KETRON AUDYA 4 Manual
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KETRON AUDYA 4 Manual

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AUDYA 4 and AUDYA 5 new pAnel

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Manuel Joaquim da Silva Correia
June 29, 2025

Nao consigo conetar o meu Audya 5 au ordinador

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Summary of Contents for KETRON AUDYA 4

  • Page 1 AUDYA 4 and AUDYA 5 new pAnel...
  • Page 2 Audya 4 and Audya 5 panel The new panel on Audya 4 and 5 Multi-Tabs are made of a group of 16 buttons on the left side of the keyboard with which you can activate and control many of the functions provided by the instrument.
  • Page 3 Audya 4 and Audya 5 panel MULTI-TABS MENU ▀ By pressing the MODE button, the menu management Multi-Tabs will open. By pressing the F1 .. F6 function keys you can activate various modes of operation which will be described in detail in the following section.
  • Page 4 Audya 4 and Audya 5 panel F4) ASSIGN.TABS: (Figure 4) This mode allows to assign functions called by each of the 16 multi- tabs. You can therefore customize the multi-tabs configuration and assign the desired function to them. In order to make the assignment, simply select...
  • Page 5 Notes KETRON • AUDYA...
  • Page 6 KETRON s.r.l. Via Giuseppe Taliercio n. 7 60131 Ancona (Italy) Tel. +39 071 285771 Tel. +39 071 2857748 www.ketron.it email: ketron@ketron.it Printed in Italy...
  • Page 7 USER MANUAL...
  • Page 8 KETRON • AUDYA...
  • Page 9 By using the DATA/VALUE wheel you can scroll various pages of demo songs. Use the START/STOP button for start or stop the playback of the current song. Press either the REGISTRATION or the PLAY LIST buttons to exit the DEMO mode. KETRON • AUDYA...

  • Page 10: Table Of Contents

    Play List ............50 Key Tunes............ 51 Double, Harmony ........52 Style View ........... 53 Audio Style Modeling ........ 55 The Audio Style Modeling sections ..56 Style Mode ..........59 GM Part ............65 Drum Mixer ..........68 KETRON • AUDYA...

  • Page 11: Introduction

    Introduction Thank you for purchasing Ketron Audya Advanced Music Station. In this “User Manual” you can find the descriptions of all the main functions to get started by using the keyboard. Before using the unit, we strongly recommend you to read this manual thoroughly to ensure that you understand the operation of its many useful and convenient functions.

  • Page 12: Top Panel

    Ketron - Audya - frontale - COLORE - 03/07/2008 Ketron - Audya - frontale - NERO - 03/07/2008 PLAY CONTROL DATA / VALUE...

  • Page 13: Rear Panel

    The same of USB 1. NOTE Along the keyboard, from C3 to E6, you can find letters and numbers for easy input of names, when saving files on the hard disk, and for a quick file search. KETRON • AUDYA...

  • Page 14: Audio Connections

    AMPLIFIED SPEAKERS Connecting 4 auxiliary outputs to a mixer and to a PA system. MAIN OUT L/R LINE INPUT 1, 2, 3 and 4 INPUT L INPUT R MIXER AUX OUT 1, 2, 3 and 4 AMPLIFIED SPEAKERS KETRON • AUDYA...

  • Page 15: Midi Connection

    MIDI connection to an external interface connected to a computer. AUDIO/MIDI USB INTERFACE (or FIREWIRE) MIDI OUT MIDI IN MIDI IN MIDI OUT COMPUTER WITH A DAW APPLICATION (Cubase, Pro Tools, SONAR, Logic, Reaper, Live, Reason, Fruity Loops, Sequel, etc.) KETRON • AUDYA...

  • Page 16: Video Connection

    Connections VIDEO connection Connecting a VGA monitor. VGA MONITOR VIDEO PORT USB connection USB connection to a computer. COMPUTER CONNECTED VIA USB USB DEVICE KETRON • AUDYA...
  • Page 17 After a while, Audya will operate again. You do Figure B not need to restart Audya. For advanced file handling and/or file updating on the internal hard disk of Audya, please see “Disk” on page 118. Figure C KETRON • AUDYA...

  • Page 18: Display And Function Keys

    Press F3 to set the BASS BANK part. F9 - Arp & Lick (see groove list on page 128) Press F9 to set the ARP&LICK part. F10 - Live Guitar (see groove list on page 129) Press F10 to set the LIVE GUITAR part. KETRON • AUDYA...

  • Page 19: User Buttons

    Arranger will the selected style and the Arranger will automatically stop playing, except the drum part. start. If the Arranger is already playing, by pressing this button you will enable the same FILL. KETRON • AUDYA...

  • Page 20: Selecting Voices

    By turning the wheel clockwise/ counter-clockwise you can scroll the pages, just like the CURSOR Ó Á . Also, you can scroll the pages by pressing repeatedly the same VOICE family button (e.g. PIANO, EL.PIANO and so on.) Figure 2 KETRON • AUDYA...
  • Page 21 The RAM INS indication next to the SUPERSOLO button means that the INS voices will be loaded into memory temporarily. For this reason, when you power OFF, the INS voices will not be retained in memory. Figure 6 KETRON • AUDYA...
  • Page 22 Selecting the GM (General MIDI) voices Press the GM button on the third row in the VOICE section. The display will show a list of the GM voices (Figure 10). Follow the same procedure for voices selection described on page Figure 10 KETRON • AUDYA...

  • Page 23: Selecting The Style

    Also, you can scroll the pages by pressing repeatedly the same STYLE NOTE family button (e.g. BALLAD, POP and Note that the styles which contain an audio part so on.) (AUDIO DRUM, GROOVES, LIVE GUITAR) have the symbol ^ before the style name. KETRON • AUDYA...

  • Page 24: Play Control

    (GUITAR, SYNTH, etc.) DRUM SET ▀ Selects one of the 53 built-in DRUM SETS to play directly from the keyboard (Figure 15). For more Figure 15 details see DRUM SET section. KETRON • AUDYA...
  • Page 25 • DRUM MIXER page 68 • GM PART page 65 • STYLE MODE page 59 • STYLE VIEW page 53 • USER ASSIGNABLE page 113 • SEARCH page 119 KETRON • AUDYA...

  • Page 26: Mixer

    . In the upper part at left, the STYLE MASTER volume is shown. In the upper part at right, the RIGHT and 2 volumes are shown. In the lower part at left, DRUM, BASS, Figure 18 CHORD and LOWER volumes are shown. KETRON • AUDYA...

  • Page 27: Player

    F9 - REMIX ON/OFF : enables/disables the • F6 - A. PLAY ON : enables the automatic • MIDI REMIX (see the details on page 102). sequential playback of the songs. KETRON • AUDYA...
  • Page 28 Press the WAVE button. Select an audio file from the WAVE folder. Press the START button (USER 5) or the ENTER button or the START button on the panel. The WAVE track starts playback and its LED flashes. KETRON • AUDYA...
  • Page 29 CROSSFADE. When the CROSSFADE is finished, the LED of the WAVE track lights steadily while the LED of the MP3 track flashes. Note that you can apply the same procedure to any other tracks. Figure 26 KETRON • AUDYA...
  • Page 30 (F2). In the lower part of the window a progress bar will appear during the file number- ing of the folder. Instead, if a numbering is already assigned, a pop-up to remove numbering will ap- pear. Figure 29 Figure 30 KETRON • AUDYA...

  • Page 31: Voicetron

    MICRO PRESETS each: PAGE 1 PAGE 2 F1–DRY F1–GIRL F2–REVERB SMALL F2–BABY F3–REVERB MEDIUM F3–VIBRATO F4–REVERB LARGE F4–PHONE F5–REVERB GATED F5–ANGEL F6–BOOST F6–MICRO_01 F7–ECHO REVERB F7–MICRO_02 F8–ECHO REVERB TAP F8–MICRO_03 F9–CORRECTION F9–MICRO_04 F10–BEAR F10–MICRO_05 KETRON • AUDYA...
  • Page 32 For example, you can set a DUET effect for the START, a TRIO effect for the A variation of the Arranger, a VOCODER effect for the B variation of the Arranger and so on. For details see on page 104. KETRON • AUDYA...

  • Page 33: Master

    In. Just press the FADE button while the Arranger or Note that the fade-out does not apply to the the Player are stopped. microphone output. In this way, you will be able to talk/sing during the fade-out. KETRON • AUDYA...

  • Page 34: Main View

    Press the SAVE button on the front panel. A screen like Figure 39 will appear. Press the F6 button corresponding to CUSTOM STARTUP. At start-up the display will be set to the new MAIN VIEW. Figure 37 Figure 38 Figure 39 KETRON • AUDYA...

