Appendix A - The Mp3 Format - Motorola m250 User Manual

Appendix A – The MP3 Format
The MP3 format has vastly expanded the capabilities of music distribution. Able to compress digital sound to a fraction
of the size of conventional WAV sound, MP3 lends itself ideally to Internet distribution, and to new listening device
technologies. Your Motorola m250/m500 is a leading edge player able to take advantage of the incredible flexibility
afforded by this format.
To understand how the MP3 format works, it is helpful to know something about how CDs store music. A CD stores a
song as digital information. Data are stored on a CD-ROM in an uncompressed, high-resolution format that splits the
sound into separate samples for the left and right speakers, thus creating stereo. Music is sampled 44,100 times per
second, with each sample being 2 bytes (16 bits) long. A CD, then, stores a huge number of bits for each second of
music:
44,100 samples/second * 16 bits/sample * 2 channels = 1,411,200 bits per second
Specifically, 1.4 million bits per second equals 176,000 bytes per second. If an average song is three minutes long,
then the average song on a CD consumes about 3.2 MB of space. That limits the number of songs that can be carried
on a small portable device and makes for burdensome download times, especially if you are not using high-speed
Internet connections.
Codec is the MP3 Fuel
The key to the compact nature of MP3 formatted music is compression. MP3 is actually a digital audio codec, which is
a method of compressing and decompressing digitized sound. A standard CD audio format uses roughly 10 MB for
just one minute of music. MP3 uses just 1 MB for that same minute of music.
The way that MP3 compresses data is essentially by removing those sounds deemed inaudible to the human ear.
There are highs and lows in any sample that are beyond, or nearly beyond, our aural comprehension, and MP3
effectively eliminates them to produce the compact files necessary to provide the ease and flexibility the format
delivers. While there is undeniably a loss of overall sound quality, it is generally "near CD" quality, and acceptable for
portable listening. It is a compromise between high fidelity and the advantages of transferability and storage ease.
59
m250/m500 DIGITAL AUDIO PLAYER