKimaiely
0%
to
150%. Keyboard
Dieses Regferfeid
diem
jur
EmstelHjng
der
gewunschten Klangfarbe
tu>
die
m
VCO
flegterfetd
gewahiten Grundwellen.
Ce
reglage
aju«e
le
timbre des onova
fondamen
tales
choisies
dens
le
bloc
dOKiilataursVC0
L
11
CUTOFF FREQUENCY
Zur
Einstellung der
Bench
net
d frequent
eines
spennungngeregelten
TiefpaQtilters
IVCFl
Bei RegLeniellung 10
liegt
die
Beschneid frequent
IfcJ
so hech. dad das
Filter
auf die
Form
der
G'undwe'Le des
VCOs
keinen EinfluG
mehr
hat
Ourch
Linksdrehung (Richtung „0")
werden
d*e
oberen
Harmonischen
runehmeod
bedampft. es ergibt sich eine klangliche
Abrundung
21
RESONANCE
0«ser
Reglef diem
rur
Betonung
einer
Resonaortpn/e
in
Nana
der
Beschneid
frequent Dadurch kann
dem
Ktancfiild
des
befcannre
Synthesizer
M
Naseln"
jugegeben wctden,
Ab
Emstellung
B und
daruber
trill
EigonoMi Nation
auf
und
erjeugi etne
Sinuswdle. die
ats
zurdtzlfche
Tonouelte
verwenoet
werden
kann.
1)
CUTOFF FREQUENCY
Controle
la
f
reQuence
cto
coupure
du
filtre
passe
-&as
i
coupe- hout)
En
posit -on
10.
la
frequence do
coupure
(fcl
eat
tenement
tfevee
qu'aucun
effet n'eet
produit
sur
1'onde
VCO
fondamentaW.
Au
fur et a
mesure d'une
otation
dans
le
sens horaire
inverse (vers 01,
de
plus en
plus
d'harrnoniques super
ieures
sont
generees
et
ceci
permet de produce
une
sonorite plus enrobee
2)
RESONANCE
Ce
reglage eel
utilise
pour
eccentuer
une
crete
de reporoe dans
la
region
de
la
frequance de coupure. Tres
utile
pou'
creer
le
ceiebre sonoriie nasale
de syn
thetiseur.
Un
regiage aux
environs
cte
8
ou
.u-dessus
provoque une
auto-oscillation
Ceo
produit
une
sortie
d'ondo
sinusoi-
date qui oeut
etro
uttltiee
cornme
source
sonore compWmentaire.