  • Page 35: Autoswitch Time

    If you set the AUTOSWITCH TIME (sec) to OFF, the AUTOSWITCH function will be switched off. In this case, if you want to return to the MAIN VIEW from other screens, you must press manually the EXIT button on the front panel. KETRON • AUDYA...

  • Page 36: Main View Description

    STYLE MASTER and the ABCD variation of the Arranger (Figure 42). F2 – The F2 button opens the window for the REGISTRATION selection (Figure 43). More details in the REGISTRATION section of this manual. Figure 43 KETRON • AUDYA...
  • Page 37 LYRIC section of this window Figure 46 will appear empty (Figure 46). To return to the MAIN VIEW display, press the F10 button again, or any other button (STYLE, VOICES, DRUM SET, PROGRAM or Player button). KETRON • AUDYA...

  • Page 38: Midi Player (Main View)

    HOME function activated by the USER 3 button, as illustrated in Figure 50. The HOME function is useful when you want return to the MAIN VIEW and operate from the new functions. Figure 50 KETRON • AUDYA...

  • Page 39: Wave Player (Main View)

    CURSOR § ¶ buttons or the DATA/VALUE wheel and start by using the button ENTER. To return to the main window, press the F3 button (or F4) again. Figure 54 KETRON • AUDYA...

  • Page 40: Mp3/Sfx Player (Main View)

    CURSOR § ¶ buttons or the DATA/VALUE wheel and start with button ENTER. To return to the ordinary window, press the F3 button (or F4) again. Figure 58 Figure 59 KETRON • AUDYA...

  • Page 41: Dj Loop Player (Main View)

    The USER buttons from 1 to 4 in the MAIN VIEW window will have the following functions: USER 1: PAUSE/CONTINUE USER 2: STOP USER 3: LEAD ON/OFF (melody mute) USER 4: EXIT (exit from the Lyric or MAIN VIEW window). KETRON • AUDYA...

  • Page 42: Program

    That is, in the CURSOR Ó Á buttons or the wheel (Figure 65). above example, from Grand_Piano up to Pulse_Clavi1. KETRON • AUDYA...
  • Page 43 PAN of three voices independently. The value from 63R to 64L corresponds to the right and to the left position, respectively (Figure 69). Press the CURSOR Ó Á buttons together to automatically set the PAN Figure 68 in the center position (>|<). Figure 69 KETRON • AUDYA...
  • Page 44 3 of the PROGRAM, the parameters of the VOICE EDIT Select a different VOICE by using the F1 or F6 page are visible but you cannot modify the organ voice buttons and press the USER 1 button (Voice Edit) to parameters. modify the voice parameters. KETRON • AUDYA...
  • Page 45 ON/OFF: F1–PORTAMENTO ON/OFF: enable/disable the Portamento control. F2–AFTERTOUCH ON/OFF: enable/disable the Aftertouch control. F3–PITCH BEND ON/OFF: enable/disable the Pitch Bend control. F4–MODULATION ON/OFF: enable/disable the Modulation Wheel control. F5–EXPRESSION ON/OFF: enable/disable the Expression control. Figure 76 KETRON • AUDYA...
  • Page 46 CHORUS or ECHO for User Cho1, User Cho2 ... User Cho5 the remaining VOICES. You can select an effect like DIST for the three VOICES or any combination of DIST+CHO or DIST+ECHO+CHO effects. KETRON • AUDYA...
  • Page 47 The values of the parameters for EFF. ASSIGN and EFF. TYPE are strictly connected to the parameters of the EFF. SEND page. You coud not hear any effect until you adjust the sends in the EFF. SEND page, as explained Figure 85 later. KETRON • AUDYA...
  • Page 48 Once you select the parameter, you can modify the parameters by using the DATA/VALUE wheel or the CURSOR Ó Á buttons. Use the function F1/ F6 buttons to select one of three VOICES of the PROGRAM. Figure 90 KETRON • AUDYA...
  • Page 49 DATA/VALUE wheel or the Figure 94 CURSOR Ó Á buttons. Press the USER 5 button (Control 1) again to return to the CONTROL 1 page. You can choose the the parameters by using the F1... F10 buttons: Figure 95 KETRON • AUDYA...
  • Page 50 Voice1 Double and 2 Hands mode Voice2 They are the copy of the Double and Harmony-2 Voice3 Hands buttons on the panel. By recalling one VOICE, you can automatically activate the functions stored in the VOICE. KETRON • AUDYA...
  • Page 51 Wha To Wheel: applies a wha-wha effect to the wheel NOTE • F4/F9–BEND ( Figure 102): you can assign a You can activate wha-wha effect as User Assignable Bend control to each VOICE. For example: control. KETRON • AUDYA...

  • Page 52: Registration

    By pressing ENTER you will F10–AUTO SWITCH OFF: Autoswitch settings. overwrite the current REGISTRATION, while the Once enabled/disabled all the sections in EXIT button cancels the operation. the (Section pg.1 and Section pg.2), you can KETRON • AUDYA...
  • Page 53 Select the SINGLE REGISTRATION by using the DATA/VALUE wheel or the CURSOR § ¶ . Figure 109 Press the ENTER button in order to confirm the SINGLE REGISTRATION assigned to any F1-F10 button. Repeat the operation for each F1-F10 button. Figure 110 KETRON • AUDYA...
  • Page 54 NOTE Press the SAVE button and give a name to the When you enter the Registration Block EDIT mode, the REGISTRATION BLOCK. NUMERIC option is automatically disabled. Press the SAVE button and give a name to the KETRON • AUDYA...
  • Page 55 If the NUMERIC ON function is disabled, you must manually select the REGISTRATION by using the CURSOR § ¶ buttons or the DATA/VALUE wheel and by pressing the ENTER button (Figure 116). Figure 115 Figure 116 KETRON • AUDYA...

  • Page 56: Play List

    When finished, press the USER 5 button (SAVE). Figure 118 Give a name to the PLAY LIST and press SAVE NOTE again. By pressing the A.PLAY ON/OFF button (USER 5) you can enable/disable the automatic playback of the songs currently in the Play List. KETRON • AUDYA...

  • Page 57: Key Tunes

    The Key Tunes feature uses a WAVE track, so if a Key Tune is playing back, the Wave Player will not work F6 - VOL: sets the output volume of the song • and viceversa. in the range 0-127. KETRON • AUDYA...

  • Page 58: Double, Harmony

    TRILL effect, you will hear the trill effect produced by the note played at right or left of the starting note. You can modify the speed of the trill by using the SPEED parameter corresponding to the USER 2 button. KETRON • AUDYA...

  • Page 59: Style View

    Please note that the effects Chorus and Reverb are available for the drum and percussion parts (DRUM1 and DRUM2 and/or Audio Drum and Groove Bank). Figure 128 KETRON • AUDYA...
  • Page 60 Figure 131 NOTE By pressing button USER 5 you can select the SINGLE or GLOBAL mode in order to change the single Varia- tion of the style or all the Variations. KETRON • AUDYA...

  • Page 61: Audio Style Modeling

    (Figure 132). In this way the symbol ^ will appear in front of the style name and you will be able to distinguish between the MIDI styles and the styles containing audio parts. Figure 132 KETRON • AUDYA...

  • Page 62: The Audio Style Modeling Sections

    The automatic Bass MIDI Library, offers more than 180 bass riffs. It works on the Bass section replacing the normal bass part of the style. 4 - Arp&Lick The Arpeggio & Lick Library offers a variety of em- bellishment for various instruments: Piano, Guitar, KETRON • AUDYA...
  • Page 63 5. While the style is playing you can change the in- strument choosing from the table by using the DATA/VALUE wheel. You can assign any GM voice. 6. To change the Bass Bank, stop the Arranger and repeat from step 3. KETRON • AUDYA...
  • Page 64 Selecting the style ▀ 1. Press the USER STYLE button on the front panel. 2. Select the category by using the numeric keypad. 3. Select the style by choosing the previously given name (Figure 137). Figure 136 Figure 137 KETRON • AUDYA...

  • Page 65: Style Mode

    Arranger. AUTO: this mode lets you play 3 or more notes for chord recognition and then play the melody with one Figure 141 or two note max, without altering the tonality of the Arranger. KETRON • AUDYA...
  • Page 66 Fill In if you apply an Aftertouch on the left split. FILL TO ARRANGE When this parameter is ON (Figure 146) each time you activate the Fill In, causes the automatic change Figure 143 to the next variation. Figure 144 Figure 145 Figure 146 KETRON • AUDYA...
  • Page 67 Style. Press the F10 button (Global Enabled) to enable the VOICE TO ARRANGE function globally for all the Styles. Save your choices into the current style by pressing the SAVE button on the front panel. Figure 150 KETRON • AUDYA...
  • Page 68 Fill In and the Break of the style. Figure 153 NOTE The AUTOCRASH works only if present within the style. If the Autocrash is not programmed into the style its two options have no effect. KETRON • AUDYA...
  • Page 69 For example, when you don’t play again the root note or the fifth that you have just played. The function works only with the styles in which the alternate root/fifth bass was programmed. Figure 157 KETRON • AUDYA...
  • Page 70 Normal: standard mode, with the Lower always active. Bas+Lower: only when the Arranger is stopped, the manual bass and the chord play together. Hold Stop: holds the Lower also when the Arranger is stopped, instead of being disabled in normal condition. KETRON • AUDYA...

