Guitar With Piezo Pick-Up + Microphone - TC Electronic Multi-effects Processor G-Natural User Manual

TYPICAL SETUPS
Guitar with piezo pick-up and dynamic microphone
It is a generally accepted fact that the best way of
capturing the sound of an acoustic guitar is done using a
dynamic or condenser microphone. However, in live
situations where the sound level on stage can be loud it
is not advisable to only use these types of microphone.
If conditions allow it, a combination of an active* piezo
system and a microphone may be the perfect solution.
This scenario is handled perfectly with G-Natural.
Connections
• Connect the output of your guitar's piezo pickup to
the instrument input of G-Natural
• Connect the microphone to the mic input of
G-Natural
• Connect L/R outputs to a mixer or to a dedicated
acoustic guitar amp
12
MIXER
Instrument
input
Microphone input
LR outputs
algorithm select
VARIATIONS
factory
hold to save
1 2 3 4 default preset bank | tune store levels menu
thicken clean
detune analog Decay PreDly Color MixMM
vibrato spring tape
3
1.2s 250ms 100% 25%
tremolo hall dynam +
studio chorus room reverse +
3
stomp EQ boost flanger plate p.pong +
edit A edit B edit C edit D
comp EQ boost mod reverb delay subdiv
COMP MOD DELAY REVERB
BANK UP
1 2 3 BOOST
/TAP TEMPO
BANK DN
G•NATURAL
Basic settings
•
•
•
•
* If the pickup system requires the use of a battery the
system is active.
Guitar with an
active pick-up system
WARNING! When connecting the G-Natural
outputs to microphone inputs on a mixing console,
the phantom power for these channels MUST be
switched off! Otherwise you may damage the
G-Natural circuits.
If the connected microphone is a condenser type,
phantom power must be switched on
Set input sensitivity via the levels menu.
Select active effect pressing the COMP, MOD,
DELAY and REVERB switches
G-Natural features separate EQ and compression
settings for mic and instrument inputs