Mackie DL806 Reference Manual

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Reference manual (160 pages)

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Summary of Contents for Mackie DL806

Page 1 Mackie DL806 and DL1608 Reference Guide...
Page 2: Important Safety Instructions
Mackie DL806 and DL1608 Reference Guide Important Safety Instructions 16. Do not overload wall outlets and extension cords as this can result in a risk of fire or 1. Read these instructions. electric shock. 2. Keep these instructions. 17. The MAINS plug or an appliance coupler is used as the disconnect device, so the discon- 3.
Page 3: Table Of Contents
Mackie DL806 and DL1608 Reference Guide Table of Contents Important Safety Instructions ..................2 Table Of Contents ......................3 Chapter 1: Welcome ......................8 Master Fader V2.0 / My Fader V2.0 ......................8 About This Guide ............................8 Features ..............................9 Introduction ...............................
Page 4 Wi-Fi Router..............................25 Network Connectivity ..........................25 Connect ..............................26 Router Settings ............................28 Chapter 5: Mackie Master Fader Software ..............29 Introduction ............................... 29 Downloading and Installing the Master Fader App ................29 Updating the Master Fader App ....................... 30 Updating the Firmware ..........................
Page 5 Mackie DL806 and DL1608 Reference Guide Chapter 8: Level Setting Procedure ................56 Introduction ............................... 56 Level Setting Procedure ..........................56 Headphones ............................... 57 Chapter 9: Channel View : EQ ..................58 Introduction ............................... 58 EQ On / Off ..............................59 Modern / Vintage ............................
Page 6 Mackie DL806 and DL1608 Reference Guide Chapter 11: Channel View : FX ..................75 Introduction ............................... 75 The Swipe Zone ............................75 FX View ..............................76 Reverb Type ..............................78 Reverb Sliders ............................79 Delay Type ..............................80 Delay Sliders .............................. 81 Chapter 12: Channel View : Graphic EQ .................
Page 7 Effects Controls ........................120 Mute Group Control ........................ 121 View Group Control ........................ 126 Chapter 15: Mackie My Fader Software ............... 129 Introduction ............................. 129 Downloading, Installing and Updating the My Fader app ..............129 Using My Fader ............................129 My Fader vs Master Fader ........................
Page 8: Chapter 1: Welcome
***We strongly encourage checking out the Quick Start Guide before diving into this Reference Guide*** It is a great way to familiarize yourself with the basic ideas of the DL806 and DL1608, how to switch between views, add color to a mix, gates & compressors, FX, graphic EQ and much more. Once you do that, this will be...
Page 9: Features
Mackie DL806 and DL1608 Reference Guide Features • Proven hardware that sounds great • Onyx mic preamps • High-end Cirrus Logic® converters • Ultra low-noise, high-headroom design • Aux sends for monitor mixes • Master L/R output for mains • Tons of built-in processing • Choice of powerful, touch-sensitive plug-ins • 4-band EQ, gate and compression on inputs • 31-band GEQ and comp/limiter on outputs • Global reverb and delay • Wireless mixing • Seamless wired to wireless mixing • Tune the room from anywhere • Get on stage to ring out monitors • Personal monitor mixing with access control ability • Use up to 10 iOS devices simultaneously • Total control from your iPad, iPhone or iPod touch • Intuitive Master Fader™ app for all iPad models • My Fader™ app for quick control from iPhone or iPod touch • “Grow & Glow” visual feedback • Preset and snapshot recall • Record the mix to the iPad for instant sharing • Integrate music from any app into the mix • Install friendly features • PadLock™ feature locks down iPad for permanent installs • Industry standard Kensington lock secures mixer...
Page 10: Introduction
Mackie DL806 and DL1608 Reference Guide Introduction Nearly 25 years ago, Mackie revolutionized the pro audio world by unleashing the CR1604 16-channel mixer. Today, Mackie redefines live mixing by combining the power of a digital mixer with the ease and portability of an iPad. Think of it as today’s CR1604...but digital and unplugged. • Control the mix from anywhere With the Mackie DL Series mixer’s seamless wired to wireless mixing capabilities, you can mix wirelessly in real time from anywhere in the venue on your iPad, iPhone or iPod touch. The bar, the bathroom, the back closet. Instantly adjust mix functions from tuning front of house trouble spots to ringing out stage monitors.
Page 11: Architecture Overview
Mackie DL806 and DL1608 Reference Guide Architecture Overview At the very core, the DL Series system consists of three separate parts: the DL Series mixer, an iPad and the Master Fader app. Each of these three components are equally important, none more so than the other. You can play with each component separately, but you won’t be able to accomplish much. Together, though, you become Mr. Mix-A-Lot, the envy of engineers at every venue the world over. It’s important to note that the DL806 and/or DL1608 is the digital mixer, while one or more iOS devices controls it. All DSP processing and routing take place in the mixer itself, meaning it’s not just a “dock”. Let’s take a quick look at each, what they are and how they relate to each other. Wireless Wireless iPad Original iPad Wireless Wireless (4th generation)
Page 12: Chapter 2: Mixer Hardware : Front Panel
Mackie DL806 and DL1608 Reference Guide Chapter 2: Mixer Hardware : Front Panel Introduction We’re going to start things off with a look at the mixer: its features, how and where to make connections, signal flow, and then finish off with an in-depth commentary regarding the Ethernet connector. Let’s kick off our front panel hardware discussion with the iPad dock connector. iPad Dock Connector On the far left of the mixer (outlined by the vertical green rectangle below) is the iPad dock connector. DL series mixers with Lightning dock support wired control from iPad (4th generation) and iPad mini (requires optional iPad mini tray accessory). DL series mixers with 30-pin dock support wired control from iPad (1st generation), iPad 2 and iPad (3rd generation). If using an iPad 2, iPad (3rd generation) or iPad (4th generation), slide the iPad right to left, face up, home button on the left until it mates with the iPad dock connector. If using an original iPad or mini iPad, the tray insert will need to be removed first. See the next three pages which explain the iPad tray and tray inserts. This connection serves multiple purposes. For one, recording and playback are possible when an iPad is connected to the mixer. For another, as long as the mixer is plugged in and turned on,...
Page 13: Ipad Tray And Tray Inserts
Mackie DL806 and DL1608 Reference Guide iPad Tray and Tray Inserts The largest area on the mixer is the iPad tray with the dock to its left. The iPad tray is a part of the DL Series mixer and cannot be removed. The iPad slides into the tray and mates with the dock connector on the mixer. One of the really cool things about these mixers is that it seamlessly transitions from wired to wireless operation. Therefore, the tray is highly-durable to withstand repetitive insertion and removal of an iPad. It does this by using a tray and insert design.
Page 14 Mackie DL806 and DL1608 Reference Guide Here’s how to remove the iPad tray (if mixing with an original iPad): (1) remove the four screws holding the tray insert to the mixer, numbered 1 to 4 in the illustration below. (2) slide the tray insert out from the mixer and SAVE IT SOMEWHERE SAFE! Should you ever upgrade to an iPad 2, iPad (3rd generation), or iPad (4th generation) the tray will be necessary. (3) put the screws back into the mixer from where you just removed them. This way they can’t get lost. Tray Insert Tray With different dimensions than the other iPads, the iPad mini doesn’t fit the included iPad tray...it’s too small! Don’t fret, though; we’ve got you covered. As mentioned on the previous page, an iPad mini may be docked to a DL Series mixer with a Lightning connector, but it requires a mini tray insert (sold separately).
Page 15 Mackie DL806 and DL1608 Reference Guide If you had been mixing with an original iPad or iPad mini, but would rather use an iPad 2, iPad (3rd generation) or iPad (4th generation), the included iPad tray will need to be reinstalled. The iPad tray insert only needs to be reinstalled if you are mixing with the iPad 2, iPad (3rd generation) or iPad (4th generation). Here’s how to reinstall the iPad tray: (1) remove the four screws from the mixer, numbered 1 to 4 in the illustration below. (2) remove the iPad mini tray insert (if applicable). (3) slide the included standard tray insert into the mixer as displayed below.
Page 16: Padlock
Mackie DL806 and DL1608 Reference Guide PadLock™ Also included with the mixer is a PadLock. This is used to lock the iPad into place on the mixer. One might use this for fixed installs where a dedicated iPad is used and (Pad)locked to the mixer. Or leave the PadLock off so the iPad may be conveniently transferred in and out of the mixer. After docking the iPad (not shown), the PadLock needs to be attached by moving it right to left [horizontal green arrows], NOT downward. This ensures that the foam compresses against the iPad and holds it solidly in place. Then hand-tighten each of the two security screws down [vertical green dotted lines] using the supplied wrench. While the PadLock provides some level of security, it is NOT foolproof or guaranteed protection. LOUD Technologies Inc. is not responsible for the loss, theft, damage or destruction of your DL Series mixer or iPad whether a PadLock has been used or not.
Page 17: Front Panel Introduction
Each DL1608 mixer is outfitted with 16 gain knobs, 16 sig / OL LEDs, one phones output jack and one phones knob. Each DL806 mixer is outfitted with eight gain knobs, eight sig / OL LEDs, one phones output jack and one phones knob. Let’s take a look at each of these features, starting with the gain knobs.
Page 18: Phones Output Jack
Mackie DL806 and DL1608 Reference Guide DL806 Front Panel Phones Output Jack This 1/4" TRS connector supplies the output to stereo headphones. The volume is controlled with the phones knob located right below the output jack. The phones output follows standard conventions: Tip = Left channel RING SLEEVE SLEEVE RING Ring = Right channel Sleeve = Ground...
Page 19: Chapter 3: Mixer Hardware : Rear Panel
L/R XLR main output jacks, a Kensington lock, a network connector and a force update button. In fact, the only functional difference between the two is that the DL1608 has 16 input jacks and six aux sends jacks, whereas the DL806 has eight Power input jacks and four aux send jacks. Even though those numbers may vary slightly, Block their function is the same. Let’s take a look, shall we?
Page 20: Power Switch
Mackie DL806 and DL1608 Reference Guide DL806 Rear Panel Power Switch Press the top of this rocker switch in to turn the mixer on and press the bottom of this switch to turn the mixer off. As a general guide, the mixer should be turned on first, before any external power amplifiers or powered speakers. As such, it should also be turned off last. This will reduce the possibility of any turn-on or turn-off thumps in the PA. Power LED This LED will illuminate green when the mixer is turned on. If it does not turn on, confirm that The Power Block and line cord are connected correctly (to each other, the mixer and the AC outlet), the local AC mains supply is active and that the power switch is on.
Page 21: Phantom Power Led
Mackie DL806 and DL1608 Reference Guide Phantom Power LED This LED will illuminate red when phantom power is engaged. If it does not turn on, confirm that the phantom power switch is on, that The Power Block and line cord are connected correctly (to each other, the mixer and the AC outlet), the local AC mains supply is active and that the power switch is on. It takes approximately 15 seconds for the phantom power to shut off completely.
