Connection Example - Yamaha EMX3500 Operation Manual

CONNECTION EXAMPLE

PA-type Speakers
A
B
I/O
1 2
1 2
A A
B B
PAD PAD
20dB 20dB
PEAK PEAK
SIGNAL SIGNAL
-16 -60 -16 -60
GAIN GAIN
80 80
-15 +15 -15 +15
HIGH HIGH
250 5k 250 5k
MID FREQ MID FREQ
-15 +15 -15 +15
MID MID
-15 +15 -15 +15
LOW LOW
0 10 0 10
MONITOR MONITOR
0 10 0 10
EFFECT 1 EFFECT 1
0 10 0 10
EFFECT 2 EFFECT 2
L R L R
PAN PAN
ON ON
0 0
5 5
10 10
15 15
20 20
30 30
40 40
50 50
60 60
1 2
Microphones
Effector (Compressor, etc.)
14
L R
2 SPEAKER
L R
1 SPEAKER
INPUT
3 4 5 6 7 8 9 10
3 4 5 6 7 8 9 10
A A A A A A A A
B B B B B B B B
PAD PAD PAD PAD PAD PAD PAD PAD
20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB
PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK
SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL
-16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60 -16 -60
GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN
80 80 80 80 80 80 80 80
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH
250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k 250 5k
MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ MID FREQ
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
MID MID MID MID MID MID MID MID
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15
LOW LOW LOW LOW LOW LOW LOW LOW
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR MONITOR
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1 EFFECT 1
0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10
EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2 EFFECT 2
L R L R L R L R L R L R L R L R
PAN PAN PAN PAN PAN PAN PAN PAN
ON ON ON ON ON ON ON ON
0 0 0 0 0 0 0 0
5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10
15 15 15 15 15 15 15 15
20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40
50 50 50 50 50 50 50 50
60 60 60 60 60 60 60 60
3 4 5 6 7 8 9 10
Tape Recorder
CD IN EFFECT RETURN +4dB EFFECT SEND +4dB
A B
-6dB
1L/ 2L/ 1
L L
MONO MONO
R R
1R 2R 2
A
REC OUT TAPE IN LINE INSERT I/O +4dB MONITOR OUT +4dB
-10dBV -10dBV
L L A
L L
BALANCED
B R R
R R B
PRE GEQ POST GEQ
CH
INSERT I/O
0dB
INSERT
11 12
OUT IN
L ST R
11 12
A A VOCAL HALL/ROOM INSTRUMENT
B B
VOCAL ECHO 1 DLY (ms) LARGE HALL REV (s) SHARE GATE DLY (ms)
PAD PAD
20dB 20dB VOCAL ECHO 2 DLY (ms) SMALL HALL REV (s) SHARE REVERB REV (s)
VOCAL REVERB 1 REV (s) CHURCH REV (s) DELAY L, R DLY (ms)
PEAK PEAK
VOCAL REVERB 2 REV (s) ROOM SIZE SHORT DELAY DLY (ms)
SIGNAL SIGNAL
REVERB & ECHO 1 DLY (ms) PITCH CHORUS DETUNE
REVERB & ECHO 2 DLY (ms)
PEAK
-16 -60 -16 -60
GAIN GAIN
ON
80 80
PRESET
PARAMETER PROGRAM RESET
DIGITAL EFFECT (EFFECT 2)
-15 +15 -15 +15
HIGH HIGH
+12 +12
9 9
6 6
3 3
0 0
250 5k 250 5k
3 3
MID FREQ MID FREQ EQ
6 6
9 9
-12 -12
63 125 250 500 1k 2k 4k 8k 16k
-15 +15 -15 +15
MID MID
STEREO GRAPHIC EQUALIZER
-15 +15 -15 +15 POWERED MIXER
LOW LOW
0 10 0 10
MONITOR MONITOR
PHANTOM
0 10 0 10 ON
EFFECT 1 EFFECT 1
OFF
0 10 0 10 0 10 0 10 0 10 0 10
EFFECT 2 EFFECT 2 MONITOR MONITOR MONITOR A REC OUT
L R L R 0 10 0 10 0 10 0 10 0 10
0 10
PAN PAN TAPE IN PHONES
LEVEL LEVEL MONITOR B CD IN
A
ON ON EFFECT RETURN 1 EFFECT RETURN 2
B
0 0 0 0 0 0
5 5 5 5 5 5
10 10 10 10 10 10
15 15 15 15 15 15
20 20 20 20 20 20
30 30 30 30 30 30
40 40 40 40 40 40
50 50 50 50 50 50
60 60 60 60 60 60
11 12 1 —EFFECT SEND— 2 L ST R PHONES
Keyboard,
Rhythm Programmer,
Electric Drums
CD Player, Tape Player, DAT Player
Multi-Effect Processor
Reverberator
Monitor Speakers
CD Player,
Tape Player
Headphones
Graphic Equalizer
Power Amplifier