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0 Doubling (DBL)
Negative values result in reversed phase.
This effect provides a delayed repcat of the input sound, with
a delay of less than 100 ms. It creates an ensemble sound,
as
if two or three musicians were playing together.
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(1) TT1 (tap 1 time): 1
-
100 ms
.
This determines the delay time of tap 1.
(2)
TL
l
(tap 1 level): 0
-
100
This determines the level of the delay sound of tap 1.
(3) TT2 (tap 2 time): 1
-
100 ms
This determines the delay time of tap 2.
(4) TL2 (tap 2 level): 0
-
100
This determines the level of the delay sound of tap 2.
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21
(1) DES (destination): TL1, TL2, L12, LVL
The levels of both tap 1 and tap 2
can
be controlled when
selecting L12.
(2)
CTL
(control change number): 1
-
31, 63 - 95 (exclud-
ing 6,7,70 - 79, and91)
(3) HiD (high damp): 0 - 99
This determines the degree to which the high frequencies are
gradually filtered out when feedback is applied.
(4) MIX: -98
-
+98
This determines the balance of the effect
sound
and direct
sound. Negative values result in reversed phase.
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(1) DES (destination): FRQ, EB,
HiD,
MIX,
LVL
(2) CTL (control change number): 1 - 31, 63
-
95 (exclud-
ing 6,7,70
-
79, and 91)
(3) RATIO: -100 - +100%
(4) LVL (output level): 0 - 100
Helpful Hint:
This effect can also be used as a flanger in which the
modulation is controlled manually. Simply set the feedback
parameter
to
the maximum value and use real-time modula-
tion to control the FRQ parameter.
0 Tremolo (TRM)
(3) RATIO:
-
100
-
+
100%
This is a tremolo effect which is capable of various effects.
(4) LVL (output level):
0 - 100
0 Comb Fitter
(COF)
This is an unusual effect that utilizes the comb filter like an
equalizer. The effect is a result of locking a flanger. This
lets you create original timbres such
as
phase sound, in
which the phases
of
the picking (or attack sounds) are
reversed, since peaks and valleys in the frequency character-
istics are alternately created. Moreover, when the high damp
parameter is increased, the original high frequency character-
istics of the flanger are diminished, making it a more natural,
acoustic-like effect.
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11
(1) FRQ (frequency): 20
H z
-
2 kHz
This determines the basic frequency.
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11
(1)
DPT
(depth): 0 - 100
This determines the depth of the tremolo effect.
(2) SPD (speed): 1.0 - 20 Hz
This determines the speed of the tremolo.
(3) WF (waveform): Tri, STd, STu
This determines the waveform used in the tremolo: triangle
(Tri), saw down (STd), and saw up (STu).
(4)
EDG
(edge): 0 - 100
Increasing the value of this parameter effectively "clips" the
top of the tremolo waveform, making it more like a
trapezoid. In terms of sound, this makes it possible to create
a strong periodic gating effect.
(2) F.B (feedback): -98
-
+98
This determines the amount of feedback for the flanger. It
functions
as a
parameter for setting the degree of resonance.
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