Page 22: L/R Main Outs
These could either be passive stage monitors powered by an external amplifier, or powered stage monitors with built-in power amplifiers. You may run separate aux mixes since all aux sends are independent of each other. There are four aux sends on a DL806 mixer and six aux sends on a DL1608 mixer.
Page 23: Kensington Lock
Mackie DL806 and DL1608 Reference Guide Kensington Lock An optional Kensington Lock provides an extra level of security should the mixer be left alone, unwatched. There are a wide variety of cable apparatuses to choose from to secure your mixer via the Kensington Lock security slot. Feel free to decide on what type works best for you by perusing the Kensington website: http://www.kensington.com/ While the Kensington cable and lock provide some level of security, it is NOT foolproof or guaranteed protection. LOUD Technologies Inc. is not responsible for the loss, theft, damage or destruction of your mixer or iPad whether a Kensington Lock has been used or not. Network Connector The 100MB network connector is conveniently located next to the power connector.
Page 24: Force Update Button
The mixer will boot and you will be prompted with an update bubble the next time an iPad (with the Master Fader app) is connected to the mixer. Now that you know how to force an update, here’s a friendly reminder that you should let the button remain peaceful, calm and tranquil, only forcing a firmware update if instructed by Mackie Tech Support. Thank you for listening! Save any current show to your iPad before forcing an update or you may lose it. The show and your sanity!
Page 25: Chapter 4: Mixer Hardware : Wireless Setup
Mackie DL806 and DL1608 Reference Guide Chapter 4: Mixer Hardware : Wireless Setup Introduction Do you want wireless control of your mixer? Of course you do! Let’s dig in and get the router set up, as this is quite an important feature of the DL Series. Up to 10 iOS devices may be connected to the network, and therefore you may control the mixer wirelessly [via Wi-Fi] or wired. Wi-Fi Router For wireless control, all that’s necessary is to connect the mixer to a Wi-Fi router. While it is possible to utilize an existing wireless network, a dedicated Wi-Fi router will give you complete control, resulting in the best possible performance.
Page 26: Connect
Mackie DL806 and DL1608 Reference Guide Connect At this point in time, we’re ready to dial in the settings of the iPad. Start by turning the iPad on (if it’s not already). You should have to follow these instructions only once for each iPad connected to the router. After that they should connect automatically. Tap “Settings” on the iPad. Settings lands you here. Select Wi-Fi by touching it. Notice that Wi-Fi is “Off” at this point, but we’re going to fix that. Drag the Wi-Fi on/off slider right to the on position.
Page 27 Mackie DL806 and DL1608 Reference Guide Check out the view below. The iPad is searching for (and setting up the connection to) the router. It should be noted here that (by default) many routers will NOT be password protected. In the occurrence that yours has a pre-configured password from the factory, you should be able to locate it on the bottom of the wireless router and type it in the space provided on the iPad.
Page 28: Router Settings
Mackie DL806 and DL1608 Reference Guide Check it out...you’re good to go! With your assistance, the iPad found the router and dialed in the Wi-Fi connection! Now go back and launch the Master Fader app. It’s that easy! Router Settings Default router settings are typically fine, but most Wi-Fi routers may be customized to ensure high performance and a secure network. We’ll outline some common router settings to adjust, but since each brand is different, refer to its manual to learn how to adjust these settings.
Page 29: Chapter 5: Mackie Master Fader Software
Mackie DL806 and DL1608 Reference Guide Chapter 5: Mackie Master Fader Software Introduction As mentioned earlier, the DL806 or DL1608 is the digital mixer, and one or more iOS devices controls it. All DSP processing and routing takes place in the mixer itself, meaning it’s not just a “dock”. The Master Fader app for iPad is where you “control” the mix. If an iPhone and/or iPod touch is connected (wirelessly), you will need to follow these same instructions as listed here, but substitute “Master Fader” with “My Fader”. More information about My Fader is outlined in Chapter 15. Downloading and Installing the Master Fader App There are a couple of ways to download and install the Master Fader app. Via iTunes on Mac or PC, for example. However, the easiest and fastest way to download and install it is directly from the iPad. You’ve downloaded apps on an iPad before and it’s the same method to download this one, as well. Here’s how: With a good internet connection via Wi-Fi, 3G or LTE, turn on the iPad and open up the App Store. Type “master fader” in the search box located near the top-right corner of the screen followed by a carriage return.
Page 30: Updating The Master Fader App
Mackie DL806 and DL1608 Reference Guide This then turns into a green INSTALL APP button. To install the Master Fader app to an iPad, tap the green INSTALL APP button and enter your Apple ID password when prompted. The blue line underneath the Master Fader app icon shows the progress of the download. Once the blue progress line disappears, the download is complete and the Master Fader app is ready for use.
Page 31: Updating The Firmware
Mackie DL806 and DL1608 Reference Guide Updating the Firmware The Master Fader app automatically compares the app and firmware versions each time the app connects to the mixer. In order to operate properly, the firmware and app versions must match. If the Master Fader app is older than the firmware version in the mixer, you will be prompted to update the app. Tap the App Store...
Page 32: Lingo
Mackie DL806 and DL1608 Reference Guide Lingo Before diving into the features and functions of the Master Fader app, let’s take a few minutes to get acquainted with the wording that will be used throughout this Reference Guide. Doing so will minimize confusion and increase productivity, a great combination! Tapping, Dragging, Flicking, Swiping, and Pinching You already have an iPad...you wouldn’t be using this mixer otherwise! Getting around the Master Fader app is similar to getting around the iPad and many of the other apps you currently utilize. Let’s go over the functions you will be using:...
Page 33: Two Main Views
Mackie DL806 and DL1608 Reference Guide Two Main Views Throughout this Reference Guide we will be talking quite a bit about views. The good thing, though, is that there are only two main views in the Master Fader app: mixer view and channel view.
Page 34: Channel View
Mackie DL806 and DL1608 Reference Guide Channel View The channel view handles all DSP-related activities. It is in the channel view where all plug-in processing is adjusted on individual channel inputs and outputs. This includes channel EQ, channel gate and compression, FX, graphic EQ and output compression and limiting. Channel View Visible and ready for action in all input channel views are: (1) the channel fader which resides vertically on the far left of the screen.
Page 35: Grow & Glow, Current Parameter Display And The Swipe Zone
Mackie DL806 and DL1608 Reference Guide Grow & Glow, Current Parameter Display and The Swipe Zone The following are key paradigms built into the Master Fader app to help simplify your mixing world. These exist on all screens and are important concepts to understand.
Page 36 Mackie DL806 and DL1608 Reference Guide The Swipe Zone — Swiping, dragging and flicking are the keys to navigating the Master Fader app and the swipe zone exists in nearly every single view. While in the mixer view, the swipe zone exists anywhere on the black background of a channel.
Page 37: Chapter 6: Mixer View : Channel Strips
Mackie DL806 and DL1608 Reference Guide Chapter 6: Mixer View : Channel Strips Introduction The mixer view contains 16 channel faders [on the DL1608; eight on the DL806], two FX channel faders [one reverb, one delay] and one iPad channel fader. Each channel strip looks and functions exactly like the others except for the FX and iPad channels. These faders may be seen in both the mixer view and channel view. In the mixer view, all faders are readily available, while in the channel view it is the current channel’s fader strip that is displayed along with whatever digital signal processing is taking place for that channel.
Page 38: Eq Curve
Mackie DL806 and DL1608 Reference Guide EQ Curve At the top of each channel fader is a thumbnail view of the current EQ processing that’s applied to each channel (whether the EQ is currently engaged or not). Tapping a channel’s EQ curve will change the outlook from the mixer view to that channel’s channel view. As such, tapping a channel’s EQ curve in the channel view will change the outlook from that channel’s channel view to the mixer view. As seen below, there are five possible scenarios regarding the EQ curve depending on whether the EQ and/or HPF are enabled. Each one may look unique, but it is the same exact EQ in each of the five different scenarios. The EQ curve will illuminate green when engaged and is gray when disengaged. To learn more about EQ and HPF, check out chapter 9 starting on page 58.
Page 39: Channel Faders And Input Meters
Mackie DL806 and DL1608 Reference Guide Channel Faders and Input Meters The touch sensitive faders adjust the level of each channel going to the selected output. Adjustments are made by touching and dragging channel faders up and down. Touched channel faders will “grow & glow” to indicate that they are being adjusted. The fader level ranges from –∞ to +10 dB as indicated by the scale on the left. The input meters (next to each channel fader) display the input signal level to the channel before all channel processing. Changes made to...
Page 40: Solo
Mackie DL806 and DL1608 Reference Guide Solo Solo offers the opportunity to audition channel(s) before they are added to the mix. Whenever a channel’s solo button is engaged, only the soloed channel(s) may be heard in the headphones. Solo buttons illuminate orange when engaged and are gray when disengaged. Input channel solo buttons are PFL which stands for pre-fader listen. Therefore, the level of the channel fader does not affect the level heard in the headphones.
Page 41 Mackie DL806 and DL1608 Reference Guide An open gray box with only the channel’s name works, but let’s spice it up with an image. Show images are kept in sync which means that all connected devices will display the new image once its been added, whether or not it was already on that device. There are several ways to choose an image. From the channel popover, tap “Image” to reveal a new popover as seen below left [Image Source]. You will be presented...
Page 42 Mackie DL806 and DL1608 Reference Guide As mentioned previously, two adjoining mono input channels may be linked together into a single stereo channel strip. This is ideal for stereo input sources such as keyboards, submixer outputs, vocal processors and more. When linked, the level control, EQ, gate and compressor are adjusted with a single set of controls! Linking channels is easy. After tapping a Channel ID button, you will see an option to “Link Ch X over Ch X”.
Page 43: Fx [Reverb / Delay]
Mackie DL806 and DL1608 Reference Guide FX [Reverb / Delay] Now let’s take a look at the reverb and delay channel strips since they operate slightly different than the channel strips. To get here, flick or drag left anywhere in the mixer view swipe zone until the FX channels appear. The differences between the input channel strips and FX channel strips are noted below. Channel 16 was left in the image on purpose to easily see the side-by-side difference...
Page 44: Ipad / Playback
