Preface: Mission Statement The MT 48 brings reference-class sound to your desktop . It is the first audio interface to unlock the full potential of Neumann microphones, studio monitors, and headphones as well as high class gear from other manufacturers . The MT 48 builds upon the knowledge and experience of our friends, partners and now colleagues from Merging Technologies, famous among recording professionals for state-of-the-art AD/DA converters and networked audio solutions .
MIDI The MT 48 comes with two USB-C to USB-C cables and one USB-C to USB-A cable as well as an external power supply including adapters for different countries . Please read the Quick Guide and Safety Guide before using the MT 48 .
Talkback Configurable Configurable • TFT LCD: The MT 48 features a capacitive touch display . • Home button with the Neumann diamond for navigation purposes . • Multi-function Rotary Control for parameter value changes . • Selector Buttons: Pressing the Speakers A, Speakers B, Headphone 1 and Headphone 2 but- tons selects one of four separate Mixers for each output pair and assigns the large Rotary Control to volume control for the selected stereo output .
2x 6.3 mm TRS Hi-Z or Line inputs Analog I/O The MT 48 has four analog inputs and eight analog outputs . The latter are configured as stereo pairs . • Mic/Line Inputs 1+2 are located on the back of the unit as combo jacks . Use the XLR part for microphones and use the TRS part for line sources .
. AES67 supports high channel counts even at double and quad sampling rates . The AES67 port is bidirectional, so input and output devices can be connected to the MT 48 at the same time using a standard ethernet switch .
The MT 48 uses the High Speed protocol supported by USB 2 .0 or higher ports . Should the MT 48 not work properly on a USB 3 .0 (or higher) port, please use a USB 2 .0 port . Some non-Intel USB 3 .x chipsets are not fully backward compatible for use with audio devices .
. The AES67 port on the MT 48 is bidirectional, it can send and receive audio data simultaneously . Using a standard ethernet switch you could connect a Neumann AES67 loudspeaker and Merging converters at the same time .
At higher sampling rates up to 96 kHz, the channel count reduces to 16 input and 16 output channels At highest rates up to 192 kHz, the MT 48 driver can handle up to 8 input and 16 output chan- nels .
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Section 2: Software playback Software playback to MT 48 mixer DAW1, DAW2, DAW3 and DAW4 are stereo channels from your computer software to the MT 48 . Per default, DAW1 and DAW2 are activated . These channels appear as stereo channel strips in your MT 48 Mixer .
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But it is a useful option in some scenarios, for instance: • If you want to manage your monitoring in the DAW instead of the MT 48 . Direct Routing allows you to address Headphones and speakers without going through the MT 48 mixer .
ADAT Inputs can now be addressed via the channel numbers displayed . Go to SETTINGS → USB I/O → SOFTWARE PLAYBACK – Direct Routing and activate OPTICAL . The ADAT Outs can now be addressed directly in your DAW via the channel numbers dis- played . MT 48 | 13...
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4 . In the MT 48 Mixer, remove the ADAT Input channels . Go to MENU → STRIPS SETUP and disable all ADAT channels and clear the ADAT Group . Now you can address outboard gear connected to your ADAT converter via driver I/O chan- nels .
To adjust the Latency settings in your DAW, go to Preferences or Studio Setup – please refer to your DAW manual . There will be button to open the Control Panel for the MT 48 that allows you to specify the Buffer Size .
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MIDI data . Input latency only comes into play when you process an audio input signal in real time . For instance, when you plug a guitar into the MT 48’s instrument input and process its audio signal with amp modeling software .
(by specifying the left or right channel), but you cannot use mono inputs to record ste- reo tracks . Create stereo inputs for all hardware inputs you previously activated in MT 48 USB I/O SETUP . Channel naming is not transmitted to your computer . To avoid confusion, it’s a good idea to name the channels in your DAW accordingly .
Working with the MT 48 Understanding the mixer structure The MT 48 has a separate mixer for each of its four output pairs: • Mix1 → Speakers A • Mix2 → Speakers B • Mix3 → Headphone 1 • Mix4 → Headphone 2...
. Settings can be locked by clicking on the lock symbol next to the gain knob . Tip: You can go to the neighboring channels’ preamp page by swiping to the left or right . MT 48 | 19...
The MT 48 mixer features a sophisticated 4-band equalizer on every channel . This EQ is based on the acclaimed EQ-X of Merging’s award winning Pyramix digital audio workstation . Like EQ-X, the MT 48 equalizer works without audible artifacts .
