Valeton GP-100 User Manual
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Valeton GP-100 User Manual

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Machine Translated by Google
USER'S MANUAL
For Firmware V1.8
ÿ In the interest of product improvement, the specifications and/or the content of products (including but not limited to appearances, packaging design, manual content, accessories, size,
parameters and display screen), are subjectto change without prior notice. Please check with local supplier for exact oers. Specifications and features (including but not limited to
appearances, colors and size) may vary by model owing to environmental factors, and all images are illustrative.

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Summary of Contents for Valeton GP-100

  • Page 1 Machine Translated by Google USER'S MANUAL For Firmware V1.8 ÿ In the interest of product improvement, the specifications and/or the content of products (including but not limited to appearances, packaging design, manual content, accessories, size, parameters and display screen), are subjectto change without prior notice. Please check with local supplier for exact oers. Specifications and features (including but not limited to appearances, colors and size) may vary by model owing to environmental factors, and all images are illustrative.

  • Page 2: Table Of Contents

    Machine Translated by Google TABLE OF CONTENTS ···········16 WELCOME ···········1 and amp ATTENTION ··········1 Connecting to your amp's RETURN ···········17 OVERVIEW ··········2 PANEL INTRODUCTION ·····3 Connecting your mixer, GETTING STARTED ·······4 interface, headphones, and ·······17 other equipment Play Mode ··········4 Edit Mode ··········5 Connecting to your computer...

  • Page 3: Welcome

    Then, disconnect all other connected cables. Prepare information including the model name, serial number, specific symptoms related to the malfunction, your name, address and telephone number and contact the store where you bought the unit, or contact VALETON support (service@valeton.net) .

  • Page 4: Overview

    The built-in tuner gets your guitar in tune. The built-in drum machine and aux input jack set you up to play along with a drum loop, metronome, or your favorite music. Whether you're a beginner or an old guitar freak, the GP-100’s got it all to let you have at it!

  • Page 5: Panel Introduction

    Machine Translated by Google PANEL INTRODUCTION 6. SAVE button 1. LED Display This display shows GP-100’s the patch Use this button to store, rename, and copy the numbers, patch name, and other operation preset. Whenever a preset is modified, the LCD information.

  • Page 6: Getting Started

    Play Mode GP-100 will be in play mode when first powered on. The LED screen shows the patch number (from P01 to F99), master volume, patch volume, BPM, patch name and more. Play Mode allows you to navigate presets using the PARA knob or footswitches.

  • Page 7: Edit Mode

    Navigating Patches The GP-100 has two patch banks: the User patch bank, which appears in the LED display as P01 to P99, and the Factory patch bank, which appears in the LED display as F01 to F99. From Play Mode, step on the footswitche [-]/[+] or turn the PARA knob to change presets .

  • Page 8: Looper Function

    Main Display screen to indicate it is on: NOTE The built-in expression pedal also functions when it is turned o. It controls the output volume or input volume of the GP-100, depending on the where it is positioned in the eect chain.

  • Page 9: Edit

    Remember that turning the modules on/o and adjusting parameters will change the current patch. If you switch patches or turn GP-100 o before saving your changes, the changes will be lost. Make sure to press the SAVE button to save your settings.

  • Page 10: Stomp Mode

    Remember that turning the modules on/o and adjusting parameters will change the current patch. If you switch patches or turn GP-100 o before saving your changes, the changes will be lost. Make sure to press the SAVE button to save your settings.

  • Page 11: Save Mode

    ·Press the EXIT button to exit the SAVE menu. GLOBAL This menu is to present GP-100’s global functions, including input level, output setting, tap tempo mode, EXP pedal settings, language, and footswitch mode. You can also return to factory settings from this menu.

  • Page 12: Tap Tempo Mode

    GLOBAL No CAB Mode is for connecting to instrument amplifiers without changing saved presets. Turning this on will bypass the CAB module for GP-100’s L/R output EXP Setting channels ignoring preset settings. You can apply dierent settings on L/R no cab...

  • Page 13: Calibrate

    Machine Translated by Google GLOBAL ·EXP Range Under the EXP Range option, you can arrange the expressison pedal's expression range. There are 3 adjustable targets to change these settings. In the selection panel, MIN X (X standing for 1-3 controllable targets) represents the lowest range value.

  • Page 14: Usb Audio

    Machine Translated by Google GLOBAL Then press the pedal all the way down (forward) and Then, press the pedal toe down strongly and press press the PARA button to next step. the PARA button to next step. If the pedal is successfully calibrated, the If pedal calibration fails, press the the PARA following prompt will be displayed.

  • Page 15: Footswitch Mode

    Tempo function, press and hold footswitch [+] to switch footswitch mode. Global EQ USB Audio This menu is to control the global equalizer of the GP-100 in order to change the overall tone Footswitch Mode feel. This is the displayed menu:...

