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SECTION 6
STEREO/2-TRACK TRANSFERS
1
Full
Lef
In theory, this back-and-forth transfer routine
Trock2
[ChB
Tae
|
4
Full Right
can
be
used
more
than
once,
adding
an
New Input | Ch. C — Mic/Line 3 &/or 4
As Desired
instrument
to the "stereo" each time you
New Input | Ch. 0 - Mic/Ling!3 &i/or 4
As Desizod
"bounce" or "ping-pong". In practice, noise will
Track 3
| Ch.C —
Tape
1
Full Left
-
7
Track 4
| Ch. D — Tape
2
| Full Right
build up rapidly and limits the use of thisstereo/2-
New Input | Ch. A — Mic/Line! 1 &J/or 2
As Desired
track transfer method to perhaps a single time.
New input | Ch. 8 — Mic/Line| 1 &/ar 2
|_As Desir
The ping-pong is otherwise similar to the mono
Track2
'Ch.6—Tape
|
1
F
ping-pong. Be sure to pan the tracks fully Left and
Track 3
Ch.C—Tape
|
4
ull Right
f
é
;
;
New Input | Ch. A — Mic/Line|1 &/or 4
As Desired
fully Right. If you wish to monitor in stereo, switch
New input | Ch.D~MiciLine|t &/or4
|
As Desired _
to remix mode and turn down
the Tape Cue
Track 2
Ch 8
Tape
Fist
Full Right
controis.
Track 3
| Ch.C - Tape
1
| Full Left
| . A — Tape
3
, Full
. 0 — Tape
2
Full
. 8 — Mic/Line|
2 &/or 3
As Di
Mic/Line| 2 &/or 3
Track 1
. A — Tape
2
Track 4
. D ~ Tape
3
New Input
B=
Mic/Line| 2 &/or 3
New Input
.C — Mic/Line! 2 &ior 3
Track 1
t-
3
Track 3
a
o n
a "
Track 2}
]
Track 4
3°
"These transfers are not possible.
14
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