  • Page 71: Gm Part

    Turn the DATA/VALUE to set the value. Figure Figure 163). selecting VOCAL ( the part is transposed by +12 semitones. Turn the button VOCALIZER on. To edit the MIDI MODE, please see VOICETRON section later in this manual. KETRON • AUDYA...
  • Page 72 To find one or more parts in MUTE condition, press the F1-F6, F2-F7, F3-F8 or F4-F9 buttons repeatedly. Press F5 or F10 to disable the MUTE condition. Press the F10 button (SOLO) twice if you want to disable quickly the MUTE condition on any part. Figure 168 KETRON • AUDYA...
  • Page 73 F10–Keyb. Trans: Keyboard transposition Only for an example, in each MIDI file you can store: Tempo settings modified by the TEMPO SLOW • FAST buttons. Keyboard transposition (semitones and/or • octaves). Song transposition. • MIDI file parts transposition. • KETRON • AUDYA...

  • Page 74: Drum Mixer

    By pressing PAN POT, you can set the stero position of the single percussive parts of the drum by using the F1-F10 buttons and the DATA/VALUE Figure 175 wheel or by using the CURSOR Ó Á buttons. KETRON • AUDYA...
  • Page 75 Variation (A B C D). So, if you select the B Variation, the Drum Remap screen will be empty. In this way, you have the possibility to remap all the Variations of the style independently. Figure 180 KETRON • AUDYA...
  • Page 76 Once you are satisfied, press the SAVE button on the front panel, give a new name to the User style and press the USER 5 button (SAVE) to store the changes (Figure 184). Figure 183 Figure 184 KETRON • AUDYA...

  • Page 77: Drum Set

    Press F1 (KEY) to select the percussive instrument to assign to the note played on the keyboard. On our example is C1 of the KICK percussive group. If you assign another percussive instrument, press any other key on the keyboard. Figure 189 KETRON • AUDYA...
  • Page 78 Figure 194 the selected USER DRUM SET is “MY_DRUM”. Figure 193 NOTE Please see all the DRUM SET lists and the percussive instruments included into the drum sets in the “Sounds” Figure 194 section of this manual. KETRON • AUDYA...

  • Page 79: Drawbars

    In DRAWBARS mode, if you press the USER 1 button (PedToRotor) you can activate the rotor by using the pedal connected to SUSTAIN PEDAL on the rear panel. The PedToRotor ON/OFF parameter is not stored into the user DRAWBARS so it must be activated manually. KETRON • AUDYA...

  • Page 80: Ram Ins / Supersolo

    INS the folder called SUPERSOLO, containing high quality, voices, by using the F2 button (CLEAR SELECT) or the F6 exclusive for AUDYA, orchestral voices . button (CLEAR ALL). KETRON • AUDYA...

  • Page 81: Voice List

    Press the EDIT button to exit edit mode. The VOICE LIST button will stop flashing. At this point, if you press the VOICE LIST button, you will display your custom list for each family of the VOICE section. Figure 205 KETRON • AUDYA...

  • Page 82: Menu

    F8–TRANSPOSE RX: part transpose reception. Figure 208 NOTE By pressing the cursor Ó Á buttons together you set the default value — that is no MIDI channel. It means that the part is not transmitted via MIDI. KETRON • AUDYA...
  • Page 83 F2–Voice2 F3–Voice3 F4–2ndVoice1 F5–2ndVoice2 F6–GM/RAM Voices NOTE F7–Drawbar To return to the previous MENU page, press the EXIT F8–Click button on the front panel. To exit the MENU window F9–Percussion without saving changes, press the MENU button. KETRON • AUDYA...
  • Page 84 Exclusive Msg Pan Pot Tabs Exc. Msg EXPRESSION Program Change Sust./Soft/Sost. Figure 215 AFTERTOUCH PORTAMENTO PITCH BEND All Controls Mono/Poly All RPN ADSR All NRPN CUTOFF MODULATION RESONANCE VOLUME GM/GS Reset REVERB Reset All Controls Chorus/Effect Arabic Scale KETRON • AUDYA...
  • Page 85 F2–Voice2 F3–Voice3 F7–Lower2 F4–2ndVoice1 F8–Live Chord L (Mono) F5–2ndVoice2 F9–Live Chord R F6–GM/RAM Voices VOICE/DRAWBAR F7–Drawbar Press the F10 button to open a window like Figure F8–Click 219. By pressing the F1-F10 buttons or the CURSOR F9–Percussion KETRON • AUDYA...
  • Page 86 +/- 36 semitones transposition value in 1 semitone steps. By pressing the CURSOR Ó Á together you Figure 223 set the default value “—”, that is no transposition. F1–Right F2–Left F3–Bass F4–Lower1 F5–Lower2 F6–Chord1 F7–Chord2 F8–Chord3 F9–Chord4 F10–Chord5 KETRON • AUDYA...
  • Page 87 Bass: MIDI channel 3, both TX and RX by using the Audya sound module. Chord1: MIDI channel 5, both TX and RX Drum1: MIDI channel 10, both TX and RX ... and so on. KETRON • AUDYA...
  • Page 88 EXIT button or directly by pressing the MENU button. User1, User2, User3, User4 and User5 (see details To store the reverb type at start-up press the later) SAVE button on the front panel and F6 (CUSTOM STARTUP). KETRON • AUDYA...
  • Page 89 GM parts (opens another Figure 233 window). F6– Right Level: settings of the Chorus level for the right hand (values 0-63). F7– Left/GM Level: settings of the Chorus level for the left hand and the GM parts (values 0-63). KETRON • AUDYA...
  • Page 90 F2– LEVEL: Chorus level (values 0–63) F3– TIME: Chorus time (values 0–63) F4– MODE: Chorus mode (Chorus, Flanger, Tremolo and Phaser) F7– FEEDBACK: feedback amount (values 0–63) F8– DEPTH: Chorus depth (values 0–63) F9–RATE: Chorus rate (values 0–63) KETRON • AUDYA...
  • Page 91 Echo by pressing the USER 5 button (SAVE) function. or the SAVE button on the front panel. A brief SAVE NOTE DATA TO DISK message will appear. By pressing the CURSOR Ó Á buttons together you set the value to 0. KETRON • AUDYA...
  • Page 92 0. After you set the parameters you can to store the custom Distortion by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA...
  • Page 93 After you set the parameters you can to store the custom Overdrive by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA...
  • Page 94 Gain value of the EQ band to 0. After you set the parameters you can to store the custom Equalizer by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA...
  • Page 95 After you set the parameters you can to store the custom Wave Equalizer by pressing the USER 5 button (SAVE) or the SAVE button on the front panel. A brief message SAVE DATA TO DISK will appear. KETRON • AUDYA...
  • Page 96 Right Boost Level parameter. MODULATION By pressing the F1 button on the KEYBOARD CONTROL page you can access the MODULATION settings (Figure 254). Here you can control the SENSITIVITY parameter for the Modulation Wheel (values 0–48). KETRON • AUDYA...
  • Page 97 F7– Bass To Chord: bass to chord (values ON/OFF). F8– Bass Octave: bass octave (values +/- 2 octaves). F9– Lower1 Octave: Lower1 part octave (values +/- 2 octaves). F10– Lower2 Octave: Lower1 part octave (values +/- 2 octaves). KETRON • AUDYA...
  • Page 98 F7– Arabic Set: selection of one Arabic set, from 1 to Figure 261 F8– Koma Tab (Harmony): activation of the Koma function, which replaces the HARMONY button in order to alter dynamically the pitch of the scale while you are playing. KETRON • AUDYA...
  • Page 99 Values ON/OFF. F4– Fast Song: eliminates measures at the beginning of the Midi file, usually Count In or Setup Measure. Values ON/OFF. F5– Show File Icon: enables/disables the icons display for the file types. Values ON/OFF. KETRON • AUDYA...
  • Page 100 MP3 by changing and DJ LOOP faders, as you like. the tempo of the style. F2– WAV DJ MIX: enables/disables (ON/OFF) the DJ MIX function between the WAVE and DJ LOOP Players (see procedure below). KETRON • AUDYA...
  • Page 101 Wave 1/2, A.Drum By using the button USER 5 (SAVE) you can store up MP3-2 (SFX) to 5 outputs Presets. Select a Preset with the F6-F10 MP3-1 buttons and press the USER 5 button (SAVE). Voicetron Drawbars BASS KETRON • AUDYA...
  • Page 102 CURSOR Ó Á buttons , choosing between Main Stereo or 1&2 Stereo. NOTE By pressing the USER 1 button you can toggle the 1&2 Stereo and the 1&2 Mono output, as shown by the arrow on Figure 269. KETRON • AUDYA...
  • Page 103 F7 - NORMAL TEXT: sets the normal text colour. F8 - HIGHLIGHT FORE: sets the highlighted text fore colour. F9 - HIGHLIGHT BACK: sets the highlighted text background colour. F10 - LYRIC UPPERCASE: sets upper/lower case for lyric text (karaoke). KETRON • AUDYA...
  • Page 104 (START) to start playback of the recorded file. To browse and select any recorded audio WAV file, press the WAVE button in the Player section. NOTE The recording volume is set by the WAVE slider on the PLAYER section. KETRON • AUDYA...
  • Page 105 2 WAV tracks playing. Figure 280 NOTE Once the files are “merged”, a single audio file will be created, by using the lower number of the two files, and two .bak files (backup files of the two original wav files). KETRON • AUDYA...
  • Page 106 (MIDI RECORDING) to enter the MIDI recording environment. You will be prompted to give a name to the file. Digit the name for the MIDI file, directly from the keyboard (Figure 282). In the example, the file is “MIDI_01”. KETRON • AUDYA...
  • Page 107 If you make a MIDI recording using an Audio Drum part for the drum, the drum sounds (AUDIO) will not be recorded into the MIDI recording. If you want to record an Audio Drum please use the audio recording method. KETRON • AUDYA...

