Page 1 RED RAVEN O P E R AT I O N G U I D E R E D R AV E N V 6 . 3 R E D D R A G O N R E D . C O M...
Page 2: Table Of Contents
RED Batteries and Chargers Appendix A: Technical Specifications Displays and Electronic Viewfinders RED RAVEN LEMO Adaptors RED RAVEN BRAIN Dimensions Camera Control Modules Appendix B: Input/Output Connectors Rails, Mounts, Tactical Gear, and Cables DSMC2 Base Expander Chapter 3: Basic Operations...
Page 3: Disclaimer
While thought to be accurate, the information in this docu- ation to, is not associated with or sponsored by, and has no express ment is provided strictly “as is” and RED will not be held responsible rights in third-party trademarks. Adobe and Adobe Premiere Pro for issues arising from typographical errors or user’s interpretation...
Page 4: Compliance Statements
(2) l’utilisateur de l’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est sus- RED declares that the radio equipment described in this document ceptible d’en compromettre le fonctionnement.Cet appareil numéri- comply with the following international standards.
Page 5 Restrictions d’utilisation - Zone géographique où les restrictions s’appliquent : France Pour la France métropolitaine 2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur 2.400 - 2.454 GHz (canaux 1 à 10) autorisé en usage extérieur COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 6: Safety Instructions
WARNING: Danger of explosion if an incor- rect battery is charged with the RED Char- DO NOT operate or store near any heat sources such as radia- ger or is used to power the camera and tors, heat registers, stoves, or any other apparatus that pro- accessories.
Page 7: Battery Storage And Handling
40% to 60%. If RED batteries. batteries will be stored for long periods of time, RED recommends Store the battery in a location where children cannot reach it. that you check the charge level at least once every six (6) months, If the battery leaks or gives off a bad odor, discontinue use and recharge batteries to a capacity level of 40% to 60%.
Page 8: Chapter 1: Camera Introduction
RAVEN is uniquely suited for hand-held shooting, as well as gimbal and drone applications. This guide is for RAVEN only. This section introduces the imaging capabilities and advanced features of the RAVEN system. For information about other cameras, see the following operation guides:...
Page 9: R3D File Format And Redcode
The camera is equipped with a Stills mode that makes it easier to capture stunning images. With presets optimized for stills and Swipe-Up Shortcuts for the RED Touch display, switching from Motion mode to Stills mode is seamless. Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images from R3D files.
Page 10: Hdrx And Magic Motion
MAGIC MOTION creates an image that matches the natural motion observed by the human eye. ADDITIONAL RESOURCES The following resources offer additional information about RED, the camera system, and the RED community: RED.com: Check the official RED website for the latest information about RED products.
Page 11: Chapter 2: Camera System Components
Failure to do so may result in damage to the item or camera that is not covered under warranty. NOTE: Availability of components listed in this chapter is subject to change at any time. ADDITIONAL RESOURCES For more information on power and media, see the following guides, available at www.red.com/downloads: DSMC Power Operation Guide DSMC Media Operation Guide COPYRIGHT ©...
Page 12: Brain
® camera, the T.H.C. needs to be connected to the W.M.D. (either wired or wirelessly). For more information about the T.H.C., see the RED 3-Axis System Operation Guide at www.red.com/downloads. BRAIN CONTROL: PWR/REC KEY Fully press and hold the PWR/REC key for two (2) seconds to turn on/off.
Page 13 Record Status LED (REC) Both red flashing Firmware update error 1. To prevent battery drain, the PWR LED does not illuminate when the camera is off and a power source is present. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 14 Focus Hook Storage Location Store the focus hook or set screw 1. The DSMC2 LEMO Adaptor A allows you to mount other RED displays. ® 2. Install only the focus hook or set screw to this mounting point. Damage to the media bay or other components of the camera system caused by installing other devices is not covered under warranty.
Page 15 R E D R AV E N O P E R AT I O N G U I D E MEDIA BAY CONTROLS RED RAVEN Media Bay Controls This section describes the control functions for the media bay. CONTROL DESCRIPTION...
Page 16 R E D R AV E N O P E R AT I O N G U I D E MEDIA BAY LEDS RED RAVEN Media Bay LEDs This section describes the LED functions for the media bay. COLOR/FLASHING DESCRIPTION...
Page 17: Expanders
RED MINI-MAG (512GB) 725-0078 RED MINI-MAG (1TB) 725-0081 1. The RED MINI-MAG 1TB can take up to 20 seconds to mount to a computer or a camera. For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads. EXPANDERS NOTE: Only one (1) expander module can be used at a time.
Page 18 XL Module. The low profile DSMC2 Base Expander offers a variety of ® connectors and is ideal for run-and-gun and independent shooters. NOTE: Only one (1) expander module can be used at a time. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 19 NOTE: Only one (1) expander module can be used at a time. NOTE: The DSMC2 REDVOLT Expander requires that your camera must be on firmware v6.2.55 or later. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 20 DC input supply to turn the camera on and off when the camera is mounted in remote or difficult to maneuver locations. NOTE: Only one (1) expander module can be used at a time. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 21 DC input supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations. NOTE: Only one (1) expander module can be used at a time. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 22 WARNING: While third-party batteries may be mechanically compatible with the camera system, the manufacturer is responsible for the performance and stability of third-party options, not RED. Damage to the camera system or third-party devices caused by using third-party power options is not covered under warranty. The camera may be unable to determine and display the voltage or remaining battery capacity of third-party power options.
Page 23: Power Modules
R E D R AV E N O P E R AT I O N G U I D E POWER MODULES RED offers the following DSMC2 power modules: ITEM PART NUMBER DSMC2 REDVOLT XL Module 740-0034 NOTE: If a power module is attached to the DSMC2 REDVOLT Expander, the power out connectors on the module are enabled only if power is connected to the module (via DC IN or a battery).
Page 24: Red Batteries And Chargers
For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads. DISPLAYS AND ELECTRONIC VIEWFINDERS RED offers the following displays and electronic viewfinders (EVFs): NOTE: RED offers multiple mounting solutions for each camera type. ITEM RESOLUTION TILT SWIVEL PART...
