09: Non-Linear; 10: Delay - Roland V-Synth Owner's Manual

09: Non-Linear

This uses digital processing to create an artificial reverberation that
is quite different than naturally occurring reverberation.
Parameter Value
Pre Low Freq 50–4000 Hz
Pre Low Gain -15– +15 dB
Pre Mid Freq 50–20000 Hz
Pre Mid Q 0.5, 0.7, 1.0, 2.0,
4.0, 8.0
Pre Mid Gain -15– +15 dB
Pre Hi Freq 2000–20000 Hz
Pre Hi Gain -15– +15 dB
Pre Dly Time 0–200.0 ms
Density 0–99
Early Ref Level 0–99
NLR Type L→R, NORMAL,
L←R
Env Time Ratio 10–120%
Envelope T1–T4 0.1–1000 ms
Envelope L1–L3 0–100
Level
L1
L2
T1 T2 T3
Feedback Time 0.1–1000 ms
Feedback Level 0–99%
Post HC Freq 160–15000 Hz,
THRU
Description
Frequency of the low range
Gain of the low range
Frequency of the middle
range
Gain of the middle range
Set a higher value for Q to
narrow the range to be af-
fected.
Gain of the middle range
Frequency of the high
range
Gain of the high range
Adjusts the delay time from
the direct sound until the
delay sound is heard.
Density of the reverb
Volume level of the initial
reflected sound
Method of output panning
L→R: Pan from the L chan-
nel to the R channel
NORMAL: Output without
panning
L←R: Pan from the R chan-
nel to the L channel
The overall time will be ex-
panded or contracted while
preserving the time ratios
of the various envelope
times.
Time until each point (T1–
T4) is reached
Output level for each point
(L1–L3)
* If the total length of
Envelope times
(T1+T2+T3+T4) exceeds
1000 ms, the sound of the
portion that extends
beyond this will be cut.
L3
Time
T4
Delay time for the feedback
sound
Amount of feedback
Frequency at which the
high cut filter will begin to
take effect (THRU: no filter
is used)

10: Delay

This is a stereo delay. Depending on the length of the delay you set,
you can get long echoes, thick sounds, or spatial sounds.
Parameter Value
Mode MONO, STE-
REO, ALTER-
NATE
Delay Time 0–1300 ms
(MONO), 0–650
ms (STEREO, AL-
TERNATE), note
L-R Shift 0–650 ms, note
L-R Order L→R, R→L
Feedback -98– +98%
Low Damp Freq 50–4000 Hz
Low Damp Gain -36–0 dB
Hi Damp Freq 2000–20000 Hz
Hi Damp Gain -36–0 dB
Balance DRY100:0WET–
DRY0:100WET
Ps Low Freq 50–4000 Hz
Ps Low Gain -15– +15 dB
Ps Hi Freq 2000–20000 Hz
Ps Hi Gain -15– +15 dB
Effects List
Description
Switches stereo, monaural, or al-
ternate.
MONO: This is a single-input, dual-
output delay. Stereo sound (left and
right) are mixed before being input.
STEREO: This is a dual-input, dual-
output delay. The delay sound out-
put features the same stereo place-
ment as that of the input.
ALTERNATE: The left and right
delay sound output alternately.
(Alternate delay)
Adjusts the delay time from the
direct sound until the delay
sound is heard.
Of the left and right delay
sounds, the delay time will be
increased for only one side.
If the L-R order is L→R, the R
sound will be later. In the case of
R→L, the L sound will be later.
* When the mode is set to
MONO or ALTERNATE, this
setting will be ignored.
In STEREO or ALTERNATE
mode, this setting determines
which of the left or right sides has
the delay sound before the other
L→R: The left side is expressed first
R→L: The right side is expressed
first
* In MONO mode, this setting
will be ignored.
Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Degree of Low Damp
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Degree of High Damp
Volume balance between the di-
rect sound (DRY) and the delay
sound (WET)
Frequency of the low range
Gain of the low range
Frequency of the high range
Gain of the high range
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