  • Page 108: Midi Remix

    Live Guitar track, by playing on the keyboard just as with any style. NOTE When you select the styles for REMIX, you must disable the MY FOLDERS function otherwise they will be selected by pressing the buttons 0–9. Figure 289 KETRON • AUDYA...
  • Page 109 Just activate the REMIX by using the current MIDI file playing and select a style. • Now you can change the style during the REMIX. This operation can be useful to find the right style to combine with the MIDI file. KETRON • AUDYA...

  • Page 110: Voicetron

    By using the F1-F10 buttons you can select the By selecting the F2 button (MICRO2), you can choose following options: one of the following options: F1–MICRO1 F3–REVERB F2–MICRO2 F4–ECHO F3–REVERB F4–ECHO F5–TRANSFORM F6–COMPRESSOR F7–LIMITER F8–EQUALIZER F9–VIBRATO F10–PITCH KETRON • AUDYA...
  • Page 111 CURSOR § ¶ bu t tons or the DATA/VALUE Figure 297 wheel: -21 dB 7:1 -18 dB 2:1 -24 dB 12:1 -15 dB 3:1 User -18 dB 5:1 KETRON • AUDYA...
  • Page 112 Ó Á or the DATA/VALUE wheel (values +/- 24 semitones). Select the PITCH CORRECTION parameter by using the CURSOR § ¶ buttons and change the value by using the CURSOR Ó Á or the DATA/VALUE wheel Figure 301 (Off, Slight, Slow, Medium, Fast). KETRON • AUDYA...
  • Page 113 MIDI file. In this mode, the harmonization is automatically controlled by the melody track of the MIDI file. Please see “Setting the VOCAL Figure 305 mode” on the GM Parts section in this manual. KETRON • AUDYA...
  • Page 114 CURSOR § ¶ buttons or the DATA/VALUE wheel: Standard Jazz Down Open Jazz Up Octave Down Block Chord Down Jazz Block Chord Up Figure 309 KETRON • AUDYA...
  • Page 115 5 voices (VOICES from 1 to 5) by using the DATA/VALUE wheel: VOLUME (values 0–63) PAN (values 64R >|< 63L) FORMANT (values 0–63) DETUNE (values 0–63) CUTOFF (values 0–38) RESONANCE (values 0–7) Figure 313 KETRON • AUDYA...
  • Page 116 Useful when you must recall a particular equalization for different gigs (Figure 318). The User Preset is stored together the Voicetron Figure 317 Preset, as explained on the next page. Figure 318 KETRON • AUDYA...
  • Page 117 A dialogue will appear to give a name ( Figure 321). Digit the name by using the keyboard and press the USER 5 button (SAVE) Once saved, you can recall the custom effect from the second page of the VOCALIZER window (Figure 322). KETRON • AUDYA...

  • Page 118: Search (Main View)

    By pressing the USER 5 button (EXIT) as shown by the arrow on Figure 327, you can exit the search function and return to the ordinary MAIN VIEW window. Figure 325 Figure 326 Figure 327 KETRON • AUDYA...

  • Page 119: User Assignable

    1, in order to produce a Wha-Wha effect. By pressing repeatedly the button you can set the same function to CHORD 1, CHORD 2, CHORD 3, CHORD 4, CHORD 5, BASS, ALL CHORDS, ALL STYLE and RIGHT. KETRON • AUDYA...

  • Page 120: User Styles

    Load the modified style, from the USER STYLES area, by pressing the USER STYLES button. To reload the style that you have modified and stored, you must search it and load it from the USER STYLES area. KETRON • AUDYA...

  • Page 121: Msp Function

    (USER 3 button) and play a file by using the SOLO button (USER 4 button). This environment lets you ri-edit the previously created MSP files. By pressing the MSP VIEW button again you exit to the main window. KETRON • AUDYA...
  • Page 122 The MSP files created by Audya will be stores in a single file containing all the information data to work, unlike the previous versions of KETRON files which need to have the WAV files in the same folder. Ot means that, if you want to use a previous version of MSP file, you should put all the linked WAV files in the same folder of the MSP file.

  • Page 123: Text Scrolling

    While the file is still running, press the SAVE Figure 339 button. You will be prompted to save the TXT file. Confirm. When you restart the song, the displayed lyric will change in sync. Figure 340 KETRON • AUDYA...

  • Page 124: Disk

    The folder will be created on the current position of the disk (Figure 344). Press the F7 button (DEL. FOLDER) to enable the delete folder function. Press the USER 5 button (EXECUTE) to delete the folder or the EXIT button to cancel the operation. KETRON • AUDYA...

  • Page 125: Usb Drive

    After a while, a screen by using the search results will appear. In the example (Figure 348) all the files containing the text “BATT” have been found. The files are immediately available to start playback directly from the search screen. Figure 347 Figure 348 KETRON • AUDYA...

  • Page 126: Technical Tables

    Circus Tubular_Bell Mute_Velo Slow_Strings* Blowed Marimba Pop_Lead Strings2 Rock_Alto* Long_Vibe* 12Strings Synstrings3 Mariachi Kalimba Solid_Body Growbrass2* Ep_Phase Warm Choir_Aah1 Blare Orch_Bell Ballad Choir_Aah2 Slide_Tbone Windchimes Funk Jazz_Alto* Rotary Bass&Guit2 Vocal Pan_Flute Dry_Organ Precision Tuuh Voice_Flute Drawbar Synbass3 Golden Synth14 KETRON...
  • Page 127 Choir1 Synth8 Snare Alpen Classic_Choir* Synth1 Crash Brazilian Cornet Softpad Scratch1 CountryFx Bright_Tbone Saw&Pulse Scratch2 MelobarFx Dixie Warmpad Bellow* StratoFx Tbone_Section Fantasy Breaths* Fingered Fall_Brass Magic Laser2* Pop_Fx Brass3 Glockpad Fx_Slap JGuit&Slide Trombone Choir_Pad Laser1 Spanish Octabrass Digipad Fisa_K.Off* KETRON...

  • Page 128: Drum Set

    Power_Gm2 Fusion Analog R&B Electro_Gm2 Brush Citypop Jazz_Gm2 SPECIAL KIT Brush_Gm2 Smooth Analog_Gm2 Pop_Super_Kit Sfx_Kit Acid Standard_Gm2 Funk_Super_Kit Orchestra_Gm2 Kick&Snare Folk Power_Super_Kit Orchestra JazzBrush Acoustic1 Studio Swing JazzDry LightPop Garage Vintage U.S.Pop Acoustic2 Hip_Box MeloRap Rock Modern Grunge House KETRON...

