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MixMode
Some performers need to hear more of their own voice or instrument, while others want to hear more of the band.
With MixMode, the performer creates their own mix using the balance control (▼▲ buttons) on the bodypack.
To use MixMode, send a solo mix of the performer to the L/CH1 input on the transmitter, and send a band mix to
the R/CH2 input.
Set the performer's bodypack for MixMode. The bodypack combines the two signals and sends them to both ear-
phones, while the balance control on the bodypack adjusts the relative levels for each.
For IFB applications, send two independent program feeds into the L/CH1 and R/CH2 input of the transmitter. With
MixMode, the director or broadcast talent can listen to either feed using the balance control (▼▲ buttons) on the
bodypack to pan to either audio signal.
LOOP Applications
Use LOOP OUT L (left) and R (right) outputs to send a copy of the audio signal going into the transmitter to other
devices. Following are a few of the many applications for these outputs.
Note: The input level control and the input pad do not affect the LOOP OUT signals.
MixMode for Multiple Systems
Configure each system for MixMode. From the mixing console, send a mix of the whole band to input 2 of the first
transmitter. Connect the LOOP OUT R output to the R/CH2 input of the next transmitter. Continue the chain with all
the transmitters.
Next, create solo mixes for each performer. Send each mix to input 1 of the transmitter for that performer.
Floor Monitors
Send the audio from the LOOP outputs to onstage loudspeakers. The bodypack and the onstage monitors receive
the same audio signals.
Note: The LOOP audio outputs will not drive passive loudpeakers, and must be sent to a power amplifier or an ac-
tive loudspeaker.
Recording Devices
To record a performance, connect the LOOP outputs to the inputs of a recording device.
Squelch
Squelch mutes audio output from the bodypack when the RF signal become noisy. While squelch is activated, the
blue LED on the bodypack turns off.
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