Page 25: Displays And Electronic Viewfinders
LCD PRECAUTIONS WARNING: DO NOT use a RED display as a handle to lift or carry the camera. Damage to a RED display or other components of the camera system caused by using the display as a handle are not covered under warranty.
Page 26 EVF connector Custom digital video and power interconnection between the camera and RED EVF; Pinout not published EVF Tally LED When enabled, the LED illuminates red when recording; For more information, go to “Indicator” on page 87 Key 1 Programmable key...
Page 27 1080p OLED micro-display, and improved color accuracy with 30-bit RGB color represenation. View and monitor your RED footage as it is intended with truer colors and deeper blacks in a larger field of view. Engineered with OBSOLESCENCE OBSOLETE in mind, the DSMC2 RED EVF (OLED) is perfect for use with ®...
Page 28: Lemo Adaptors
DSMC2 LEMO Adaptor B The DSMC2 LEMO Adaptor B enables you to use a DSMC2 RED Touch LCD with your existing EPIC or SCARLET camera. The DSMC2 LEMO Adaptor B converts the display signal from a pogo connection to a legacy EVF/ LCD LEMO port.
Page 29: Camera Control Modules
R E D R AV E N O P E R AT I O N G U I D E CAMERA CONTROL MODULES This section describes the camera control modules. These devices provide a wide array of programmable buttons, controls, and other features to interact with the camera. RED offers the following controls: ITEM PART NUMBER...
Page 30: Rails, Mounts, Tactical Gear, And Cables
The DSMC2 Outrigger Handle is ideal for shooters who use one hand on the handle, for grip and record button access, and the other for lens adjustments or support. RAILS, MOUNTS, TACTICAL GEAR, AND CABLES RED offers a wide variety of support gear, mounting platforms, cables, accessories, and other equipment. For more information, visit the RED Store at www.red.com/store.
Page 31: Chapter 3: Basic Operations
4. REDVOLT battery in the DSMC2 REDVOLT Expander ™ POWER CONSUMPTION The camera draws approximately 3.3 A (50 W) when configured with the DSMC2 Base Expander, DSMC2 RED Touch 7.0" LCD, and RED MINI-MAG 512GB. ® Under typical conditions batteries provide the following operating time: REDVOLT: Powers the camera and accessories for approximately 30 minutes.
Page 32: Turn On The Camera
RED BRICK Charger: Offers two (2) ways to connect to your camera: ‒ Use a RED ONE DC Power Cable (P/N 790-0060) and 2B-to-1B Power Adaptor Cable (P/N 790-0138). ‒ Use a RED 2B-to-1B LEMO Power Cable (P/N 790-0556).
Page 33: Configure Your Camera
DSMC2 Sidekick (Forged CF) DSMC2 Sidekick (Woven CF) DSMC2 Sidekick (Magnesium) NOTE: Each DSMC2 Sidekick is compatible with RED RAVEN™. WARNING: Before installing or removing the DSMC2 Sidekick, you MUST turn off the camera. REQUIRED TOOL: T10 TORX driver ®...
Page 34 REQUIRED TOOL: T20 TORX driver 1. Turn off the camera. 2. Loosen the four (4) captive screws in a cross pattern (“X” pattern) using a T20 TORX driver. 3. Remove the expander from the camera. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 35 REQUIRED TOOL: 3/16" hex key 1. Turn off the camera. 2. Loosen the two (2) captive screws using a 3/16" hex key. 3. Remove the DSMC2 Top Handle or DSMC2 Outrigger Handle from the camera. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 36: Use A Tripod Or Monopod
WARNING: Ensure that the tripod, monopod, or support system is designed and rated to handle the weight of your camera configuration. RED is not responsible for any damage caused by using a tripod, monopod, mount, or support system that does not provide sufficient support.
Page 37: Video Monitor Outputs
4:4:4 RGB. The camera offers the following monitor outputs: EVF/LCD: Supports a RED EVF or LCD display. HD-SDI: Provides a 720p or 1080p output suitable for monitoring or recording to an external VTR or DDR device. It may be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.
Page 38 NOTE: HD-SDI and HDMI ports are only available on select DSMC2 expanders. For more information, go to “Input/Output Connectors” on page 167. You can record simultaneously to an external recorder and a RED SSD. To record simultaneously, follow the instructions below: 1. Attach a DSMC2 expander that has an HD-SDI or HDMI port.
Page 39 A. Go to Menu > Settings > Audio > Mix > Monitor Mix. B. Adjust the input channels. 7. Go to Menu > Settings > Recording > Mode. 8. Select External from the Storage drop-down menu. 9. Begin recording. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 40: Chapter 4: Basic Menus And Controls
Live camera recording view, overlays, guides, and more. Go to “Live Action Area” on page Lower Status Row Critical camera parameters, record/playback modes, media and power status, and audio meter. Go to “Lower Status Row” on page COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 41: Upper Status Row (Basic Menu)
UPPER STATUS ROW (BASIC MENU) The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row is underlined with a red bar. The Upper Status Row is also known as the Basic Menu. Upper Status Row...
Page 42 For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate. For more information about Advanced Menus, go “Advanced Menus” on page Select “Advanced...” Button “Advanced...” Menu COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 43 Increasing the aperture to a higher number increases the depth of field, but reduces the exposure (brightness). Decreasing the aperture to a lower number decreases the depth of field, but increases the exposure (brightness). COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 44 For more information, go to “R3D File Format and REDCODE” on page REDCODE range is 2:1 to 22:1. Default is 8:1. For maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 45: Live Action Area
AF mode, an estimated focus distance displays. The focal length and focal distance values and range vary depending on the attached lens. When the focal length of the lens changes, the current values displays. For more information, go to “Lens Tab” on page COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 46: Lower Status Row
DC voltage in or % of remaining battery capacity; “Power Status” on page 49 tap to access the Power menu Audio Meter Audio input selection and levels; tap to access “Audio Meter Levels” on page 131 the Audio menu COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 47: Camera Mode
Media ‒ Power NOTE: For more information, go to “Swipe-Up Menu” on page Default Motion Preset (RED) STILLS MODE Stills mode optimizes your camera settings for capturing stills. Stills mode includes the following features: Stills recording modes: ‒...
