G-Natural In A Studio - TC Electronic Multi-effects Processor G-Natural User Manual

Effects processor for acoustic guitars
Table of Contents

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G-Natural in a studio

Audio inteface
mic|inst ch1
phan
mic|inst ch2
line in
monitor
ch.select
dsp total recall
-30
-10
O/L
pad|inst
+48V
-30
-10
O/L
pad|inst
ch1/2 on
ch1 ch2 3/4 user
P1 P2 P3
ch1/2
rear panel
phan
ch1/2
+48V
on
rear
ch1/2
panel
min
max
min
max
min
push pan/user
push pan/user
push pan/user
gain trim
gain trim
source level
output level
LR outputs
algorithm select
VARIATIONS
hold to save
studio
stomp
comp
COMP
1
In project studios you may enjoy utilizing some of the
effects in G-Natural while recording. In this setup we
show a setup with a condenser microphone connected to
G-Natural and G-Natural's L/R outputs directly to and
audio interface.
Connections
Connect the condenser mic to the G-Natural's mic
input
Activate phantom power
Connect L/R outputs to your audio interface (or use
the digital output)
WARNING! When connecting the G-Natural
outputs to microphone inputs on a mixing console,
the phantom power for these channels MUST be
switched off! Otherwise you may damage the
G-Natural circuits.
phones
select
muting
non
max
muting
made by
Instrument
input
Microphone input
factory
1
2
3
4
default
store
levels
menu
preset bank | tune
thicken
clean
detune
analog
Decay PreDly Color MixMM
vibrato
spring
tape
3
tremolo
hall
dynam
+
1.2s
250ms
100%
25%
chorus
room
reverse
+
3
EQ
boost
flanger
plate
p.pong
+
edit A
edit B
edit C
edit D
EQ
boost
mod
reverb
delay
subdiv
MOD
DELAY
REVERB
BANK UP
2
3
BOOST
/TAP TEMPO
BANK DN
G•NATURAL
TYPICAL SETUPS
Basic settings
Set input sensitivity via the Levels menu
Select active effect pressing the COMP, MOD,
DELAY and REVERB switches
G-Natural feature separate EQ and compression
settings for mic and instrument inputs
15

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