  • Page 16: Language

    ÿ Please stay cautious when adjusting your global EQ to protect your hearing and device ÿ Global EQ won’t affect the USB audio output of the GP-100 ÿ When a patch is using too many modules, or some modules are consumed with too much system resources (such as reverb effect), the system may be overloaded after applying global EQ.

  • Page 17: Factory Reset

    Factory Reset This menu is to perform a factory reset. Remember, resetting the GP-100 will delete all of your saved changes and personal settings. Once it is executed, it cannot be undone, so please back up your settings before performing a factory reset.

  • Page 18: Software

    Here are some common setups to get the most out of GP-100. Using with your instrument and amp Plug your instrument into the GP-100 instrument INPUT jack, and run a cable (or two) from the OUTPUT(s) to your amplifier(s). If you have one amp, run the cable from the left output.

  • Page 19: Connecting To Your Amp's Return

    Connecting your mixer, interface, headphones, and other equipment Connect GP-100’s outputs to your mixer or audio interface’s corresponding inputs. If you want to send a mono signal out, use GP-100’s left output channel. To prevent damage to your equipment, make sure the mixer or interface channel’s volume is muted before making ANY connections.

  • Page 20: Connecting To Your Computer As An Audio Interface

    Connect a male-to-male 1/8” stereo cable from your audio source (phone or MP3 player) to GP-100’s AUX IN jack. This line will be unaected by GP-100’s internal eects. Note: if you are running a mono line out, you will only hear a mono...

  • Page 21: Effect List

    Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on the legendary Ross™ Compressor. This is the originator of the guitar compression eect. It brings the guitar compression eect to the public Sustain (0~99) Controls the compression amount COMP Vintage and becomes an important element...
  • Page 22 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on legendary VOX® V846* wah pedal. The earliest wa-wah pedal was originally designed to allow the wind instrument passing through it to produce a V-wah more emotionally expressive “wa- Range(0~99) Controls the filter frequency range wah”...

  • Page 23: Dst

    Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Gain(0~99) Controls the gain amount Tone(0~99) Blues Controls the tone brigntness Based on Tube Screamer® Style overdrive pedal, VOL(0~99) Controls the eect Scream OD Rock output volume with unique timbre characteristics.
  • Page 24 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on the legendary 2-knob yellow overdrive pedal with thick. Artist of the 70's was mostly using a fuzz distortion sound and the overdrive produced by it was not typical. It was however soon accepted as the new standard of Yellow Blues...

  • Page 25: Amp

    Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Gain(0~99) Controls the gain amount Tone(0~99) Controls the tone brightness Blues A simple and eective distortion eect for guitars and VOL(0~99) Controls the eect output volume Flex OD Rock basses.
  • Page 26 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges VOL(0~99) Controls the amp pre gain Based on Fender®’ 65 Twin Reverb®*. Output(0~99) Controls the amp output volume Dark Blues With a Stratocaster*, the classic sound Bass(0~99) Controls the amp low frequency response Twin Jazz...
  • Page 27 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on the legendary “Jazz Chorus” solid state combo. When it came out in VOL(0~99) Controls the amp output volume 1975, it is the first musical instrument Bass(0~99) Controls the amp low frequency response speaker equipped with Chorus eect.
  • Page 28 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on Marshall® JMP50* (“Jump” VOL 1(0~99) Controls the output volume of CH1 connection). Through the adjustment of PRES(0~99) Controls the amp presence JTM45*'s rectifier tube, the power was Output(0~99) Controls the amp output volume Blues improved.
  • Page 29 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges VOL(0~99) Controls the amp pre gain Cut(0~99) Conterclockwise controls the tone brightness Blues Foxy Based on VOX® AC30HW* (Top Boost channel). Master(0~99) Controls the amp output volume Rock 30TB Bass(0~99) Controls the amp low frequency response...
  • Page 30 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on Diezel® Vh4*. Born in Germany in the 1990s, its timbre and multifunction have attracted countless Gain(0~99) Controls the amp pre gain guitar masters. The unique Modern Higain quickly PRES(0~99) Controls the amp presence conquered many musicians.
  • Page 31 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on ENGL® Powerball II Gain(0~99) Controls the amp pre gain PRES(0~99) Controls the amp presence E645/2* (CH4). It can bring you extremely compact low frequency, a lot of gain Master(0~99) Controls the amp output volume Power LD Metal...
  • Page 32 Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Gain(0~99) Controls the amp pre gain Based on Ampeg® SVT* bass amp. Bass(0~99) Controls the amp low frequency response Launched in 1969, Ampeg SVT has Middle(0~99) Controls the amp mid frequency response always been the most mainstream bass Classic MRange(220Hz/450Hz/800Hz/1.6kHz/3kHz)

