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Thank you for purchasing a Focal product. We welcome you to our universe of high-fidelity sound. For 40 years, Focal has been designing, developing and manufacturing exceptional loudspeakers, and more recently, headphones. Our values are innovation, tradition, performance and pleasure. They will help you enter a new universe of emotion, to listen beyond sound. Wherever you are, our goal is to bring you together around a shared passion, rich, authentic sound. SHAPE loudspeakers are a professional audio monitoring system. These products have been designed to combine an impeccable sound image, high precision and wide frequency response in a compact format suitable for nearfield listening.
Please validate your Focal-JMlab warranty; it is now possible to register your product online: www.focal.com/warranty
A sample of this product was tested by an accredited independent laboratory in accordance with ISO/IEC 17025:2005. The laboratory declared it to be in compliance with European directives and other international standards as follows: Electromagnetic compatibility ANSI C63.4, KN35/CISPR20/EN55020, KN32/CISPR32/ EN55032, IEC/EN61000-3-2, IEC/EN61000-3-3, Electrical safety IEC/EN/K/J60065. Product meets DIRECTIVES EMC, RED, LVD, ErP, RoHS, REACH and WEEE and REGULATION (EC) No. 1275/2008.
Risk of electrical shock
Do not open
Do not expose to water or moisture
The exclamation mark in an equilateral triangle is intended to alert users to the existence of important instructions in the manual relating to the use and maintenance of the unit.
Our policy of continual product improvement means that Focal-JMlab reserves the right to modify the technical specifications of its products without notice. Product may vary from images.
In addition to this manual, your loudspeaker is supplied with the following:
Check that none of these items is missing and remove all accessories from the packaging. To avoid damage to your products during unpacking, please unpack in the following order: completely open the flaps on the cardboard packaging. Fold them back over the sides. Remove the upper protective packing. Carefully lift the loudspeaker. Check the packaging for any signs of damage. If you find any damage, inform the carrier and supplier. It is important to keep the packaging in good condition for possible future use.
We would like to emphasise that high sound pressure can be generated by your products, particularly in 5.1 configuration. As their distortion level is low and the level of user fatigue is minimal, it is not always easy to be aware of the real sound pressure. Do not forget that exposure to high sound pressures for more than a certain time can lead to irreversible hearing loss.
SHAPE loudspeakers are guaranteed for parts and labour for a period of two years within member countries of the European Union from the date of delivery to the end customer. For countries outside the European Union, please refer to the law in force in each country. During the guarantee period, Focal will repair or exchange a defective product, provided that it is returned carriage paid to an approved Focal dealer. Damage caused by modifications to the product, accidents, negligence or misuse are not covered by the guarantee. For more information, please contact your local dealer or distributor.
The SHAPE 40 loudspeaker is a professional nearfield monitor loudspeaker with two active channels (two internal amplifiers), composed of one 4" (10cm) low/midrange flax sandwich membrane loudspeaker driven by two passive side radiators and one 'M' profile Aluminum- magnesium tweeter (fig. A).
Fig. A
The SHAPE 50 loudspeaker is a professional nearfield monitor loudspeaker with two active channels (two internal amplifiers), composed of one 5" (13cm) low/midrange flax sandwich membrane loudspeaker driven by two passive side radiators and one 'M' profile aluminum- magnesium tweeter (fig. B).
Fig. B
The SHAPE 65 loudspeaker is a professional nearfield monitor loudspeaker with two active channels (two internal amplifiers), composed of one 6.5" (16.5cm) low/midrange flax sandwich membrane loudspeaker driven by two passive side radiators and one 'M' profile aluminum-magnesium tweeter (fig. C).
Fig. C
The SHAPE TWIN loudspeaker is a professional 2.5-way active nearfield monitoring loudspeaker (with three internal amplifiers), composed of two 5" (13cm) flax sandwich cone speaker drivers driven by two lateral passive radiators, and one M-shaped Aluminium-Magnesium inverted dome tweeter. The loudspeaker's lower speaker driver reproduces frequencies between 40Hz and 180Hz, whereas the upper speaker driver reproduces frequencies between 40Hz and 2.5kHz (Fig. D).
Fig. D
Mains Power Supply
It is essential that your products have a ground connection using the power cord supplied.
You can connect up to two audio sources using the XLR and/or RCA connectors.
With the XLR connector it is possible to connect a balanced signal source. It uses a standard cabling scheme:
Pin 1 - ground (shield)
Pin 2 - hot connection (in-phase signal)
Pin 3 - cold connection (phase-inverted signal)
The RCA connection enables connection from an unbalanced signal source. It is customary to link the 'cold' connection (Pin 3) to ground (Pin 1). This connection is usually made at the cables.
You can connect up to two sources to each loudspeaker using the two inputs available. Both inputs (XLR and RCA) are active simultaneously. In order to draw the greatest benefit from this feature, we recommend switching on just one of the two sources to avoid undesired signal noise. Furthermore, we invite you to switch your sources on and off after switching your monitor loudspeakers off.