Page 48 RAW Clip Meter Also known as “traffic lights”. Provides a visual representation of exposure and sensor data levels for Red, Green, and Blue channels; Circles (traffic lights) will light up when clipping occurs 1. The RAW Level Bars display the amount of pixels in the image that are noisy or clipped in relation to the total number of pixels in the image.
Page 49 Grey: The sensor sync mode is not set to genlock. Red: The sensor sync mode is set to genlock, but is not locked to a genlock signal. This may occur if genlock or sensor sync is lost while recording.
Page 50 The remaining capacity is indicated by the following colors: Green: 12.0 V and up Yellow: 11.8 V to 11.9 V Red: 11.6 V to 11.7 V NOTE: The camera turns off automatically if the supply voltage drops to 11.5 V. BATTERY TIME REMAINING When using a REDVOLT XL battery, the power status displays the location of the power source and the remaining battery capacity.
Page 51: Navigation Controls
R E D R AV E N O P E R AT I O N G U I D E NAVIGATION CONTROLS This section describes basic controls for navigating the camera menus. TOUCHSCREEN NAVIGATION RED Touch displays offer intuitive menu control and four (4) programmable buttons. RED Touch 7.0" LCD RED TOUCH BUTTON DESCRIPTION...
Page 52 R E D R AV E N O P E R AT I O N G U I D E SWIPE-UP MENU The Swipe-Up Menu is available in the Lower Status Row on RED Touch displays and provides Swipe-Up Shortcuts for Motion mode, Stills mode, and Playback.
Page 53 Press ENTER to select. Press the Up Navigation Key to open the related Advanced Settings menu, if one (1) is available. For more information, go to “Default Key Functions” on page 197. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 54 Lock the keys on the DSMC2 Sidekick to prevent inadvertent button presses and menu changes. Lock: Press A + D simultaneously. Unlock: Press A + D simultaneously. Alternatively, press and hold ENTER while keys are locked. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 55 Current timecode value Power Status Indicates DC supply voltage or % of remaining battery capacity including current supply voltage Color and Gamma Space Currently selected RED color and gamma space settings Resolution Recording resolution Shutter Speed Integration time or shutter angle Camera sensor sensitivity COPYRIGHT ©...
Page 56: Chapter 5: Advanced Menus
ACCESS THE ADVANCED MENUS Tap the Menu button on the DSMC2 Sidekick. ™ Tap the Menu icon on the touchscreen. Select the Advanced... button in any menu from the Upper Status Row. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 57: Settings Menu
Red: Overexposed; indicates sensor exposure levels that are clipping. Purple (underexposure) and red (overexposure) are based on RAW data and show areas that are clipping or close to clipping. The RGB settings (settings in the Look menu) DO NOT affect the Exposure indicators.
Page 58 16: Represents the top stop, and is broken up into 1/8th increments to show highlight roll-off. Each 1/8th stop is represented by a different shade of red, ranging from light red (less light) to dark red (most light). DISPLAY MODES Display mode options include: Magnify, RAW, and Horizon.
Page 59 The side-bars are green if the pitch is within +/– 1° of the calibrated zero position, otherwise they are red. The horizon-line is green if the roll is within +/– 1° of the calibrated zero position, otherwise it is red.
Page 60 ‒ Zebra 1: ‒ Video: Areas of the image exposed within the IRE range are indicated by red diagonal lines at –45°. Default is 98 to 100 IRE. ‒ RAW: Areas of the image exposed within the range of stops are indicated by solid red. Default is 15.80 to 16.00 stops.
Page 61 NOTE: In the Monitor Control menu, this setting is ONLY available on the DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, and RED Touch 7.0" LCD. This setting is available for all displays in the Video menu. For more information, go to “Look Config (Look Configuration)”...
Page 62 Control > Monitor tab. Media: Overlays saved to an SSD can be found at On Media: \overlays:. NOTE: Overlays that end with (RED) are provided by default and cannot be edited, deleted, or exported. OVERLAY ACTIONS Create...: Create a new custom overlay using a blank overlay template in the Overlay Editor.
Page 63 The monitor must be set to Overlay mode in the Monitor Control menu. Each monitor that has higher priority on the list must be either detached or not set to Overlay mode. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 64 Lock Touch Screen: Touchscreen control is locked. To unlock, tap the screen and follow the on-screen instructions. Use Small Dialogs on 9" LCD: The dialogs on the RED Touch 9.0" LCD are smaller than the default dialogs. COPYRIGHT © 2016 RED.COM, INC...
Page 65 NOTE: When you disable Open Gate mode, the image on the EVF may be disrupted for up to three (3) seconds. MODES Use the Modes menu to determine how the following settings display: Camera Lens CAMERA TAB Display Mode: Camera COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 66 Input: Displays levels of audio inputs (pre-mixer). (Default) Output: Displays levels of audio outputs (post-mixer). HISTOGRAM RGB: Displays red, green, and blue channels on histogram. (Default) Luma: Displays luma channel on histogram. MEDIA Percentage: Displays media space remaining as a percentage. (Default) Time Remaining: Displays media space remaining as time in hours and minutes (HHH:MM).
Page 67 Enable/Disable and select the location (Relative To), color, and opacity of the following elements: Center: The center crosshair. Grid: Rule-of-thirds grid. Shading: The shaded region outside of the area of interest. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 68 Exp Comp: Adjusts exposure compensation. Available range is –7.0 to 7.0. Default is 0.0. GAIN Adjust the Red channel, Blue channel, and Green channel individually. The range for each is 0.0 (none of the color) to 10.0, and the default for each is 1.0.
Page 69 Control the sharpness of each monitor output. Move to the left for a sharper image; move to the right for a less sharp image. CURVES Define the individual curves for the Luma, Red, Green, and Blue channels. You can only adjust one (1) curve at a time. Select Reset Curve to reset a curve. VIDEO Use the Video menus to adjust the color space and gamma space for monitor output.
Page 70 Mirror and flip (invert) the graphical user interface (GUI) and footage, effectively rotating the entire displayed image 180°. Use this setting when mounting a monitor or the entire camera rig upside down. This setting only affects the monitor, and does not affect captured footage. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 71 The Tint value displays as a rounded number in the Upper Status Row. NOTE: Selecting Auto White Balance calculates a new Tint value. The value does not change if you adjust the color temperature manually. Selecting a preset resets Tint to 0.000. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 72 Alternatively, select Color Temperature > Advanced... from the Upper Status Row. 3. Select Auto White Balance. LGG (LIFT, GAMMA, GAIN) Adjust the lift, gamma, and gain for the Red channel, Blue channel, and Green channel individually. PROJECT The Project menu includes: Frame Rate, Exposure, Timecode, Slate, Format, and Sensor.
