Aiwa CX-N4000 U Operating Instructions Manual page 26

Aiwa compact disc stereo cassette receiver oparating instructions model no. cx-n4000 u
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ADJUSTING THE SOUND
DSP (DIGITAL SIGNAL PROCESSOR)+
The sound of a concerl hall is produced by sounds reflected from
the walls and ceiling, reinforcing the sounds coming directly from
the orchestra.
You can use this unit's DSP circuits to recreate reflected sounds
digitally, to obtain the sound presence of a disco, live music
performance or concert hall.
In addition, the supplied speaker system has a surround speaker
which faces upward and outside, for a surround sound effect.
By selecting a DSP mode, you can obtain more effective surround
sound.
Sound characteristics of DSP modes
There are three DSP modes. Equalization cuwes are selected
automatically to match the DSP sound,
I
Sound characteristics
I
DISCO
A powerful sound like that of a disco.
Surround The graphic equalizer is automatically set to ROCK.
LIVE
A vibrant sound like that of a live music performance.
Surround The cfraphicequalizer is automatically set to pOp.
HALL
A sound presence like that of a concert hall.
Surround Suitable for playback of orchestral music.
The graphic equalizer is automatically set to CLASSIC.
The graphic equalization curve can also be selected or turned off,
as you prefer.
a. To select a DSP mode
Press one of the DSP buttons.
You can check the selected mode in the display.
b. To cancel the selected
DSP
mode
Press the selected DSP button once more.
S-OFF is displayed.
c.
To
select with the remote control
Press the DSP button repeatedly until the desired mode is dis-
played.
~DISCO
LIVE —
HALL—S-OFF
1
When the music source is monaural
A simulated stereo effect can be obtained by selecting the LIVE
mode.
m
If you press the MIC ECHO button to echo the sound, the selected
DSP mode is automatically canceled.
When you select a DSP mode, MIC ECHO is set to OFF automati-
cally.
SOUND ADJUSTMENT
DURING RECORD-
ING
The output volume and tone (T-BASS, GEQ and DSP) of the
speakers or headphones maybe freely varied without affecting the
level of the recording.
26

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