SHAPE monitors are equipped with a 'Standby' mode. When they are switched on, 'Standby' mode is active. To deactivate it, send an audio signal to the monitor, gradually increasing the sound level of the audio source. After approximately 30 minutes without receiving an audio signal, the monitors automatically go into 'Standby' mode. In 'Standby' mode, their power consumption is less than 0.5W.
SHAPE loudloudspeakers are nearfield monitor loudspeakers and should be positioned between 40 cm and 2 metres from and facing the listener. They are perfectly suited to being placed on top of a mixing console or on appropriate stands, be mindful that in every case it is strongly recommended that the height of the tweeter should be relatively close to that of the listener's ears. If necessary, it is perfectly acceptable to turn the loudspeakers over from the normal position and have the tweeter at the bottom in order to meet this rule. SHAPE loudspeakers must be positioned vertically, facing the listener (figs. E and F).
Once you have decided on positioning, you have 4 height adjustable decoupling spikes. These spikes enable you to significantly reduce the mechanical coupling of the loudspeakers to the surface on which they rest. They also make it possible to adjust the vertical orientation of the loudspeakers (fig. G). The spacing and left/right orientation of each loudspeaker allows you to control the width, centring and overall coherence of the soundstage (left/centre/right), the basis of the precision of your recordings.
We recommend that you position the loudspeakers in such a way as to make an equilateral triangle. The 3 points of the triangle are the listening position, the right-hand loudspeaker and the left-hand loudspeaker (fig. H).
For a 5.1 installation, we recommend that you position the loudspeakers in a circle so in order to have them equidistant from the listening point. The centre channel will be at 0°, the right front channel at 30°, the right rear channel at 110°, the left rear channel at 250° and the left front channel at 330° (fig. I).
If the loudspeakers are placed higher than your listening position, we invite you to adjust the height of the decoupling spikes located at the rear of the loudspeaker (figs. J and K).
If the loudspeakers are positioned lower than the listening position, go through the same adjustment procedure, this time using the two decoupling spikes located on the front of the monitor.
The transducers used in SHAPE loudspeakers are complex mechanical assemblies which need a period of running in to operate at their best and to become acclimatised to the temperature and humidity conditions of your environment. The length of time this takes can vary according to circumstances, sometimes extending over several weeks. Avoid listening to the loudspeakers at high volume levels during their first hours of use. To speed this process up, we recommend you operate the different products for about 20 hours at medium volume, on musical programmes that are rich in low frequencies. Once the characteristics of the transducers have been stabilised, you will able to enjoy the performance of your Focal products to the full.
With the XLR connector it is possible to connect a balanced signal source. It uses a standard cabling scheme:
Pin 1 - ground (shield)
Pin 2 - hot connection (in-phase signal)
Pin 3 - cold connection (phase-inverted signal)
This input has a sensitivity of +4 dBu to match the sensitivity of balanced sources.
The RCA connection enables connection from an unbalanced signal source. It is customary to link the 'cold' connection (Pin 3) to ground (Pin 1). This connection is usually made at the cables. This input has a sensitivity of -10 dBV to match the sensitivity of unbalanced sources. The unbalanced input has 12 dB greater sensitivity than the balanced input.
The HI-PASS FILTER control is to switch on or off the 12 dB/octave high pass filter. It is recommended to set it to FR (full range: high pass filter deactivated) when the loudspeakers are used in 2.0 stereo configuration. Shape 40 has a 2-position switch: FR and 80 Hz. Shape 50, 65 and Twin have a 4-position switch: FR, 45, 60 and 90 Hz. It is recommended to use positions 45, 60, 80 (Shape 40) or 90 Hz if a system is used with one or more subwoofer(s) or if the listening room tends to strongly increase the lower frequencies.
The ON/OFF control is for switching the power supply to the internal amplifiers on and off. Moving it from the OFF to the ON position has the effect of putting the loudspeaker on 'Standby'. To deactivate 'Standby' mode, send an audio signal to the loudspeaker, which will detect it and move automatically from 'Standby' to 'On'.
The LF SHELVING potentiometer is to activate or not a sound level correction below 250 Hz. We advise that you adjust the LF SHELVING potentiometer to +2 or +3 dB when the acoustics of the listening room naturally attenuate this frequency range. We advise that you adjust the LF SHELVING potentiometer to 0 when the listening room is acoustically neutral. We advise that you adjust the LF SHELVING potentiometer to -2, -4 or -6 dB when the loudspeakers are placed close to a wall or corner.
The LMF EQ potentiometer is to activate or not a sound level correction at a centre frequency of 160 Hz for a Q factor of 1. It is advised to set the potentiometer to -1, -2 or -3 dB when the loudspeakers are placed on a table, console bridge or any other support that causes reflections.
