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6/ Sawtooth wave oscillator at input signal frequency.
7/ Sawtooth wave oscillator an octave below the input signal frequency.
8/ Square wave oscillator an octave below the input signal frequency.
NB : Even if you can use both Biscuiting and Waveshapers at the same
time, the different waveform modifications it creates can sometimes con-
flict, resulting in a very low sound level. In order to have a better under-
standing of the Waveshapers, start using them with the 8 bits in their
normal state (the 8 switches lit up white).
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3.2 DELAY

This is an 8-bit mono delay. Only the left input is used. The delay output is
sent on both left and right outputs and can be mixed with the direct stereo
signal, via the DRESSED and NAKED pots.
The « TAP », « - / F1 », « + / F2 », « F3 » switches are used to set delay
parameters:
TAP : Tap this switch in rhythm to set the delay time. The switch will flash in
rhythm. If BISCUIT receives a MIDI BEAT CLOCK message, the « TAP » switch
will be inactive and the delay time will follow the MIDI tempo (unless you have
deactivated the MIDI CLOCK RX function in the MIDI menu. Chap 5).
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F1 : subdivisions :
When this switch lights up red, the CLOCK pot
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allows you to select the tempo subdivision. You can choose between six
different subdivisions :
• Quarter Note (switch 1 lights up white)
• Dotted Quarter Note (switch 2 lights up white)
• Eighth (switch 3 lights up white)
• Dotted Eighth (switch 4 lights up white)
• Sixteenth (switch 5 lights up white)
• Dotted Sixteenth (switch 6 lights up white)
F2 : Feedback : When this switch lights up red, the CLOCK pot sets the
delay reinjection level: from 0 (switch 1 lights up white) to 100% (switch 8
lights up white).
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F3 : Free Clock : When this switch lights up red, the TAP TEMPO or the MIDI
BEAT CLOCK are inactive. The delay time is now set by the CLOCK pot.
If you press the « F3 » switch again (it turns off), delay will go back to TAP
TEMPO or the MIDI BEAT CLOCK.
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