Mackie DL806 and DL1608 Reference Guide iPad / Playback Now let’s take a look at the iPad channel strip since it operates slightly different than the input channel strips. To get here, flick or drag left anywhere in the mixer view swipe zone until the iPad channel appears. The differences between the input channel strips and iPad channel strip are noted below. Channel 16 was left in the image on purpose to easily see the side-by-side difference between an input channel strip and the iPad channel strip. The only differences between the iPad channel and input channels is that the iPad channel does not have a HPF or gate and it defaults as a stereo channel (but may be unlinked to make two separate mono iPad channels). Otherwise, they are totally the same. Take a look below: Balance Slider — The pan slider becomes a balance slider on the iPad channel, now acting as a stereo balance (but pan when unlinked). It allows you to adjust how much of the left or right output signals are heard. Touch and drag the sliders left or right to make adjustments. Center it to hear the output equally...
Page 45 Mackie DL806 and DL1608 Reference Guide The iPad channel controls the level and EQ from the iPad music library (or any other audio app on the iPad that supports background audio playback). It’s easy, just follow these instructions: (1) — Make sure that the iPad is attached to the mixer for playback, as it will not work in Wi-Fi mode. (2) — Open the audio app of your choice on the iPad by tapping its icon; this could be the music app, your favorite multitrack DAW, Spotify and more. (3) — Tap the play button to begin playback (if it’s not already playing). Notice that the volume slider IS available. This is because the iPad is NOT yet attached to the mixer. Once attached, the volume slider disappears. The volume is now changed with the Master Fader app. (4) — Press the home button on the iPad to exit the app. (5) — Tap the Master Fader app to relaunch the program and control the source in the mix.
Page 46: Chapter 7: Mixer View : Master Fader
Mackie DL806 and DL1608 Reference Guide Chapter 7: Mixer View : Master Fader Introduction The master fader is arguably the most important tool of the mixer. So much so, in fact, that the master fader is always displayed no matter what view is shown. As seen in the image on the left, the master fader has three...
Page 47: Graphic Eq
Mackie DL806 and DL1608 Reference Guide Once a different output has been selected, the channel faders will change to show the level going to the newly selected output. Similarly, the master fader will change to show the controls of the newly selected output.
Page 48: Balance
Mackie DL806 and DL1608 Reference Guide Balance When LR is the selected output, the balance slider controls how much of the output signal is sent to the left versus the right outputs. Touch and drag the slider left or right to make adjustments.
Page 49 Mackie DL806 and DL1608 Reference Guide Why use aux mutes instead of LR mutes? When you need to control aux mutes and main mix mutes independently for each channel and aux send. For example, FOH will use the auxes to communicate with the band without the the audience hearing the conversation coming through the main mix. They should be enjoying a frosty beverage while the house music pumps through the main PA. Or perhaps the band members are mixing their own monitors...they have control over their own mute! Use LR Mute is the default setting for all aux and FX outputs.
Page 50: Output Gain Reduction Meter
Mackie DL806 and DL1608 Reference Guide Output Gain Reduction Meter Like channel faders, the output gain reduction meter shows the amount of gain reduction applied to the output by the compressor / limiter. Output channels do not contain gates. What’s more, simply tap the output gain reduction meter in the mixer view for quick access to the compressor / limiter view. As such, tapping the output gain reduction meter in the channel view will change the outlook from...
Page 51: Record And Solo
Mackie DL806 and DL1608 Reference Guide Record and Solo If the selected output is LR (and the iPad is attached to the mixer), a record button resides below the master fader. This allows you to easily record the LR output on the iPad. Record is unavailable in Wi-Fi mode. Pressing record will begin recording immediately. The record button illuminates red when engaged and is gray when disengaged.
Page 52 Mackie DL806 and DL1608 Reference Guide (3) — Go to the apps tab. (4) — Drag and drop the recordings from the list to your hard drive. To delete a recording off the iPad, select the recording from the list in iTunes and press the delete key on the keyboard. Recording is limited to 4 GB and will stop when the limit is reached. See the table below for the maximum recording time based upon the chosen sample rate and bit depth.
Page 53: Master Id Button
Mackie DL806 and DL1608 Reference Guide If the selected output is anything other than LR, the record button will be replaced with a solo button. Soloing offers the opportunity to audition the selected output and make any necessary level adjustments to the inputs. The output solo is AFL, so the fader level will affect the signal you hear in the headphones.
Page 54 Mackie DL806 and DL1608 Reference Guide An open gray box with only the master fader’s name works, but let’s spice it up with an image. Show images are kept in sync which means that all connected devices will display the new image once its been added, whether or not it was already on that device. There are several ways to choose an image. From the popover, tap “Image” to reveal a new popover as seen below left [Image Source]. You will be presented with five...
Page 55: Linking Auxes
Mackie DL806 and DL1608 Reference Guide Linking Auxes As mentioned previously, two separate mono auxes may be linked together into a single stereo aux. This is ideal for using in-ear monitors or other stereo output destinations such as broadcast feeds, recording devices and more. When linked, the level control, graphic EQ and output compressor/limiter are adjusted with a single set of controls! Linking auxes is easy.
Page 56: Chapter 8: Level Setting Procedure
Mackie DL806 and DL1608 Reference Guide Chapter 8: Level Setting Procedure Introduction If you’re reading this front to back, now seems like a great time to discuss how to set the levels, as we just completed chapters 3 and 4 (which dealt with the hardware) and chapters 7 and 8 (which detailed the channels strips and master fader). However, if you didn’t read those chapters, but already have a grip on the mixer and Master Fader app and just want to learn how to set the levels, this is the place...either way, let’s go! Level Setting Procedure (1) Phantom Power — If any connected mics require an extra 48V of power, engage the phantom power switch on the rear panel of the mixer.
Page 57: Headphones
Mackie DL806 and DL1608 Reference Guide (6) Less Than Zero — The gain knob should be completely counter-clockwise and channel fader all the way down for each channel not in use. (7) The Raising of the Fader, Part II — Slowly raise the master fader to the desired amount. You should now see output meters and hear...
Page 58: Chapter 9: Channel View : Eq
Mackie DL806 and DL1608 Reference Guide Chapter 9: Channel View : EQ Introduction The equalizer area accesses all EQ-related parameters such as EQ for the selected channel (including gain, frequency and Q), a high-pass filter (HPF) and polarity invert. The input channels, reverb, delay and iPad channels all have up to 4-band EQ with high shelving, high-mid peaking, low-mid peaking and low shelving.
Page 59: Eq On / Off
Mackie DL806 and DL1608 Reference Guide EQ On / Off The EQ on/off button – near the upper-left corner of the screen – allows for true bypass of the EQ circuitry to ensure that there is no coloration of the signal if the EQ is not needed. When this button is disengaged, the EQ controls have no effect on the signal. You may use this button to make an A/B comparison between...
Page 60: Modern Eq Introduction
Mackie DL806 and DL1608 Reference Guide Modern EQ Introduction As mentioned previously, the modern EQ is designed for clean, surgical processing; it’s great for dialing in a nice, tight sound. As such, each of the four bands has adjustable gain and frequency, while bands 2 and 3 also have adjustable Q (bandwidth). [Bands 1 and 4 also have adjustable Q (bandwidth) when in ‘Bell’ mode]. Bands 1 and 4 may be independently switched to shelving bands using the switches located between the EQ graph and band sliders. The shelves have adjustable gain and frequency, which is the –3 dB point from the shelf. Now for a detailed (let’s say “surgical”) look at the modern EQ.
Page 61: Modern Eq Gain, Frequency And Q [Bandwidth]
Mackie DL806 and DL1608 Reference Guide Modern EQ Gain, Frequency and Q [Bandwidth] The gain and frequency may be changed by moving any of the four numbered balls (representing each band) until the desired sound has been achieved. Moving a ball vertically changes the gain by up to ±15 dB.
Page 62: High-Mid Peaking - Band 3
Mackie DL806 and DL1608 Reference Guide High-Mid Peaking – Band 3 The high-mid EQ provides up to 15 dB of boost or cut from 20 Hz to 20 kHz. Midrange EQ is often thought of as the most dynamic because the frequencies that define any particular sound are almost always found within this range.
Page 63: Modern Eq Shelf / Bell
Mackie DL806 and DL1608 Reference Guide Modern EQ Shelf / Bell A Shelf / Bell option is available on bands 1 and 4. Simply tap which setting you prefer. The chosen setting will illuminate green when engaged, while the other option will be grayed out. When engaged, the EQ becomes a shelving filter rather than a parametric filter. Shelf boosts frequencies from the cut-off point upwards. A gentle roll-off may be assumed with shelf.
Page 64: Modern Eq Hpf On / Off And Frequency
Mackie DL806 and DL1608 Reference Guide Modern EQ HPF On / Off and Frequency High-pass filters are utilized to cut out low frequencies. The high-pass filter control adjusts the cut-off frequency for the filter. Frequencies below the cut-off frequency are attenuated at a rate of 12 dB/octave.
Page 65: Modern Eq At A Glance
Mackie DL806 and DL1608 Reference Guide Modern EQ at a Glance Parameter Low Value Limit High Value Limit Default Polarity Invert HPF Enable HPF Frequency 20 Hz 700 Hz 100 Hz HPF Slope – – 18 dB/octave EQ Enable High Band Type Parametric Shelf...
Page 66: Vintage Eq Introduction
Mackie DL806 and DL1608 Reference Guide Vintage EQ Introduction Many of our audio engineer friends and other pro audio gear heads yearn for the ease of use and sound of yesteryear. That’s right, the vintage EQ was created with you in mind...but every user will love using it! It meticulously recreates the feel and sound of EQ of classic consoles. The vintage EQ captures the unique interactions between the shelving bands and the gain and frequency-dependent Q structure of the parametric band to deliver the clarity and sheen of classic EQ designs.
Page 67: Vintage Eq Gain And Frequency
Mackie DL806 and DL1608 Reference Guide Vintage EQ Gain and Frequency The gain for each EQ band may be changed by dragging up [increases gain] and down [decreases gain] over the knob until the desired gain has been achieved. The gain may be changed by approximately ±15 dB...it’s vintage, so nothing is exact! Double-tap a gain knob to reset its gain to zero. Each EQ band here has a vertical row of frequency buttons located underneath its gain knob.
Page 68: Chapter 10: Channel View : Gate And Compression
Mackie DL806 and DL1608 Reference Guide Chapter 10: Channel View : Gate and Compression Introduction Gates are typically used to reduce leakage from open microphones. Signals below the threshold level are muted, while signals above the threshold get to pass through. The range control changes the rule slightly.
Page 69: Gate On / Off
Mackie DL806 and DL1608 Reference Guide Gate On / Off Press the Gate button to turn the gate on or off. It will illuminate green when engaged and is gray when disengaged. Notice the input and output meters below, as well. There is mono metering for inputs and outputs on unlinked channels and stereo metering for inputs and outputs on linked channels. GATE ON / MONO METERS GATE OFF / STEREO METERS Modern / Vintage The modern/vintage button is located directly to the right of the gate on/off button. It displays the gate type currently in use, with “Modern” as the default gate. Tap this button to reveal the two gate types, then tap the...
Page 70: Modern Gate And Compressor Swipe Zone
