ADOBE AFTER EFFECTS 7.0 Manuals

Manuals and User Guides for ADOBE AFTER EFFECTS 7.0. We have 1 ADOBE AFTER EFFECTS 7.0 manual available for free PDF download: Manual

ADOBE AFTER EFFECTS 7.0 Manual (685 pages)

Brand: ADOBE | Category: Software | Size: 45.68 MB

Table of Contents
3
Chapter 1: Getting Started

7
- Installation and Registration
  7
- Adobe Help Center
  8
- Using Help
  9
  - Search Tips
    10
  - To Navigate Help
    10
  - To Search Help Topics
    10
  - Learning Resources
    11
- Tips, Training, and Other Resources
  11
  - To Change the View
    11
  - To Print a Topic from Help
    11
  - To Use Bookmarks
    11
  - Adobe Studio
    12
  - Total Training Video Workshop DVD
    12
  - Extras and Other Downloads
    13
- New Features
  14
Chapter 2: Workflow and Workspace

15
- Create Compositions and Arrange Layers
  15
- Import and Organize Footage
  15
- Workflow and Workspace Basics
  15
  - Workflow Overview
    15
  - Add Effects and Modify Layer Properties
    16
  - Animate
    17
  - Preview Your Work
    18
  - Export
    19
  - About the Adobe Workspace
    20
  - To Scroll or Zoom in Panels
    21
- Customizing the Workspace
  22
  - Docking
    22
  - Drop Zones
    22
  - To Display Menus
    22
  - To Dock or Group Panels
    23
  - To Open a Panel in a Floating Window
    23
  - To Close a Panel or Window
    24
  - To Resize Panel Groups
    24
  - To Show or Hide a Panel
    24
  - Working with Multiple Monitors
    24
- Predefined Workspaces
  25
- Working with Panels
  26
  - About the Layer and Footage Panels
    27
  - To Display Footage
    27
  - To Expand Collapsed Items
    27
  - To Work with Panel Columns
    27
  - About the Info Panel
    28
  - About the Tools Panel
    28
  - To Select a Tool
    28
  - To Show or Hide Tool Tips
    28
Chapter 3: Adobe Bridge and Stock Photos

30
Chapter 4: Planning and Managing Projects

55
- Footage Considerations
  55
- Project Planning Considerations
  55
- Composition Considerations
  56
- Rendering and Exporting Considerations
  56
- Film or Videotape
  57
- Output Type Considerations
  57
- Animated GIF
  58
- CD-ROM or DVD
  58
- Streaming or Downloaded Video
  58
- Cross-Platform Project Considerations
  59
- File Systems
  59
- File-Naming Conventions
  59
- Project Path Names
  59
- About Timecode and Duration
  60
- Project Basics
  60
  - Timecode Display
    60
  - To Create and Open Projects
    60
  - To Change Timecode Display
    61
  - To Close a Project
    62
  - To Undo Changes
    62
  - Working with Adobe Bridge
    62
- Saving Projects
  63
- Color
  67
- Plug-Ins and Scripts
  72
  - Scripts (Pro Only)
    72
  - To Enable Linear Blending
    72
  - To Execute a Script (Pro Only)
    73
  - To Install a Script (Pro Only)
    73
  - Writing Scripts (Pro Only)
    73
Chapter 5: Preparing and Importing Footage

74
Chapter 6 About Compositions

115
Chapter 7: Previewing

140
- Methods for Previewing Compositions
  140
- Previewing Compositions
  140
  - To Preview a Composition Using Standard Preview
    140
  - To Preview a Composition Using RAM Preview
    141
  - Previewing Audio
    142
  - To Preview a Composition Using Manual Preview
    142
  - To Preview Audio
    143
  - To Set Display Options for the Audio Panel
    143
  - To Set Preferences for Audio Preview
    143
  - About Preview Modes
    144
  - To Preview Audio and Rendered Images
    144
  - To Preview Composition Audio
    144
  - To Use Opengl for Previews
    144
  - To Adjust Hardware Settings for Opengl Previews
    145
  - Supported Opengl Features
    146
  - To Use Adaptive Resolution for Previews
    146
  - To Use Wireframe for Previews
    146
  - Changing Magnification in Panels
    147
- Modifying Views
  147
- Settings and Tools for Previewing
  151
  - Taking and Viewing a Snapshot
    151
  - To Adjust Exposure of HDR Footage (Pro Only)
    151
  - To Take and View Multiple Snapshots
    151
  - To Choose a Viewer to Preview
    152
  - To Create a New Viewer
    152
  - To Lock a Viewer
    152
  - Working with Multiple Viewers
    152
  - Previewing on an External Video Monitor
    153
  - To View Progress While Previewing
    153
  - About Layers
    155
Chapter 8: Layers