The HF SHELVING potentiometer is to activate or not a sound level correction above 4.5 kHz. We advise that you adjust it to +2 dB when the acoustic of the listening room naturally attenuates this frequency range (acoustically dead environment). We advise that you adjust it to 0 when the listening room is acoustically neutral. We advise you to adjust it -2 or -3 dB when the acoustics of the listening room naturally increases this frequency range (bright environment).
Plug the supplied power cord into this connector.
The attachment points enable you to mount your Shape studio monitors to the wall or to the ceiling. The Shape 40 studio monitor is supplied with a plate so that it can be used with K&M® accessories. The centre-to-centre distance is 23/4" (70 mm) for the Shape 40, 50, 65 and Twin. Use M6 screws.
The fastening point underneath the Shape 40 and Shape 50 is for mounting the loudspeaker to a table stand or a microphone stand.
The format required is BSW 3/8".
The LED on the front panel is off when the loudspeaker is set to OFF. When the ON/OFF switch is flipped from OFF to ON, the LED lights up green. When an audio signal is detected, the loudspeaker switches from 'Standby' to 'On' and the LED lights up green. After approximately 30 minutes without detecting an audio signal, the loudspeaker automatically switches to 'Standby' to avoid unnecessary power consumption and the LED lights up red. In 'Standby' mode, power consumption is less than 0.5 W. To exit this mode, send an audio signal to the loudspeaker. It takes a few seconds for the loudspeaker to switch from 'Standby' to 'On'.
See the diagram below for more information on fixing mechanisms.
See the table below for references of compatible K&M® products.
Wall mount | Ceiling mount | Table stand / microphone stand | |
Shape 40 | Fixing kit K&M® 24471 | Fixing kit K&M® 24496 | Fixing kit K&M® 232 |
Shape 50 | Fixing kit K&M® 24471 + K&M® 24359 adapter | Fixing kit K&M® 24496 + K&M® 24359 adapter | Fixing kit K&M® 232 |
Shape 65 | Fixing kit K&M® 24471 + K&M® 24359 adapter | Fixing kit K&M® 24496 + K&M® 24359 adapter | - |
Shape TWIN | Fixing kit K&M® 24471 + K&M® 24359 adapter | Fixing kit K&M® 24496 + K&M® 24359 adapter | - |
System | SHAPE 40 | SHAPE 50 | SHAPE 65 | SHAPE TWIN | |
| 60Hz - 35kHz | 50Hz - 35kHz | 40Hz - 35kHz | 40 Hz - 35 kHz | |
| 102dB SPL (pic @ 1m) | 106dB SPL (pic @ 1m) | 109dB SPL (pic @ 1m) | 110,5dB SPL (pic @ 1m) | |
Electronic section | |||||
| Type | XLR: balanced 10kOhms | |||
Connectors | RCA: unbalanced 10kOhms with sensitivity compensation | ||||
| 25W, class AB | 60W, class AB | 80W, class AB | 2 x 80W, class AB | |
| 25W, class AB | 25W, class AB | 25W, class AB | 50W, class AB | |
| Standby on | After approximately 30 minutes with no signal | |||
Standby off | Signal detection > 3 mV | ||||
| Voltages | 220-240V (T500mAL / 250V fuse) or 100-120V (T1.6AL / 250V fuse) | 220-240V (T800mAL / 250V fuse) or 100-120V (T1.6AL / 250V fuse) | 220-240V (T1AL / 250V fuse) or 100-120V (T2AL / 250V fuse) | 220-240V (fuse T2AL / 250V) or 110-120V (fuse 3,15AL / 250 ) |
Connection | IEC plug and detachable power cord | ||||
| High pass filter | Adjustable Full range / 80Hz | Adjustable Full range 45/60/90Hz | ||
Bass (0 - 250Hz) | Adjustable, +/-6dB | ||||
Midrange/bass (160Hz, Q=1) | Adjustable, +/-3dB | ||||
High (4.5 - 35kHz) | Adjustable, +/-3dB | ||||
Power On/ Power Off | On/off switch on rear panel | ||||
| < 0.5W | ||||
| LED for power on/off and standby | ||||
Transducers | |||||
| 10cm (4") Flax cone | 13cm (5") Flax cone | 16,5cm (6.5") Flax cone | 2 x 13cm (5") Flax cone | |
| 25mm (1") 'M' profile Aluminum-Magnesium | ||||
Cabinet | |||||
| 0.5" (12mm) MDF | 0.6" (15mm) MDF | |||
| Vinyl, real walnut and black paint | ||||
| 257 x 161 x 200mm (10.1 x 6.3 x 7.9") | 312 x 191 x 242mm (12.3 x 7.5 x 9.5") | 355 x 218 x 285mm (14 x 8.6 x 11.2") | 478 x 211 x 279mm (18.8 x 8.3 x 11") | |
| 5kg (11lb) | 6,5kg (14.3lb) | 8,5kg (18.7lb) | 11kg (24lb) |
Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.
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