Mackie DL806 and DL1608 Reference Guide Modern Gate and Compressor Swipe Zone Here in the modern gate and compression view, swipe anywhere in the gray areas outlined below. Swiping up displays that channel’s FX view. Swiping down displays that channel’s EQ view. And swiping left and right changes channels. Modern Gate Display and Settings The gate for each channel may be adjusted by moving the threshold and range balls or moving any of the five sliders left and right. Additionally, exact settings may be entered into the current parameter...
Page 71: Modern Compressor Display And Settings
Mackie DL806 and DL1608 Reference Guide Modern Compressor Display and Settings The compressor for each channel may be adjusted by moving the gain, threshold and ratio balls or moving any of the five sliders left and right. Additionally, exact settings may be entered into the current parameter display. The compressor may be adjusted whether the compressor is on or off.
Page 72: Vintage Gate And Compressor Introduction
Mackie DL806 and DL1608 Reference Guide Vintage Gate and Compressor Introduction Many of our audio engineer friends and other pro audio gear heads yearn for the ease of use and sound of yesteryear. That’s right, the vintage gate and compressor were created with you in mind...but every user will love using it! It meticulously recreates the feel and sound of gates and compressors of classic consoles.
Page 73: Vintage Gate Settings
Mackie DL806 and DL1608 Reference Guide Vintage Gate Settings Each channel’s threshold and hold levels may be changed by dragging up [increases level] and down [decreases level] over their respective knobs until the desired level has been achieved. To the right are two horizontal rows of buttons for the attack and release. Simply tap the button you desire for the attack and release time. The current selection will illuminate green. The threshold and hold settings (but not the attack and release settings) may also be manually entered via the current parameter display.
Page 74: Vintage Gate / Compressor Vu Meters
Mackie DL806 and DL1608 Reference Guide Vintage Gate / Compressor VU Meters To complete the classic look of the vintage dynamics, the gate and compressor are outfitted with VU meters. What’s more, underneath each VU meter is a set of buttons to select between displaying the input level, amount of gain reduction or output level. The input and output meters range from –20 dBu to 0 dBu. The reduction meter of the gate and compressor ranges from 0 to 20 dB. Mono metering is displayed for inputs and outputs on unlinked channels and stereo metering is displayed for inputs and outputs on linked channels.
Page 75: Chapter 11: Channel View : Fx
Mackie DL806 and DL1608 Reference Guide Chapter 11: Channel View : FX Introduction The DL Series mixers have one reverb and one delay and these may be fed from any combination of channels. There are a wide variety of reverb and delay types at your disposal on the Master Fader app.
Page 76: Fx View
Mackie DL806 and DL1608 Reference Guide FX View EFFECT TYPE FX SENDS FX SETTINGS FX RETURNS From left to right, each effect displays the following: Effect Type — The reverb and delay each display the currently selected effect type (as a button which reveals a popover when tapped) and an accompanying image.
Page 77 Mackie DL806 and DL1608 Reference Guide FX Returns — There are two vertical return channel faders and meters, one for each effect. These control the return level from the effect to the selected output. You have seen these before, as they are the same faders displayed in the mixer view. A pair exists [one for reverb, one for delay] for each selected output. Unlike the FX sends, the color of the selected output indicator will change based on the selected output for the FX returns.
Page 78: Reverb Type
Mackie DL806 and DL1608 Reference Guide Reverb Type Reverb simulates the effect of room variations. The Master Fader app comes with nine reverb types to choose from: plate, ambience, small room, medium room, large room, hall, cathedral, gated reverb and spring. A button displaying the current reverb type may be tapped to reveal the other reverb types. Tap...
Page 79: Reverb Sliders
Mackie DL806 and DL1608 Reference Guide Reverb Sliders The following is a list of sliders available for each selected reverb. Slide left to decrease the reverb time and slide right to increase the reverb time. Pre Delay (All) — When listening to a live performance, direct sounds are reached first, followed by reverberation caused by room reflections.
Page 80: Delay Type
Mackie DL806 and DL1608 Reference Guide Delay Type Delay allows adjustment of the effect delay. The Master Fader app comes with five delays to choose from: mono, tape echo, stereo, ping-pong and multi-tap. A button displaying the current delay type may be tapped to reveal the other delay types. Tap the delay you would like for the selected channel. The image will change to reflect the delay type chosen.
Page 81: Delay Sliders
Mackie DL806 and DL1608 Reference Guide Delay Sliders The following is a list of sliders available for each selected delay. Slide left to decrease the delay time and slide right to increase the delay time. Some delays have a ‘tap’ function in which case you tap the ‘tap’ button at the rate you would like the delay. Delay (Mono, Tape Echo) — This slider sets the current delay time in milliseconds, from 10 ms to 1600 ms.
Page 82: Chapter 12: Channel View : Graphic Eq
Mackie DL806 and DL1608 Reference Guide Chapter 12: Channel View : Graphic EQ Introduction Graphic EQ is a great tool for really dialing in the sound you’re looking for or to squelch feedback from monitors. Arrival is easy. Simply tap the graphic EQ curve at the top of the master fader channel from the mixer view or from any input channel view. The graphic EQ looks and works similarly to that of a typical 31-band graphic EQ.
Page 83: Draw
Mackie DL806 and DL1608 Reference Guide The 2X button is located near the upper-right corner of the screen, just left of the draw button. This allows you to zoom in on the graphic EQ, perfect for our friends with sausage fingers and/or mixing with the iPad mini. Swipe left and right to view and adjust the remaining bands.
Page 84: Zeroing The Geq
Mackie DL806 and DL1608 Reference Guide Zeroing the GEQ Imagine how long it might take to reset each of the 31 bands on the graphic EQ to ±0 dB. The factory default preset for graphic EQ will do that for you in a few easy steps. First, you should already be on the graphics EQ view; if you’re reading this chapter, I gather that you’re already there! Now (1) tap the presets...
Page 85: Chapter 13: Channel View : Output Compressor / Limiter
Mackie DL806 and DL1608 Reference Guide Chapter 13: Channel View : Output Compressor / Limiter Introduction The output compressor / limiter looks and functions similar to that of the channel compressor, except (1) the output compressor / limiter affects and alters the sound of everything passing through the selected output and (2) the output compressor / limiter output is in stereo.
Page 86: Modern Output Compressor / Limiter Swipe Zone
Mackie DL806 and DL1608 Reference Guide Modern Output Compressor / Limiter Swipe Zone Here in the output compressor / limiter view, swipe anywhere in the gray areas outlined below. Swiping up or down displays the graphic EQ view. Swiping left and right does nothing.
Page 87: Vintage Output Compressor / Limiter Introduction
Mackie DL806 and DL1608 Reference Guide Vintage Output Compressor / Limiter Introduction Many of our audio engineer friends and other pro audio gear heads yearn for the ease of use and sound of yesteryear. That’s right, the vintage output compressor / limiter was created with you in mind...but every user will love using it! It meticulously recreates the feel and sound of output compressor / limiters of classic consoles.
Page 88: Vintage Output Compressor / Limiter Display And Settings
Mackie DL806 and DL1608 Reference Guide Vintage Output Compressor / Limiter Display and Settings Each channel’s threshold and gain levels may be changed by dragging up [increases level] and down [decreases level] over their respective knobs until the desired level has been achieved. To the right are three horizontal rows of buttons for the attack, release and ratio. Simply tap the button you desire for the attack, release and ratio. The current selection will illuminate green. The threshold and gain settings (but not the attack, release and ratio settings) may also be manually entered via the current parameter display.
Page 89: Chapter 14: Mixer View : Navigation Bar
Mackie DL806 and DL1608 Reference Guide Chapter 14: Mixer View : Navigation Bar Introduction Just how important is the navigation bar? It’s so important that it is always available regardless of what view is currently displayed. Want more? Not only is it always available, but it is right on top in plain sight! Not at the bottom or tucked away in some corner. It’s a banner announcing (and awaiting) your choice. Interestingly, though, there are no faders here; EQ, gates and compressors and FX live elsewhere, etc. Think of the navigation bar as the brains behind the operation. A mixer button takes you back to the mixer view, there are a wide variety of options to choose from in the tools section and the navigation bar also hosts presets, shows, snapshots and channel safes selection, too.
Page 90: Devices
Mackie DL806 and DL1608 Reference Guide When tapped, the tools menu will appear and the tools icon will illuminate green, as seen in the image below . When tools is disengaged, the icon is gray. Tap the tools icon to reveal the following options:...
Page 91 The wired mixer is grayed out indicating that it is not available for selection. This is because there is no wired device, nor any wireless options at this point. This mode is perfect for configuring a complete show offline or to test drive the Master Fader app before buying the accompanying DL806 or DL1608.
Page 92 Mackie DL806 and DL1608 Reference Guide Wired I — Slide the iPad into the mixer. You will see that the wired device changes to display the name of the DL Series mixer and it is automatically selected. When this happens, a pop-up appears indicating that the console is connecting and synchronizing the current show and then the current state.
Page 93 This may take a few moments to appear. Again, though, since the iPad is wired, you will be unable to change over to wireless control. Try to select the wireless DL Series mixer by tapping it. Notice that it just bounces back to the wired device. This is indicated by a grayed out DL806 or DL1608 icon in the wireless selection. However, the offline icon is not grayed out, indicating that it is available for selection. You might decide to work offline so your changes don’t affect the mix of the gig currently taking place. Wireless — Remove the iPad from the mixer and select the DL Series mixer from the wireless list so it highlights blue. Feel free to wander the venue and mix with this wireless iPad. Because the iPad is...
Page 94 Be patient. The wireless device will not immediately disappear after it is powered off. This is one of the safety features of the iPad auto-discovery. It is normal to see devices hang around longer than you might expect. Obviously, since we are walking around the room mixing wirelessly, there is no wired device available. This is indicated with a grayed out DL806 or DL1608 icon and text explaining that there is “No Connected Device”.
Page 95 Mackie DL806 and DL1608 Reference Guide You should now know how to set up your iPad in devices. Go ahead and experiment with it, switching between the three selections. The more you do it, the more familiar it becomes. Plus, it’s software: you can’t break it! Also, notice in all of the examples that the text underneath the tools icon displays exactly what the state of the iPad is in...and will be no matter what view you are in. Tools > Devices is just the place to set up each iPad. If you believe that the iPad should be connected when wireless, please follow the steps outlined below in order: (1) Connect the iPad wired just to ensure that the app works.
Page 96: Settings