155
- Creating and Adding Layers
  155
- Selecting and Arranging Layers
  159
- Managing Layers
  164
- Trimming
  168
  - To Move a Trimmed Layer in Time
    169
  - To Remove a Section of a Layer
    169
- Markers
  170
  - To Add a Composition-Time Marker
    170
  - To Add a Layer-Time Marker
    171
  - To Move a Composition-Time Marker
    171
  - To Move a Layer-Time Marker
    171
  - To Remove a Composition-Time Marker
    171
  - Nesting Compositions Containing Layer-Time Markers
    172
  - To Create a Chapter Link
    172
  - To Create a Web Link from a Marker
    172
  - To Synchronize Markers to Audio
    172
  - Audio/Video and Layer Switches
    173
- Switches
  173
- Creating Adobe Encore DVD Buttons
  178
  - To Create an Adobe Encore DVD Button
    178
  - To Export a Button for Use in Adobe Encore DVD
    178
- 3D Layers Overview
  179
- About 3D Layers
  179
Chapter 9: 3D Layers

179
- Using Third-Party 3D Files
  179
- About 3D Layer Order
  180
- About Z Scale
  180
- Using Effects with 3D Layers
  180
- To Designate a Layer as 3D
  181
- Using Masks with 3D Layers
  181
- Working with 3D Layers
  181
  - About 3D Rotation
    182
  - Adjusting 3D Layers
    182
  - To Show or Hide the Axes
    182
  - About 3D Views
    183
  - To Adjust a 3D Layer
    183
  - To Move the Anchor Point in 3D Using the Axes
    183
- Working with 3D Views
  183
  - Selecting and Adjusting 3D Views
    184
  - To Select a 3D View
    184
  - 3D Auto-Orientation Options
    185
  - About 3D Previews
    185
  - About 3D Rendering
    185
  - To Change Auto-Orientation Settings
    185
- About Cameras
  186
- Cameras, Lights, and Points of Interest
  186
  - To Change the Camera Used in a View
    186
  - Camera Settings
    187
  - To Create a Camera
    187
  - To Adjust a View Using the Camera Tools
    188
  - To Change Axis Modes
    188
- About Lights and Points of Interest
  189
  - To Create a New Light
    189
  - Light Settings Examples
    190
  - To Move a Camera, Light, or Point of Interest
    190
  - Material Options Properties
    191
  - Casts Shadows
    192
  - Light Transmission
    192
  - Material Options Examples
    192
  - About Animation and Layer Properties
    194
  - About the Graph Editor
    194
- Animation and Layer Properties
  194
Chapter 10: Animation

194
Chapter 11: Advanced Animation

224
- Controlling Change with Interpolation
  224
- Interpolation
  224
  - Mixing Incoming and Outgoing Interpolation Methods
    225
  - Spatial Interpolation and the Motion Path
    225
  - Temporal Interpolation and the Value Graph
    225
  - Interpolation Methods
    226
  - Linear Interpolation
    226
  - No Interpolation
    226
  - Auto Bezier Interpolation
    227
  - Bezier Interpolation
    227
  - Continuous Bezier Interpolation
    227
  - Hold Interpolation
    227
  - Applying and Changing Interpolation Methods
    228
  - To Change Interpolation Method with Keyframe Interpolation Dialog Box
    228
  - To Change Interpolation Method by Clicking
    229
  - To Modify Bezier Direction Handles
    229
  - About Changes in Speed
    230
  - About Speed Graphs
    230
- Speed
  230
- Time
  237
- Time-Stretching
  237
- About Time-Remapping
  239
See also

241
Using Motion Blur

245
See also

245
- About Alpha Channels and Mattes
  248
- About Transparency
  248
Chapter 12: Masks, Transparency, and Keying

