Valeton GP-200R User Manual
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Valeton GP-200R User Manual

Valeton GP-200R User Manual

Multi-effects processor
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USER'S MANUAL
ForFirmwareV1.8
※In the interest of product improvement, the specifications and/or the content of products (including but not limited to appearances, packaging design, manual content,
accessories, size, parameters and display screen), are subjectto change without prior notice. Please check with local supplier for exact o ers. Specifications and features
(including but not limited to appearances, colors and size) may vary by model owing to environmental factors, and all images are illustrative.

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  • Page 1 USER'S MANUAL ForFirmwareV1.8 ※In the interest of product improvement, the specifications and/or the content of products (including but not limited to appearances, packaging design, manual content, accessories, size, parameters and display screen), are subjectto change without prior notice. Please check with local supplier for exact o ers. Specifications and features (including but not limited to appearances, colors and size) may vary by model owing to environmental factors, and all images are illustrative.

  • Page 2: Table Of Contents

    TABLE OF CONTENTS and amp WELCOME ···········16 ···········1 Connecting to your amp's ATTENTION ··········1 RETURN OVERVIEW ···········17 ··········2 Connecting your mixer, PANEL INTRODUCTION ·····3 interface, headphones, and GETTING STARTED ·······4 other equipment Play Mode ·······17 ··········4 Connecting to your computer Edit Mode ··········5 as an audio interface...

  • Page 3: Welcome

    Prepare information including the model name, serial number, specific symptoms related to the malfunction, your name, address and telephone number and contact the store where you bought the unit, or contact VALETON support (service@valeton.net) . Thank you for choosing a VALETON product!

  • Page 4: Overview

    OVERVIEW The GP-100 is a compact, high performance guitar multi-e ects processor. It o ers a potent e ects processing platform and complete feature set, so you can improve your skill and experiment with di erent guitar e ects, all with one simple-to-use, portable device. The GP-100 has 150 e ects to choose from and allows you to run 9 e ects simultaneously.

  • Page 5: Panel Introduction

    PANEL INTRODUCTION 1. LED Display 6. SAVE button This display shows GP-100’s the patch Use this button to store, rename, and copy the numbers, patch name, and other operation preset. Whenever a preset is modified, the information. LCD display will show a “*” symbol to indicate 2.

  • Page 6: Getting Started

    PANEL INTRODUCTION 11. INPUT Jack (phone, MP3 player) for practice and 1/4” mono audio jack, for connecting guitar. jamming. 12. OUTPUT L/OUTPUT R Jack 14. PHONES 1/4” TS output interfaces can be configured 1/8” TRS output for connecting headphones. for mono or stereo operation. Use them to 15.

  • Page 7: Edit Mode

    GETTING STARTED Edit Mode Press PARA in the main interface or EDIT in any interface to enter EDIT mode. In this mode, you can switch e ect types, edit e ect parameters, and change the order of e ect modules. NOTE: 1.

  • Page 8: Looper Function

    GETTING STARTED LOOPER Function Simultaneouslyhold two footswitches until the LOOPER menu appears. The progress bar at the top will be shown in red during recording and overdubbing. It will be shown in blue in play mode. Quick access knob 1 adjusts the loop recording level from 0-99. Quick access knob 2 selects between setting the loop before (Pre) or after (Post) your e ects chain.

  • Page 9: Edit

    EDIT Turn the PARA knob or tap the footswitch to switch the patch. Press the PARA button or EDIT button to enter the EDIT menu. This menu is made of ten icon squares representing GP-100’s nine e ects modules. The default signal chain is ordered like this: PRE (Pre-e ects) - DST (Overdrive/Distortion) - AMP (Amp simulator) - NR (Noise reducer) - CAB (Cabinet simulator) - EQ (Equalization) - MOD (Modulation) - DLY (Delay) - RVB...

  • Page 10: Stomp Mode

    EDIT Stomp Mode Select the footswitch mode in the GLOBAL menu to select STOMP mode. After selecting the STOMP mode, the function of the footswitch [-]/[+] on the main interface will be changed to the information of the current controllable module. Each footswitch can only control 1-3 module switches.

