About The Recording With The Digital Effects Applied - Yamaha DRX-730BL Owner's Manual

Yamaha portatone owner's manual
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Song Recording
The harmony notes (type 7–16) can be recorded to the tracks 6–8. To record
harmony notes, first turn Harmony on and then press the TRACK buttons numbered
6–8 to select 6–8 tracks for recording.
HARMONY
ACCOMPANIMENT
ON / OFF
4
Start/Stop Recording
Record the track(s) in the same way as steps 5-7 for Quick Recording.
Since the recorded accompaniment data is recorded on each accompaniment
track, it can be edited using the Song Edit function (page 97).

About the Recording with the Digital Effects Applied

Only one type of each of the Digital Effects, Reverb, Chorus, DSP and Multi Effect
(PSR-730) can be set at one time. Be aware of the following facts, especially when
recording a song with different effects applied to the different tracks.
A
Reverb type and Chorus type effects can be set and recorded independently for
each of the 16 tracks. However, only the latest settings made (one each) will be
effective if several effects are used in a song (the latest setting priority).
[EX.] While the panel REVERB button is turned on:
1. Select the Hall 1 (Reverb) for the Accompaniment track, and record the Accompa-
niment track for ten measures from the beginning.
2. Start recording the keyboard (R1) track with the Hall 1 (Reverb) selected from the
beginning and then change the effect type to Room 1 (Reverb) respectively from
the fifth measure through the end.
When you play back the song recorded as above, the first four measures will be
played back with the Hall 1 applied to both the Accompaniment track and
keyboard (R1) track, and the remaining six measures, from fifth through the end,
with the Room 1 applied to both tracks. The effect types set for the Accompani-
ment track are replaced with the latest settings. Only the Depth for each track
remains the same.
90
1
2
3
4
5
6
001
213
337
391
259
434
RHYTHM
RHYTHM
BASS
CHORD
CHORD
PAD
1
2
1
2
ACCOMPANIMENT TRACK
1
2
3
4
5
6
7
8
9
10
11
12
468
442
471
216
252
213
213
PHRASE
PHRASE
MELODY
MELODY
MELODY
MELODY
1
2
1
2
3
4
SONG TRACK
7
8
9
10
11
12
13
14
15
16
213
213
213
ACMP
VOICE
VOICE
VOICE
L
R2
R1
SPLIT
DUAL
L
R2
R1
13
14
15
16
16
• You can also use Re-
hearsal Mode to prac-
tice before recording
when doing Multi Re-
cording.

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