248
- Transparency Overview
  248
  - About Keying
    249
  - About Masks
    249
- Creating and Importing Masks
  250
- Working with Masks
  256
  - Saving and Reusing Masks
    257
  - To Delete Masks
    257
  - To Lock or Unlock Masks
    257
  - To Save a Mask
    257
  - Controlling Mask Color
    258
  - To Apply a New Color to a Mask Outline
    258
  - To Duplicate a Mask
    258
  - To Specify a Mask as Target for New Mask Shapes
    258
  - To Move, Scale, and Rotate Masks or Vertices
    259
  - Changing the Shape of a Mask
    260
- Modifying Masks
  260
- Blending Modes and Mask Modes
  265
  - To Apply a Blending Mode
    265
  - Gallery of Blending Modes
    266
  - About Mask Modes
    270
  - To Cycle through Blending Modes
    270
  - To Apply a Mask Mode
    271
  - About Mask Animation
    272
- Animating Masks
  272
- Keying
  276
- Mattes
  285
  - To Create a Track Matte
    285
  - To Create a Garbage Matte
    286
  - To Preserve Underlying Transparency During Compositing
    286
  - To Create a Hold-Out Matte
    287
  - Using a Hold-Out Matte
    287
  - To Close a Hole in a Matte (Pro Only)
    288
  - About Text Layers
    289
Chapter 13: Text

289
- Creating Text
  289
  - To Enter Point Text
    289
  - To Enter Paragraph Text
    290
  - To Resize a Text Bounding Box
    290
- Formatting Characters
  291
  - To Convert Text from Photoshop to Editable Text
    291
  - To Edit Text in Text Layers
    291
  - To Hide and Show Layer Controls
    291
  - To Move Text Without Leaving Editing Mode
    291
  - About Fonts
    292
  - Using the Character Panel
    292
  - To Choose a Font Family and Style
    293
  - To Choose a Font Size
    293
  - To Specify Leading
    293
  - To Use Smart Quotes
    293
  - To Add a Stroke (Outline) to Text
    294
  - To Change the Text Color
    294
  - To Specify Kerning and Tracking
    294
  - To Adjust Scale or Specify Baseline Shift
    295
  - To Change the Case of Text
    295
  - To Blend Overlapping Characters in a Text Layer
    296
  - To Format as Superscript or Subscript
    296
  - To Select Paragraphs for Formatting
    296
  - To Use the Paragraph Panel
    296
  - To Align and Justify Text
    297
  - To Indent and Space Paragraphs
    297
  - To Change the Direction of Text
    298
  - To Convert Point or Paragraph Text
    298
  - To Specify Hanging Punctuation for Roman Fonts
    298
  - Adobe Every-Line Composer
    299
  - Adobe Single-Line Composer
    299
  - Choosing a Text Composition Method
    299
  - To Adjust Tsume
    300
  - To Specify How Leading Is Measured
    300
  - To Use Tate-Chuu-Yoko
    300
  - Working with Chinese, Japanese, and Korean Text
    300
  - About Text Animation
    301
- Animating Text
  301
  - Text Animation Presets
    301
  - To Animate Text with Text Animator Groups
    302
  - To Animate the Source Text
    302
  - Animator Properties
    304
  - To Set a Text Layer’s Anchor Point Properties
    304
  - About Selectors
    305
  - To Add Animator Properties
    305
  - Range Selector Properties
    306
  - To Add a New Selector to an Animator Group
    306
  - To Specify Ranges with the Range Selector
    306
  - About the Expression Selector
    308
  - Wiggly Selector Properties
    308
  - Creating and Animating Text on a Path
    309
  - To Add an Expression Selector to an Animator Group
    309
- Working with Masks in Text Layers
  309
  - To Change or Animate Text Path Properties
    310
  - To Position Text Along a Mask’s Path
    310
- Examples of Text Animations
  311
Chapter 14: Paint Tools

