Playing With The Auto Accompaniment; Using The Auto Accompaniment - Yamaha Clavinova CVP-202 Owner's Manual

Yamaha clavinova owner's manual
Hide thumbs Also See for Clavinova CVP-202:
Table of Contents

Advertisement

Playing with the Auto Accompaniment

The Clavinova includes a sophisticated Auto Accompaniment
system that can provide automated rhythm, bass and chord
backing for your performance in 134 different styles, as well as
36 different types of piano-only accompaniment.
The Auto Accompaniment playback data is normally not output by the
MIDI [OUT] terminal. To send the Auto Accompaniment data to another
MIDI instrument, use the ACMP&RHY and HARMONY functions in the
FUNCTION [MIDI 4] display described on page 150.
ACMP ON

Using the Auto Accompaniment

You can use one of several methods to indicate the chords that are to
be played by the Auto Accompaniment. Choose the accompaniment
mode that best suits your playing style.
G Single Finger
The Single Finger method makes it easy to obtain accompaniment in
major, seventh, minor, and minor-seventh chords by pressing certain keys
(according to simple rules) to the left of the split point indicated by the
keyboard guide lamp. (See page 60.)
G Multi Finger
When you select the Multi Finger mode, you can use either the Single
Finger method or the Fingered 1 method to indicate chords for the ac-
companiment. (See page 60.)
G Fingered 1
The Fingered 1 method lets you control the Auto Accompaniment by
playing full chords to the left of the split point. (See page 60.)
G Fingered 2
This mode accepts the same fingerings as the Fingered 1 mode, with
the exception that the lowest note played to the left of the split point is
used as the bass root (in Fingered 1 mode, the root of the chord is always
used as the bass root). Hence, you can select this mode to play "on bass"
or "fraction" chords. (See page 61.)
G Full Keyboard
The Full Keyboard mode automatically produces appropriate auto-
matic accompaniment for virtually anything you play, anywhere on the
keyboard. (See page 61.)
VOLUME
STYLE
CONTRAST
POP
POP &
SWING &
MUSIC
MASTER
ACMP/SONG
DEMO
ROCK
BALLADS
DANCE
JAZZ
R&B
PIANIST
DATABASE
TEMPO
VOLUME
VOLUME
BEAT
METRONOME
RESET
MAX
MAX
MARCH &
HELP
COUNTRY
LATIN
WORLD
WALTZ
BALLROOM
DISK
HARMONY
FUNCTION
MIXER
CUSTOM
AUTO ACCOMPANIMENT
START /STOP
AUTO FILL
FADE
ACMP ON
INTRO
MAIN A
MAIN B
MAIN C
MAIN D
ENDING
IN/OUT
TAP
SYNCHRO
START/STOP
PAGE
DIRECT ACCESS
MIN
MIN
SONG CONTROL
VOICE
PLAY/
PIANO &
ORGAN &
SONG
STOP
REC
HARPSI.
E. PIANO
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
CHOIR &
PAUSE
REW
FF
BRASS
WOODWIND
STRINGS
PAD
SYNTH.
XG
SPLIT
EFFECT
GUIDE CONTROL
REGISTRATION/
ONE TOUCH SETTING
EXIT
SOUND
REGIST-
ONE TOUCH
EASY PLAY
NEXT NOTE
REPEAT
1
2
3
4
BANK
BANK
RATION
SETTING
Detailed explanations of each accompa-
niment mode are given on pages 60 and
61.
57
CVP-202

Hide quick links:

Advertisement

Table of Contents
loading

Table of Contents