  • Page 11: Save Mode

    EDIT Save Mode In the SAVE menu, you can save the changes you make to your e ects parameters, control information, and other editable targets. It is very important to save the changes you make to your tone and control settings! Turn the PARA knob to select the patch you want to save.

  • Page 12: Tap Tempo Mode

    GLOBAL No CAB Mode is for connecting to instrument amplifiers without changing saved presets. Turning this on will bypass the CAB module for GP-100’s L/R output EXPSetting channels ignoring preset settings. You can apply di erent settings on L/R output channels for di erent scenarios. Input NoCAB NoCAB...

  • Page 13: Calibrate

    GLOBAL ·EXP Range Under the EXP Range option, you can arrange the expressison pedal's expression range. There are 3 adjustable targets to change these settings. In the selection panel, MIN X (X standing for 1-3 controllable targets) represents the lowest range value. This is the value the pedal will have when pushed all the way up.

  • Page 14: Usb Audio

    GLOBAL Then press the pedal all the way down (forward) Then, press the pedal toe down strongly and and press the PARA button to next step. press the PARA button to next step. If the pedal is successfully calibrated, the following prompt will be displayed.

  • Page 15: Footswitch Mode

    GLOBAL Footswitch Mode This menu is to set up the GP-100's footswitch mode. Turn Quick adjust knob 2 to select the footswitch mode. You can select footswitch mode as PATCH mode or STOMP mode. NOTE In both footswitch modes, press and hold footswitch [-] to turn on/o Tap Tempo function, press and hold footswitch [+] to switch footswitch mode.

  • Page 16: Language

    GLOBAL Note:  Please stay cautious when adjusting your global EQ to protect your hearing and device  Global EQ won’t affect the USB audio output of the GP-100  When a patch is using too many modules, or some modules are consumed with too much system resources (such as reverb effect), the system may be overloaded after applying global EQ.

  • Page 17: Factory Reset

    GLOBAL Factory Reset This menu is to perform a factory reset. Remember, resetting the GP-100 will delete all of your saved changes and personal settings. Once it is executed, it cannot be undone, so please back up your settings before performing a factory reset.

  • Page 18: Software

    Connect GP-100 to your computer and access the free software to manage your GP-100 device, adjust tonal settings, transfer files, update firmware, restore settings, and upload third party IR files. GP-100 software is compatible with Windows and macOS platforms. Visit www.valeton.net/support to download the software for free.

  • Page 19: Connecting To Your Amp's Return

    Suggested Setups Connecting to your amp's RETURN Connect the outputs to your amp’s FX Loop Return input. If you have one amp, run the cable from the left output. For best results, turn o the CAB module on GP-100. Connecting your mixer, interface, headphones, and other equipment Connect GP-100’s outputs to your mixer or audio interface’s corresponding inputs.

  • Page 20: Connecting To Your Computer As An Audio Interface

    Suggested Setups Connecting to your computer as an audio interface Connect a USB cable (not included) from GP-100 to your computer. For PC systems, you’ll need to set up the driver. GP-100 is plug and play for macOS. Run line out cables to your monitors, or use headphones. Using the AUX IN line Connect a male-to-male 1/8”...

  • Page 21: Effect List

    EFFECT LIST FX Title Description Parameters & Ranges Good For Based on the legendary Ross™ Compressor. This is the originator of the guitar compression e ect. It brings the guitar compression e ect Sustain (0~99) Controls the compression amount COMP Vintage to the public and becomes an Output (0~99) Controls the e ect output volume...
  • Page 22 EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on legendary VOX V846* wah pedal. The earliest wa-wah pedal was originally designed to allow the wind instrument passing V-Wah through it to produce a more Range(0~99) Controls the filter frequency range emotionally expressive “wa-wah”...