319
- To Specify Paint Tool Options
  319
- Using Paint Tools
  319
  - To Rotoscope with the Brush Tool
    320
  - To Select a Color for the Brush Tool
    320
  - To Use the Brush Tool
    320
  - Using the Clone Stamp Tool
    321
  - To Use the Clone Stamp Tool with the Paint Panel
    322
  - To Use the Clone Stamp Tool Manually
    323
  - To Save a Clone Stamp Preset
    324
  - To Use a Clone Stamp Preset
    324
  - To Use the Eraser Tool
    324
- Brushes
  325
  - Selecting Brushes
    325
  - To Set Brush Dynamics for Graphics Tablets
    325
  - Creating and Managing Preset Brush Tips
    326
  - To Create a New Preset Brush Tip
    326
  - To Delete a Preset Brush Tip
    326
  - To Return to Default Preset Brush Tips
    326
  - To Customize Brush Tip Shape Properties
    327
  - About Paint Strokes
    328
- Paint Strokes
  328
- Selecting Colors
  333
  - To Animate a Paint Stroke by Stroke Targeting
    333
  - To Select a Color with the Eyedropper Tool
    333
Chapter 15 Uses of Motion Tracking (Pro Only)

335
Chapter 16: Applying Effects

354
- Working with Effects
  354
- Modifying Effects
  358
  - To Change the Value of an Effect Property
    358
  - Placing an Effect Using Effect Points
    359
  - To Set a Color Value for an Effect
    359
  - To Set an Angle Value for an Effect
    359
  - To Set an Effect Point
    359
  - About Grain and Visual Noise
    360
  - About Grain Effects
    360
  - To Exactly Position an Effect
    360
- Using Noise & Grain Effects
  360
Chapter 17 : Effects: Reference