Mackie DL806 and DL1608 Reference Guide Settings There are two types of settings available: (1) Settings that only affect the iPad. (2) Settings that are transferred to the console and affect every iPad connected to it. Connected Device Name — Rename the mixer here. Yes, you are physically changing the name on the iPad, but it is indeed the mixer you’re naming. Why name the mixer anything else other than “DL806” or “DL1608”? Well, you might have two DL Series mixers and want to identify between them on the wireless network. The mixer may be named from either a wired or wireless iPad. A maximum of 54 characters may be used when naming the mixer. As a hardware setting, the name is stored in the mixer, is global to the mixer and therefore affects all connected iPads. It is not changed by show or snapshot changes. Renaming from a wired iPad: (1) Type in the name you want to call the mixer followed by tapping the “return” button.
Page 97 Mackie DL806 and DL1608 Reference Guide Access Limits — This set of buttons allows you to limit access to a variety of controls on each iPad. This is useful in multiple situations. For example, each member of a band with an iPad can access and change only the controls you choose. The singer won’t be thrilled about it, but we all know that you’re the one who really runs the show! This feature works great for FOH and monitor engineers, as well. Each can have their own iPad, but without the ability to access and ruin each other’s already glorious settings. With no access limits buttons pressed, the iPad can access all controls. With one or more buttons pressed, the corresponding control cannot be accessed or changed from that iPad. The function of the limiting buttons is described below.
Page 98 Mackie DL806 and DL1608 Reference Guide • Mute Groups / View Groups / Group Assign — These buttons will limit access to the corresponding group controls and gray them out. That’s the short version. Let’s take a closer look at these three access limits in detail, starting on the far right with group assign. • Group Assign — Once the user has configured the channels assigned to the mute and view groups, enable the group assign limit to prevent any changes to those assignments. The band will still be able to enable and disable mute masters and view groups, but they won’t be able to make changes to the mute and view select group assignments. Slick!
Page 99 Mackie DL806 and DL1608 Reference Guide The following screenshots shows a totally locked down iPad with access to aux 4 only. You can see the mixer view shows these limits with grayed out controls. Additionally, a lock switch allows the engineer to limit changes to the access limits controls by setting a four character passcode. Simply configure the access limits as desired and change the lock switch to ON.
Page 100 Mackie DL806 and DL1608 Reference Guide At this time, you will be prompted to enter and confirm a four character passcode. The access limit controls will now be grayed out, preventing any unwarranted changes. To adjust them again, change the lock switch back to OFF and enter the four character passcode. Be sure to remember the passcode! If you forget, you will not be able to access these controls ever again! Read that again...no access to the limit controls if you lock it and can’t...
Page 101: Help
Mackie DL806 and DL1608 Reference Guide Help We’re with you every step of the way and here’s where to go if you need further assistance or simply want to seek additional information about the DL Series mixers. There is plenty enough to go around for everyone and we share nice! The list below describes all of the goodies as shown in the image above: About — About displays the Master Fader App version that is currently installed on the iPad.
Page 102: File System
The file system consists of the following: (1) Current State — When the DL806 or DL1608 mixer is turned on, it wakes in the state that it was in when it was powered off.
Page 103 Mackie DL806 and DL1608 Reference Guide Step 2 — Name the show: Each new show begins as “unnamed”. However, with multiple shows, trying to find the exact “unnamed” show that you want could prove to be difficult, to say the least. So let’s name it. Tap the green “unnamed” button to reveal a popover, as seen below. Tap inside of the blank “Name:” box to reveal the onscreen keyboard, then name the currently selected show as you so desire. Tap the “return” key when satisfied with the name. If the name is too long to fit, the button scrolls, displaying the entire name. Step 3 — Looks are everything: Looks are everything...or so I’ve heard. Let’s say the mixer is on tour where the support act and headliner may change on any given night. It’s not far from the realm of possibilities and happens more often than folks might think. Therefore, it might be helpful to not just name the show, but also select an image, so as not to open the wrong show...oops! Tap the show button...
Page 104: Snapshots
Mackie DL806 and DL1608 Reference Guide You may have noticed a third choice in the popover when the shows button is tapped – Duplicate. Duplicate will create an exact copy of the current show. This is useful in situations where two (or more) shows may be quite similar, with only a few minor changes between them. For example, a band could have a long set list and short set list. After creating the show containing the long set list, duplicate it...
Page 105 Mackie DL806 and DL1608 Reference Guide Repeat this step a couple more times. Go back to the mixer view and channel view to change the mixer settings, and store these snapshots in the shows view as indicated above. At this point, the snapshot list will look somewhat like the image below (depending upon the number of snapshots you took, of course!).
Page 106: Channel Safes
Mackie DL806 and DL1608 Reference Guide Step 6 — Recalling snapshots: Now that you’ve created and named the snapshots, it’s time to recall them! On recall, all appropriate console parameters change to match the stored snapshot. In our example, recall each of the snapshots, starting with the Intro. Tap the Intro button to reveal the popover as shown on the previous page, tap the Recall button to reveal a confirmation dialog as seen to the left, then tap the Yes button to recall the snapshot. Now go back to the mixer and channel views. The settings you created for...
Page 107 Mackie DL806 and DL1608 Reference Guide Step 7 — Setting channel safes: Let’s give it a shot to understand how this functions a little better. A common scenario for using channel safes is on outputs. This way, the settings on all input channels will recall, but the output settings [graphic EQ and output compressor / limiter] will not. Select all outputs (as seen in the image below). DL1608 Channel Safes Now that we’ve set channel safes, go ahead and recall the snapshots again [step 6, previous page]. There should now be no changes to the output settings when recalling any of the snapshots (assuming, of course, that you made changes to the outputs when creating the snapshots [step 4, three pages back]).
Page 108: Current Show Vs Offline Shows
Mackie DL806 and DL1608 Reference Guide Current Show vs Offline Shows So you’ve successfully created your first show...congratulations! Creating additional shows will be a breeze, but let’s take a quick peek at how it works. As mentioned earlier, at all times there is a single show loaded on the mixer. We call this the Current Show. Additional offline shows may be created and stored, each with their own set of snapshots. Here’s one way to understand the difference between current shows and offline shows: envision your High School days. The textbook you have with you in the classroom would be considered the current show. Each page [snapshot] is filled with different information, but they are all necessary to...
Page 109 Mackie DL806 and DL1608 Reference Guide At the end of the show list is a gray button labeled “New Show”. Tap this button to create a new show and move the “New Show” button to the end of the show list. You will be prompted immediately to name this new show. In this example, we named it “Headliner”. Type “Headliner” in the name field followed by tapping the return key to see an image similar to what is displayed below. At this point the show has been created, but it is still an Offline Show. It has to be the Current Show in order to view and load snapshots. That’s easy! Just tap the Headliner button to reveal a popover similar to what is displayed at the top of this page. From there tap the Load button to reveal an image...
Page 110 Mackie DL806 and DL1608 Reference Guide Before tapping the Yes button, let’s discuss the load button for a moment...but only for a moment! Load — Load is an option we did not see in the “Current Shows” section. That’s because the current show is the loaded show! Load is only available in the “Offline Shows” section and will load the selected show (including all of the snapshots associated with the show) as the Current Show. Ok, now tap the Yes button! After loading, the Current Show will display the Headliner show and all of its snapshots. Now tap the Offline Shows button to see an image similar to what is displayed below. Notice that Support is no longer the green button...Headliner is! Load time is all dependent on the number of stored snapshots on the show and it can take up to two seconds per snapshot to transfer. The current state of the console is not changed on a show load, audio still passes and you can still adjust all mix controls.
Page 111: Random Notes And Other Musings
Mackie DL806 and DL1608 Reference Guide Random Notes and Other Musings To Push or to Pull, That is the Question — The CURRENT show on the iPad must match the CURRENT show on the mixer. If they do not, you will be asked to select between the two so they are synced.
Page 112: Presets
Mackie DL806 and DL1608 Reference Guide Presets Presets save parameters on individual input or output channels and on particular DSP blocks such as EQ, dynamics, FX, graphic EQ, etc. For example, a favorite kick drum EQ setting may be saved as a preset and recalled as needed. Presets are not associated with a particular show, snapshot or channel. In other words, a preset may be created while one show is active and recalled again into a different show.
Page 113: Factory Presets Vs User Presets
Mackie DL806 and DL1608 Reference Guide Factory Presets vs User Presets There are factory presets and user presets on all channel and DSP settings that may be set ahead of time. Feel free to start with a factory preset, manipulate to your liking, then save as a user preset. We will start with what each one looks like and how they work. The next section will discuss the differences between channel presets and DSP presets.
Page 114 Mackie DL806 and DL1608 Reference Guide Name — When the name button is pressed, use the onscreen keyboard to name the currently selected item. Simply type a name in the box and tap the “return” key when finished. If the name is too long to fit, the button scrolls, displaying the entire name. For familiarity, this is the same keyboard that is used for messaging or emailing from the iPad. An open gray box with only the preset’s name works, but let’s spice it up with an image. There are several options in this department. From the preset popover, tap “Image” to reveal a new popover as seen below [Image Source]. You will be presented with four choices: Image Source...
Page 115 Mackie DL806 and DL1608 Reference Guide Since we already named this preset geetar, we might as well use the geetar picture to boot, right? Select the photo from the camera roll in select photo. This preset is set: name, image and most importantly...settings. Delete Preset — The delete button deletes the currently selected preset. This is a permanent deletion with no undo, so a confirmation dialog helps prevent accidents.
Page 116: Channel Presets Vs Dsp Presets
Mackie DL806 and DL1608 Reference Guide Channel Presets vs DSP Presets There are channel presets and DSP presets. Also, there are factory presets for both or you may create your own user presets for each. So many options! Let’s take a look at each: Input and Output Channel Presets — Channel presets change virtually all controls on the channel. There are both input and output channel presets. Input channel presets do NOT change pan, mute, fader, solo, polarity or the linked state. Output channel presets do NOT change balance, level, the aux/FX send configuration or the linked state.
