Preset Patch List - Boss GT-001 Parameter Manual

Preset Patch List

No Patch Name Explanation
Switch between stack crunch
24 STACK CRUNCH sounds with different gain for
backing and solo.
The crunch sound of a UK stack
ORNG CRUNCH
25
amp.
A hard crunch sound, ideal for
26 SINGLE COIL ROCK punchy rhythm playing. The CTL
pedal boosts the GAIN and MID.
A sustaining crunch sound that's
suitable for blues. Two types of
27 BLUES COMBO
combo amp are used separately for
the low and high frequency ranges.
The sound of a fat and extremely
28 UNMATCHED COMBO
clean combo amp.
Combo amp sound suitable for
BEE BEE THRILL
29
blues leads.
The sound of two high-gain amps
30* STEREO STACK
set up in stereo, suitable for riffing.
A crunch sound with a sense of
31 ATTACKY CRUNCH attack. The CTL pedal applies
mid-boost.
32 MELLOW LEAD Bluesy sound with warm overdrive.
Classic blues sound from a tweed
33 TWEED BLUES
amp.
34 1959 CRUNCH Crunch sound based on MS1959.
DIAMOND ECHO
35 A clean sound with echo.
American crunch sound with chorus
36 CRUNCH DELAY and delay applied. Also suitable for
country styles.
Crunch sound with a boosted
37 MID RANGE CRUNCH
mid-range.
A crunch tone that will sound
LIMITED CRUNCH
38 smooth and refined when playing
chords.
Crunch sound ideal for use with the
39 MATCH CRUNCH
rear single coil pickup.
The crunch sound of a mid-boosted
40 MID BOOST COMBO
combo amp.
41 KING OF BLUES A sound that's ideal for blues leads.
42 COUNTRY PICKIN' A classic country rock sound.
Drive sound ideal for rock'n'roll. The
43 NATURAL OVER-DRV
CTL pedal switches to a dry sound.
Crunch sound with compressor,
44 BASIC BLUES
ideal for blues or classic rock.
Tweed amp sound notable for its
45 T-SCREAM TWEED
mellow tube distortion.
A sound that combines a high-gain
46 Hi GAIN + CRUNCH
amp and a combo amp.
47 TIGHT CRUNCH A tight combo crunch sound.
A bluesy sound with ambience
SQUEEZE BLUES GT
48
included.
PLEXI RHYTHM
49 A rhythm tone used in classic rock.
Crunch rhythm sound for blues. The
BLUES BUDDY
50
CTL pedal switches to a lead sound.
The sound of a small combo amp
51 DIRTY OLE TWEED with a bit of overdrive. Great for
blues or funk.
52 COMP CRUNCH LEAD A lead sound suitable for jazz fusion.
The drive sound produced by a
53 70s SMALL AMP
small amp of the 70s.
42
DIVIDER PREAMP A PREAMP B
STACK STACK
SINGLE:
Ch. A CRUNCH CRUNCH
SINGLE: NATURAL
ORNG RV
Ch. A CLEAN
STACK STACK
SINGLE:
Ch. A
CRUNCH CRUNCH
COMBO MATCH
DUAL
CRUNCH DRIVE
MATCH COMBO
DUAL
DRIVE CRUNCH
SINGLE: COMBO
VO LEAD
Ch. A CRUNCH
POWER EXTREME
DUAL
DRIVE LEAD
COMBO COMBO
DUAL
CRUNCH CRUNCH
NATURAL
SINGLE:
JC-120
Ch. A
CLEAN
SINGLE: NATURAL
TWEED
Ch. A CLEAN
SINGLE:
MS1959 I —
Ch. A
STACK STACK
DUAL
CRUNCH CRUNCH
COMBO COMBO
SINGLE:
Ch. A
CRUNCH CRUNCH
COMBO COMBO
SINGLE:
Ch. A CRUNCH CRUNCH
SINGLE: COMBO MATCH
Ch. A CRUNCH DRIVE
MATCH COMBO
SINGLE:
Ch. A
DRIVE CRUNCH
SINGLE: COMBO
MS1959 I
Ch. A CRUNCH
DELUXE
SINGLE:
—
Ch. A
CRUNCH
SINGLE:
CLEAN TWIN —
Ch. A
COMBO
SINGLE:
TWEED
Ch. A
CRUNCH
SINGLE: COMBO COMBO
Ch. A
CRUNCH CRUNCH
SINGLE:
TWEED —
Ch. A
COMBO EXTREME
DUAL
CRUNCH LEAD
SINGLE: COMBO COMBO
Ch. A CRUNCH CRUNCH
SINGLE:
TWEED CLEAN TWIN OD/DS
Ch. B
SINGLE: PRO STACK
Ch. A CRUNCH CRUNCH
SINGLE:
CLEAN TWIN CLEAN TWIN
Ch. A
PRO
DUAL TWEED
CRUNCH
DELUXE NATURAL
SINGLE:
Ch. A
CRUNCH CLEAN
DELUXE COMBO
SINGLE:
Ch. A CRUNCH CRUNCH
CTL2 CTL1
DIV CH SELECT,
CHORUS
DELAY
A&B SOLO DIV CH SELECT
A&B SOLO DIV CH SELECT
A&B SOLO OD/DS
FX2 (COMP) CHORUS
DELAY DIV CH SELECT
A&B SOLO DELAY, OD/DS
A&B SOLO OD/DS, DELAY
A/B SOLO DIV CH SELECT
OD/DS DIV CH SELECT
OD/DS, DELAY DIV CH SELECT
A&B SOLO DELAY F.BACK
A&B SOLO DIV CH SELECT
DIV CH SELECT,
A&B SOLO
DELAY
A&B SOLO DIV CH SELECT
OD/DS, EQ, DELAY DIV CH SELECT
DELAY DIV CH SELECT
A&B SOLO FX2 (SUB DELAY)
A&B SOLO OD/DS
OD/DS, DELAY DIV CH SELECT
A&B SOLO DIV CH SELECT
FX1 (SUB OD/DS),
A&B SOLO
DELAY
A&B SOLO DELAY
DIV CH SELECT,
A&B SOLO
DELAY, CHORUS
DIV CH SELECT
DIV CH SELECT,
A&B SOLO
DELAY
FX2 (SUB DELAY) DIV CH SELECT
DELAY ACCEL (S-BEND)
DELAY DIV CH SELECT
A&B SOLO DIV CH SELECT
EXP PU
WAH/FV H
WAH/FV S
WAH/FV S
WAH/FV S/H
WAH/FV S
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV S
WAH/FV S
WAH/FV S/H
WAH/FV H
WAH/FV S
WAH/FV S/H
WAH/FV S
WAH/FV S
WAH/FV S
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV S/H
WAH/FV S
WAH/FV H
WAH/FV S