374
- Effect Categories
  374
- Effects: Reference
  374
- Galleries of Effects
  374
  - 3D Channel Effects Gallery
    375
  - Blur & Sharpen Effects Gallery
    375
  - Channel Effects Gallery
    376
  - Color Correction Effects Gallery
    377
  - Distort Effects Gallery
    379
  - Generate Effects Gallery
    380
  - Keying Effects Gallery
    381
  - Matte Effects Gallery
    382
  - Noise & Grain Effects Gallery
    382
  - Paint Effects Gallery
    383
  - Perspective Effects Gallery
    383
  - Simulation Effects Gallery
    384
  - Stylize Effects Gallery
    384
  - Text Effects Gallery
    385
  - Time Effects Gallery
    385
  - Transition Effects Gallery
    386
  - Utility Effects Gallery
    386
  - 3D Channel Effects (Pro Only)
    387
  - 3D Channel Extract Effect (Pro Only)
    387
  - About 3D Channel Effects (Pro Only)
    387
  - Depth Matte Effect (Pro Only)
    388
  - Depth of Field Effect (Pro Only)
    388
  - Fog 3D Effect (Pro Only)
    389
- Audio Effects
  390
  - ID Matte Effect (Pro Only)
    390
  - Backwards Effect
    391
  - Bass & Treble Effect
    391
  - Delay Effect
    391
  - Flange & Chorus Effect (Pro Only)
    391
  - High-Low Pass Effect (Pro Only)
    392
  - To Use Chorus Without Flange (Pro Only)
    392
  - Modulator Effect (Pro Only)
    393
  - To Remove Frequencies Using the High-Low Pass Effect (Pro Only)
    393
  - Parametric EQ Effect (Pro Only)
    394
  - Reverb Effect (Pro Only)
    394
  - Stereo Mixer Effect
    395
  - Tone Effect (Pro Only)
    395
- Blur & Sharpen Effects
  396
  - Box Blur Effect
    396
  - Channel Blur Effect
    396
  - Compound Blur Effect
    397
  - Directional Blur Effect
    397
  - Fast Blur Effect
    397
  - Gaussian Blur Effect
    398
  - Lens Blur Effect
    398
  - To Use the Lens Blur Effect
    398
  - Radial Blur Effect
    399
  - Reduce Interlace Flicker Effect
    399
  - Sharpen Effect
    399
  - Smart Blur Effect
    400
  - Unsharp Mask Effect
    400
  - Alpha Levels Effect (Pro Only)
    401
  - Arithmetic Effect
    401
- Channel Effects
  401
  - To Convert Grays in a Matte to Pure Black or White (Pro Only)
    401
  - Blend Effect
    402
  - Calculations Effect
    403
  - Input Channel
    403
  - To Use the Blend Effect
    403
  - Channel Combiner Effect
    404
  - Compound Arithmetic Effect
    404
  - Invert Effect
    405
  - Minimax Effect
    406
  - Remove Color Matting Effect
    406
  - Set Channels Effect
    407
  - Set Matte Effect
    407
  - Auto Color Effect
    408
- Color Correction Effects
  408
  - Shift Channels Effect
    408
  - Solid Composite Effect
    408
  - Auto Contrast Effect
    409
  - Auto Levels Effect
    409
  - Brightness & Contrast Effect
    410
  - Broadcast Colors Effect
    410
  - Change Color Effect
    411
  - Change to Color Effect
    412
  - Channel Mixer Effect
    413
  - Color Balance Effect
    413
  - Color Balance (HLS) Effect
    414
  - Color Link Effect
    414
  - Color Stabilizer Effect (Pro Only)
    415
  - Colorama Effect
    416
  - To Customize a Palette with the Colorama Effect
    416
  - Input Phase Controls for the Colorama Effect
    417
  - Output Cycle Controls for the Colorama Effect
    417
  - To Adjust Hue Levels with the Colorama Effect
    417
  - To Adjust Lightness Levels with the Colorama Effect
    417
  - Modify Controls for the Colorama Effect
    418
  - Pixel Selection, Masking, and Other Controls for the Colorama Effect
    418
  - Curves Effect
    419
  - To Use the Curves Effect
    419
  - Equalize Effect
    420
  - Exposure Effect
    420
  - To Use Arbitrary Map in the Curves Effect
    420
  - To Use the Exposure Effect
    420
  - Gamma/Pedestal/Gain Effect
    421
  - Hue/Saturation Effect
    421
  - To Adjust Colors with the Hue/Saturation Effect
    422
  - To Colorize an Image or Create a Monotone Result
    422
  - Leave Color Effect
    423
  - Levels Effect
    423
  - To Modify the Range of Hue/Saturation Effect Adjustments
    423
  - Levels (Individual Controls) Effect
    424
  - Photo Filter Effect
    425
  - Photo Filter Effect Color Preset Categories
    425
  - PS Arbitrary Map Effect
    425
  - Shadow/Highlight Effect
    426
  - Color Correction
    427
  - Midtone Contrast
    427
  - Shadow Tonal Width, Highlight Tonal Width
    427
  - Bezier Warp Effect (Pro Only)
    428
- Distort Effects
  428
  - Tint Effect
    428
  - Bulge Effect (Pro Only)
    429
  - Corner Pin Effect (Pro Only)
    429
  - Displacement Map Effect (Pro Only)
    430
  - To Distort an Image with Displacement Map (Pro Only)
    430
  - Liquify Effect
    431
  - Liquify Tools
    431
  - Mask Properties for the Liquify Effect
    431
  - To Distort an Image with the Liquify Effect
    431
  - Magnify Effect
    432
  - To Undo Distortions with the Liquify Effect
    432
  - Mesh Warp Effect (Pro Only)
    433
  - Mirror Effect
    434
  - Offset Effect
    434
  - Optics Compensation Effect (Pro Only)
    435
  - To Add and Match Lens Distortion with Optics Compensation (Pro Only)
    435
  - Polar Coordinates Effect
    436
  - Reshape Effect (Pro Only)
    436
  - Controls for the Reshape Effect (Pro Only)
    437
  - Correspondence Points
    437
  - Ripple Effect
    438
  - To Use the Reshape Effect (Pro Only)
    438
  - Smear Effect
    439
  - To Use the Smear Effect
    440
  - Spherize Effect
    441
  - Transform Effect
    441
  - Turbulent Displace Effect
    442
  - To Create a Seamless Loop Using Turbulent Displace
    443
  - Twirl Effect
    444
  - Warp Effect
    444
  - Wave Warp Effect
    445
  - 4-Color Gradient Effect
    446
  - Advanced Lightning Effect (Pro Only)
    446
- Generate Effects
  446
  - Audio Spectrum Effect
    448
  - Audio Waveform Effect
    449
  - Beam Effect
    450
  - Cell Pattern Effect
    450
  - Checkerboard Effect
    452
  - Circle Effect
    453
  - Ellipse Effect
    454
  - Eyedropper Fill Effect
    454
  - Fill Effect
    455
  - Fractal Effect
    455
  - Grid Effect
    457
  - Using Tools with the Fractal Effect
    457
  - Lens Flare Effect
    458
  - Lightning Effect
    458
  - Paint Bucket Effect
    460
  - Radio Waves Effect
    461
  - Stroke Controls for the Radio Wave Effect
    463
  - Wave Motion Controls for the Radio Waves Effect
    463
  - Controls for the Scribble Effect
    464
  - Ramp Effect
    464
  - Scribble Effect
    464
  - Stroke Effect
    466
  - Vegas Effect
    466
  - MID-Point Opacity
    468
  - MID-Point Position
    468
  - Write-On Effect
    468
  - Color Difference Key Effect (Pro Only)
    469
  - Color Key Effect
    469
- Keying Effects
  469
  - Color Range Effect
    470
  - Difference Matte Effect (Pro Only)
    470
  - Extract Effect (Pro Only)
    470
  - Inner/Outer Key Effect (Pro Only)
    471
  - Linear Color Key Effect
    471
  - Luma Key Effect
    472
  - Matte Choker Effect (Pro Only)
    472
- Matte Effects (Pro Only)
  472
  - Spill Suppressor Effect (Pro Only)
    472
  - Add Grain Effect
    473
- Noise & Grain Effects
  473
  - Simple Choker Effect (Pro Only)
    473
  - Dust & Scratches Effect
    474
  - Fractal Noise Effect
    474
  - To Use the Dust & Scratches Effect
    474
  - Controls for the Fractal Noise Effect
    475
  - Match Grain Effect
    477
  - Median Effect
    477
  - To Create a Seamless Loop Using Fractal Noise
    477
  - Noise Alpha Effect
    478
  - Noise Effect
    478
  - Noise HLS Effect and Noise HLS Auto Effect
    479
  - Paint Effect
    480
- Paint Effects
  480
- Perspective Effects
  492
  - To Select Vector Paint Preference Options (Pro Only)
    492
  - Controls for the 3D Glasses Effect
    493
  - About Red, Blue, and Green Lenses
    494
  - Basic 3D Effect
    494
  - Bevel Alpha Effect
    495
  - Bevel Edges Effect
    495
  - Drop Shadow Effect
    495
  - Radial Shadow Effect
    496
  - Card Dance Effect
    497
- Simulation Effects
  497
- Stylize Effects
  529
  - Color Emboss Effect
    530
  - Emboss Effect
    530
  - Find Edges Effect
    530
  - Glow Effect (Pro Only)
    531
  - Mosaic Effect
    532
  - To Apply a Basic Glow Based on the Alpha Channel (Pro Only)
    532
  - To Apply a Basic Glow Using Original Colors (Pro Only)
    532
  - Motion Tile Effect
    533
  - Posterize Effect
    533
  - Roughen Edges Effect
    534
  - Evolution Controls for the Roughen Edges Effect
    535
  - Scatter Effect (Pro Only)
    535
  - Strobe Light Effect
    536
  - Texturize Effect
    536
  - Basic Text Effect
    537
- Text Effects
  537
- Time Effects
  545
- Transition Effects
  550
  - Card Wipe Effect
    551
  - Transition Completion
    551
  - Transition Width
    551
  - Camera Position Controls for the Card Wipe Effect
    552
  - Corner Pins Controls for the Card Wipe Effect
    552
  - Jitter Controls for the Card Wipe Effect
    553
  - Lighting Controls for the Card Wipe Effect
    553
  - Material Controls for the Card Wipe Effect
    553
  - Gradient Wipe Effect
    554
  - Iris Wipe Effect
    554
  - Linear Wipe Effect
    555
  - Radial Wipe Effect
    555
  - Venetian Blinds Effect
    555
  - Cineon Converter Effect
    556
- Utility Effects
  556
  - Color Profile Converter Effect
    557
  - To Control the Tonal Balance of a Cineon File
    557
  - To Convert the Color Profile of a Layer
    557
  - Grow Bounds Effect
    558
  - Rendering Intents
    558
  - HDR Compander Effect
    559
  - To Use the HDR Compander Effect
    559
  - HDR Highlight Compression Effect
    560
Chapter 18: Expressions