  • Page 23: Dst

    EFFECT LIST FX Title Description Parameters & Ranges Good For Gain(0~99) Controls the gain amount Tone(0~99) Controls the tone brigntness Blues Based on Tube Screamer® Style overdrive pedal, Scream OD VOL(0~99) Controls the e ect output volume Rock with unique timbre characteristics. Fat(O /On) Switches extra resonance on/o Metal Air(O /On) Switches extra presence on/o...
  • Page 24 EFFECT LIST FX Title Description Parameters & Ranges Good For Based on the legendary 2-knob yellow overdrive pedal with thick. Artist of the 70's was mostly using a fuzz distortion sound and the overdrive produced by it was not typical. It was however Yellow soon accepted as the new standard of guitar Gain(0~99) Controls the gain amount...

  • Page 25: Amp

    EFFECT LIST FX Title Description Parameters & Ranges Good For Gain(0~99) Controls the gain amount Tone(0~99) Controls the tone brightness A simple and e ective distortion e ect for VOL(0~99) Controls the e ect output volume Blues Flex OD guitars and basses. Mode(Norm, Scoop, Edge) Selects from three Rock sound characters...
  • Page 26 EFFECT LIST FX Title Description Parameters & Ranges Good For VOL(0~99) Controls the amp pre gain ® ® Based on Fender ’ 65 Twin Reverb *. Output(0~99) Controls the amp output volume Dark With a Stratocaster*, the classic sound Bass(0~99) Controls the amp low frequency response Blues Twin can be easily restored in both country...
  • Page 27 EFFECT LIST FX Title Description Parameters & Ranges Good For Based on the legendary “Jazz Chorus” solid state combo. When it came out in VOL(0~99) Controls the amp output volume 1975, it is the first musical instrument Bass(0~99) Controls the amp low frequency response speaker equipped with Chorus e ect.
  • Page 28 EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on Marshall JMP50* (“Jump” VOL 1(0~99) Controls the output volume of CH1 connection). Through the adjustment PRES(0~99) Controls the amp presence of JTM45*'s rectifier tube, the power Output(0~99) Controls the amp output volume was improved.
  • Page 29 EFFECT LIST FX Title Description Parameters & Ranges Good For VOL(0~99) Controls the amp pre gain Cut(0~99) Conterclockwise controls the tone brightness Blues ® Foxy Based on VOX AC30HW* (Top Boost Master(0~99) Controls the amp output volume Rock 30TB channel). Bass(0~99) Controls the amp low frequency response Country Treble(0~99) Controls the amp high frequency response...
  • Page 30 EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on Diezel Vh4*. Born in Germany in the 1990s, its timbre and multifunction have Gain(0~99) Controls the amp pre gain attracted countless guitar masters. The PRES(0~99) Controls the amp presence unique Modern Higain quickly conquered Dizz VH Metal...
  • Page 31 EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on ENGL Powerball II Gain(0~99) Controls the amp pre gain E645/2* (CH4). It can bring you PRES(0~99) Controls the amp presence extremely compact low frequency, a Master(0~99) Controls the amp output volume Power LD Metal lot of gain and precise dynamic...
  • Page 32 EFFECT LIST FX Title Description Parameters & Ranges Good For Gain(0~99) Controls the amp pre gain ® Based on Ampeg SVT* bass amp. Bass(0~99) Controls the amp low frequency response Launched in 1969, Ampeg SVT has Middle(0~99) Controls the amp mid frequency response Classic always been the most mainstream bass MRange(220Hz/450Hz/800Hz/1.6kHz/3kHz)

  • Page 33: Cab

    EFFECT LIST FX Title Description Parameters & Ranges Good For ® Based on the famous ISP Decimator™* noise gate pedal. The Decimator features improvements in the expander tracking with their new Linearized Time Vector Processing™. Gate 1 Thre(0~99) Controls the noise gate thre Modern This novel improvement provides a more linear release time-constant response for the...
  • Page 34 EFFECT LIST FX Title Description Parameters & Ranges ® Custom modified Marshall * 4x12" cabinet. The powerful speakers can bring UK-MD 4x12 you classic Marshall penetration and solidity. ® Bogner Uberkab* 4x12" cabinet. Pogner 4x12 The open cabinet makes its sound more flexible. ®...
  • Page 35 EFFECT LIST FX Title Description Parameters & Ranges ® Vintage Fender Princeton* 1x10" cabinet. Suitable for warm and bright clean TWD-P 1x10 sounds, and can keenly capture fingertip movements. ® ® Fender '59 Bassman * 4x10" cabinet. Bellman 4x10 Four 10-inch speakers give it plenty of high frequencies, making it very suitable for country music and blues music.