  • Page 129: Audio Drum

    BRUSHWALTZ_03 HIPHOP_89_01 MUSETTE_02 BUGG_01 HOUSE6_126_01 ONTHEROAD_01 BUGG_02 HOUSE6_126_02 ONTHEROAD_02 BUGG_03 HOUSE6_126_03 ONTHEROAD_03 BUGG_04 HOUSE6_126_04 ONTHEROAD_04 CNTRY_BLD_01 HOUSE_132_01 ORGANHIT_01 CNTRY_BLD_02 HOUSE_132_02 ORGANHIT_02 CNTRY_BLD_03 HULLYGULLY_01 ORGANHIT_03 CNTRY_FOX_01 HULLYGULLY_02 ORGANJAZZ_01 CNTRY_FOX_02 HULLYGULLY_03 ORGANJAZZ_02 CNTRY_FOX_03 HULLYGULLY_04 ORGANJAZZ_03 CNTRY_FOX_04 HULLYGULLY_05 ORGANJAZZ_04 CNTRY_ROCK_01 HULLYGULLY_06 POP12_8_01 KETRON...
  • Page 130 RAP_85_02 versione remixata del file RAVE_125_01 di base che ha lo stesso REGGAETON_01 nome, mentre il postfisso REGGAETON_02 FX sta per “effects” ovvero ROCK&ROLL_01 la versione effettata con ROCK&ROLL_02 compressore, riverbero ecc1 ROCK&ROLL_03 della versione base1 ROCKBLD_01 ROCKBLD_02 ROCKBLD_03 KETRON...

  • Page 131: Groove Bank (Drum 2)

    CHACHA_C DANCE_Kick5A HOUSE_Kick2A CHACHA_D DANCE_Kick5B HOUSE_Kick2B CHACHA_E DANCE_Kick6A HOUSE_Kick3A CHACHA_F DANCE_Kick6B HOUSE_Kick3B CLAP_1 DANCE_Kick7A HOUSE_Kick4A CLAP_2 DANCE_Kick7B HOUSE_Kick4B CONGA_1_T DANCE_Kick8A HOUSE_Kick5A CONGA_2_T DANCE_Kick8B HOUSE_Kick5B CONGA_3_T FLAMENCO_A HOUSE_Kick6A CONGA_4_T FLAMENCO_B HOUSE_Kick6B CONGA_5_T FLAMENCO_C HOUSE_Kick7A CONGA_6_T FLAMENCO_D HOUSE_Kick7B CONGA_7_T FLAMENCO_E JAZZROCK_A KETRON...
  • Page 132 MERENGUE_C SHUFFLE_A MERENGUE_D SHUFFLE_B MERENGUE_E SHUFFLE_C MERENGUE_F STREET1 PANDERO1 STREET2 PANDERO2 SWING_A PANDERO_1_T SWING_B PANDERO_2_T SWING_C PASODOBLE TAMBORA POPDOWN_A TAMBOURIN16 POPDOWN_B TAMBOURIN16T POPFUNK_A TAMBOURINE_12 POPFUNK_B TAMBOURINE_24 POPJAZZ_A TAMBOURINE_8 POPJAZZ_B TRIPLET POPJAZZ_C URBAN POPJAZZ_D POPJAZZ_E POPJAZZ_F R&BLUES_A R&BLUES_B R&BLUES_C REELS KETRON...

  • Page 133: Bass Bank

    DANCE_02 FUNKY_07 LOUNGE_02 AFRO_01 DANCE_03 FUNKY_08 LOUNGE_03 AFRO_02 DANCE_04 FUNKY_09 MACARENA_01 AFRO_03 DANCE_05 FUNKY_10 MACARENA_02 AFRO_04 DANCE_06 FUNKY_11 MARCH BACHATA_01 DANCE_07 FUNKY_12 MAZURKA BACHATA_02 DANCE_08 FUNKY_13 MENEITO_01 BACHATA_03 DANCE_09 FUNKY_14 MENEITO_02 BALLAD_01 DANCE_10 FUNKY_15 MERENGUE_01 BALLAD_02 DANCE_11 FUNKY_16 MERENGUE_02 KETRON...
  • Page 134 SWING_03 131 REGGAE_03 190 SWING_04 132 REGGAE_04 275 SWING_05 133 REGGAE_05 276 SWING_06 136 RHUMBA_01 277 SWING_07 137 RHUMBA_02 278 SWING_08 288 RHUMBA_03 279 SWING_09 289 RHUMBA_04 280 SWING_10 290 RHUMBA_05 157 TANGO_01 292 RHUMBA_06 158 TANGO_02 263 RNB_01 KETRON...

  • Page 135: Arp & Licks

    8GUIT_T_06 16SYNT_01 3_4STRINGS_03 8GUIT_T_07 16SYNT_02 3_4STRINGS_04 8GUIT_T_08 16SYNT_03 3_4STRINGS_05 8PIANO_01 16SYNT_04 3_4STRINGS_06 8PIANO_02 16SYNT_05 3_4STRINGS_07 8PIANO_03 16SYNT_06 3_4STRINGS_08 8PIANO_04 16SYNT_07 100 3_4STRINGS_09 8PIANO_T_01 16SYNT_08 101 3_4STRINGS_10 8PIANO_T_02 16SYNT_09 102 3_4STRINGS_11 8PIANO_T_03 16SYNT_10 103 3_4STRINGS_12 8PIANO_T_04 16SYNT_11 104 3_4STRINGS_13 8PIANO_T_05 KETRON...
  • Page 136 272 BRASS_SWG_10 181 8SYNT_29 261 BRAS_SAMB_01 182 8SYNT_30 262 BRAS_SAMB_02 183 8SYNT_31 217 FISABEGUIN_01 184 8SYNT_32 218 FISABEGUIN_02 185 8SYNT_33 219 FISABEGUIN_03 186 8SYNT_34 220 FISAFOX_01 187 8SYNT_35 221 FISAFOX_02 188 8SYNT_36 222 FISAFOX_03 8SYNT_T_01 223 FISAFOX_04 8SYNT_T_02 224 FISAMAZURK_01 KETRON...

  • Page 137: Live Guitar

    RUMBA_1 TRIPL_RNB FAST_FOLK RUMBA_2 TRIPL_SOUL16 UP_CLEAN FINGERPICK 130 RUMBA_3 UP_COUNTRY_1 FOLK_12_8 131 RUMBA_4 UP_COUNTRY_2 132 RUMBA_MIX_1 UP_MUTED IRISH_WALZ6_8 133 RUMBA_MIX_2 WALTZ_1 LONG ELECT_1 SAMBA_JAZZ WALTZ_2 LONG ELECT_2 SHORT_ELECT1 WALTZ_3 LONG FOLK_1 SHORT_ELECT2 WALTZ__1_STOP LONG FOLK_2 SHORT_FOLK1 WESTERN PARTY_FOX_1 SHORT_FOLK2 KETRON...

  • Page 138: Audya Factory Styles

    @LOUNGE DANCE @CLASSIC_BEAT @BROKEN_BIT @EURO_DANCE @EASYBALLAD @SHUFFLE_POP @DISCO_DANCE @POP_BALLAD_3 @SOULFUL @DANCE_HALL FOLK_12_8 @LIGHT_POP @DISCO_FEVER_70 16BEAT_1_SD @R&B_BALLAD_1 @DISCO_FUNK_70 16BEAT_2_SD NOTA Il simbolo @ davanti al nome dello STYLE indica che lo style utilizza parti AUDIO DRUM, GROOVES o LIVE GUITAR1 KETRON...