561
- Creating and Modifying Expressions
  561
- Working with Expressions
  567
  - Saving Expressions
    568
  - To Reuse an Expression
    568
  - Viewing the Expression Graph
    568
  - Expression Presets
    569
  - To Convert an Expression to Keyframes
    569
  - About the Expression Language
    570
  - Accessing Values
    570
  - Global Objects
    570
- The Expression Language
  570
  - Arrays
    571
  - Vector and Array Indices
    572
  - Vectors
    572
  - Expression Time
    573
- Commonly Used Attributes and Methods
  574
- After Effects Expression Elements Reference
  576
  - Using the Expression Elements Reference
    576
  - Time Conversion Methods
    577
  - Vector Math Methods
    579
  - Random Numbers Methods
    580
  - Color Conversion Methods
    582
  - Comp Attributes and Methods
    582
  - Other Math Methods
    582
  - Footage Attributes and Methods
    584
  - Layer Subobjects Attributes and Methods
    584
  - Layer General Attributes and Methods
    585
  - Layer Properties Attributes and Methods
    585
  - Layer 3D Attributes and Methods
    586
  - Layer Space Transforms Methods
    587
  - Camera Attributes and Methods
    588
  - Effect Attributes and Methods
    589
  - Light Attributes and Methods
    589
  - Mask Attributes and Methods
    590
  - Property Attributes and Methods
    590
  - Key Attributes and Methods
    592
  - Example: to Rotate the Hands of a Clock
    593
  - Example: to Turn a Dial and Illuminate a Lamp
    593
- Pick-Whip Expression Examples
  593
  - Example: to Increase Blur with Depth
    594
  - Example: to Position One Layer between Two Others
    594
- Manually Entered Expression Examples
  594
  - Example: to Create a Bulge between Two Layers
    595
  - Example: to Create a Circular Movement in One Layer
    595
Chapter 19: Rendering and Exporting

