Yamaha PORTATONE PSR-S500 Owner's Manual page 112

Effect Type List
No. Type
41 SYMPHONIC1
42 SYMPHONIC2
43 ENS DETUNE
44 KARAOKE1
45 KARAOKE2
46 KARAOKE3
47 ER1
48 ER2
49 GATE REVERB
50 REVERS GATE
51 EQ DISCO
52 EQ TEL
53 2BAND EQ
54 3BAND EQ
55 HM ENHANCE1
56 HM ENHANCE2
57 ST 3BAND EQ
58 FLANGER1
59 FLANGER2
60 FLANGER3
61 FLANGER4
62 FLANGER5
63 GM FLANGER
64 DYN FLANGER
65 DELAY LCR1
66 DELAY LCR2
67 DELAY LR
68 ECHO
69 CROSS DELAY
70 DIST HEAVY
71 ST DIST
72 COMP+DIST1
73 COMP+DIST2
74 OVERDRIVE
75 OVERDRIVE2
76 ST OD
77 DIST HARD
78 DIST HARD2
79 DIST HARD3
80 DIST SOFT
81 DIST SOFT2
82 DIST SOFT3
83 ST DIST HARD
84 ST DIST SOFT
85 V_DIST HARD
86 V_DIST SOFT
87 AMP SIM1
88 AMP SIM2
89 ST AMP1
90 ST AMP2
91 ST AMP3
92 ST AMP4
93 ST AMP5
94 DST+DELAY1
95 DST+DELAY2
96 OD+DELAY1
97 OD+DELAY2
98 CMP+DST+DLY1
99 CMP+DST+DLY2
100 CMP+OD+DLY1
101 CMP+OD+DLY2
102 V_DST H+DLY
103 V_DST S+DLY
104 MBAND COMP
105 COMPRESSOR
106 NOISE GATE
107 VCE CANCEL
108 AMBIENCE
109 TALKING MOD
110 LO-FI
111 DYN FILTER
112 ISOLATOR
112
PSR-S500 Owner's Manual
Adds more stages to the modulation of Celeste.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Echo for karaoke.
This effect isolates only the early reflection components of the reverb.
Simulation of gated reverb.
Simulation of gated reverb played back in reverse.
Equalizer effect that boosts both high and low frequencies, as is typical in most disco
music.
Equalizer effect that cuts both high and low frequencies, to simulate the sound heard
through a telephone receiver.
A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
A mono EQ with adjustable LOW, MID, and HIGH equalizing.
Adds new harmonics to the input signal to make the sound stand out.
An EQ which allows equalization of low, mid and high bands.
Creates a sound reminiscent of a jet airplane.
Dynamically controlled flanger.
Produces three delayed sounds: L, R and C (center).
Produces two delayed sounds: L and R. Two feedback delays are provided.
Two delayed sounds (L and R), and independent feedback delays for L and R.
The feedback of the two delayed sounds is crossed.
Heavy distortion.
Stereo distortion.
Since a Compressor is included in the first stage, steady distortion can be produced
regardless of changes in input level.
Adds mild distortion to the sound.
Stereo Overdrive.
Hard-edge distortion.
Soft, warm distortion.
Hard-edge stereo distortion.
Soft, warm soft distortion.
Distortion which simulates vintage tube and fuzz sounds.
A simulation of a guitar amp.
Stereo amp simulator.
Distortion and Delay are connected in series.
Overdrive and Delay are connected in series.
Compressor, Distortion and Delay are connected in series.
Compressor, Overdrive and Delay are connected in series.
V Distortion and Delay are connected in series.
Multi-band compressor that allows you to adjust the compression effect for individual fre-
quency bands.
Holds down the output level when a specified input level is exceeded. A sense of attack
can also be added to the sound.
Gates the input when the input signal falls below a specified level.
Attenuates the vocal part of a CD or other source.
Blurs the stereo positioning of the sound to add spatial width.
Adds a vowel sound to the input signal.
Degrades the audio quality of the input signal.
Dynamically controlled filter.
Controls the level of a specified frequency band of the input signal.
Description MSB LSB
68 16
68 0
87 0
20 0
20 1
20 2
9 0
9 1
10 0
11 0
76 16
76 17
77 0
76 0
81 16
81 0
76 18
67 8
67 16
67 17
67 1
67 0
67 7
110 0
5 16
5 0
6 0
7 0
8 0
73 0
73 8
73 16
73 1
74 0
74 9
74 8
75 16
75 22
75 25
75 17
75 23
75 26
75 18
75 19
98 0
98 2
75 0
75 1
75 20
75 21
75 8
75 24
75 27
95 16
95 0
95 17
95 1
96 16
96 0
96 17
96 1
98 1
98 3
105 0
83 0
84 0
85 0
88 0
93 0
94 0
109 0
115 0