  • Page 139: Drum Set

    FLIPFOX @STAGE_ROCK @TRIBE&BASS_2 FOX_70 @ON_THE_ROCK @DISCO_70’S_2 HAPPYPOLKA @GARAGE_ROCK @DISCO_FLAVOR JIVECONIE @BLUESY_MOOD @FRESH_GROOVE ORGELPARTY SOUL_POP @GROOVY_FUNK(R) SCANBUG BASICROCK_SD @HOUSE_FEVER SLOWROCK_6_8 BB_ROCK_SD 60_REVIVAL_SD SUMMERREGGAE GOSPEL_SD(R) D-FLOOR_SD DANCE_ROCK_SD HARD_ROCK_SD DANCE_1_SD DISCO_CHA_CHA_SD R&BLUES_1_SD DANCE_2_SD DISCO_SAMBA_SD R&BLUES_2_SD(R) DANCE_3_SD FLIP_BEAT_SD ROCKING_SD DISCO_1_SD H-GULLY_1_SD ROCK_BALLAD_SD DISCO_2_SD KETRON...
  • Page 140 @LOUNGE_BOSSA_2 COUNTRY_DIXIE ORGAN_JAZZ(R) @SAMBA_ROCK COUNTRY_WALZ SWING_BLD_SD TROPICAL BLUEGRASS_SD SOKA(R) CNTRY_BLD_SD LATIN ANTILLES_SD CNTRY_FOX_SD @BALADA BACHATA_SD CNTRY_POP_SD @FAST_BOSSA BALADA_SD CNTRY_ROCK_SD @SAMBA_JAZZ BATUCADA_SD KRAMER_SD @BOLERO_2 BEGUINE_1_MS NASHVILLE_SD @TECNO_MERENGUE BEGUINE_2_MS ONTHEROAD_SD @PUERTORICANA(R) BEGUINE_3_SD SLOW_COUNTRY_SD @MAMBO_SALSA(R) BOSSAMIX_SD WESTERN_SD @RUMBA_BEGUINE BOSSANOVA_1_SD WESTRIDE_SD @DOMINICANA(R) BOSSANOVA_2_SD KETRON...
  • Page 141 @RETRO_ROCK @COUNTRYROCK PASO_DOBLE_3_4 @SHUFFLE @COUNTRYBEAT SIRTAKY @R&ROLL @COUNTRY_POP CELTIC_SD @STAGE_R&ROLL @FAST_SAMBA FADO_SD @SURF @GYPSY HABANERA_SD @HIP_SLOW_ROCK @MAMBO_SHUFFLE JIGS_SD @RETRO_S_ROCK @MEDITERRANEAN MARCH_SD NAPOLETANA_SD @SLOW_12_8 @SLOW_ROCK PASODOBLE_NEW_SD @SLOW_BLUES @SMOOTH_FOLK PASODOBLE_SD @TERZINATO @SOUL_FOLK P_DOBLE_3-4_SD @VINTAGE_S_ROCK @SURFIN P_DOBLE_4-4_SD @BLUESMAN @IT_TARANTELLA REELS_SD @TWIST @WESTERN_BALLAD KETRON...
  • Page 142 SOFT_WALZ BEGUINE POLKA(R) SLOW_BEAT TANGO_1 TANGO_2 WALZER BRUSH_POLKA_SD BRUSH_WALZ_SD FOXTROT_1_SD FOXTROT_2_SD FOXTROT_3_SD FOXTROT_4_MS FRANCAISE_SD NOTA IRISH_WALTZ_SD Il simbolo @ davanti al nome MARCH_6-8_MS dello STYLE indica che lo style utilizza parti AUDIO DRUM, MAZURKA_1_SD GROOVES o LIVE GUITAR1 MAZURKA_2_SD KETRON...
  • Page 143 79 Cuica02 19 Snare004 67 Agogo_Hi 32 Click 80 Triangle01 20 Snare005 68 Agogo_Low 33 Metronome01 81 Triangle02 21 Snare006 69 Cabasa 34 Metronome02 82 Shaker01 22 Tom Flam01 70 Maracas01 35 Kick04 83 Shaker02 23 Tom Flam02 71 Whistle01 KETRON...
  • Page 144 94 Empty 47 Tom10 95 Empty Jazz Gm2 Program Change 6 48 Tom11 96 Empty 14 Empty 62 Conga Slap 49 Crash02 97 Empty 15 Empty 63 Conga_Hi 50 Tom12 98 Empty 16 Empty 64 Conga_Low 51 Ride01 99 Empty KETRON...
  • Page 145 92 Stick02 28 Slap 76 W_Block_Hi 45 Tom03 93 Close02 29 Scratch Up 77 W_Block_Lo 46 Open01 94 Open02 30 Scratch Down 78 Cuica01 47 Tom04 95 Reverse 31 Sticks01 79 Cuica02 48 Tom05 96 Applause 32 Click 80 Triangle01 KETRON...
  • Page 146 21 Snare006 69 Cabasa 59 Ride01 107 Empty 22 Tom Flam01 70 Maracas01 60 Bongo_Hi 108 Empty 23 Tom Flam02 71 Whistle01 61 Bongo_Low 109 Empty 24 Crash01 72 Whistle02 25 Snare007 73 Guiro01 26 Fingsnap 01 74 Guiro02 KETRON...
  • Page 147 38 Snare021 86 Tambourine01 54 Tambourine01 102 Empty 39 Clap01 87 Rimshot03 55 Crash04 103 Empty 40 Snare016 88 Snare022 56 Cowbell01 104 Empty 41 Tom01 89 Snare010 57 Crash05 105 Empty 42 Stick02 90 Snare015 58 Vibraslap 106 Empty KETRON...
  • Page 148 67 Agogo_Hi 35 Kick15 83 Shaker02 20 Snare005 68 Agogo_Low 36 Kick17 84 Sticks02 21 Snare006 69 Cabasa 37 Rimshot13 85 Clap04 22 Tom Flam01 70 Maracas01 38 Snare034 86 Tambourine1 23 Tom Flam02 71 Whistle01 39 Clap03 87 Rimshot12 KETRON...
  • Page 149 16 Roll02 64 Conga_Low 51 Ride01 99 Empty 17 Snare002 65 Timbales_Hi 52 Crash03 100 Empty 18 Snare003 66 Timbales_Lo 53 Ridebell01 101 Empty 19 Snare004 67 Agogo_Hi 54 Tambourine01 102 Empty 20 Snare005 68 Agogo_Low 55 Crash04 103 Empty KETRON...
  • Page 150 32 Click 80 Triangle01 48 Tom17 96 Applause 33 Metronome01 81 Triangle02 49 Crash02 97 Belltree 34 Metronome02 82 Shaker01 50 Tom18 98 Empty 35 Kick30 83 Shaker02 51 Ride03 99 Empty 36 Kick06 84 Sticks02 52 Crash03 100 Empty KETRON...
  • Page 151 Program Change 47 29 Open01 77 W_Block_Lo 14 Empty 62 Belltree 30 Ride01 78 Cuica01 15 Empty 63 Engine 31 Sticks01 79 Cuica02 16 Empty 64 Car_Stop 32 Click 80 Triangle01 17 Empty 65 Car_Pass 33 Metronome01 81 Triangle02 KETRON...
  • Page 152 108 Empty 44 Timpani04 92 Stick02 61 Bongo_Low 109 Empty 45 Timpani05 93 Close02 46 Timpani06 94 Open01 47 Timpani07 95 Reverse Lightpop Program Change 58 48 Timpani08 96 Applause 14 Snare001 62 Conga Slap 49 Timpani09 97 Belltree KETRON...
  • Page 153 73 Guiro01 41 Tom07 89 Snare045 26 Fingsnap 01 74 Guiro02 42 Stick06 90 Snare061 27 Slap 75 Claves01 43 Tom08 91 Kick22 28 Snare008 76 W_Block_Hi 44 Stick18 92 Kick02 29 Scratch Up 77 W_Block_Lo 45 Tom09 93 Stick10 KETRON...
  • Page 154 70 Maracas03 57 Crash10 105 Empty 23 Tom Flam02 71 Whistle01 58 Vibraslap 106 Empty 24 Crash01 72 Whistle02 59 Ride03 107 Empty 25 Snare007 73 Guiro01 60 Bongo_Hi 108 Empty 26 Maracas02 74 Guiro02 61 Bongo_Low 109 Empty KETRON...
  • Page 155 54 Tambourine01 102 Empty 38 Snare021 86 Tambourine01 55 Crash04 103 Empty 39 Clap01 87 Rimshot18 56 Cowbell01 104 Empty 40 Snare028 88 Snare012 57 Crash05 105 Empty 41 Tom01 89 Snare016 58 Vibraslap 106 Empty 42 Stick04 90 Snare013 KETRON...

