Korg D8 Owner's Manual page 72

DualDLY (Dual Delay)
This is a delay in which the L/R channel parameters can be set
independently.
LT (L Time) 1ms...1s
RT (R Time) 1ms...1s
LFBack (L Feedback) 0...50
RFBack (R Feedback) 0...50
LHDamp (L HiDamp) 0...50
RHDamp (R HiDamp) 0...50
LLDamp (L Low- 0...50
Damp)
RLDamp (R Low- 0...50
Damp)
LMx (L Wet/Dry) DRY,1,2,...,49,WET
RMx (R Wet/Dry) DRY,1,2,..,49,WET
S.DLY (Stereo Delay)
This is a version of Mono Delay which allows 2-channel simulta-
neous input and output.
The parameters are the same as for Mono Delay.
TmpoDLY (Tempo Delay)
This effect lets you specify the delay time in terms of a specified
note value and tempo.
TEMPO (Tempo) 30...250
NOTE (NoteLength) 4...64T
Fback (Feedback) 0...50
H.Damp (HighDamp) 0...50
L.Damp (LowDamp) 0...50
MIX (Wet/Dry) DRY,1,2,...,49,WET
X.DLY (Cross Delay)
This is a delay in which the feedback is alternated between the L/R
channels. Delay time can be set independently for each channel.
LT (L Time) 1ms...1s
RT (R Time) 1ms...1s
Fback (Feedback) 0...50
H.Damp (HighDamp) 0...50
L.Damp (LowDamp) 0...50
MIX (Wet/Dry) DRY,1,2,...,49,WET
DOPPLER (Doppler)
This simulates the Doppler effect.
SPD (Speed) 0.01...4.00(Hz)
PITCH (Pitch) 0...50
SPRED (Spread) –50...+50
DLY (Delay) 1ms...1s
MIX (Wet/Dry) DRY,1,2,...,49,WET
ENSEMBL (Ensemble)
This is an ensemble effect with multiple chorus blocks. It produces
a sense of three-dimensional depth.
SPD (Speed) 0.01...16.0(Hz)
DEPTH (Depth) 0...50
H.Damp (HighDamp) 0...50
L.Damp (LowDamp) 0...50
MIX (Wet/Dry) DRY,1,2,...,49,WET
L channel delay time
R channel delay time
L channel feedback amount
R channel feedback amount
High frequency attenuation of the L
channel feedback
High frequency attenuation of the R
channel feedback
Low frequency attenuation of the L
channel feedback
Low frequency attenuation of the R
channel feedback
Balance between the L channel
effect sound and direct sound
Balance between the R channel
effect sound and direct sound
Tempo
Note value length
Feedback amount
High frequency attenuation of the
feedback
Low frequency attenuation of the
feedback
Balance between the effect sound
and the direct sound
L channel delay time
R channel delay time
Feedback amount
High frequency attenuation of the
feedback
Low frequency attenuation of the
feedback
Balance between the effect sound
and the direct sound
Speed of movement
Pitch difference of the Doppler effect
Left/right spread
Delay time
Balance between the effect sound
and the direct sound
Modulation speed
Modulation depth
High frequency attenuation
Low frequency attenuation
Balance between the effect sound
and the direct sound
ER (Early Reflections)
Out of the various reflected components that make up reverbera-
tion, this effect isolates only the early reflections. It gives the sound
a sense of presence and reality.
CRV (Curv) SHARP, LOOSE,
MOD, REV
T (ER Time) 10...400ms
PDL (PreDelay) 0...200 ms
H.Damp (HighDamp) 0...50
MIX (Wet/Dry) DRY,1,2,...,49,WET
EXCITER (Exciter)
This effect adds sparkle to the sound, giving it greater definition.
BLEND (Blend) 0...50
EMPHA (Emphatic 0...100
Point)
S.XCITE (Stereo Exciter)
This is a variation of EXCITER which allows simultaneous 2-chan-
nel input/output. The parameters are the same as for Exciter.
FILTER (Filter)
This is a filter with resonance, whose frequency can be controlled
by an envelope.
TYPE (Type) LPF,BPF,HPF
SENS (Sens) 0...50
ATK (Attack) FAST,1,2...49,SLOW Strength of the attack
MANUAL (Manual) 0...50
RES (Resonance) 0...50
PLTY (Polarity) UP, DOWN
GATE (Gate)
This effect mutes any signals which are lower than the specified
level.
THR (Threshold) –80...–1dB
ATK (Attack) FAST, 1...49, SLOW Attack length
REL (Release) FAST, 1...49, SLOW Release length
NR (Noise Reduction)
This effect reduces noise.
THR (Threshold) –1 ... –40dB
S.NR (Stereo NR)
This is a version of NR which allows 2-channel simultaneous input.
The parameters are the same as for NR.
PAN (Pan)
This effect moves the sound between left and right. You can specify
the location of the center position.
SPD (Speed) 0.01...16.0(Hz)
DEPTH (Depth) 0...50
BAL (LR Balance) L50,L49..0,R1,..R50
PHASER (Phaser)
This effect moves the phase of the sound to create modulation.
SPD (Speed) 0.01...16.0(Hz)
DEPTH (Depth) 0...50
MANUAL (Manual) 0...50
RES (Resonance) –50...+50
MIX (Wet/Dry) DRY,1,2,...,49,
WET
S.PHASE (Stereo Phaser)
This is a version of PHASER which allows 2-channel simultaneous
input. In addition to the parameters of PHASER, the following can
also be adjusted.
PHASE (Phase) 0...180
Select the attenuation curve of the
early reflections
Length of the early reflections
Time from the original sound until the
first early reflection
High frequency attenuation
Balance between the effect sound
and the direct sound
Depth of the exciter effect
The frequency that is emphasized
Filter type
Sensitivity
Frequency at which the effect will
apply
Amount (strength) of resonance
Polarity
Level at which the effect will begin to
apply
Level at which the effect begins to
apply
Modulation speed
Modulation depth
Location of center position
Speed
Modulation depth
Frequency at which the effect is
applied
Amount of resonance
Balance between the effect sound
and the direct sound
Relative phase difference between
channels
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