  • Page 36: Mod

    EFFECT LIST FX Title Description Parameters & Ranges ® Based on legendary Arion SCH-1* stereo chorus pedal. Eric Clapton and Michael Landau used its Depth(0~99) Controls the chorus depth sound to create the wonderful atmosphere of the Rate(0.10~10.00Hz) Controls the chorus speed A-Chorus 80s! Whether it's the classic chorus e ect or the Tone(0~99) Controls the tone brightness...

  • Page 37: Delay

    EFFECT LIST FX Title Description Parameters & Ranges ® Based on legendary Demeter TRM-1Tremulator*, o ering classical opto tremolo sound. In 1982, rock Depth(0~99) Controls the flanger depth pioneer Ry Cooder approached James Demeter to Opto Trem Rate(0.10~10.00Hz) Controls the e ect speed ®...
  • Page 38 EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Fdbk (0~99) Controls the feedback amount T-Echo Simulates tube-driven tape echo sound Time (20ms-4000ms) Controls the delay time Sync (O /On) Switches Tap Tempo sync on/o Trail (O /On) Switches e ect trail on/o Mix (0~99) Contols the wet/dry signal ratio ®...

  • Page 39: Reverb

    EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Time (20ms-4000ms) Controls the delay time A multi tap delay that Fdbk (0~99) Controls the feedback amount M-Echo2 Tone (0~99) Controls the e ect tone brightness simulates Sync (O /On) Switches Tap Tempo sync on/o Trail (O /On) Switches e ect trail on/o...

  • Page 40: Drum Rhythm List

    EFFECT LIST REVERB FX Title Description Parameters & Ranges Mix (0~99) Controls the wet/dry signal ratio Pre Delay (0ms-100ms) Controls the pre delay time Produces a modulated Decay (0~99) Controls the reverb decay time Mod Verb reverb e ect that is lush Lo End (-50~+50) Controls the e ect low frequency amount and sweet Hi End (-50~+50) Controls the e ect high frequency amount...
  • Page 41 DRUM RHYTHM LIST Genre Type Time Signature Recommended Tempo Hard 1 120BPM Hard 2 120BPM Nu 1 120BPM Nu 2 120BPM Metal1 160BPM Metal2 160BPM Punk 1 160BPM Punk 2 180BPM Punk 3 220BPM Punk 4 120BPM Rock Punk 5 120BPM P Punk 1 120BPM...
  • Page 42 DRUM RHYTHM LIST Genre Type Time Signature Recommended Tempo Pop 2 160BPM Bossa1 160BPM Bossa2 160BPM Beguine 160BPM Mazuke 160BPM Samba 160BPM Army 160BPM March 1 160BPM March 2 160BPM World Musette 160BPM NuAge1 120BPM NuAge2 120BPM Polka 120BPM Tango 120BPM 120BPM Waltz...

  • Page 43: Troubleshooting

    TROUBLESHOOTING Device Won’t Turn On ·Make sure the power supply is properly connected and the device is switched on. ·Check if the power adapter is working properly. ·Check if you’re using the correct power adapter. No Sound Or Slight Sound ·Make sure your cables are connected properly.
  • Page 44 SPECIFICATION Analog Input Connections ·Guitar Input: 1/4" Unbalanced (TS) ·Input Impedance: 1M Ohms ·Aux Input: 1/8" Stereo (TRS) ·Aux Input Impedance: 10k Ohms Analog Output Connections ·Left/Right Outputs: 1/4" Impedance Unbalanced(TS) ·Left/Right Output Impedance: 1k Ohms ·Headphone Output: 1/8" Stereo (TRS) ·Headphone Output Impedance: 47 Ohms Digital Connections ·USB Port: USB 2.0 Type-B port...

This manual is also suitable for:

Gp-100

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