Page 117 Mackie DL806 and DL1608 Reference Guide From the EQ channel view you are able to choose between setting a preset for the entire input channel or just the channel’s EQ. Don’t forget to scroll up to access more factory presets, if going that route. EQ presets do NOT recall either the HPF on/off or the EQ on/off, but the EQ presets DO recall the EQ type [modern or vintage]. PRESETS From the gate / compressor channel view there are three preset choices to choose from: the entire input channel, just the channel’s gate or just the channel’s compressor.
Page 118 Mackie DL806 and DL1608 Reference Guide From the graphic EQ channel view you are able to choose between setting a preset for the entire output channel or just the graphic EQ. Tap which one you prefer. Also, this is the easy way to reset the graphic EQ to ±0 dB. In this view, (1) make sure the “GEQ” button (not the “Output” button) is green, (2) tap the factory default button, (3) tap recall, and (4) tap the yes button. Done!
Page 119: Quick Access Panel
Mackie DL806 and DL1608 Reference Guide Quick Access Panel Residing on the far right-hand side of the navigation bar is the quick access panel. It’s the square button with three centered horizontal lines. If you’re hungry, it may look like a hamburger. If you’re not hungry, you now notice that it kinda, sorta looks like a hamburger, anyway. That’s your quick access panel! It allows for fast control over critical functions. It does not allow for fast access to hamburgers. Tapping the quick access panel illuminates the button green and scooches the master fader and channel faders to the left, making way for another strip of functions.
Page 120: Effects Controls
Mackie DL806 and DL1608 Reference Guide Effects Controls Mute Reverb/Delay — Tapping the reverb and/or delay mute button in the quick access panel is akin to tapping the LR mute button at the top of the reverb and/or delay channel strip. However, with the quick access panel, you now have easier access to the effects controls regardless of what view is open.
Page 121: Mute Group Control
Mackie DL806 and DL1608 Reference Guide Mute Group Control Mute groups allow you to quickly mute (and unmute) multiple channels and/or outputs with a single tap. There are a multitude of possibilities in which to assign and enable mute groups: productions featuring a rotating cast of musicians, theater productions, a house of worship and more.
Page 122 Mackie DL806 and DL1608 Reference Guide Step 4 — Tap the channels to assign: Tap the channels you wish to assign to a mute group. In this case, tap channels 11-16. Notice in the screen shot below that each assigned channel button turns oxblood red when selected. Conincidentally, the band’s name is Oxblood Red and they put on a great show! Step 5 — Tap the groups assign button (again): Close the assignment panel by tapping the groups assign button again.
Page 123 Mackie DL806 and DL1608 Reference Guide Step 6 — Tap the mute group 1 master button: Tap the mute group 1 master button located on the quick access panel. Notice in the screen shot below that each assigned channel’s mute button (channels 11-16) and the mute group 1 master button turn oxblood red when selected. This is the exact same screen shot as seen on the previous page, but with the mute group 1 master button enabled.
Page 124 Mackie DL806 and DL1608 Reference Guide Mute groups are also great for muting all inputs during song breaks or as a break switch in between sets. In fact, this is similar to the iconic break switch found on many classic Mackie consoles...but with the DL Series mixers, you can actually set up the break switch how you want. Here’s how: A classic break switch is muting all inputs and outputs, except the iPad channel and LR, as seen below.
Page 125 Mackie DL806 and DL1608 Reference Guide Multiple mute groups may be enabled simultaneously. This would be particularly helpful in a larger production featuring a rotating ensemble of musicians on stage. You could also use mute groups for scenes in a theater production, a variety of services in a House of Worship and more. The possibilities are endless!
Page 126: View Group Control
Mackie DL806 and DL1608 Reference Guide View Group Control View groups allow you to see only the channels that you want to view, hiding the rest. This improves organization and allows for faster navigation. You may create and assign as many as four separate view groups with Master Fader. Let’s take a look at a couple of examples. Example One: A singer-songwriter is playing at the local coffee shop. In all likelihood, 3-4 inputs are probably the maximum amount of channels needed. Wouldn’t it be great to hide the unused channels, showing only the channels in use? The answer is a resounding “YES, of course it would!” Plus, the FX returns would be in view with the selected channel strips...no more swiping back and forth! Simply assign those channels to a view group and engage that view group button. Here’s how: Step 1 — Open the quick access panel: Assigning channels to view groups starts in the quick access panel, so you’ll need to head...
Page 127 Mackie DL806 and DL1608 Reference Guide Step 4 — Tap the channels to assign: Tap the channels you wish to assign to the view group. In this case, tap channels 1 and 2. FX and backing tracks will only enhance the performance, so tap the reverb, delay and iPad channel buttons, as well. Notice in the screen shot below that each assigned channel button turns green when selected. Step 5 — Tap the groups assign button (again): Close the assignment panel by tapping the groups assign button again.
Page 128 Mackie DL806 and DL1608 Reference Guide Step 6 — Tap the view group A button: Tap the view group A button located on the quick access panel. Notice in the screen shot below that the view group A button illuminates green when selected. This is the exact same screen shot as seen on the previous page, but with the view group A button selected. Excellent work! You assigned channels 1, 2, the FX and iPad channels to view group A and engaged view group A (thereby hiding all other channels). Notice that only channels 1, 2, reverb, delay, iPad and the master fader channels are present..the channels you assigned to view! Now, let’s say there’s an all-acoustic hootenanny taking place at the monthly hoedown. After the singer-songwriter’s session is completed, the next band up could add mandolin and banjo to the mix. Simply assign those channels to a different view group following the same steps.
Page 129: Chapter 15: Mackie My Fader Software
Mackie DL806 and DL1608 Reference Guide Chapter 15: Mackie My Fader Software Introduction Do you want to control the mix via iPhone or iPod touch? OF course you do! Well, you’ve come to the right place! At this point, you must be well-versed in – or at least somewhat familiar with – the ins and outs of Master Fader. My Fader looks and works similarly to that of Master Fader, but just on a much smaller scale.
Page 130: My Fader Vs Master Fader
Mackie DL806 and DL1608 Reference Guide My Fader vs Master Fader The previous page displayed an image of what the entire mixer view of My Fader looks like and we just discussed the differences between My Fader and Master Fader, but let’s take a closer look at what was just explained. We’ll break down the mixer view before moving onto the tools and shows sections. The images below show side-by-side comparisons (and differences) between the My Fader and Master Fader channel strips (left) and output strips (right).
Page 131 Mackie DL806 and DL1608 Reference Guide Gain Reduction Meter – The gain reduction meter displays the input channel gain reduction from the gate and compressor. The single meter shows the sum of the total reduction applied by the gate and compressor.
Page 132 Mackie DL806 and DL1608 Reference Guide Channel ID Button – Each channel ID button name and image is user-editable. Additionally, users may also link two adjoining channels together into a single channel strip. Simply tap the button at the very bottom of the channel strip to reveal a popover that allows editing of the name and image and option to link channels.
Page 133 Mackie DL806 and DL1608 Reference Guide Show Images — This allows you to select the channel image from photos that are currently in use on the current show. The list will display all images currently in use. Tap the photo you would like to use from this list.
Page 134 Mackie DL806 and DL1608 Reference Guide Output Selector / Output Channels – The master fader is arguably the most important tool of the mixer and the output selector has the most important role, so we’ll start there. After that, we will head back to the top of the master fader and work our way down. The mixer view shows a fader for each channel. Initially, this fader controls the level to the LR output.
Page 135 Mackie DL806 and DL1608 Reference Guide Master ID Button – The master fader’s name and image is similar to that of a channel strip’s name and image. Like the channel faders, the master fader’s name and image is also user-editable. Additionally, users may also link two adjoining auxes together. Simply tap the button at the bottom of the master fader and a popover allows editing a name or selecting an image and option to link auxes.
Page 136 Mackie DL806 and DL1608 Reference Guide An open gray box with only the master fader’s name works, but let’s spice it up with an image. Show images are kept in sync which means that all connected devices will display the new image once its been added, whether or not it was already on that device. There are several ways to choose an image. From the popover, tap “Image” to reveal a new popover as seen...
Page 137 Mackie DL806 and DL1608 Reference Guide Linking Auxes – As mentioned previously, two separate mono auxes may be linked together into a single stereo aux. This is ideal for using in-ear monitors or other stereo output destinations such as broadcast feeds, recording devices and more. When linked, the level control, graphic EQ and output compressor/limiter are adjusted with a single set of controls! Linking auxes is easy. First you need to select the aux you want to link. Now tap the aux’s Master ID button;...
Page 138: Tools
Mackie DL806 and DL1608 Reference Guide Tools Tap the button with the gear icon on it to open up the tools view. Notice that it has a nearly identical layout to that of the tools section of Master Fader. My Fader is divided into four sections: devices, settings, groups and help. Below is a side-by-side comparison of each, with My Fader screen shots on the left and Master Fader screen shots on the right.
Page 139 Mackie DL806 and DL1608 Reference Guide Check out the two images below. On the left side, we set access limits to Auxes 1, 3, and 5, as well as the FX outputs, Mute, Channel ID, Shows, Mute Groups and View Groups. We know because as we’ve seen throughout the reference guide, a green button means a function is engaged, while gray buttons are disengaged items. On the right hand side is an image of the mixer view with the above-mentioned access limits in place.
Page 140 Mackie DL806 and DL1608 Reference Guide Now for My Fader view groups. Check out the images below. On the left side, we enabled view group select A. On the right side is an image of the mixer view with view group select A enabled. Notice that the channels that were added to view group A are the only channels in view. More information about mute groups and view groups may be found on pages 121-128. Help – For the most part, the help section is pretty self-explanatory. Basically this is where to go if you need further assistance or simply want to seek additional information about the DL Series mixers.
Page 141: Shows
Mackie DL806 and DL1608 Reference Guide Shows Shows from My Fader works similarly to that of Master Fader except that you cannot create and save them. Instead, My Fader pulls the current show from the DL Series mixer, allowing you to recall its snapshots.
Page 142: Appendix A: Service Information
Appendix A : Service Information Troubleshooting If you think your Mackie product has a problem, please check out the following troubleshooting tips and do your best to confirm the problem. Visit the Support section of our website (www.mackie.com) to get some ideas or contact our technical support heroes. You may find the answer to the problem without...
Page 143: Repair