Page 73 Slowest speed is 1/recording frame rate. For 24 FPS, the slowest speed is 1/24 sec. The fastest speed is 1/131,579 sec. Default is 1/48 sec. SHUTTER ANGLE Enter the exposure value as a shutter angle (xx°). Range is 1.000–360.000°. Default is 180.000°. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 74 Shutter Angle = (Shutter Speed x Frame Rate x 360) Example: (1/48 x 24 x 360) = 180 CONVERT SHUTTER ANGLE TO SHUTTER SPEED Shutter Speed = 1/(Frame Rate x 360/Angle) Example: 1/(24 x 360/180) = 1/48 COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 75 Frame values for Auto Head Frames and Auto Tail Frames on the Auto Slate tab, these values only show in-camera. The Auto Head Frames and Auto Tail Frames metadata values are currently disabled in REDCINE-X PRO. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 76 When you lower the resolution on a camera, only a portion of the sensor is used. The camera does not downscale from full frame when recording RAW. RED RAVEN FORMATS The table below describes the formats for each of the RED RAVEN™. RESOLUTION DIMENSIONS (PIXELS)
Page 77 Continuous Record is the “normal” recording mode. The camera continuously records frames at the current recording frame rate. You can limit each recording to a specific amount of frames using the Limit Recording to setting. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 78 (1) frame period at the current recording frame rate. To completely synchronize frames to an external trigger, set Sensor Sync Mode to MoCo. For more information, go to “Sync” on page COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 79 1. Go to Menu > Settings > Recording > Mode. 2. Select REDCODE Burst from the Mode drop-down menu. 3. Use the Limit Recording to fields to set the recording to end at a predefined frame limit (optional). COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 80 Press a Record key to record a one-frame clip. Press and hold a Record key to start a new clip and continuously add frames to that clip. Release the Record key to stop adding frames and end the clip. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 81 6. Press the PWR/REC key on the camera to start recording. 7. Press the Record key on the media bay to mark a frame. 8. Press the PWR/REC key on the camera to stop recording. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 82 “HDRX Menu” on page 115. RED recommends performing a Secure Format before recording Apple ProRes. For more information, see DSMC Media Operation Guide, available at www.red.com/downloads. QuickTime files have the same metadata that is in the REDCODE RAW files. The metadata is per clip, and not per frame.
Page 83 R E D R AV E N O P E R AT I O N G U I D E FILE STRUCTURE OF RECORDED APPLE PRORES FILES When recording REDCODE RAW + QuickTime, this is the file structure of the recorded files on the RED MINI-MAG: .RDM Folder ‒...
Page 84 “HDRX Menu” on page 115. RED recommends performing a Secure Format before recording Avid DNxHD/HR. For more information, see DSMC Media Operation Guide, available at www.red.com/downloads. The .mxf files have the same metadata that is in the REDCODE RAW files. The metadata is per clip, and not per frame.
Page 85 R E D R AV E N O P E R AT I O N G U I D E FILE STRUCTURE OF RECORDED AVID CODEC FILES When recording R3D + Avid DNxHD/HR, this is the file structure of the recorded files on the RED MINI-MAG: .RDM Folder ‒...
Page 86 Experiment with the exposure and frame processing settings to achieve the effect you want. NO FRAME PROCESSING Normal frame processing mode. The Frames to Process selection does not affect recording. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 87 ‒ Mark Still Frame EVF Tally Light: Select this check box to enable the EVF Record Tally LED on the EVF to illuminate red when recording. SSD Tally Light: Select this check box to enable the Record Tally LED on the media bay to illuminate red when recording.
Page 88 SSD. The camera uses the 24-hour clock convention (military time). For example, enter 2:35 p.m. as 14:35:00. The date and time are saved when you close the Date/Time menu. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 89 Target ID text box) or a specific group (enter the name of the group in the Target ID text box). The camera/group name must match the name entered in the Name/Group field of the target device(s). COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 91 REDLINK Development Kit. NOTE: The WiFi antenna is integrated into the fan grill (top side of camera). For optimal WiFi performance, do not obstruct the antenna with any accessory, mounting plate, or mounting rail. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 92 Settings > Wi-Fi > Devices, and select the camera name. The camera name displays on the WiFi screen in-camera. NOTE: If you created a passphrase for the network, you will need to enter that passphrase. The camera and your device are now connected. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 93 7. Select the wireless network that your device is connected to. 8. If you select an encrypted network, follow the instructions below to enter the passphrase for the network: A. Select a security option from the Encryption drop-down menu. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 94 12. To ensure that your app can communicate with the camera, ensure that there is a way to connect your app to a specific camera. Since there may be multiple cameras in the area, select your specific camera in the app itself. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 95 The Lower Status Row of the camera display has GEN and SYNC indicators, which change color based on the current genlock and sync statuses. For more information, go to “System Status Indicators” on page COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 96 Target Temperature was before you turned off the camera. Setting a calibration map also overrides the Target Temperature. For more information, go to “Sensor Calibration” on page 100. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 97 This setting is only available if the lens is in AF mode. Init Lens: Initializes the lens. LENS INFO TAB The Info tab displays the attached lens mount and lens information. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 98 Lens Min Focal Length Lens Max Focal Length MOTOR CONTROL Use the Motor Control menu to set up the RED 3-Axis Lens Control System. For more information, see the 3-Axis Lens Control System Operation Guide, available at www.red.com/downloads.