596
Chapter 20: Performance and Memory

642
- Memory Usage
  642
- Performance and Memory
  642
- Caches
  643
- Maximum Memory Usage
  643
- Maximum RAM Cache Size
  643
- To Set Caching Preferences
  643
- Improving Performance before Starting after Effects
  644
- Improving Performance When Using Effects
  644
- Simple Ways to Improve Performance
  644
Chapter 21: Keyboard Shortcuts

648
- Default Keyboard Shortcuts
  648
- Keys for Selecting Tools
  648
- Keys for Using Footage Items
  649
- Keys for Working with Settings
  649
- Keys for Viewing Panels
  650
- Keys for Moving Around the Timeline Panel
  651
- Keys for Nudging Layers
  652
- Keys for Previewing
  652
- Keys for Using Layers
  653
- Keys for Viewing Layer Properties
  654
- Keys for Working with the Composition Panel
  655
- Keys for Modifying Keyframes
  656
- Keys for Setting the Work Area
  657
- Keys for Working with the Graph Editor
  657
- Keys for 3D Animation
  658
- Keys for Using Masks
  658
- Keys for Using the Effect Controls Panel
  658
- Keys for Painting
  659
- Keys for Using Markers
  659
- Keys for Using Text
  660
- Keys for Working with Adobe Bridge
  661
Index

664

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ADOBE AFTER EFFECTS 7.0 Manuals

ADOBE AFTER EFFECTS 7.0 Manual (685 pages)

Table of Contents

Chapter 1: Getting Started

Chapter 2: Workflow and Workspace

Chapter 3: Adobe Bridge and Stock Photos

Chapter 4: Planning and Managing Projects

Chapter 5: Preparing and Importing Footage

Chapter 6 About Compositions

Chapter 7: Previewing

Chapter 8: Layers

Chapter 9: 3D Layers

Chapter 10: Animation

Chapter 11: Advanced Animation

See also

Using Motion Blur

See also

Chapter 12: Masks, Transparency, and Keying

Chapter 13: Text

Chapter 14: Paint Tools

Chapter 15 Uses of Motion Tracking (Pro Only)

Chapter 16: Applying Effects

Chapter 17 : Effects: Reference

Chapter 18: Expressions

Chapter 19: Rendering and Exporting

Chapter 20: Performance and Memory

Chapter 21: Keyboard Shortcuts

Index

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