Mackie DL806 and DL1608 Reference Guide Noise / Hum • Are all the connections good and sound? Make sure all of the connecting cables work and are securely connected at both ends. Try the same source signal in another channel, set up exactly like the suspect channel. • Are you using unbalanced cables? Swap them out with balanced cables to see if that fixes the problem. • Turn the input gains down one-by-one. If the offending noise disappears, it’s either that input or whatever is plugged into it. If you unplug the whatever-is-plugged-into-it and turn the input gain back up and the noise is gone, it’s from your whatever.
Page 144: Appendix B: Ios Optimizations
Mackie DL806 and DL1608 Reference Guide Appendix B : iOS Optimizations iPad Optimizations Below is a list of ways to trick out your iPad to optimize its use with Master Fader and your DL Series mixer. When you have some additional time, use your favorite search engine to search “trick out your iPad” for other ways to optimize your iPad. All of the following tips and tricks may be found by going to Settings > General on the iPad. iPad Optimization #1 : Prevent the iPad from turning off in the middle of a show. Simply change the Auto-Lock from its current selection to “Never” (or 15 minutes, at least). iPad Optimization #2 : Allows you to change the level on more than three faders simultaneously. Simply turn Multitasking Gestures off.
Page 145 Mackie DL806 and DL1608 Reference Guide iPad Optimization #3 : Allows you to press three faders simultaneously. Go to Settings > General > Accessibility. Simply turn Zoom off. iPad Optimization #4 : Disable 3G Data [TDMA] so the iPad is Wi-Fi only. Simply turn Cellular Data off. iPad Optimization #5 : Turn off Lock Sounds and Keyboard Clicks.
Page 146 Mackie DL806 and DL1608 Reference Guide iPad Optimization #6 : Mute sounds, including email alerts, calendar event warnings, alarms and other extraneous iPad noises (except music apps; those will continue to play). There are two methods to optimize your iPad here. It’s just a matter of preference. Use Side Switch to: Mute Now flip the side switch on the iPad (next to the volume up/down switch) so that the orange dot is visible. It indicates that the iPad is indeed muted (except for the music apps). Use Side Switch to: Lock Rotation Double-tap the home button on the iPad to reveal the tool bar at the bottom of the iPad. Now swipe it right to reveal the iPad’s audio play bar. On the far left is a mute/un-mute button. Mute it.
Page 147 Mackie DL806 and DL1608 Reference Guide iPad Optimization #7 : Master Fader and Auto Updating Apps in iOS7 iOS7 adds an interesting new feature allowing apps to be updated in the background. This feature is great for consumer apps like games, etc. However, you use apps like Master Fader professionally and auto-updating your apps can cause problems at the gig if the process is not properly understood.
Page 148 Mackie DL806 and DL1608 Reference Guide iPad Optimization #8 : Turn microphone access on. iOS7 adds a new security feature requiring apps that record via the microphone or dock connector, to first get approval from the user. So the first time you launch Master Fader on iOS7 you will see the following popup.
Page 149 Mackie DL806 and DL1608 Reference Guide Turn Master Fader microphone on. YouTube Master Fader Spreaker DJ...
Page 150: Iphone / Ipod Touch Optimizations
Mackie DL806 and DL1608 Reference Guide iPhone / iPod touch Optimizations Below is a list of ways to trick out your iPhone / iPod touch to optimize its use with My Fader and your DL Series mixer. When you have some additional time, use your favorite search engine to search “trick out your iPhone” (or “iPod touch”) for other ways to optimize your iPhone / iPod touch. All of the following tips and tricks may be found by going to Settings > General on the iPhone / iPod touch. iPhone / iPod touch Optimization #1 : Prevent the iPhone / iPod touch from turning off in the middle of a show. Simply change the Auto-Lock from its current selection to “Never” (or 5 minutes, at least). iPhone / iPod touch Optimization #2 : Allows you to press three faders simultaneously. Go to Settings > General > Accessibility. Simply turn Zoom off.
Page 151 Mackie DL806 and DL1608 Reference Guide iPhone / iPod touch Optimization #3 : Disable 3G Data so the iPhone / iPod touch is Wi-Fi only to prevent accidental interruptions such as phone calls, emails, text messages and more. Simply turn Airplane Mode on.
Page 152 Mackie DL806 and DL1608 Reference Guide iPhone / iPod touch Optimization #4 : Master Fader and Auto Updating Apps in iOS7 iOS7 adds an interesting new feature allowing apps to be updated in the background. This feature is great for consumer apps like games, etc. However, you use apps like Master Fader professionally and auto-updating your apps can cause problems at the gig if the process is not properly understood.
Page 153: Appendix C: Technical Information
Mackie DL806 and DL1608 Reference Guide Appendix C : Technical Information Specifications General Digital Sample Rate: .........................................48 kHz A/D/A Bit Depth: ......................................24-bit System Latency: ......................................1.5 ms Frequency Response All inputs to all outputs: ............................ ±0, –1 dB, 20 Hz to 20 kHz Distortion THD (mic input to main output, 1 kHz, –1 dBFS): ........................<0.005% Noise / Dynamic Range / Signal-to-Noise Ratio EIN (150 termination): ..................................
Page 154 Analog Inputs Connectors: ..................1-12: XLR Balanced, 13-16: Combo XLR / TRS Balanced [DL1608] 1-4: XLR Balanced, 5-8: Combo XLR / TRS Balanced [DL806] XLR Mic Pre: ........................................Onyx Input Impedance: ................1-12: 3k , 13-16: 3 k mic [XLR], 30 k line [1/4"] [DL1608] 1-4: 3k , 5-8: 3 k mic [XLR], 30 k line [1/4"] [DL806] Max Input Level: .....................................XLR: +21 dBu 1/4": +30 dBu Gain: ......................................XLR: 0 to 60 dB 1/4": –20 to 40 dB 48V Phantom Power (XLR): ..........48 VDC, 10 mA max per mic, with up to eight simultaneously [both]...
Page 155 Mackie DL806 and DL1608 Reference Guide Specifications Continued... Networking Connector: ....................................100 MB Ethernet Control: ........................................Complete Simultaneous Control: ................................10 iPad Devices Supported Devices Version Requirement: ..........................iOS 5.1 or higher [Master Fader] iOS 6 or higher [My Fader] DL Series mixer with Lightning Connector Wired iPad: ................................iPad (4th generation), iPad mini (requires optional iPad mini tray accessory) Wireless iPad: ................................. All iPad models Wireless iPhone / iPod touch: ..................iPod touch (4th and 5th generation), iPhone 4, iPhone 4S, iPhone 5 DL Series mixer 30-pin Connector Wired iPad: ......................Original iPad, iPad 2 and iPad (3rd generation) Wireless iPad: ................................. All iPad models Control Application: ............................Mackie Master Fader App...
Page 156: Dimensions
Mackie DL806 and DL1608 Reference Guide Specifications Continued... Dimensions Width: ......................................11.5 in / 291 mm Height (Front): ....................................1.6 in / 40 mm Height (Rear): ....................................3.7 in / 95 mm Depth: ......................................15.4 in / 391 mm Weight: ..................................7.9 lb / 3.6 kg [DL1608] 6.9 lb / 3.1 kg [DL806] Rack: ......................................Nine Rack Spaces...
Page 157 Mackie DL806 and DL1608 Reference Guide DL806 Lightning Dimensions 15.4 Weight [391] 6.9 lb / 3.1 kg 11.5 [291] [95] [40] 1.5 in / 38 mm 2.1 in / 53 mm 59.1 in / 1500 mm 4.5 in / 115 mm...
Page 158 Mackie DL806 and DL1608 Reference Guide DL1608 Lightning Dimensions Weight 15.4 in / 391 mm 7.9 lb / 3.6 kg 11.5 in / 291 mm 3.7 in / 95 mm 1.6 in / 40 mm 1.5 in / 38 mm 2.1 in /...
Page 159 Mackie DL806 and DL1608 Reference Guide DL806 30-pin Dimensions 15.4 Weight [391] 6.9 lb / 3.1 kg 11.5 [291] [95] [40] 1.5 in / 38 mm 2.1 in / 53 mm 59.1 in / 1500 mm 4.5 in / 115 mm...
Page 160 Mackie DL806 and DL1608 Reference Guide DL1608 30-pin Dimensions Weight 15.4 in / 391 mm 7.9 lb / 3.6 kg 11.5 in / 291 mm 3.7 in / 95 mm 1.6 in / 40 mm 1.5 in / 38 mm 2.1 in /...
Page 161 Mackie DL806 and DL1608 Reference Guide DL806 and DL1608 Dimensions Continued... Nine rack spaces 19.0 in / 483 mm 0.354 in / 9 mm [iPad 1 bottom] 0.520 in / 13.2 mm [iPad 2 bottom] 0.535 in / 13.6 mm [iPad 3 bottom] 1.5 in / 39 mm...
Page 162: Block Diagram
Mackie DL806 and DL1608 Reference Guide Block Diagram...
Page 163: Appendix D: Hookup Diagrams
Drums Mackie DLM12S Mackie DLM12S powered subwoofer powered subwoofer Here’s a pretty common setup utilizing the DL1608. Drums are mic’d up and sent to input channels 1-7. An additional seven mics are connected to input channels 8-14. These may be used to mic guitar and bass cabinets, acoustic guitar, lead and background vocals, a horn section, etc. A keyboard is connected to channels 15-16 via 1/4" input jacks. The L/R main outs of the DL1608 connect directly to a pair of Mackie DLM12S powered subwoofers which are connected to a pair of Mackie DLM12 powered loudspeakers. Aux sends 1-4 are sent to four separate SRM450v2 powered loudspeakers set up as monitors for the band. Aux sends 5-6 are sent to transmitters for in-ear monitors. The house engineer’s iPad is connected (but not locked) to the DL1608 where he/she will set the LR main mix, as well as get the 2-track recording of the band’s live show.
Page 164 7-8 via 1/4" input jacks. Channels four, five and six are available to use for additional backup vocals, mic’ing another acoustic guitar, mic’ing a horn section, bongos, xylophone, oud, etc...unlimited possibilities! The L/R main outs of the DL806 connect directly to a pair of Mackie DLM8 powered loudspeakers. Aux sends 1-2 are sent to two separate DLM8 powered loudspeakers set up as monitors for the band. Or use one (or more) aux sends to send signal to transmitters for in-ear monitors.
Page 165 Mackie DL806 and DL1608 Reference Guide Live Sound: Self-Engineered Wireless Router (Wi-Fi) Vocalist Guitarist Engineer’ s Headphones Keyboardist Bassist Drummist DJist Here’s a setup for all the musicians out there who whine for “more me” in the mix. Set up and connect each musician’s instrument, the PA and monitors just like they would be in any other live situation. The house engineer’s iPad is connected and locked to the mixer where he/she will set the LR main mix, as well as get the 2-track recording of the band’s live show. Up to 10 iOS devices may be connected to the DL Series mixer wirelessly. As such, each band member may control their own mix from their own “station”. As seen in the illustration above, the vocalist, guitarist, bassist, keyboardist, drummist and DJist each have an iPad. Six musicians, six iPads, six auxes. Coincidence? We think not. Whining problem solved!
Page 166 Mackie DL806 and DL1608 Reference Guide Live Sound: Two Mixers, One iPad Mackie DLM12 Mackie DLM12 Loudspeaker Loudspeaker and DLM12S and DLM12S Subwoofer Subwoofer Mackie HD1221 (for monitors) Monitor Mixer Wireless Headphones Router (Wi-Fi) So you say you have a snake. We prefer dogs, cats or fish for pets, but snakes are cool, too.
Page 167 Mackie DL806 and DL1608 Reference Guide Live Sound: Two Mixers Linked So the club down the street is running sound through a DL Series mixer and you want to one-up them? That’s easy! How about running sound through TWO DL Series mixers?! No, it won’t be twice as loud, but you will have nearly twice as many inputs which means you’ll probably have twice the talent playing at your venue in no time. Start by setting up and connecting each musician’s instrument just like they would be in any other live situation. When you run out of inputs on the first mixer, start using inputs on the second mixer.
Page 168 Mackie DL806 and DL1608 Reference Guide Rack Mounted Wireless Headphones Wireless Router Wireless Headphones This hookup diagram illustrates that the mixer doesn’t just have to eat up desk space...rack mount it instead! Before doing so, though, it would be a good idea to review the Rack Mount Kit Installation Instructions that were included with the Rack Mount Kit. The dog ate them, you say? Likely story, actually. You know why? The mixers have actually been ready to be unleashed to the world for eons, but my girlfriend’s dogs kept eating copies of the Reference Guide. Anyway, back to the Rack Mount Kit Installation Instructions. Click here to retrieve them.