Page 99 Status, and OLPF. SAVE A LOG FILE A log file is a detailed text file of the processes and operations performed by the camera. If you contact RED for support, you may be asked to send a log file. To save a log file, follow the instructions below: 1.
Page 100 “Check Noise Profile” on page 100. After each firmware upgrade. To check the temperature/exposure of the current calibration file, go to Menu > Settings > Maintenance > System Status > Calibration. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 101 The system initializes and then makes multiple passes through the following phases of the calibration: ‒ Capturing ‒ Analyzing ‒ Erasing ‒ Programming 9. When the Calibration Successful dialog displays, select OK to complete black shading. The new calibration map is automatically selected. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 102 NOTE: If you mount an SSD with calibration files to your computer, each calibration map displays as a sub- folder in a folder called Calibration. To save a calibration map to your hard drive, copy the entire sub-folder (for example, 48_32C_20140128122150) to your drive. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 103 : Export all files from camera to SSD. : Import selected calibration map from SSD to camera. This overwrites the user HS calibration map. All: Import all files from SSD to camera. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 104 4. To exit the self-test, perform one (1) of the following actions: ‒ Touch all of the boxes, so that they are all blue. ‒ Press and hold the touchscreen. Press the Enter or Menu button on the DSMC2 Sidekick. ‒ COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 105 Displays the current camera and project settings. Includes the following tabs: File Format, Recording, Quicktime, Look, Other. ATTACHED MODULES Lists the attached RED modules, and expanders. This screen does not list attached displays, media modules, and lenses. CAMERA INFO Displays the following camera information: Type: Camera type and sensor type.
Page 106 PIN: The personal identification number that is specific to your camera. SVN Revision: The current firmware number. Runtime: The number of hours that the camera has been turned on. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 107 R E D R AV E N O P E R AT I O N G U I D E OLPF RED RAVEN includes an integrated OLPF. To view your OLPF type, go to Menu > Settings > Maintenance > OLPF. The OLPF that is installed in your camera displays in the OLPF Type field.
Page 108: Media Menu
DEVICE Format and eject (unmount) the SSD. To see information about the SSD in the camera, select More Info..CLIPS View and load clips on the SSD in thumbnail view. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 109: Playback Menu
Displays the metadata for the selected clip. PLAYBACK STATUS BAR Displays the progress of the clip during playback. When using the touchscreen, swipe your finger right and left to fast-forward and rewind the clip, respectively. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 111 Marker Options Displays the following subset of options: In Point, Remove In/Out Point, Out Point, Previous Marker, and Next Marker. Apple ProRes Playback Displays the following subset of options: R3D and ProRes COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 112 Option to select x1, x2, x4, x8, or x16 playback speed. In Point Sets a red In Point marker in the Playback Status Bar. Use an In Point marker in conjunction with an Out Point marker to play only a certain portion of a clip.
Page 113: Power Menu
Select RESET to clear the fault. When the DSMC2 REDVOLT Expander is attached, you can see the current output of each power out port (in amps), and toggle those ports on/off. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 114: Power Save
“Turn Off the Camera” on page 1. Go to Menu > Power. 2. Select Shutdown. The Shutting Down... message displays and the camera turns off. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 115: Hdrx Menu
A Track: This track shows the video with the selected aperture and exposure settings applied. ‒ X Track: This track shows the video with the additional stops applied. ‒ NOTE: For more information, see the High Dynamic Range Video with HDRx article, available at www.red. com/learn/red-101/hdrx-high-dynamic-range-video. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 116: Focus Menu
Manual: When selected, all focus operations are manual. Confirm: Enables the Center or Spot focus target. This mode provides additional focus assistance by using red, yellow, and green color changes to the focus spot window. Inadequate subject illumination and/or contrast may interfere using Confirm mode.
Page 117 Objects are in focus CENTER Provides a large target square for focus that is centered in the recording area. SPOT Provides a small target for precise focus that you can move around the recording area. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 118 1. Go to the main screen. 2. Press the Down Arrow in the Navigation Group. The Spot target line weight increases and the red cursor under Menu dims slightly. 3. Use the directional arrows to move the Spot target to the desired location.
Page 119 6. Use the Rack Speed slider to change the speed at which the lens moves. Move the slider to the left for a slower speed, and to the right for a faster speed. 7. Select the number of Rack Points (up to 4). COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 120 NOTE: To view the focus distance for each rack point on the main screen, go to Menu > Settings > Display > Modes and enable Rack Show Distance mode. For more information, go to “Lens Tab” on page COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 122: Exposure Assist
The AE feature is different than traditional AE, in that RED AE only controls the amount of light that hits the sensor, either by adjusting aperture or exposure. RED AE analyzes RAW data before the ISO curve, and ensures that the sensor matches the user-selected brightness.
Page 123: Metering Mode
When the AE feature is able to match the sensor brightness, the overlay turns yellow. If the brightness fluctuates more than half of a stop, the overlay turns red. When AE is enabled, the “AE” indicator displays before the aperture and exposure parameters in the Upper Status Row.
Page 124: Presets Menu
Camera: Presets or Looks that are saved internally on the camera. Media: Presets or Looks that are on the SSD in the path shown (for example, On Media: \presets:). Presets Menu Presets Menu COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 125: Camera Presets