  • Page 156: Midi Implementation

    82 Shaker01 19 Snare004 67 Agogo_Hi 35 Kick35 83 Shaker02 20 Snare005 68 Agogo_Low 36 Kick32 84 Sticks02 21 Snare006 69 Cabasa 37 Rimshot16 85 Clap02 22 Tom Flam01 70 Maracas01 38 Snare083 86 Tambourine01 23 Tom Flam02 71 Whistle01 KETRON...
  • Page 157 15 Roll01 63 Conga_Hi 50 Tom39 98 Empty 16 Roll02 64 Conga_Low 51 Ride01 99 Empty 17 Snare002 65 Timbales_Hi 52 Crash03 100 Empty 18 Snare003 66 Timbales_Lo 53 Ridebell01 101 Empty 19 Snare004 67 Agogo_Hi 54 Tambourine01 102 Empty KETRON...
  • Page 158 30 Scratch Down 78 Cuica01 46 Open03 94 Open02 31 Sticks03 79 Cuica02 47 Tom04 95 Reverse 32 Click 80 Triangle01 48 Tom05 96 Applause 33 Metronome1 81 Triangle02 49 Crash02 97 Belltree 34 Metronome02 82 Shaker01 50 Tom06 98 Empty KETRON...
  • Page 159 61 Bongo_Low 109 Empty 27 Slap 75 Claves01 28 Snare008 76 W_Block_Hi Melorap Program Change 84 29 Scratch Up 77 W_Block_Lo 14 Snare001 62 Conga Slap 30 Scratch Down 78 Cuica01 15 Roll01 63 Conga_Hi 31 Stick07 79 Cuica02 KETRON...
  • Page 160 42 Stick27 90 Snare041 58 Vibraslap 106 Empty 43 Tom02 91 Kick17 59 Ride03 107 Empty 44 Close14 92 Kick15 60 Bongo_Hi 108 Empty 45 Tom03 93 Middle08 61 Bongo_Low 109 Empty 46 Open05 94 Stick13 47 Tom04 95 Reverse KETRON...
  • Page 161 70 Maracas01 38 Snare074 86 Tambourine1 23 Tom Flam02 71 Whistle01 39 Clap03 87 Rimshot01 24 Crash01 72 Whistle02 40 Snare076 88 Snare016 25 Snare007 73 Guiro01 41 Tom38 89 Snare034 26 Fingsnap 01 74 Guiro02 42 Stick07 90 Snare036 KETRON...
  • Page 162 53 Ridebell03 101 Empty 18 Empty 66 Open07 54 Middle09 102 Empty 19 Empty 67 Claves01 55 Crash10 103 Empty 20 Empty 68 Open07 56 Middle02 104 Empty 21 Empty 69 Tambourine01 57 Crash10 105 Empty 22 Empty 70 Close07 KETRON...
  • Page 163 77 W_Block_Lo 30 Scratch Down 78 Cuica01 31 Sticks01 79 Cuica02 32 Click 80 Triangle01 33 Metronome01 81 Triangle02 34 Metronome02 82 Shaker01 35 Kick50 83 Shaker05 36 Kick47 84 Sticks02 37 Rimshot23 85 Castagnet 38 Snare049 86 Tambourine03 KETRON...
  • Page 164 Voice Preset Voice Preset PIANOS WOODBLOCK FISARMONICA BRAZILIAN SHORTY VIBE ALPEN BRONZE_ CONCERT_GRAND TINKLE ITALIAN COUNTRY UPRIGHT_PIANO GLOCKSTRINGS ORGANETTO JAZZ_GUITAR2 POP_GRAND XYLOMARIMBA CELESTE TELECAST HONKY_TONK AIRBELL ACCORDION CNTRY_FOLK LATIN_PIANO TUBULAR HARMONICA POP_WHA ROMANTIC_ CARILLON BASSOON AFTERFOLK GRAND CLASSIC METAL TINE_PIANO ORGAN TYROLER SOFT BLUES...
  • Page 165 ETHNIC ALPEN_DUO WIND SWEEP MANDOLIN MEXICAN_DUET BURST SPACE BANJO MELLOW_TPT HITS&CRASH DIGIPAD FIDDLE steel GENTLE_HORNS NYLON_SLIDE NEW AGE 1 SITAR BRIGHT&BRASS COUNTRY_SLIDE SYNSTRINGS PARAGUAYAN_ TIJUANA JAZZ_SLIDE BRIGHTPAD T_BONE_SECTION HARP EXPLORER DULCIMER OCTABRASS 2 NYLON_PAD BAVARIAN_LIED BAG_PIPE GLASSPAD GROWBRASS(otm) BOUZOUKI KETRON...
  • Page 166 62H rr 06H vv Reverb send level of drum instr. note rr. vv=00h to 7FH (see note 2) NRPN 1ErrH BnH 63H 1EH 62H rr 06H vv Chorus send level of drum instr. note rr. vv=00h to 7FH (see note 2) KETRON • AUDYA...

  • Page 167: Control Change

    = LC-1 or HC-1 (lead or harmony MIDI channel) ll = value LSB : 00H -7FH (default = 00H) mm = value MSB : 00H -7FH (default = 40H) MSB-LSB : 00-00H = -1 octave, 40-00H = no pitch bend, 7F-7FH = +1 octave KETRON • AUDYA...

  • Page 168: Non Registered Parameter Numbers

    MIDI messages to the new channel. Harmony and melody MIDI channels must be different: if you try set the melody channel at the current harmony channel value, the command will be ignored. You must change the harmony to another channel before. KETRON • AUDYA...
  • Page 169 12 * Minor 7th + A = 12 * 3 + 9 = 45 Note: if you’ve downloaded a custom harmony table (using a Sysex 0), calling this NRPN will overwrite it. 0, 1 Vocalizer output: 0 = Main, 1 = Aux KETRON • AUDYA...
  • Page 170 (see warning above). Note: enabling this mode without being in drum mode will result in muting the shifter (no beat is detected when not in drum mode, so no sound will be output) KETRON • AUDYA...
  • Page 171 0...64...127 Voice 1 formant 0...64...127 Voice 2 formant 0...64...127 Voice 3 formant 0...64...127 Voice 4 formant 0...64...127 Voice 5 formant 0...38 Voice 1 tone frequency: harmony voice low pass filter cutoff frequency 0...38 Voice 2 tone frequency KETRON • AUDYA...
  • Page 172 0, 1...127 Voice 4 portamento switch 0, 1...127 Voice 5 portamento switch 0…127 Voice 1 portamento time 0…127 Voice 2 portamento time 0…127 Voice 3 portamento time 0…127 Voice 4 portamento time 0…127 Voice 5 portamento time KETRON • AUDYA...
  • Page 173 Echo preset: calls on echo preset. See table below for description of the presets. Reverb input level 0...127 Echo input level 0...127 Send echo to reverb 0...127 Note: EQ band frequencies are fixed to the following values: KETRON • AUDYA...
  • Page 174 -lead / harmony switches (System NRPN 5 to 7) -voice transform controls (System NRPN 17) -harmony formant & tone controls (Harmony NRPN 11 to 25) -vibrato (Harmony NRPN 26 to 45) -humanization (Harmony NRPN 46 to 50) KETRON • AUDYA...

