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3.2
Equalizers
3.2
Equalizers
3.2.1
What is an EQ?
Parametric EQ
Q
16
Bass guitar can be difficult to record. A consistent level with good
attack can be achieved with proper compression. Your bass doesn't
have to be washed out in the low end of the mix. Let the compressor
give your bass the punch it needs to drive the bottom of the mix.
Your ADL 700 is equipped with a 4-band semi-parametric EQ. Here's a brief
explanation of how an EQ functions, as well as some charts to help you
navigate the frequency ranges of various instruments so you can quickly
choose the best EQ settings for your recordings and live mixes.
An equalizer is a filter that allows you to adjust the level of a frequency,
or range of frequencies, of an audio signal. In its simplest form, an EQ will
let you turn the treble and bass up or down, allowing you to adjust the
coloration of, let's say, your car stereo or iPod®. In recording, equalization
is a sophisticated art. Good equalization is critical to a good mix.
When used correctly, an equalizer can provide the impression of nearness
or distance, "fatten" or "thin" a sound, and help blend or provide separation
between similar sounds in a mix allowing them to both shine through the mix.
The parametric EQ and semi-parametric EQ are the most common equalizers
found in recording and live situations because they offer continuous control
over all parameters. A parametric EQ offers continuous control over the audio
signal's frequency content, which is divided into several bands of frequencies
(most commonly three to seven bands). A fully parametric EQ like those in the
StudioLive 24.4.2 offers control over the bandwidth (basically, the range of
frequencies affected), the center frequency of the band, and the level (boost/
cut) of the designated frequency band. It also offers separate control over the Q,
which is the ratio of the center frequency to the bandwidth. A semi-parametric EQ
provides control over most of these parameters but the Q is fixed. Some devices,
such as the StudioLive 16.4.2 and 16.0.2, have quasi-parametric EQ, which is semi-
parametric EQ with a simple, switchable Q setting (typically, High and Low Q).
Q is the ratio of center frequency to bandwidth, and if the center frequency
is fixed, then bandwidth is inversely proportional to Q—meaning that as
you raise the Q, you narrow the bandwidth. In fully parametric EQs, you have
continuous bandwidth control and/or continuous Q control, which allows
you to attenuate or boost a very narrow or wide range of frequencies.
A narrow bandwidth (higher Q) has obvious benefits for removing unpleasant
tones. Let's say the snare drum in your mix has an annoying ring to it. With a
very narrow bandwidth, you can isolate this one frequency (usually around
1 kHz) and remove, or reject, it. This type of narrow band-reject filter is also
known as a notch filter. By notching out the offending frequency, you can
remove the problem without removing the instrument from the mix. A narrow
ADL 700
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