Create in-camera looks in the Menu > Presets > Camera Presets tab. Modify and manage the in-camera Looks the same way as any other presets created in the Camera Presets tab. For more information, go to “Camera Presets” on page 125. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 126 On Enter Preview: The selected preset is applied every time the camera enters Preview mode, including at startup and when exiting Playback mode. On Enter Playback: The selected preset is applied every time the camera enters Playback mode. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 127: Chapter 6: Record And Monitor Audio
® SET UP AUDIO To set up audio, go to Menu > Settings > Audio. To adjust the input, pre-amplifier, and headphone settings, select Control. To adjust the mix settings, select Mix. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 128: Control
Audio Meter, but are not included in the clip metadata. For more information, go to “Headphone Volume” on page 129. MODE Match the channel mode to the incoming audio signal. MODE SOURCE DESCRIPTION NONE NONE Audio recording disabled. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 129 1. Go to Menu > Settings > Audio > Control > Headphone Volume. 2. Move the Left and Right sliders up and down to adjust the volume. 3. To toggle mute/unmute, select Mute. NOTE: To link the volume for Left and Right, select Link. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 130: Mix
Select and mix the stereo channels in the Monitor Mix menu at Menu > Settings > Audio > Mix > Monitor Mix. To monitor audio via HDMI or HD-SDI, the third-party monitor must support audio. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 131: Audio Meter (Vu Meter)
0 dBFS Audio is clipping (if signal exceeds –1 dBFS, the whole bar is red) NOTE: In the American broadcast and post production systems, –20 dBFS roughly corresponds to 0 VU and 4 dBu. In a digital system, dBu is an approximation; the correct unit for digital audio levels is dBFS.
Page 132: Chapter 7: Timecode, Genlock, Multi-Camera Setup
Edge: Edge timecode is continuous between clips, meaning that when recording starts, timecode begins. and when recording stops, timecode stops. By default, Edge timecode default begins at 01:00:00:00, but can be configured in the Media menu (Menu > Media > Device > Format). COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 133 A. Connect one connector to the TIMECODE port on the DSMC2 REDVOLT Expander. B. Connect the other connector to an external device or camera. REQUIRED CABLE 790-0212: PRO I/O TIMECODE CABLE (3') COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 134 DSMC2 Base Expander, DSMC2 V-Lock I/O Expander, DSMC2 Jetpack Expander, or DSMC2 Jetpack-SDI Expander: 790-0154, 3BNC-to-00 LEMO DSMC2 REDVOLT Expander: 75 ohm BNC cable (such as the RED HD-SDI Cable, P/N 790-0341) COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 135: Genlock
Monitor Sync is achieved automatically when a genlock signal is provided that is compatible with the current monitor output frequency. When Monitor Sync is achieved, the GEN indicator in the Lower Status Row illuminates green. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 136 DSMC2 Base Expander, DSMC2 V-Lock I/O Expander, DSMC2 Jetpack Expander, or DSMC2 Jetpack-SDI Expander: 790-0154, 3BNC-to-00 LEMO DSMC2 REDVOLT Expander: 75 ohm BNC cable (such as the RED HD-SDI Cable, P/N 790-0341) SENSOR SYNC NOTE: Using genlock requires a DSMC2 Base Expander, DSMC2 V-Lock I/O Expander, DSMC2 Jetpack Expander, DSMC2 Jetpack-SDI Expander, or DSMC2 REDVOLT Expander.
Page 137 DSMC2 Base Expander, DSMC2 V-Lock I/O Expander, DSMC2 Jetpack Expander, or DSMC2 Jetpack-SDI Expander: 790-0154, 3BNC-to-00 LEMO DSMC2 REDVOLT Expander: 75 ohm BNC cable (such as the RED HD-SDI Cable, P/N 790-0341) COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 138: Master/Slave Operation
D. Go to Menu > Settings > Setup > Communication and select the Ethernet tab. E. Select the Camera to Camera the check box. 3. On the Slave camera(s), follow the instructions below: COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 139 NOTE: Cameras can also be set up in a Master/Master configuration. To set up Master/Master, set Target to All on both cameras, allowing either camera to make changes and control record start/stop. REQUIRED CABLE 790-0163: Master/Slave Gig-E Cable (4') COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 140 For example: Master: A001_C001_0503B6.R3D Slave: A001_C001_0503R7.R3D NOTE: Reel Number, Camera ID, and Camera Position can be set when formatting media at Menu > Media > Device. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 141: Set Up Stereo/3D Configuration
REQUIRED CABLES Use one (1) per camera: DSMC2 REDVOLT Expander or DSMC2 Jetpack-SDI Expander: 75 ohm BNC cable (such as the RED HD-SDI Cable, P/N 790-0341) Use one (1) per setup: 790-0163: Master/Slave Gig-E Cable (4') COPYRIGHT ©...
Page 142: Set Up A Camera Array
REQUIRED CABLES Use one (1) per camera: DSMC2 REDVOLT Expander or DSMC2 Jetpack-SDI Expander: 75 ohm BNC cable (such as the RED HD-SDI Cable, P/N 790-0341) Use one (1) of the following per setup:...
Page 143: Set Up Motion Control (Moco)
CTRL port on the expander. 2. Go to Menu > Settings > Setup > GPIO/Sync > Sync. 3. Select MoCo from the Sensor Sync Mode drop-down menu. MoCo GPIO/Sync Settings 4. Select the BRAIN GPIO tab. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 144 7. Supply a pulse from the Motion Control device to sync the shutter to the rising edge of the sync input. For more information, refer to the manufacturer’s instructions for the Motion Control device. REQUIRED CABLE 790-0154: 3BNC-to-00 LEMO Sync Cable (required per SYNC and CTRL port used) COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 145: Compatible Devices
R E D R AV E N O P E R AT I O N G U I D E COMPATIBLE DEVICES The following timecode and genlock devices are compatible with the camera. Additional timecode devices may be compatible, but have not yet been tested by RED ® COMPATIBLE TIMECODE DEVICES...
Page 146: Chapter 8: Upgrade Camera Firmware
(including firmware upgrade files) to the SSD. Change the Mount preference to Read-Write before attempting to copy firmware to the SSD. 2. Download the most recent firmware for your camera from www.red.com/downloads. 3. Unzip the firmware zip file.
Page 147: Chapter 9: Camera System Maintenance
WARNING: DO NOT attempt to modify, dismantle, or open the camera, lens, or other accessory as doing so may expose you to electric shock and serious injury. There are no user-serviceable parts inside. Alteration or repairs made to the camera, lens, or other accessory, except by a RED authorized service facility, voids the all warranties.
Page 148: Clean Evf Screen
DSMC2 RED EVF Modular Optical Block. Use an ionized rubber air bulb to clean the screen on the DSMC2 RED EVF. If there are still particles on the screen after using an air bulb, gently wipe the screen with a rolled-up, particulate-free, non-abrasive optical- grade wipe.
