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Quickadjust
Sharpening
==
N ,._. Contrast
Brightness
_ Saturation
Hue
_
_ Filter
_ effects
_ Toning
Choose from options
between
-2 and +2 to reduce or exaggerate
the effect
of the selected Picture Control (note that this resets all manual adjustments).
For example,
choosing
positive values for Vivid makes pictures
more vivid.
Not available
with Neutral, Monochrome,
or custom
Picture Controls.
Control
the sharpness
of outlines.
Select A to adjust sharpening
automatically
according
to the type of scene, or choose from values between
0 (no sharpening)
and 9 (the higher the value, the greater the sharpening).
Select A to adjust contrast automatically
according
to the type of scene, or
choose from values between
-3 and +3 (choose lower values to prevent
highlights in portrait
subjects from being "washed
out" in direct sunlight,
higher values to preserve
detail in misty landscapes and other low-contrast
subjects).
Not available
when Active D-Lighting
(_ 94) is on; reset if Active
D-Lighting
is activated
after value is changed.
Choose -1 for reduced
brightness,
+1 for enhanced
brightness.
Does not
affect exposure.
Not available
when Active D-Lighting
(_ 94) is on; reset if
Active D-Lighting
is activated
after value is changed.
Control
the vividness
of colors. Select A to adjust saturation
automatically
according
to the type of scene, or choose from values between
-3 and +3
lower values reduce saturation
and higher values increase it).
Choose negative
values (to a minimum
of-3)
to make reds more purple,
blues more green, and greens more yellow,
positive values (up to +3) to
make reds more orange, greens more blue, and blues more purple.
Simulate
the effect of color filters on monochrome
photographs.
Choose
from OFF (the default setting), yellow,
orange, red, and green (_ 110).
Choose the tint used in monochrome
photographs
from B&W (black-and-
white),
Sepia, Cyanotype
(blue-tinted
monochrome),
Red, Yellow, Green,
Blue Green, Blue, Purple Blue, Red Purple (_ 110).
"A" (Auto)
Results for auto contrast and saturation
vary with exposure and the position
of the subject in
the frame.
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