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100M ENTERTAINER STEREO MIXER
OWNER'S MANUAL
cial mono mix to go to the tape recorder. For ex¬
ample:
1. A conference is being recorded and all
microphones connected to the 100M need to go to
the tape recorder regardless of the settings of the in¬
dividual faders. For this, choose the MONITOR
SEND, since its signal source is pre fader, pre EQ.
2. A recording of the board output is desired, but for
one reason or another, the mix available at the mono
output just isn't quite right (some things are too loud,
other things aren't loud enough). Use the EFFECTS
SEND and the individual EFX/REV Sends to balance
out the various inputs. Do this once everything is rela¬
tively set in the mains. Since the EFFECTS SEND is
post fader, post EQ, the recording will follow any
changes made in the main mix, but with the altered
perspective given it by the EFX/REV send controls.
If any of the above outputs are being used to drive
an additional device, use a Y cord to connect the tape
machine. There's plenty of drive available from the
mixer's output.
***CAUTION***
DO NOT HOOK UP A TAPE RECORDER TO THE
AMPLIFIER OUTPUTS.
USING A TAPE PLAYER OR TURNTABLE
There are several points at which a tape machine or
turntable (with RIAA preamp) may be connected to
play back through the 100M.
A. via an Input Channel Line input.
B. via High-Impedance/Line inputs 9 and 10
C. via the Effects Return
If an input channel is used, the following can be done
to the tape machine signal:
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