Page 149: Water Damage
R E D R AV E N O P E R AT I O N G U I D E PROHIBITED LCD SCREEN CLEANERS DO NOT use any of the items listed below to clean LCD screens. These products have not been tested on RED products and may cause damage or streaking.
Page 150: Chapter 10: Troubleshoot Your Camera
SSDs. 10. If any errors occur, save a log file and submit a Technical Support request at https://support.red.com. NOTE: Problems or dropped frames found during the stress test display as “Errors” in the bottom of the user interface.
Page 151: Preset Could Not Be Applied
Upgrade your camera firmware. For more information, go to “Upgrade Camera Firmware” on page 146. Reset your camera’s default settings. For more information, go to “Reset Defaults” on page 105. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 152 The LCD or monitor is flickering. POTENTIAL RESOLUTIONS Go to Menu > Settings > Display > Monitor Control and adjust the Frequency to 60 Hz. Use a different cable. Ensure cables are properly attached. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 153 When you upgrade or turn on the camera, the display shows a message with the phrase “Critical Failure” or “Serious Error”. POTENTIAL RESOLUTIONS Update the camera firmware to the latest release build available for download at www.red.com/downloads. Submit a Technical Support request at https://support.red.com. Include the following with the request: ‒...
Page 154 R E D R AV E N O P E R AT I O N G U I D E ERROR 0X00000020 SYMPTOM The display shows a message with the phrase “Error 0x00000020. Please save log and send to RED support.” POTENTIAL RESOLUTIONS Perform a secure format of the SSD. For more information, see the...
Page 155 POTENTIAL RESOLUTIONS Perform an auto white-balance. For more information, go to “Color Temperature” on page Perform a black shade calibration. For more information, go to “Sensor Calibration” on page 100. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 156 POTENTIAL RESOLUTIONS Ensure RED MINI-MAG is fully inserted in the media bay. Perform a system restore. Reformat the RED MINI-MAG on the computer. For more information, see the DSMC Media Operation Guide at www.red.com/downloads. Remove and reinstall the media bay. For more information, go to “Remove the Media Bay”...
Page 157 When you press the Record key, the error message “Audio Buffer Overflow Warning” displays. POTENTIAL RESOLUTIONS Perform a Secure Format of the SSD. For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 158 If an LCD or EVF is connected to the secondary LCD/EVF port (on the side of the camera), remove the LCD or EVF. Ensure that HDMI monitoring/recording is set up correctly. For more information, go to “Record Via HD-SDI or HDMI” on page COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 159: Appendix A: Technical Specifications
16.5+ stops Signal-to-Noise Ratio 80 dB Max Data Rates Up to 140 MB/s using RED MINI-MAG ® Max Frame Rates 120 fps at 4.5K Full Frame (4608 x 2160), 120 fps at 4.5K 2.4:1 (4608 x 1944) 120 fps at 4K Full Frame (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Frame (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
Page 160 Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD, and DSMC2 ® RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, RED Touch 7.0" LCD, BOMB EVF (LCOS), and BOMB EVF (OLED) compatible with ®...
Page 161: Red Raven Brain Dimensions
R E D R AV E N O P E R AT I O N G U I D E RED RAVEN BRAIN DIMENSIONS NOTE: Dimensions are shown in mm. The optical axis height of the camera is 95.90 mm.
Page 167: Appendix B: Input/Output Connectors
DSMC2 Jetpack Expander DSMC2 Jetpack-SDI Expander NOTE: When connecting a cable to a connector, align the key and red marker on the cable connector with the corresponding key and marker on the device connection. NOTE: Connector diagram images are for reference only. Diagrams are not to scale.
Page 168: Dsmc2 Base Expander
“CTRL (RS232 Control)” on page 178 HDMI HDMI 1.2, Type A “HDMI Out” on page 174 ® HD-SDI “3G-SDI (HD-SDI) Out” on page 173 DC IN 6-pin 1B LEMO “DC IN (Power Input)” on page 184 COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 169: Dsmc2 V-Lock I/O Expander
7 HDMI HDMI 1.2, Type A “HDMI Out” on page 174 ® 8 HD-SDI “3G-SDI (HD-SDI) Out” on page 173 9 DC IN 6-pin 1B LEMO “DC IN (Power Input)” on page 184 COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 170: Dsmc2 Redvolt Expander
USB 2.0 Type A “USB Power” on page 187 (power only) AUDIO 1 and 2 3-pin full-size XLR “Audio 1 an1d 2” on page 182 Headphone Jack 3.5mm stereo “Headphone” on page 183 COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 171: Dsmc2 Jetpack Expander
“DC IN (Power Input)” on page 184 SYNC 4-pin 00B LEMO “SYNC (Video Sync In) with Contact Closure Style Trigger Input” on page 177 USB 2.0, Type A “USB Power” on page 187 (power only) COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 172: Dsmc2 Jetpack-Sdi Expander
6-pin 1B LEMO “DC IN (Power Input)” on page 184 SYNC 4-pin 00B LEMO “SYNC (Video Sync In) with Contact Closure Style Trigger Input” on page 177 “3G-SDI (HD-SDI) Out” on page 173 COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 173: Record/Monitor Out Ports
If you have a drop frame project time base (such as 23.98), you can select only drop frame frequencies. 75 OHM BNC CONNECTOR SIGNAL DESCRIPTION DIRECTION Center 3G-SDI SMPTE ST 424 Shield/Screen GROUND Camera ground COMPATIBLE CABLE 790-0341: RED HD-SDI Cable (6') ® COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 174: Hdmi Out
2. The HDMI output is progressive scan (p); it does not support progressive segmented frame (PsF) or interlaced (i) scan formats. COMPATIBLE CABLE 790-0331: RED HDMI Cable (5') HDMI WIRELESS TRANSMITTERS The HDMI connector supports HDMI wireless transmitters, so that you can transmit the HDMI signal to a remote HDMI monitor.
Page 175: Communication Ports
Batteries: 10 V min. 2x AA or AAA 3x AA or AAA 68 ohm 1/4 W Trigger Button Circuit Diagram NOTE: In the diagram above, values are approximate. Use standard values. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 176 COMPATIBLE CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable 790-0187: 4-Pin 00 LEMO-to-Flying Lead 790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC) 790-0428: RED Start/Stop Cable (14-Pin to 00B SYNC) COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 177 COMPATIBLE CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable 790-0187: 4-Pin 00 LEMO-to-Flying Lead 790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC) 790-0428: RED Start/Stop Cable (14-Pin to 00B SYNC) COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 178 RS232 TX NOTE: Mating connector is FGG.00.304.CLAD. COMPATIBLE CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable 790-0187: 4-Pin 00 LEMO-to-Flying Lead 790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC) COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 179 To operate the GPI contact closure style trigger, short Pin 7 (GPI) to Pin 6 (ground). The SERIAL connector was designed to support 6-pin 0B cables used with the RED Tactical Hand Controller (T.H.C.). Although the connectors on those cables do not have pin 7 (GPI), the other 6 pins do match pins 1 to 6 on the SERIAL connector.
