Strymon TIMELINE User Manual page 25

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TimeLine
- User Manual
Delay Machines: Filter Continued
FILTER Q: Adjusts the Q, or resonance, of the sweeping filter.
Lower values produce milder filtering effects with a
broader response and lower resonance. Higher values
create sharper resonant peaks which can lend to
dramatic sweeping and special effects.
0.5
0.7 1.2
1.0 1.5
LOCATION: This parameter places the LFO-controlled filter either
before the delay line (PRE) or after the delay line
(POST). The sonic differences between the two can
be substantial, with POST creating a more prominent
effect.
PRE
POST
HIGH PASS:
Reduces the low frequency content of the wet signal
after the delay. A useful additional tone sculptor for
delays on low-note riffs or chords where you want to
reduce booming in your rig.
OFF
20Hz
120Hz
40Hz 140Hz
60Hz 160Hz
80Hz 180Hz
100Hz 200Hz
TIPS & TRICKS:
1) The '+' or '-' in front of the SINE, TRI and SQR
lfo shapes designates the polarity of the LFO when it sync to your
playing. The '+' LFO shapes will have the highest frequency occur
synchronous to the input, while the '-' LFOs will have their lowest
frequencies synchronous to the input.
2) The FILT-Q parameter sets the resonance or sharpness of the
filter. At higher settings, the increase in amplitude at the filter's
resonant frequency can result in an increase in apparent wet signal
volume. Use the MIX knob to adjust the wet level accordingly.
2.0 3.0 5.0
2.5 4.0 7.0
230Hz
260Hz
300Hz
350Hz
400Hz
10.0
500Hz
600Hz
700Hz
800Hz
900Hz
®
pg 25