Zoom A2.1u Operation Manual page 41

CATEGORY No. NAME
A0 D-28
A1 J-200
A2
TRIPLE 0
A3
J-45
A4 ADAMAS
MODEL
A5 TACOMA
A6
NYLON
A7
DJANGO
A8 DOBRO
A9
NATIONAL
B0
SYMPHONY
B1
TUBY
B2 SLOW CHORUS
B3 BIG HALL
B4 FLANG
CHORUS &
B5 MELODIC
REVERB
B6 CHORUS WALL
BRIGHT
B7
CHORUS
STUDIO
B8
FLANGER
B9 12STRINGS
C0
PARIS TEXAS
AERIAL
C1
BOUNDARIES
C2
CROSS ROAD
C3 SCARBOROUGH
C4
TEARS
ARTIST
C5 INNOCENT
C6 HERE COMES
C7 FRIDAY NIGHT
C8
ABOUT A GIRL
C9
ACOUSTIC ELVIS
D0
PHASE TOP
D1
FUNKY FOLK
D2
REAL ACOUSTIC
STEPPING
D3
STONES
D4 WAH WAH BOX
VARIATION
D5
MINOR SWING
MY BACKWARD
D6
FRIENDS
D7
SOFT TREMOLO
D8
OVATION SOLO
D9 RESOPHONIC
• The preset area of banks 0 - 3 contains the same
patches as A - d.
• The ZNR value may need to be adjusted depending
on the guitar and amplifier.
A2.1u Patch List
KEY EFFECT
The sound of a Martin D-28, the "gold standard" of acoustic guitars. Dynamic and gorgeous.
MARTIN D-28
Simulation of a Gibson J-200 with its large, impressive body and sound to match.
GIBSON J-200
Simulation of the increasingly popular Martin 000-18 with its compact, handy body and finely nuanced
MARTIN OOO-18
sound.
GIBSON J-45 The Gibson J-45 is characterized by its warm and rich tone. A true "workhorse" beloved by many guitarists.
The tone of the Ovation Adamas which has a body made from a special material called Lyrachord and
OVATION
rounded shape to focus the sound.
Typical midrange oriented sound of a Tacoma C3C with its innovative design and unique soundhole
TACOMA C3C
position.
Nylon guitar sound great for Bossa Nova and other Latin styles. The trick is to play with your finger
NYLON
cushions.
Sound of the Selmer-Maccaferri guitar best known as the favored instrument of Django Reinhardt. The true
SELMER
MACCAFERRI
sound of Gypsy Jazz.
Sound of the Dobro Model 27 with its square neck and resonator. Indispensable for Bluegrass and Country
DOBRO
Blues.
NATIONAL The brass body of the National Reso-Phonic Style "O" produces a more metallic sound than a Dobro.
CHORUS ENSEMBLE Beautiful symphonic sound suitable for any playing style.
Straight sound of a tube preamp seasoned with some hall reverb. Really comes into its own when multiple
HALL
strings resonate together.
Slow chorus sound for finger style Jazz. Experience the spatial depth and ambience of a chorus ensemble.
CHORUS ENSEMBLE
Long reverb that brings out the glorious Martin D-28 sound to the max. Let loose with fingerpicking.
HALL
Flanger with a chorus-like feel is great for a wide playing range, from arpeggios to stroking.
MODERN SPRING
BRIGHT SLAP
Tube preamp patch for picked solos makes the original sound stand out with a slightly delayed reverb.
REVERB
Select this stereo chorus & doubling patch and feel the sound waves move in like a wall.
STEREO CHORUS
With a clearly defined effect similar to chorus for electric guitar, this bright and clear sound fits many music
CHORUS
genres.
Combination of flanger for chord and arpeggio playing, and reverb for bringing out the original sound.
BRIGHT SLAP
REVERB Lends impressive depth to the sound on slow numbers.
Simulates the sound of chord strokes on a 12-string guitar. Experience that naturally gorgeous tone with
DETUNE
your own guitar.
NATIONAL Slide sound such as played by Ry Cooder on the soundtrack of "Paris, Texas" by Wim Wenders.
This patch is inspired by the sound of Michael Hedges on his groundbreaking masterpiece "Aerial
CHORUS ENSEMBLE
Boundaries".
The sound of legendary pre-war Blues guitarist Robert Johnson, spruced up with a simulation of that late
NYLON
1930s atmosphere.
Reexperience the translucent sound of Scarborough Fair on Simon & Garfunkel's third album.
HALL
Eric Clapton, MTV Unplugged, say no more. Comfortable, warm sound, yet a clear standout even in a band
ROOM
ensemble.
AIR Whether for slide or fingerpicking, this Ben Harper inspired sound matches various styles.
STEREO CHORUS The acoustic guitar sound plus the entire ambience of the Beatles' Abbey Road album.
Al di Meola's epoch-making performances come to live again. Go for that peerless technique and feel the
ARENA
audience respond.
CHORUS Simulates the unusual acoustic character of Nirvana Unplugged. Tune your strings lower and turn into Kurt.
SPRING Powerful acoustic sound familiar from Elvis Presley's Country style hits.
PHASER This solid and compact phase tone is the new "allrounder" for acoustic instruments.
AUTO WAH & MULTI
Funky sound with auto wah and multi tap takes acoustic guitar to a new level.
TAP DELAY
Natural acoustic sound modeled on a live J-45. Suitable for finger play, picking, and many other
AIR
applications.
STEP & MULTI TAP
Brilliant trickster sound using a new step technique specially developed for acoustic guitar use.
DELAY
Let loose with funky cutting and wild pedal work, using the resonator as a pedal wah effect.
RESONATOR
NYLON Classic Bebop Jazz sound for when you just can't stop swinging.
Psychedelic sound using reverse delay will grow on you. Use it to develop a theme.
REVERSE DELAY
TREMOLO Soft, expressive tremolo sound optimized for acoustic guitar.
DELAY Bright sound with clear delay components and an Ovation style edge for solos.
Discover new possibilities in bottleneck playing with this combination of ping-pong delay and Zoom
PINGPONG DELAY
original resonator guitar sound.
Manufacturer names and product names mentioned in this patch list are trademarks or
registered trademarks of their respective owners. These names as well as artist's names
are used only to illustrate sonic characteristics and do not indicate any affiliation with
ZOOM CORPORATION.
COMMENT PEDAL SETTING
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
CHORUS
ENSEMBLE MIX
HALL MIX
CHORUS
ENSEMBLE MIX
HALL MIX
FLANGER RATE
BRIGHT SLAP
REVERB MIX
STEREO
CHORUS MIX
CHORUS RATE
BRIGHT SLAP
REVERB MIX
HALL MIX
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
VOLUME
PHASER RATE
MULTI TAP
DELAY MIX
HALL MIX
MULTI TAP
DELAY MIX
RESONATOR
FREQUENCY
EARLY
REFLECTION
MIX
REVERSE DELAY
BALANCE
TREMOLO RATE
DELAY MIX
PINGPONG
DELAY MIX
A2 .1u PATCHLIST 1.0