  • Page 175: Specifications

    2 microphone inputs with separate gain control, 10-band equalizer, echo, reverb, pan, pitch shift, talk, voice transformation. VOICETRON Harmonizer with 5 separate voices by Ketron. Vocoder mode, auto-harmony by using the arranger, vocalizer track on MIDI file, advanced editing on all 5 voices. MIDI In 1, In 2, Out, Thru.
  • Page 176 Notes Due to continuing product improvement efforts, specifications and appearance are subject to change without notice. Please visit frequently our website www.ketron.it to check for software updates, user manuals, etc. KETRON • AUDYA...
  • Page 177 Notes KETRON • AUDYA...
  • Page 178 KETRON s.r.l. Via Giuseppe Taliercio n. 7 60131 Ancona (Italy) Tel. +39 071 285771 Tel. +39 071 2857748 www.ketron.it email: ketron@ketron.it Printed in Italy...
  • Page 179 UPDATE 3.0A ENGLISH...
  • Page 180 • The Wave Loops must be 44 KHz , 16 bit and • synchronize with the MIDI file one or more Wave their name must include the @ symbol followed by the precise BPM information. For example: KETRON • AUDYA...
  • Page 181 Setting this option to mode1 it’s possible to navigate into the various orchestral families without changing the voice on right hand; this will be changed only when is selected a new voice. Instead, setting to mode2, the usual selection KETRON • AUDYA...
  • Page 182 BPM number, for example: House2@127. wav. • The loops are automatically synchronized with the MIDI of the Style. • It is possible to associate a different Wave for each Figure 4 Style section, such as ABCD, Fill In, Break, Intro KETRON • AUDYA...
  • Page 183 GM Voices. All variations applied to the Style with the insert of the Bank templates may be memorized and saved as usual into the correspondent User Style. The access to a single template of the Bank Libraries KETRON • AUDYA...
  • Page 184 During the Macro Recording all Menus are deactivated. The end of the performance is achieved by pressing STOP REC or RECORD. In order to start the playback just go into MIDI folder, select the file .MSR and press Enter. KETRON • AUDYA...
  • Page 185 The On/Off condition may be saved as de- fault with Save Custom Start up function. 3) The Audio Resources Loading time is directly pro- portional to the amount for files present on the User Audio Drums folder. KETRON • AUDYA...
  • Page 186 SAVE on the associates to the MIDI file having a subsequent Start panel. Give a new name and confirm again with bar will be ignored. the button 5 / 10 – Save. KETRON • AUDYA...
  • Page 187 Program Change 0-127 SINGLE REGISTRATION ▀ Control Change Value = 0-64 Program Change 0-127 ▀ BLOCK REGISTRATION Control Change Value = 64-126 Program Change 0-127 block registration voice selection Control Change Value = 127 Program Change 0-19 KETRON • AUDYA...
  • Page 188 159 8SYNT_07 78 16SYNT_14 154 6_8STRINGS_02 160 8SYNT_08 79 16SYNT_15 155 6_8STRINGS_03 161 8SYNT_09 80 16SYNT_16 129 8BANJO_01 162 8SYNT_10 81 16SYNT_17 130 8BANJO_02 163 8SYNT_11 82 16SYNT_18 131 8BANJO_03 164 8SYNT_12 83 16SYNT_19 132 8BANJO_04 165 8SYNT_13 KETRON • AUDYA...
  • Page 189 27 BACHATA_01 22 16BEAT_09 311 8BEAT_09 28 BACHATA_02 3_4PDOBLE_01 312 8BEAT_10 29 BACHATA_03 6_8BALLAD_01 313 8BEAT_11 30 BALLAD_01 6_8BALLAD_02 314 8BEAT_12 31 BALLAD_02 6_8BLUES_01 315 8BEAT_13 32 BALLAD_03 6_8WALZ_01 316 8BEAT_14 33 BALLAD_04 6_8WALZ_02 317 8BEAT_15 34 BALLENATO_01 KETRON • AUDYA...
  • Page 190 121 PDOBLE_01 229 DANCE_15 98 GOSPEL_03 122 PDOBLE_02 187 DISCO_01 230 HIP-HOP_01 254 POLKA 65 DISCO_02 231 HIP-HOP_02 255 POPCHA_01 66 DISCO_03 99 HOUSE_01 256 POPCHA_02 67 DISCO_04 100 HOUSE_02 257 POPCHA_03 184 DISCO_05 101 HOUSE_03 327 POPLATIN_01 KETRON • AUDYA...
  • Page 191 66 DANCEFLOOR_02 19 8BEAT1_04 43 BRUSHWALTZ_01 67 DANCEFLOOR_03 20 8_BEAT_2_01 44 BRUSHWALTZ_02 68 DANCEFLOOR_04 21 8_BEAT_2_02 45 BRUSHWALTZ_03 69 DANCEFLOOR_05 22 8_BEAT_2_03 46 BUGG_01 70 DISCODANCE_01 23 8_BEAT_2_04 47 BUGG_02 71 DISCODANCE_02 24 8_BEAT_3_01 48 BUGG_03 72 ENGL_WALTZ_01 KETRON • AUDYA...
  • Page 192 249 TANGO_02 128 LOUNGE_02 189 R&B12_63_02 250 TANGO_03 129 LOUNGE_03 190 R&B12_63_03 251 TARANTELLA_01 130 LOUNGE_04 191 R&B12_63_04 252 TARANTELLA_02 131 MACARENA_01 192 R&B13_81_01 253 TARANTELLA_03 132 MACARENA_02 193 R&B13_81_02 254 WALZER_01 133 MACARENA_03 194 R&B13_81_03 255 WALZER_02 KETRON • AUDYA...
  • Page 193 168 PWRCHORD_03 53 CNTRYARP_02 111 FOXSWING_01 169 PWRCHORD_04 54 CNTRYARP_03 112 FOXSWING_02 170 R&BLUES-01 55 CNTRYARP_04 113 FOXSWING_04 171 R&BLUES-02 56 CNTRYBAL_01 114 FOXSWING_05 172 R&BLUES_03 57 CNTRYBAL_02 115 FOXSWING_06 173 R&BLUES_04 58 CNTRYBAL_03 116 FOXSWING_07 174 R&BLUES_05 KETRON • AUDYA...
  • Page 194 82 BOSSA_EP_10 15 8 BEAT_15 54 BEGUINE_08 83 BOSSA_EP_11 16 8 BEAT_16 55 BLUES_01 84 BOSSA_EP_12 17 8 BEAT_17 56 BLUES_02 85 BOSSA_EP_13 18 8 BEAT_18 57 BLUES_03 86 BOSSA_EP_14 19 8 BEAT_19 58 BLUES_04 87 BROADWAY_01 KETRON • AUDYA...
  • Page 195 199 SAMBA_04 140 LATINP_07 200 SAMBA_05 141 LATINP_08 201 SAMBA_06 142 LATINP_09 202 SAMBA_07 143 LATINP_10 203 SWING_01 144 MARCH 6-8_01 204 SWING_02 145 MARCH 6-8_02 205 SWING_03 146 MARCH 6-8_03 206 SWING_04 147 MERENGUE_01 207 SWING_05 KETRON • AUDYA...
  • Page 196 KETRON s.r.l. Via Giuseppe Taliercio n. 7 60131 Ancona (Italy) Tel. +39 071 285771 Tel. +39 071 2857748 www.ketron.it email: ketron@ketron.it...
  • Page 197 UPDATE 4.1 ENGLISH...
  • Page 198 Micro and Vocalizer Edit is allowed holding related button for more than 1 second as well Harmony already do since Version 3.0. Drum Remap Global: Since this release Global Edit can be managed on Drum Remap setting KETRON • AUDYA...
  • Page 199 Using up or down arrows will be useful to catch Zero crossing function automatically. As showed on Picture 3 when a new parameter will be selected a Preview, Restore e Save tab will appear on bottom of display. KETRON • AUDYA...
  • Page 200 Audya display will show a screen shot alike the previous issue . The main remarkable difference is LOOP (F4) (Picture LOOP feature, as well name say, allows to set a Loop point on the selected wave (previously imported). The KETRON • AUDYA...
  • Page 201 This new feature allows to record directly from microphone or Line in. If user operate in wave folder, once recording is completed Audya automatically swap on Wave Edit to operate modifications and saving your own sample. Picture 9 Picture 10 KETRON • AUDYA...
  • Page 202 Saving Section). Select REMIX file from disk list by using Alpha Dial or cursor button. Wait until RMX file will be loaded than press USER 5 (START). When led button will flashing press REMIX button. Picture 13 Picture 14 KETRON • AUDYA...
  • Page 203 Exclusive message to play it as Remix. The second one will be renamed as KMX file. This file format is a Ketron proprietary format which include all information to play a Remix plus Style, Transposer, tempo and so on. This file is really useful to export all information over another Audya keyboard and guarantee to play it properly.
  • Page 204 >UTILITY(Page #1)->RemixLiveGuitar = Manual Activate Remix feature. Press RECORD while midi file playing. Play Chord on Left part of keyboard following harmony tune. Chord played will be record as is. Press Save to store all data. Tips & Tricks: KETRON • AUDYA...
  • Page 205 From this menu User can edit all other style part freely and save it as usual. So now with this feature when user will select your own User Live Guitar Audya will load automatically related sample if not present. Picture 22 KETRON • AUDYA...
  • Page 206 If no other name has been written for the User Voice List, this will be saved with the same name of Style. Any time this Style is recalled Audya will load automatically also it’s correspondent User Voice List (Picture 25). Picture 25 KETRON • AUDYA...
  • Page 207 When <SAVE> button is pressed of F3 must be dis- Picture 26 played the file reference information. If not, pls. verify if DISK, REGISTRATION, PLAYLIST or SFX leds are off: at least a Style, Midi, Wave or Mp3 must be selected. KETRON • AUDYA...
  • Page 208 Advanced Audio Style Morphing feature (which gave AUDYA the capability to EDIT styles using existing style parts), a new PATTERN Editor now brings all the necessary features needed to Create and in great detail, Edit your own Styles directly on the Ketron AUDYA (Picture 27)!
  • Page 209 (so you don’t have to repeat for each occurrence). In order to Clear just a single note (as a single event), you will needs to press the Record button then select the CLEAR button once more (Picture 31). KETRON • AUDYA...
  • Page 210 (Picture 35). Another way to Clear unwanted data is by using the Clear menu (as already mentioned above). Once this procedure is complete, press SAVE (U5/10) to store your work. Picture 35 KETRON • AUDYA...
  • Page 211  No point in trying to re-invent the wheel. Within the with the new Guitar Banks 1 and 2 sounds. Pattern Editor menu, using Ketron’s new Audio Style Substitute internal Chord 4 parts with the new  Morphing would be best exploited if you access and Arp&Licks melodies.
  • Page 212 F0 26 7B 65 03 Remix F7 Remix = 0 OFF Remix = 1 ON F0 26 7B 64 03 GuitarRemixAutoplay F7 GuitarRemixAutoplay = 1 MANUAL 2 AUTO 0 OFF F0 26 7B 6C 03 arrVarTab F7 // Arranger Variations arrVarTab KETRON • AUDYA...
  • Page 213 Stop_Meas (End measure of Remix) if Start_Mis = 0F 0F 0F 0F e Stop_Mis = 0F 0F 0F 0F remix from Start to End point Arr_Initial = 0 ArrA Arr_Initial = 1 ArrB Arr_Initial = 2 ArrC Arr_Initial = 3 ArrD KETRON • AUDYA...
  • Page 214 KETRON s.r.l. Via Giuseppe Taliercio n. 7 60131 Ancona (Italy) Tel. +39 071 285771 Tel. +39 071 2857748 www.ketron.it email: ketron@ketron.it...

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Audya 5

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