Page 169: Appendix E: Release Notes
Mackie DL806 and DL1608 Reference Guide Appendix E: Release Notes Updating the App New app releases may be downloaded and installed directly from the iOS device via the App Store or via iTunes on Mac or PC: Master Fader My Fader If you don’t know the version you are currently using, go to Tools > Help > About on the app. The version is listed near the top of the screen. You may be prompted to update the firmware the first time you launch the updated app connected to the DL Series mixer. Simply follow the on-screen instructions. Refer to page 31 of the Reference Guide for more information.
Page 170 Mackie DL806 and DL1608 Reference Guide 2. Aux Send Linking [page 55 of the Reference Guide] Two neighboring mono aux sends may be linked together into a single stereo aux. This is ideal for using in-ear monitors or other stereo output destinations such as broadcast feeds, recording devices and more.
Page 171 Mackie DL806 and DL1608 Reference Guide 4. Quick Access Panel [pages 119-128 of the Reference Guide] The quick access panel allows for fast control over critical functions, including: (1) Clear Solo — Easily clear all solos. (2) Effects Controls — Globally mute the reverb and/or delay. Set tap delay tempo. (3) Mute Group Control — Set channel assignment and on/off control per mute group master. (4) View Group Control — Set channel assignment and view group select.
Page 172 Mackie DL806 and DL1608 Reference Guide 5. Mute Group Control [pages 121-125 of the Reference Guide] Mute groups allow you to quickly mute (and unmute) multiple channels and/or outputs with a single tap. There are a multitude of ways to configure and use mute groups: productions featuring a rotating cast of musicians or theater productions with different scenes.
Page 173 Mackie DL806 and DL1608 Reference Guide 6. View Group Control [pages 126-128 of the Reference Guide] View groups allow you to see only the channels that you want to view, hiding the rest. This improves organization and allows for faster navigation. You may create and assign as many as four separate view groups with Master Fader. The view group may be selected via Master Fader or My Fader. However, channels may only be assigned to view groups in Master Fader.
Page 174 Mackie DL806 and DL1608 Reference Guide 7. Other changes • Updated gate and compressor/limiter graphics. [Pages 69-70, 72, 85-87 of the Reference Guide] • A mute has been added to the main LR. [Page 47 of the Reference Guide] • Navigation enhancements • Effects Display — The EQ curve is replaced with an image of the currently selected reverb and delay effect type. Simply tapping the image will take you straight to that effect’s controls. [Page 43 of the Reference Guide] • Fast access to dynamics — Tapping the gain reduction meter takes you straight to the dynamics view. [Pages 38, 50 of the Reference Guide]...
Page 175 Mackie DL806 and DL1608 Reference Guide • Improved order of items in the snapshot, show and preset popovers making it easier to make the right selection. Recall is now Red! • Improved Aux 1 color to be more easily discerned from LR and Aux 2. Pink! • Added some color to unlit fader strips making it easier to tell what output is selected • Added Access Limits for View Groups, Mute Groups and Groups Assign. • Added Feedback button on Help page leading to UserVoice • Updated app icons • iOS7 Support • Updated Reference Guide • Updated Quick Start Guide 8. Bug fixes and stability improvements (including, but not limited to): • Fixed intermittent crash when trying to load channel images simultaneously from two different iOS devices • Fixed intermittent crash when rapidly changing back and forth between offline DL1608 and Offline DL806 • Fixed bug where the Current Show would display the incorrect number of images it contained.
Page 176 The following is a list of items that have been added, changed or fixed since Version 1.3. 1. Added support for DL806 Master Fader and My Fader now work with both the DL1608 and DL806, including offline operation. Shows, snapshots, presets and access limiting work seamlesly across DL mixers automatically.
Page 177 Mackie DL806 and DL1608 Reference Guide 4. Vintage gate and compressor [pages 72-74 of the Reference Guide] After extensive analysis, development and testing, the new vintage compressor and gate delivers the sought-after musical characteristics of your favorite industry-standard processors. For each channel processor, the user may select between the new vintage type for creative tone shaping and the current modern type for surgical control.
Page 178 Mackie DL806 and DL1608 Reference Guide Version 1.3 The following is a list of items that have been added, changed or fixed since Version 1.2. 1. Wireless support for iPad (4th generation) and iPad mini Master Fader now officially supports wireless operation with iPad (4th generation) and iPad mini. 2. Retina Ready All graphics have been updated to full retina resolution for use with a retina iPad (3rd or 4th generation).
Page 179 Mackie DL806 and DL1608 Reference Guide 4. Added 2X Graphic EQ Zoom [page 83 of the Reference Guide] A new 2X zoom button has been added to the graphic EQ. This allows you to zoom in on the GEQ, perfect for our friends with sausage fingers and/or mixing with the iPad mini. Swipe left and right to view and adjust the remaining bands. Note that draw is unavailable when in 2X mode. 5. Scrolling name • Page 40 – Channel ID Button • Page 53 – Master ID Button • Page 89 – Current Parameter Display • Page 104 – Snapshot List • Page 112 – Presets If the name is too long to fit, the button scrolls, displaying the entire name. 6. Reverb and Delay images [pages 75-81 of the Reference Guide] When selecting a new reverb or delay type, an image will be displayed to reflect the chosen effect type.
Page 180 Mackie DL806 and DL1608 Reference Guide Version 1.2 The following is a list of items that have been added, changed or fixed since Version 1.1. 1. iOS6 Support Master Fader is now fully tested with iOS6 on the iPad 2 and iPad (3rd generation). 2. Added background recording [page 51 of the Reference Guide] Master Fader now supports background recording. This means that you may press the iPad’s home button to leave the app or switch to another app while Master Fader continues to record.
Page 181 Mackie DL806 and DL1608 Reference Guide 7. Improved current parameter display now shows both system and custom channel name [page 89 of the Reference Guide] The current parameter display now shows the current channel system name [Ch 1], followed by the custom user name [Kick], the current parameter value [off ] and current parameter name [Fader]. 8. Improved master channel identification button with added system name display [page 53 of the Reference Guide] Regardless of the name and/or image, a small name resides in the upper-left corner of the master ID button.
Page 182: Appendix F: Glossary Of Terms
Mackie DL806 and DL1608 Reference Guide Appendix F: Glossary Of Terms The glossary contains brief definitions of many of the audio and electronic terms and acronyms used in discussions of sound mixing and recording. If you would like more information, we recommend the following: The Audio Dictionary —...
Page 183 Mackie DL806 and DL1608 Reference Guide Glossary Of Terms Continued... Condenser — Another term for the electronic component generally known as a capacitor. In audio, condenser often refers to a type of microphone that uses a capacitor as the sound pickup element. Condenser microphones require electrical power to run internal amplifiers and maintain an electrical charge on the capacitor. They are typically powered by internal batteries or phantom power supplied by the mixer.
Page 184 Mackie DL806 and DL1608 Reference Guide Glossary Of Terms Continued... EIN — Equivalent Input Noise. A specification that helps measure the “quietness” of a gain stage by deriving the equivalent input noise voltage necessary to obtain a given preamp’s output noise. Numerically, it’s the output noise at a given gain setting minus the gain. EIN is usually measured at a maximum gain and typically ranges from -125 to -130 dBu. EQ — Short for equalization. EQ Curve — A graph of the response of an equalizer, with frequency on the x (horizontal) axis and amplitude (level) on the y (vertical) axis. Equalizer types and effects are often named after the shape of the graphed response curve, such as peak, dip, bell and shelf.
Page 185 Impedance — The A.C. resistance, capacitance, and inductance in an electrical circuit, measured in ohms [ ]. In audio circuits (and other AC circuits) the impedance in ohms may often be much different from the circuit resistance as measured by a DC ohmmeter. Maintaining proper circuit impedance relationships is important to avoid distortion and minimize added noise. Mackie input and output impedances are set to work well with the vast majority of audio equipment. Knee — A knee is a sharp bend in a compressor gain curve, not unlike a sharp bend in your leg. Level — Another word for signal, voltage, power, strength or volume. Audio signals are sometimes classified according to their level. Commonly used levels are: microphone level (–40 dBu or lower), instrument level (–20 to –10 dBu), and line level (–10 to +30 dBu).
Page 186 Noise Floor — The residual level of noise in any system. In a well-designed mixer (such as the Mackie DL Series mixers), the noise floor will be a quiet hiss, which is the thermal noise generated by electrons bouncing around in resistors and semiconductor junctions.
Page 187 Mackie DL806 and DL1608 Reference Guide Glossary Of Terms Continued... Nyquist Sampling Theorem — This theorem states that, when an analog signal is converted to a digital signal, it must be sampled at a frequency that is at least twice the highest audio frequency present in the analog signal.
Page 188 Mackie DL806 and DL1608 Reference Guide Glossary Of Terms Continued... Reverberation, Reverb — The sound remaining in a room after the source of sound is stopped. It’s what you hear in a large tiled room immediately after you’ve clapped your hands. Reverberation and echo are terms that are often used interchangeably, but in audio parlance, a distinction...
Page 189 Z — The electrical symbol for impedance. Zymurgy — The science of brewing, an important part of Mackie technology and history since we are located less than one mile from the Red Hook brewery. Besides, we need something other than just a...
Page 190: Warranty Statement / Gpl Statement
GPL Statement This Mackie product includes software code developed by third parties, including software code subject to the GNU General Public License (“GPL”) Version 2. Where such specific license terms entitle you to the source code of such software, LOUD Technologies Inc.
Page 191: Open Source Code
Mackie DL806 and DL1608 Reference Guide Open Source Code Master Fader uses the following open source code: PAPasscode Copyright (c) 2012, Denis Hennessy (Peer Assembly - http://peerassembly.com) All rights reserved. Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following...
Page 192 Mackie DL806 and DL1608 Reference Guide...

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Mackie DL806 Reference Manual

Chapter 1: Welcome

Chapter 2: Mixer Hardware : Front Panel

Chapter 3: Mixer Hardware : Rear Panel

Chapter 4: Mixer Hardware : Wireless Setup

Chapter 5: Mackie Master Fader Software

Chapter 6: Mixer View : Channel Strips

Chapter 7: Mixer View : Master Fader

Chapter 8: Level Setting Procedure

Chapter 9: Channel View : EQ

Chapter 10: Channel View : Gate and Compression

Chapter 11: Channel View : FX

Chapter 12: Channel View : Graphic EQ

Chapter 13: Channel View : Output Compressor / Limiter

Chapter 14: Mixer View : Navigation Bar

Chapter 15: Mackie My Fader Software

Appendix A: Service Information

Appendix B: Ios Optimizations

Appendix C: Technical Information

Appendix D: Hookup Diagrams

Appendix E: Release Notes

Appendix F: Glossary of Terms

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