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2-8 for each channel. So, the both channels, seen as two 8 stage phasers, are
simply in a row, however the input B is still kept active. From the perspective of
Input A the signal at the output
of channel A + the selected stage by the
switch the upper row of numbers is valid for each channel, singularly, and
lower one for the chain A to B. For the
lower number row is valid for both channels.
3.) A
B 16 (up position): Channel A and B are serial routed in the same way as
→
above. The difference is the feedback loop for channel A. The stages 2-8 of
channel B will be feed back to the channel A's input here. Thus, the feedback
loop involves the 8 stages of channel A + the selected stage by the
switch. The feedback loop of channel B involves furthermore its stages 2-8. For
Fb Stage
the
switch the upper row for channel A is valid and for channel B the
lower one. For the
Fb B: This switch activates ("on") or deactivates ("off") the feedback loop of
channel B anytime in all modes.
Input sel: This switch selects the original signal at
for the balance controller
generation of a true 10/12/14/16 stage phaser from the perspective of
is wished, because the output stages are those of channel B provided at the
Mix B
output
. To mix it with its original input, namely at
Input A
get
now and not
A remark to the noise topic: Long phaser chains (especially voltage
controlled ones) with lots of stages are noisy, namely in the most cases more
than filters. Nevertheless, the noise figure isn't the measure of all things.
Because there exists really musical and beautiful noise and in opposite to that
really ugly and unaesthetic noise. Although, the noise output of the PHS-28 is
pretty low, we find its noise character is really terrific and that it will integrate
in a very musical way into the incoming audio. Believe it or not this fact has
thus its price.
St-8 B
Out Stage
switch the same as for 2.) is valid.
Mix B
. This is useful in the modes 2.) or 3.), when a
B
.
CS-8 Series PHS-28 Rev1.01, Dec. 2013
Mix B
and at
8 runs through the 8 stages
Out Stage
Fb Stage
Input B
-21-
switch. For the
switch, consequently, the
Input A
("B") or
Input A Mix B
Out Stage
Fb Stage
("A")
Input A
has to
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