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EFFECT LIST
FX Title
Based on the legendary 2-knob yellow overdrive pedal with
thick. Artist of the 70's was mostly using a fuzz distortion
sound and the overdrive produced by it was not typical. It
was however soon accepted as the new standard of
Yellow
guitar sound. It features an asymmetric circuit where
the positive and negative halves of the waveform isn't
FROM
distorted equally. The sound is therefore still
close to the original even though
Based on the legendary 3-knob yellow overdrive pedal. The
unique asymmetric overdrive eect Super OD circuit adds
warm and
pleasant overdrive eect to the traditional guitar timbre.
Based on an legendary 3-knob Blues overdrive pedal
providing full-range overdriven sound.
Whether it's warm and natural overdrive or full
Blues OD
open distortion, it gives your guitar the most expression,
makes it easy to control the tone, and allows for subtle
variations in your personal playing style.
Based on legendary Electro-Harmonix®
Big Mu Pi®* fuzz/distortion pedal. It is very individual,
warm and thick sound wall, restless but full of beauty.
Lazaro
Famous users:
Based on legendary Dallas-Arbiter® Fuzz Face®*
fuzz pedal. Dallas Arbiter conjured the sound of rock and
roll for half a century in 1966 with a few simple transistors.
The sound of Fuzz Face was heavy and sharp, and its
Red
Haze
sound
influenced countless famous musicians.
Famous users:
Based on legendary ProCo™ The Rat* distortion (early
LM308 OP-amp version). The Rat* has come to life
thanks to its wide range of Filter knob, bright and
compact sound head, full end and strong plasticity, making
Darktale
it a favorite of many musicians.
*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products.
Description
distortion have been added.
Jimi Hendrix, Santana, Pink
Floyd, Jack White
Jimi Hendrix, Santana, Pink
Floyd, Jack White
Famous users:
Je Beck, Kurt Cobain
DST
Parameters & Ranges
Gain(0~99) Controls the gain amount
VOL(0~99) Controls the eect output volume
Gain(0~99) Controls the gain amount
Tone(0~99) Controls the tone brightness
VOL(0~99) Controls the eect output volume
Gain(0~99) Controls the gain amount
Tone(0~99) Controls the tone brightness
VOL(0~99) Controls the eect output volume
Sustain(0~99) Controls the gain amount
Tone(0~99) Controls the tone brightness
VOL(0~99) Controls the eect output volume
Fuzz(0~100) Controls the gain amount
VOL(0~100) Controls the eect output volume
Gain(0~99) Controls the gain amount
Filter(0~99) Conterclockwize controls the tone
brigntness
VOL(0~99) Controls the eect output volume
22
Good For
Blues
Rock
Blues
Rock
Blues
Rock
Rock
Rock
Rock
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