  • Page 33: Cab

    Machine Translated by Google EFFECT LIST FX Title Good For Description Parameters & Ranges Based on the famous ISP® Decimator™* noise gate pedal. The Decimator features improvements in the expander tracking with their new Linearized Time Vector Processing™. Gate 1 Modern Thre(0~99) Controls the noise gate thre This novel improvement provides a more linear release time-...
  • Page 34 Machine Translated by Google EFFECT LIST FX Title Description Parameters & Ranges Custom modified Marshall®* 4x12" cabinet. The powerful speakers can bring you classic Marshall UK-MD 4x12 penetration and solidity. Bogner® Uberkab* 4x12" cabinet. Pogner 4x12 The open cabinet makes its sound more flexible. Diezel®* 4x12"...
  • Page 35 Machine Translated by Google EFFECT LIST FX Title Description Parameters & Ranges Vintage Fender® Princeton* 1x10" cabinet. Suitable for warm and bright clean sounds, and can TWD-P 1x10 keenly capture fingertip movements. Fender® '59 Bassman®* 4x10" cabinet. Bellman 4x10 Four 10-inch speakers give it plenty of high frequencies, making it very suitable for country music and blues music.

  • Page 36: Against

    Machine Translated by Google EFFECT LIST AGAINST FX Title Description Parameters & Ranges Based on legendary Arion® SCH-1* stereo chorus pedal. Eric Clapton and Michael Landau used its sound to Depth(0~99) Controls the chorus depth create the wonderful atmosphere of the 80s! Whether it's Rate(0.10~10.00Hz) Controls the chorus speed A-Chorus the classic chorus eect or the...

  • Page 37: Delay

    Machine Translated by Google EFFECT LIST AGAINST FX Title Description Parameters & Ranges Based on legendary Demeter® TRM-1Tremulator*, oering classical opto tremolo sound. In 1982, rock pioneer Ry Depth(0~99) Controls the flanger depth Cooder approached James Demeter to ask whether the opto train Rate(0.10~10.00Hz) Controls the eect speed tremolo sound of the Fender®...
  • Page 38 Machine Translated by Google EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Fdbk (0~99) Controls the feedback amount T-Echo Simulates tube-driven tape echo sound Time (20ms-4000ms) Controls the delay time Sync (O/On) Switches Tap Tempo sync on/o Trail (O/On) Switches eect trail on/o Mix (0~99) Contols the wet/dry signal ratio Based on Maxon®...

  • Page 39: Reverb

    Machine Translated by Google EFFECT LIST DELAY FX Title Description Parameters & Ranges Mix (0~99) Contols the wet/dry signal ratio Time (20ms-4000ms) Controls the delay time Fdbk (0~99) Controls the feedback amount A multi tap delay that M-Echo2 simulates Tone (0~99) Controls the eect tone brightness Sync (O/On) Switches Tap Tempo sync on/o Trail (O/On) Switches eect trail on/o REVERB...

  • Page 40: Drum Rhythm List

    Machine Translated by Google EFFECT LIST REVERB FX Title Description Parameters & Ranges Mix (0~99) Controls the wet/dry signal ratio Pre Delay (0ms-100ms) Controls the pre delay time Produces a modulated Decay (0~99) Controls the reverb decay time mod verb reverb eect that is lush Lo End (-50~+50) Controls the eect low frequency amount and sweet...
  • Page 41 Machine Translated by Google DRUM RHYTHM LIST Genre Type Time Signature Recommended Tempo Hard 120BPM Hard 120BPM No 1 120BPM No 2 120BPM Metal1 160BPM Metal2 160BPM Punk 1 160BPM Punk 2 180BPM Punk 3 220BPM Punk 4 120BPM Rock Punk 5 120BPM P Punk 1...
  • Page 42 Machine Translated by Google DRUM RHYTHM LIST Genre Recommended Tempo Type Time Signature 160BPM Pop 2 Bossa1 160BPM Bossa2 160BPM 160BPM beguine Mazuke 160BPM Samba 160BPM 160BPM Army March 1 160BPM March 2 160BPM World haversack 160BPM 120BPM NuAge1 120BPM NuAge2 Polka 120BPM...

  • Page 43: Troubleshooting

    ·If you’re using an external expression pedal to control distortion or other similar parameters, check to see if the expression pedal is set up properly. ·Check your eects parameter setup. If eects are set to extremes, GP-100 may only emit noise. Problems With Expression Pedal ·Check your expression pedal on/o settings.
  • Page 44 Machine Translated by Google S P E C I F I C A T I O N A nal and I np ut Connections · G uit ar I n p u t: 1 / 4" U n b ala n c ed ( T S ) ·In p ut I m p e d a n c e: 1M O h m s ·...

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