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RELEASE 12 ms … 2 s adjusts how fast gain reduction fades after the signal falls below the threshold MAKEUP GAIN to compensate for gain loss This can be switched to AUTO GAIN for automatic gain compensation MT 48 | 21...
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(volume) is controlled by the voice signal . As soon as the announcer speaks, the voice signal “ducks” the music . Please note: Sidechaining affects all three sections of the Dynamics processor . MT 48 | 22...
10 Hz … 20 kHz PREDELAY 0 … 300 ms DECAY 0 … 100% DIFFUSION 0 … 100% Snapshots EQ, Dynamics, and Reverb each have their own snapshots (presets), which, of course, is par- ticularly useful for the Reverb: MT 48 | 23...
• SOLO PFL and SOLO EXCLUSIVE options are available under the SETTINGS → MONITORING MT 48 mixer details Basic operation of the MT 48 mixer is pretty much self-explanatory, but there are some useful functions that may not be obvious .
. Strips setup STRIPS SETUP allows you to configure the MT 48 mixer to your needs . Please note that changes to the Strips Setup apply to all four mixers .
Letter symbol lights up when a message or error has been received . Clock status: A green M indicates the MT 48 is Master; a green S indi- cates the MT 48 is slave . Yellow color indicates locking is in progress, red color indicates improper synchronization (check your setup!) .
48’s hardware buttons . Web control In a similar fashion, the MT 48 can also be controlled via a web interface in your browser . Click on the Neumann logo in your computer’s taskbar/menu bar and select OPEN WEB CONTROL .
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. Instead of the PREAMP LINK feature, the Web Control features up to eight PRE- AMP LINK GROUPS (PLG) which the preamp channels can be assigned to . This allows you to control gain, polarity, low cut and cut (mute) on two or more channels simultaneously . MT 48 | 28...
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. To find out the web address of your MT 48, go to the MT 48 AGENT, i .e . the Neumann logo in the menu bar/taskbar of your computer and select OPEN WEB CONTROL . Please note that you must deactivate WiFi on your computer as you are already connected to your home network via the MT 48 .
Go to MENU → SETTINGS → MONITORING and scroll down to the bottom of the page: Activate “MIX 1-2 IN A/B MODE” . Now you can easily toggle between both speaker pairs . Pressing the SPEAKERS A button automatically mutes SPEAKERS B and vice versa . MT 48 | 30...
Output routing Per default, the MT 48’s four mixes are routed to Speakers A, Speakers B, Headphones 1 and Headphones 2 . If needed, the mixes can be re-routed to different outputs . If, for instance you have monitor speakers with an S/PDIF input (such as the Neumann KH 150) you could re-route Mix 1 or Mix 2 to the optical output in S/PDIF mode (for the KH 150 you’d need an S/PDIF opti-...
. The MT 48 features excellent headphone amplifiers offering both high power and ultra-low output impedance (0 .035 Ω!) . So it can drive any headphones to their absolute best .
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. The amount of crossfeed can be adjusted from 0% (no crossfeed) to 100% The default setting is 0% . Go to SETTINGS → MONITORING and scroll down to HEADPHONES CROSSFEED . Please note: The Crossfeed setting affects both headphone outputs . MT 48 | 33...
Talkback The MT 48 has a built-in talkback mic, which is located below the pinhole between the HOME and SPEAKERS A buttons . To configure Talkback, go to MENU → SETTINGS → MONITORING and scroll down: With TALK LATCH activated, the talkback mic is only open as long as you press the talkback button .
With AUTO setting activated, the MT 48 follows the sampling rate setting in your recording software . Or if the MT 48 is in slave mode, it will automatically follow the master clock . FRAME MODE | LATENCY sets the buffer size in a AES67/RAVENNA setup . Ignore this point if you’re not using any AES67 devices with your MT 48 .
Slow: Offers the lowest latency of 9 samples, with the tradeoff of a gentle frequency response attenuation reaching -3dB at 0 .45 x FS (21 .6 kHz @48k) . Apodizing: Fast roll-off, linear phase filter . Avoids pre-ringing for super accurate transient response . Latency of 35 samples . MT 48 | 36...
All settings can be stored and recalled using device snapshots . Go to MENU → SNAPSHOTS Once you’ve configured the MT 48 to your needs, it’s a good idea to store your settings in a device snapshot . You can also use snapshots to switch between several configurations for vari- ous tasks, e .g .
Appendix Updating the firmware To find out if your MT 48 is on the newest firmware, go to MENU → SETTINGS → INFO Updating requires the MT 48 driver/agent to be installed on your computer system . The firmware update procedure is easy: Download the newest MT 48 toolkit software, unzip and locate the firmware file .
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