Korg KingKORG Parameter Manual page 10

Service manual (31 pages)

Table of Contents

KingKORG Parameter Guide

Resonance

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[000 . . .127]

This sets the resonance of the filter.

Boosts the volume in the region of the frequency specified by Cutoff, adding a

distinctive character to the sound. Higher values will produce a greater effect.

LPF

HPF

BPF

Low resonance value

For filter types that simulate Fixed Gain, higher resonance settings will produce

a louder volume compared to other types.

Fixed Gain not supported

Low resonance value

Fixed Gain supported

Low resonance value

Depending on the cutoff frequency or the input audio, increasing this

value may cause distortion.

EG1Int (EG1 Intensity)

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[–63...+63]

This specifies how time-variant modulation from the EG1-Filter will be applied

to the cutoff frequency.

Note on

Attack

Decay

Time

The EG1-Filter varies the cutoff frequency over time, causing the tone to

change.

For example, you can use this to create a sound that gradually begins to

brighten when you press the key, and then gradually becomes darker.

"EG1-Filter INT" parameter specifies the depth (sensitivity) to which the

EG1-Filter will affect the cutoff frequency. With a setting of 0, the EG1-Filter

will not affect the cutoff frequency. Increasingly positive (+) settings will allow

the EG1-Filter to have a correspondingly greater effect on the cutoff frequency.

Cutoff

Int = +32

Note on

Note off

Cutoff frequency

specified by

"Cutoff"

Increasingly negative (–) settings will allow a correspondingly greater effect in

the opposite direction.

High resonance value

Note off

Sustain Level

Release

Time

Int = +63

Note on

Note off

Int = 0

Cutoff

Cutoff frequency

specified by

"Cutoff"

LFO1ModInt (LFO1 Modulation Intensity)

Specifies the depth of the wah effect produced by using LFO1 to modulate the

cutoff frequency.

LFO1&JS-Y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[–63...+63]

You can use the joystick to increase or decrease the wah effect. This

parameter specifies the depth of the wah effect that will be obtained when you

move the joystick all the way toward yourself.

TIP:

The wah effect will be the depth specified by this parameter plus the LFO1ModInt

setting. When you release your hand from the joystick, the effect will be at the depth

specified by LFO1ModInt.

KeyTrack (Keyboard Tracking/ Filter)

Varies the cutoff frequency by keyboard tracking (the keyboard position you

play).

For example if you can get the sound you want at the C4 key, but the tone

becomes too mild as you play above or below that key, you can use keyboard

tracking to raise the cutoff frequency to obtain the desired sound.

Positive (+) values cause the cutoff frequency to rise as you play above the C4

key, and fall as you play below the C4 key.

Negative (–) values cause the cutoff frequency to fall as you play above the C4

key, and rise as you play below the C4 key.

TIP:

If this value is "+1.00" the change in cutoff frequency will be proportionate to the pitch. If

this value is "+0.00" no change will be produced by keyboard tracking.

TIP:

Keyboard tracking works on the pitch that is modified by pitch bend and transpose.

VeloSens (Velocity Sensitivity) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[–63...+63]

This specifies how the cutoff frequency will be affected by velocity (keyboard

playing dynamics).

Positive (+) values cause the cutoff frequency to rise as you play the keyboard

more strongly.

Negative (–) values cause the cutoff frequency to fall as you play the keyboard

more strongly.

s39~42: Amp (Amplifier)

Here you can adjust various settings such as the volume and panning of the

timbre.

The sound that is created by passing through the oscillator and filter is

amplified by the amp.

Time

Level

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[000...127]

This adjusts the volume of the timbre.

Pan (Panpot) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [L63...Center...R63]

This adjusts the location of the sound in the stereo field. L63 is far left, CNT is

center, and R63 is far right.

Punch Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[000...127]

This adjusts an effect that boosts the volume of the timbre's output signal only

during the attack. Higher settings will emphasize the attack.

KeyTrack (Keyboard Tracking/Amp) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[–63...+63]

This specifies how keyboard tracking will affect the volume.

With positive (+) settings, the volume will increase as you play above the C4

note on the keyboard, and will decrease as you play below C4. With negative

(–) settings, the volume will decrease as you play above the C4 note on the

keyboard, and will increase as you play below C4.

Time

TIP:

Keyboard Track functions according to the pitch that is controlled by pitch bend, and

transpose. It is not affected by pitch changes produced by vibrato or Virtual Patch.