Strymon TIMELINE User Manual page 11

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TimeLine
- User Manual
Delay Machines: Digital
A classic crystal-clear "voiced" digital delay. A wide range of delay
tones are possible by tweaking the Filter, Grit and Modulation controls.
Modern to classic 80's delay tones are easily achievable with this delay
machine.
PARAMETERS:
SMEAR: Softens the attack of the repeats while maintaining
full frequency response. This allows for higher mix
levels while keeping the delay out of the way of the
dry signal. With high Repeats levels, the delayed
OFF
signal gets dreamy and ethereal.
|||||||||
HIGH PASS: Reduces the low frequency content of the wet signal
after the delay. A useful additional tone sculptor for
delays on low-note riffs or chords where you want to
reduce booming in your rig.
OFF
20Hz
120Hz
40Hz 140Hz
60Hz 160Hz
80Hz 180Hz
100Hz 200Hz
REPEAT DYNAMICS:
that the delay tapers off faster than it normally would.
The effect is most easily heard with high Repeats
levels, allowing for high repeats that trail off to allow
OFF
the next phrase or chord to stand out more.
ON
TIPS & TRICKS:
The HIPASS parameter can be very effective in
producing bright repeats for a 'super-clean' digital delay. Set the
Filter and GRIT knobs to minimum position for full bandwidth and
experiment.
Set GRIT and FILTER knobs to 12:00 for an "analog-voiced" digital
delay, or try GRIT at minimum and FILTER at maximum for a "tape-
voiced" digital delay.
PATTERN
DUAL
DIGITAL
dBUCKET
REC / DUB
230Hz
260Hz
300Hz
350Hz
400Hz
Reduces the Repeats in a non-linear fashion so
REVERSE ICE
DUCK
SWELL
TREM
FILTER
dTAPE LO-FI
TYPE
BANK / TIME
hold (save)
A
BANK DOWN
500Hz
600Hz
700Hz
800Hz
900Hz
VALUE
push (param)
hold (global)
®
FILTER
®
PLAY
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