Page 180 Shield/Screen GROUND Camera ground COMPATIBLE CABLE 790-0341: RED HD-SDI Cable (6’) TIMECODE The DSMC2 REDVOLT Expander features a Timecode (TC) connector. The LEMO EAG.0B.305.CLN connector supports SMPTE timecode input and output. Pins 2 and 3 can be used together to receive a balance SMPTE 12M serial timecode input. Pin 2 can be used by itself (leave pin 3 open) to receive a single-ended SMPTE 12M serial timecode input.
Page 181 Data pair B- Do not connect NOTE: Mating connector is FGG.0B.309.CLAD. COMPATIBLE CABLES 790-0159: RED GIG-E Straight-to-CAT5E Ethernet Cable (9') 790-0557: RED GIG-E Right-To-Cat5E Ethernet Cable (9') 790-0163: Master/Slave Gig-E Cable (4') COPYRIGHT © 2016 RED.COM, INC...
Page 182: Audio Ports
Connector (Looking at the Camera) 3-PIN XLR CONNECTOR PIN SIGNAL DESCRIPTION DIRECTION GROUND Camera ground MIC/LIN IN + Mic/Line input (+) 48 V phantom power MIC/LIN IN - Mic/Line input (-) 48 V phantom power COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 183 The 3.5mm stereo jack provides two (2) channels of audio for monitoring. For maximum quality, use high impedance headphones. HEADPHONE JACK SIGNAL DESCRIPTION DIRECTION LEFT Left channel audio RING RIGHT Right channel audio SLEEVE Camera ground COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 184: Power Ports
SDA-BATT Serial battery bus data NOTE: Mating connector is FGJ.1B.306.CWLD72Z. COMPATIBLE CABLES 790-0138: RED 2B-to-1B LEMO Power Adaptor Cable 790-0164: XLR Power Cable (10') 790-0165: XLR Power Cable (30") COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 185 Common ground +11.5 to +17 VDC +11.5 to 17 VDC unregulated battery pass-through power NOTE: Mating connector is FGG.0B.302.CLAD. COMPATIBLE CABLE 790-0410: RED W.M.D. Power Cable 2-Pin 1B to 2-Pin 0B (18") COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 186 General purpose output trigger (GPO), use for tally out +11.5 to +17 VDC +11.5 to 17 VDC unregulated battery pass-through power NOTE: Mating connector is FGG.0B.304.CLAD. COMPATIBLE CABLE 790-0552: RED 4-Pin 0B LEMO-to-Flying Lead AUX Power Cable (6') COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 187 P-Tap connector and supplies conditioned VBATT at a maximum of 3.0A of power. P-Tap Connector (Looking at Camera) 2-PIN DTAP CONNECTOR SIGNAL DESCRIPTION DIRECTION GROUND Common ground +11.5 to +17 VDC +11.5 to 17 VDC unregulated battery pass-through power COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 188: Appendix C: Lenses
3. Remove the rear lens cap. 4. Align the red dot on the lens with the red dot on the DSMC Canon Mount and position the lens in the mount. 5. Turn the lens clockwise until it clicks into place.
Page 189 Canon EF 70-300mm f/4-5.6L IS USM Canon EF 85mm f/1.2L II Canon EF 85mm f/1.8 USM Canon EF 100mm f/2.0 USM Canon EF 100mm f/2.8L Macro IS USM Canon EF 100-400mm f/4.5-5.6L IS COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 190 Sigma 24mm f/1.8 EX DG ASP Macro AF Sigma 24-70mm f/2.8 IF EX DG HSM Sigma 28mm f/1.8 EX DG ASP Macro AF Sigma 50mm f/1.4 EX DG HSM Sigma 85mm f/1.4 EX DG HSM COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 191 Zeiss Distagon T* 28mm f/2 ZE Zeiss Distagon T* 35mm f2 ZE Zeiss Makro-Planar Zeiss Makro-Planar T* 100mm f/2 ZE ® Zeiss Planar Zeiss Planar T* 50mm f1.4 ZE Zeiss Planar T* 85mm f1.4 ZE COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 192 Canon EF 70-200mm f/2.8 L IS II with 2x Extender Canon EF 70-200mm f/2.8L USM Canon EF 70-200mm f/4L Canon EF 70-200mm f/4L with 1.4x Extender Canon EF 70-200mm f/4L with 2x Extender Canon EF 70-300mm f/4.5-5.6 DO IS USM COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 193 Canon EF 300mm f/4.0 L IS with 1.4x Extender Canon EF 300mm f/4.0 L IS with 2.0x Extender Canon EF 400mm f/2.8 Canon EF 400mm f/2.8 IS II USM Canon EF 400mm f/2.8L IS COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 194 Canon EF-S 17-55mm f/2.8 IS USM Canon EF-S 18-55mm f/3.5 IS Canon EF-S 18-55mm f/3.5 IS II Canon EF-S 18-135mm f/3.5 IS STM Canon EF-S 18-200mm f/3.5-5.6 IS Canon EF-S 60mm f/2.8 Macro USM COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 195 Zeiss Distagon T* 25mm f/2 ZE Zeiss Distagon T* 28mm f/2 ZE Zeiss Distagon T* 35mm f2 ZE Zeiss Makro-Planar Zeiss Makro-Planar T* 100mm f/2 ZE ® Zeiss Otus Zeiss Otus 55mm f/1.4 ® COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 196 R E D R AV E N O P E R AT I O N G U I D E COMPATIBLE LENS TYPE FOCAL LENGTH Zeiss Planar Zeiss Planar T* 50mm f1.4 ZE Zeiss Planar T* 85mm f1.4 ZE 1. Image stabilization (IS) is not supported. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 197: Appendix D: Default Key Functions
Nav West Press Navigation: Left Nav Enter Press Navigation: Select Rotary CW Navigation: CW Rotary CCW Navigation: CCW DSMC2 Top Handle Record Full Press Record: Toggle/Multi-Shot Start Record Full Release Record: Multi-Shot Stop COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 198 R E D R AV E N O P E R AT I O N G U I D E ITEM FUNCTION DSMC2 Outrigger Handle Record Full Press Record: Toggle/Multi-Shot Start Record Full Release Record: Multi-Shot Stop COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 200 } Auto White } General Balance } Focus } Iris } Zoom } Lift } Gamma } Wireless } Gain 1. Only available when a RED 3-Axis Lens Control System is attached. COPYRIGHT © 2016 RED.COM, INC 955-0127_V6.3, REV-E |...
Page 201 RED DIGITAL CINEMA COPYRIGHT© 2016 RED.COM, INC. All trademarks, trade names, logos, icons, images, written material, code and product names used in association with the accompanying product are the copyrights, trademarks or other intellectual property owned and controlled exclusively by RED.COM, INC.

RED RAVEN Operation Manual

Chapter 1: Camera Introduction

Chapter 2: Camera System Components

Chapter 3: Basic Operations

Chapter 4: Basic Menus and Controls

Chapter 5: Advanced Menus

Chapter 6: Record and Monitor Audio

Chapter 7: Timecode, Genlock, Multi-Camera Setup

Chapter 8: Upgrade Camera Firmware

Chapter 9: Camera System Maintenance

Chapter 10: Troubleshoot Your Camera

Appendix A: Technical Specifications

Appendix B: Input/Output Connectors

Appendix C: Lenses

Appendix D: Default Key Functions

Appendix E: Menu Map

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Summary of Contents for RED RAVEN

Table of Contents